The Furrows: A Novel by Namwali Serpell is a bold exploration of memory and mourning that twists unexpectedly into a story of mistaken identity, double consciousness, and the wishful—and sometimes willful—longing for reunion with those we’ve lost. Namwali Serpell’s remarkable new novel captures the uncanny experience of grief, the way the past breaks over the present like waves in the sea. I highly recommend this book.

The Furrows: A Novel reminded me of my longing to be reunited with Jan. I know it is impossible, but that does not keep me from desiring the unattainable. Reading this novel helped me remind me that Jan is still with me in spirit and that is far better than reuniting with her.

The Goodreads summary provides an overview,

Cassandra Williams is twelve, and her little brother Wayne is seven. One day, an accident happens when they’re alone together, and Wayne is lost forever. Or so it seems. Though his body is never recovered, their mother, unable to give up hope, launches an organization dedicated to missing children. Their father leaves and starts another family somewhere else.

As C grows older, she sees her brother everywhere: in coffee shops, airplane aisles, subway cars, and cities on either coast. Here is her brother’s more aging face, the light in his eyes, his lanky limbs, the way he seems to recognize her too. But it can’t be, of course. Or can it? Disaster strikes again, and C meets a man, both mysterious and strangely familiar, who is also searching for someone and his place in the world. His name is Wayne.

Namwali Serpell’s remarkable novel captures the ongoing and uncanny experience of grief–the past breaking over the present like waves in the sea. The Furrows is a bold and beautiful exploration of memory and mourning that twists unexpectedly into a masterful story of black identity, double consciousness, and the wishful and sometimes willful longing for reunion with those we’ve lost.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Half His Age by Jennette McCurdy is a strikingly insightful and humorously poignant character study of a yearning seventeen-year-old girl who faces numerous obstacles—or attempts to overcome them—in her quest to be seen, desired, and loved. This novel is a blend of sadness, humor, and thrills, exploring themes of sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the often misguided lengths we go to obtain what we want. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, it’s just enough that he sees her when no one else does.

Jennette McCurdy is the #1 New York Times bestselling author of “I’m Glad My Mom Died,” which won the 2023 American Library Association Alex Award. The book has been published in over thirty countries and has sold more than three million copies. McCurdy is also creating, writing, and executive producing an Apple TV+ series loosely inspired by “I’m Glad My Mom Died,” starring Jennifer Aniston. Additionally, “Half His Age” is her debut novel.

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Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.

Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.

Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.

Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.

Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.

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Today, I started reading Mercury: A Novel about a roofing family. The family’s bond of loyalty is tested when they uncover a long-hidden secret at the heart of their blue-collar town. The book is written by Amy Jo Burns, the author of the critically acclaimed novel Shiner, which I read and enjoyed in 2022. I highly recommend it.

The story is set in 1990, and it follows the journey of a seventeen-year-old girl named Marley West, who arrives in the river valley town of Mercury, Pennsylvania. She is a loner who is looking for a place to belong. The first thing she sees when she gets to town is three men standing on a rooftop, and they soon become her whole world.

Marley becomes a young wife to one of the Joseph brothers, The One Who Got Away to another, and an adopted mother to all of them. Marley guides these unruly men as their mother fades away and their roofing business crumbles under the weight of their unwieldy father’s inflated ego. Years later, an eerie discovery in the church attic causes old wounds to resurface, and suddenly, the family’s survival hangs in the balance.

With Marley as their guide, the Joseph brothers must decide whether they can save the family they’ve always known or build something more substantial in its place.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Regarding gifts made this month, I will match dollar for dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.

Today, I began reading Wait: A Novel by Gabriella Burnham. This story is told with deep insight, humor, and an unexpected tenderness that will captivate you. The novel revolves around a family struggling against the societal issues that deteriorate their bonds, such as housing instability, immigration policies, and inherited wealth. At its core, it is also a tale about love, humor, and sisterhood, highlighting how two sisters lean on each other amid monumental changes while dreaming of a brighter future.

Elise is out dancing the night before her college graduation when her younger sister, Sophie, calls to inform her that their mother is missing. Elise promptly booked the next flight back to her childhood home on Nantucket Island, which she hadn’t visited in nearly four years.

Upon her return, the sisters are confronted with the harsh reality that their mother was stopped by the police while returning home from work and deported to São Paulo, Brazil. Despite the daunting odds, Elise boldly decides to stay fueled by her love for her mother and takes the same job she had during high school: monitoring endangered birds.

Meanwhile, her college best friend, Sheba—a lively socialite and heir to a famous children’s toy company—reveals that she has inherited her grandfather’s summer mansion on Nantucket. As Elise navigates her new reality, her worlds collide as she faces the emotional and material challenges that have fractured her family and the life in Brazil that her mother has been forced to leave behind.

Gabriella Burnham‘s debut novel, It Is Wood, It Is Stone, was named a best book of the year by Harper’s Bazaar, Marie Claire, Publishers Weekly, and Good Housekeeping. She holds an MFA in creative writing from St. Joseph’s College and has been awarded fellowships to Yaddo and MacDowell, where she was named a Harris Center Fellow. Her nonfiction writing has appeared in Harper’s Bazaar. Burnham and her partner live in Brooklyn, New York, with their rescue cats, Galleta and Franz.

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The Rest of Our Lives by Ben Markovits is a beautifully crafted, tender, and insightful story that depicts the journey of starting anew. Tom Layward, the protagonist, chooses not to return home after dropping his daughter off at college. This life-affirming road trip novel explores themes of marriage, middle age, and a man confronting a pivotal moment. It was a finalist for the 2025 Booker Prize.

When Tom Layward’s wife had an affair twelve years ago, he resolved to leave her as soon as his youngest child left the nest. Now, while driving his college-bound daughter to Pittsburgh, he remembers his promise to himself. He is also on the run from his own health issues and a forced leave from work.

So, rather than returning to his wife in Westchester, Tom keeps driving west, with the vague plan of visiting people from his past—an old college friend, his ex-girlfriend, his brother, his son—en route, maybe, to California. He’s moving towards a future he hasn’t even envisioned, while he considers his past and the choices he’s made that have brought him to this moment.

Ben Markovits was born and raised in Texas, and later lived in London and Berlin. He studied at Yale University and the University of Oxford. After graduating, he became a professional basketball player in Landshut, Germany, where he played against a young Dirk Nowitzki.

Markovits has authored eleven novels, including Fathers and Daughters, You Don’t Have to Live Like This, and The Sidekick. In addition to his books, he has published essays, stories, poetry, and reviews in notable publications such as The Guardian, Granta, The Paris Review, and The New York Times.

In 2013, Granta recognized him as one of their Best of Young British Novelists. He received the Eccles British Library Writer in Residence Award and the James Tait Black Memorial Prize in 2015. Currently, he lives in London and teaches creative writing at Royal Holloway, University of London.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

“The White Hot” by Quiara Alegría Hudes is a letter from a mother to her daughter, reflecting on a moment of abandonment that stretches from ten days to ten years. It offers an explanation rather than an apology. Hudes tells April’s story—spiritual and sensual, fierce and humorous—using delicate lyricism and tough love. Through this narrative, Hudes transforms April’s struggle for self-discovery into an unforgettable short epic.

April is a young mother raising her daughter in a multigenerational home filled with unspoken secrets and loud arguments. Her only refuge is the locked bathroom, where she plugs her ears into an ambient soundscape and repeats a mantra: “dead inside.” This continues until one day, as she feels herself spiraling toward the volcanic rage she calls “the white hot,” an inner voice tells her to simply walk away.

She goes to a bus station and asks for a one-way ticket to the furthest destination. This ticket takes her from her Philadelphia home to the threshold of a wilderness, marking the start of a nameless quest—an accidental journey that awakens her, nearly kills her, and leads her to an impossible choice.

As April discovers the key to freeing herself and her family from a cycle of generational trauma through her painful and absurd journey,

Quiara Alegría Hudes is a Pulitzer Prize-winning playwright known for her plays “Water by the Spoonful” and “In the Heights,” the latter of which won the Tony Award for Best Musical. She also adapted this musical for the screen.

Her memoir, “My Broken Language,” was longlisted for the Andrew Carnegie Medal. Hudes has written essays published in prominent outlets, including The New York Times, The Washington Post, The Cut, The Nation, and American Theater Magazine. Additionally, she co-founded the prison writing program Emancipated Stories with her cousin Sean.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!