The Book of Goose: A Novel by Yiyun Li; is a gripping, heartbreaking new novel about female friendship, art, and memory by the award-winning author of Where Reasons End. The Book of Goose: A Novel is a story of disturbing intimacy, obsession, exploitation, and strength of will. I highly recommend this book as it was not only a page-turner but a novel that helped me on my grief journey. 

The novel focuses on many issues that interest me and intrigue me during my grief journey. Jan was anxious that she was not as successful in her work or personal life. I always reassured her not to be concerned. 

After Jan died, I had similar feelings. Over time, I have heard words of wisdom and regained my self-confidence.

The Goodreads summary provides an overview,

Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised–the place that Fabienne helped Agnès escape ten years ago. Now, Agnès is free to tell her story.

As children in a war-ravaged, backwater town, they’d built a private world, invisible to everyone but themselves–until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune, and terrible loss.

A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school to the quiet Pennsylvania home where Agnès can live without her past, The Book of Goose is a haunting story of friendship, art, exploitation, and memory by the celebrated author Yiyun Li.

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Today I started reading The Invisible Hour by Alice Hoffman. It’s a story about love, heartbreak, self-discovery, and the magic of books. The Invisible Hour is the story of one woman’s dream. For a little while, it came true. Nathaniel Hawthorne wrote: “A single dream is more powerful than a thousand realities.

Mia Jacob finds hope in the power of words on a brilliant June day. She reads The Scarlet Letter, a novel written almost two hundred years earlier, which mirrors her life. Mia and her mother, Ivy, live inside an oppressive cult in western Massachusetts called the Community, where contact with the outside world is forbidden, and books are considered evil. Nathaniel Hawthorne’s words perfectly capture the pain and loss that Mia carries inside her.

As Mia journeys through heartbreak and time, she breaks free from the rules of her Community. Along the way, she discovers the power of reading to transport and connect people, the fluidity of time, and the strength of love to overcome any obstacle.

As a young girl, Mia fell in love with a book. Now as a woman, she falls for a writer as she travels back in time. But what if Nathaniel Hawthorne never wrote “The Scarlet Letter”? What if Mia never found the book on the day she planned to end her life?

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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In the bestselling novel that has captivated readers in Italy, The Letter Carrier by Francesca Giannone depicts a small town in southern Italy that reflects the experiences of many others. It portrays the lives of women and men—husbands and wives, fathers and sons, mothers and daughters—as they strive to navigate the world while remaining true to their hearts. The Letter Carrier explores the universal theme of connection and examines the consequences that arise when those connections occur at the wrong time.

Salento, Italy, June 1934: A coach stops in the main square of Lizzanello, a tight-knit village where everyone knows each other. A couple gets off: The man, Carlo, a Southerner, is happy to be back home after a long time away; the woman, Anna—his wife—is a Northerner. Carlo’s brother is there to meet them, and he, along with everyone else, can’t help but notice that Anna is as beautiful as a Greek statue.

But Anna is not like the other wives. She doesn’t gossip or attend church. She reads books no one else has ever heard of, exploring ideas that some find threatening. She even wears pants, just like a man, and thinks a woman should have rights, just like a man.

There aren’t many options for a woman with Anna’s sensibilities, so when she learns that the post office is hiring, she leaps at the opportunity. A female letter carrier? It is unthinkable! But Anna passes the postal exam and soon becomes the invisible thread connecting the town as she delivers letters between clandestine lovers, families waiting to hear news of loved ones away at war, and even helps those who can’t read.

Letters connect people, conveying both information and emotion. But for some in Lizzanello, letters are too little and too late.

Francesca Giannone holds a degree in communication science and studied at the CSC, the oldest film school in Europe, located in Rome. She has published several short stories in literary magazines, both in print and online. Currently, Giannone resides in Milan, but her heart remains in her hometown of Lizzanello, a seaside town in the Salento region of Italy. She hopes to return there to live one day.

Elettra Pauletto translated The Letter Carrier. After earning her MFA from Columbia University, she has split her time between writing about her experiences in Africa—specifically in the Democratic Republic of the Congo, Rwanda, and Senegal—and translating fiction and nonfiction works from Italian and French into English. In both her writing and translations, she heavily relies on her background as a former political risk analyst who covered Sub-Saharan Africa, the Middle East, and Europe.

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Originally written in Spanish by Cristina Rivera Garza, Death Takes Me is a thrilling masterpiece of literary fiction that turns the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, the story unfolds with the dreamlike logic of a surreal experience, transitioning from the police station to a professor’s classroom and through the intricate worlds of Latin American poetry and art. It invites readers to explore the unstable terrains of desire and sexuality.

A city is always a cemetery.

In the narrative, a professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and promptly reports it to the police. When shown a crime scene photo, she discovers a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”

The professor becomes the primary informant in the case, which is led by a detective who is newly obsessed with poetry and haunted by a list of past failures. But what has the professor truly witnessed? As more bodies of castrated men alongside lines of verse, the detective attempts to decipher the meaning of the poems in hopes of stopping the spreading violence throughout the city.

Cristina Rivera Garza is an acclaimed author known for works such as The Taiga Syndrome and The Iliac Crest. Her memoir, Liliana’s Invincible Summer, won the Pulitzer Prize and was a finalist for the National Book Award. She has received the MacArthur Fellowship and the Sor Juana Inés de la Cruz Prize. Currently, Rivera Garza holds the Hugh Roy and Lillie Cranz Cullen Distinguished Chair and serves as director of the PhD program in Creative Writing in Spanish at the University of Houston.

Sarah Booker is a teacher and a literary translator. Her translations include novels by Mónica Ojeda, Cristina Rivera Garza, and Gabriela Ponce. She is also an associate editor at Southwest Review.

Robin Myers is a poet and translator. Her translations encompass Andrés Neuman’s Bariloche, Claudia Peña Claros’s The Trees, Isabel Zapata’s In Vitro, Eliana Hernández-Pachón’s The Brush, and Cristina Rivera Garza’s The Restless Dead: Necrowriting and Disappropriation.

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The Swamps of Jersey by Michael Stephen Daigle is the first of the Frank Nagler series. Having read the fourth one – The Red Hand, I thought this was an excellent time to read the first in this impressive deceptive series. It was, in fact, an excellent decision. Understanding Frank Nagler better now, I plan to read the next two and the Red Hand to be ready for the fifth book Dragony Rising.

Ironton, New Jersey has seen hard times before. Deserted factories and empty stores reflect the decades-long decline, that even Mayor Gabriel Richman, scion of one of the city’s leading political families, cannot seem to rectify. Now families are living on the street or in the shells of the old factories.A week-long tropical storm floods the depressed city bringing more devastation as well as a new misery: The headless, handless body of a young woman in the Old Iron Bog.

Between the gruesome murder and an old factory suspiciously burning down, Detective Frank Nagler begins to believe that incarcerated Charlie Adams, the city’s famous serial killer, may have fostered a copycat killer. Determined to find the truth, he follows the case that leads into unexpected places.

Knowing the author and the geography of NJ, I found this book a must-read.

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Today, I started reading “Orbital” by Samantha Harvey. “Orbital” is a slender novel with epic power that captures a single day in the lives of six women and men hurtling through space. The author’s prose is poetic and impossible to put aside. Watching the Earth through the eyes of space travelers is refreshing. If I finish reading it by Sunday, it will be the 78th book I’ve read this year or the first one of 2024.

They are not going towards the moon or the vast unknown but are orbiting our planet. These astronauts and cosmonauts come from various countries, including America, Russia, Italy, Britain, and Japan. They are selected for one of the last space station missions before the program is dismantled. They have left their lives behind to travel over seventeen thousand miles an hour as the earth reels below.

Throughout the book, we catch glimpses of their earthly lives through brief communications with their families, photos, and talismans. We watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent their muscles from atrophying. We also witness them form bonds that will stand between them and utter solitude. Most importantly, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are breathtakingly beautiful and surprisingly intimate. Additionally, we get to see the marks of civilization far below, encrusted on the planet on which we live.

It is a profound, contemplative, and gorgeous book that eloquently meditates on space. Moreover, it is a moving elegy reflecting our humanity, environment, and planet.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. For gifts made this month, I will match dollar for dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.

Today, I started reading Dogs and Monsters: Stories by Mark Haddon. The collection features eight captivating and imaginative stories that blend Greek myths with contemporary dystopian narratives. The stories explore themes of mortality, moral choices, and various forms of love, including romantic, familial, and self-love. Haddon’s clear-eyed vision is infused with deep empathy.

In addition, Haddon’s fluid prose showcases his remarkable powers of observation, both of the physical world and the inner workings of the human psyche. Greek myths have fascinated people for millennia with their timeless appeal and enduring lessons about fate, hubris, and life’s uncertainties. In Dogs and Monsters: Stories, Mark Haddon delves into the heart of these ancient fables and presents them in a fresh light. For instance, in one story, the dawn goddess Eos requests that Zeus grant her lover Tithonus eternal life but forgets to ask for eternal youth. In “The Quiet Limit of the World,” Haddon imagines Tithonus’s life as he ages over thousands of years, transforming this cautionary tale about tempting the gods into a spellbinding meditation on observing death from the outside. This tale ultimately explores how carnal love evolves into something more profound and poignant over time.

In “The Mother‘s Story,” Haddon reinterprets the myth of the Minotaur, born of the monstrous lust of King Minos’s wife, Pasiphaë. He turns it into a heartbreaking parable of a mother’s love for a damaged child and the more tangible monstrosities of patriarchy. In “D.O.G.Z.,” the story of Actaeon, who was transformed into a stag after glimpsing the naked goddess Diana and was subsequently torn apart by his hunting dogs, becomes a visceral metaphor for the continuum of human and animal behavior.

Other stories in Dogs and Monsters: Stories play with contemporary mythic tropes—such as genetic engineering, attempts to escape the future, and the cruelty of adolescent ostracism. These stories showcase how modern humans are subject to the same capriciousness that concerned the Greeks but in a fresh and intriguing light. Haddon‘s tales cover a wide range of themes, from the mythic to the domestic, from ancient Greece to the present day, and explore love alongside stories of cruelty. They take readers from battlefields to bed and breakfasts and from dogs in space to doors between worlds, all bound together by profound sympathy and an insight into how human beings think, feel, and act when pushed to their limits.