Whistler, by Ann Patchett, tells the story of two adults reflecting on the choices they made and those made for them. It explores themes of bravery, memory, and the often small yet significant moments that shape our lives, as well as the inevitable loss that eventually touches us all. Beautiful in its simplicity, the novel ultimately reveals how love endures and how the experience of being truly known by another person—even for a brief time—can change everything.

When Daphne Fuller and her husband, Jonathan, visit the Metropolitan Museum of Art, they notice an older gentleman with white hair following them. This man turns out to be Eddie Triplett, Daphne’s former stepfather. He had been married to her mother for just over a year when Daphne was nine. Now fifty-three, Daphne hasn’t seen Eddie in many years, not since the event that changed the course of both their lives. Upon reuniting, time seems to vanish; despite their brief relationship, it had a profound impact on both of them, and now that they are together again, they have no intention of ever being separated again.

Ann Patchett is an accomplished author known for her novels, nonfiction works, and children’s books. Her most recent novel, Tom Lake, became a #1 New York Times bestseller. Patchett has received numerous awards, including the PEN/Faulkner Award, the Women’s Prize for Fiction in the UK, and the Book Sense Book of the Year Award.

Her novel The Dutch House was a finalist for the Pulitzer Prize. Her works have been translated into more than thirty languages, and Time magazine recognized her as one of the 100 Most Influential People in the World. In honor of her contributions to American culture, President Biden awarded her the National Humanities Medal. She resides in Nashville, Tennessee, where she owns Parnassus Books.

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“Five” is an incredibly original novel that breaks the fourth wall, inviting the reader to serve as judge, jury, and executioner while exploring complex contemporary issues such as motherhood, disability, and addiction. Every stranger has a story, and in Ilona Banister‘s skillful hands, the tales of five individuals converge to create an unforgettable narrative.

Have you ever found yourself imagining the lives of strangers standing near you? In “Five,” Ilona Banister introduces readers to five seemingly random people waiting for a train. However, these are not just any five individuals; we know from the start that one of them will die very soon—within five minutes, in fact, when the next train to London arrives. Before this tragic event unfolds, you will learn each of their stories.

None of these characters is a saint. Readers might feel drawn to a handsome young man on the brink of gambling away his future. They may feel sympathy for a cantankerous older woman who has fallen but refuses help. Some may look away from a child throwing a tantrum, judging his mother as the cause of the chaos. Others will be intrigued by a successful yet troubled businessman who is entangled in their lives.

These are the candidates for this morning’s misfortune, though they remain unaware of their impending fate. Only you, the complicit reader, know what is about to happen. You will find it hard to resist the temptation to decide who deserves to walk away and who has only five more minutes to live.

Ilona Banister, who was born and raised in New York, currently lives in the UK with her husband and sons. Her debut novel, When I Ran Away, was longlisted for the Center for Fiction’s First Novel Prize.

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“Look What You Made Me Do” by John Lanchester is a darkly comedic tale that delves deep into the intricate web of love, trust, resentment, and entitlement. The narrative weaves the lives of two women from contrasting generations, drawing them into a thrilling conflict where wits and wills are tested to the limit. As tension mounts and secrets unravel, only one will rise to claim victory in this captivating showdown.

“Every successful marriage has its own private language.” So it is for baby boomer Kate and her beloved architect husband Jack, thirty years into their seemingly idyllic life in metropolitan North London. And so it is for spiky millennial screenwriter Phoebe and her charming loafer of a partner, Tony.

But when Phoebe’s steamy television series, Cheating, becomes the year’s most talked-about show, Kate thinks she sees details and intimacies of her marriage in it that only she and her husband could have known. Who has betrayed whom? Who has stolen whose story―and why?

John Lanchester is the author of five novels, including the best-selling *The Debt to Pleasure* and *Capital*. His works have received several accolades, including the Hawthornden Prize, the Whitbread First Novel Award, and the E. M. Forster Award. His books have also been longlisted for the Booker Prize and translated into more than twenty-five languages. Lanchester is a regular contributor to The New Yorker and The New York Review of Books. He resides in London.

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“Yesteryear” by Caro Claire Burke has been recognized as one of The New York Times’ Best Books of the Year (So Far). The story follows a traditional American woman, a “tradwife” influencer, who suddenly finds herself in the harsh reality of 1855. She must figure out whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic; her husband, a handsome cowboy; her six children, each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning, she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. A sputtering fire rather than electricity warms her kitchen, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer.

Just yesterday, Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and hand-wash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Caro Claire Burke earned her Master’s in Fine Arts from the Bennington Writing Seminars. She co-hosts Diabolical Lies, a politics and culture podcast. Yesteryear is her debut novel.

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“Transcription” by Ben Lerner has been named one of The New York Times’ Best Books of the Year (So Far). Hailed as “the most talented writer of his generation” by The New York Times Magazine, Lerner presents a gripping emotional drama that also serves as a brilliant exploration of the digital and literary devices we use to store or erase our memories.

The narrator of Ben Lerner‘s new novel has traveled to Providence, Rhode Island, to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend Max. Thomas is a giant in the arts who seems to hail from the future and the past simultaneously and who reenchants the air when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas’s house without a recording device, a fact he is mysteriously unable to admit.

What unfolds from this dreamlike circumstance is the unforgettable story of the triangle formed by Thomas, Max, and the narrator, as well as an exploration of fathers and sons, male friendship and rivalry, and the challenges of parenting in a burning world. One of the first great novels about the early days of COVID, it is also a brilliant meditation on those technologies that enrich or impoverish our connection to one another, that store or obliterate memory. Full of startling insight, but summoning the intensity of a séance, Lerner’s writing shows us how the air is full of messages, full of ghosts. Ultimately, Transcription demonstrates what only a work of fiction can record.

Ben Lerner is the author of several poetry and prose books, as well as collaborative works with visual artists. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations. Lerner has been a finalist for the National Book Award for Poetry and the Pulitzer Prize for Fiction, along with many other honors. He is a Distinguished Professor of English at Brooklyn College.

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Max Porter‘s extraordinary debut, “Grief Is the Thing with Feathers,” is a unique blend of novella, polyphonic fable, and essay about grief. Combining compassion with a bold writing style, it delivers a powerful impact. Filled with sharp humor and deep insights, this haunting and original work introduces an important new talent. The book will be released as a major motion picture titled “The Thing with Feathers,” starring Benedict Cumberbatch.

Here he is, husband and father, scruffy romantic, a shambolic scholar–a man adrift in the wake of his wife’s sudden, accidental death. And there are his two sons, who, like him, struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised.

In this moment of violent despair, they are visited by Crow–antagonist, trickster, goad, protector, therapist, and babysitter. This self-described “sentimental bird,” at once wild and tender, who “finds humans dull except in grief,” threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow’s efforts are rewarded, and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up.

Max Porter is a publishing professional who lives in South London with his wife and children. “Grief Is the Thing with Feathers” is his debut book.

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“The Ending Writes Itself” is a captivating debut mystery by Evelyn Clarke, masterfully created by Cat Clarke and V.E. Schwab. Stephen King has described it as “a contender for the best mystery of 2026. The book features an abundance of beloved mystery tropes and wonderfully evokes the charm of Agatha Christie.” In this story, six authors are on a private island, where they have seventy-two hours to write an ending that will change their lives.

Arthur Fletch, one of the world’s bestselling novelists, is a reclusive genius known for his iconic protagonists and fiendish twists. When six struggling authors are invited to spend a weekend on his private Scottish island, they arrive to discover a shocking secret: Arthur Fletch is dead . . . and his last book is unfinished.

Desperate to publish the novel, Fletch’s agent and editor have summoned these writers in the hope that one of them will imagine a worthy ending for this final book. To sweeten the deal, they are offering an irresistible prize: in addition to ghost-writing the last chapter––for a mind-boggling sum––they will also help the lucky writer successfully re-launch their own career, guaranteeing future bestsellers. The catch: the writers have just seventy-two hours to finish Fletch’s magnum opus.

It’s the perfect plot. All it needs is a killer ending.

On an unusually warm evening in Edinburgh, Scotland (contrary to the cliché of a dark and stormy night), New York Times bestselling author V.E. Schwab proposed a bold idea to her longtime friend and screenwriter, Cat Clarke: that they should write a book together.

V.E. Schwab had already made a significant name for herself, having written more than twenty books, including the Shades of Magic series, The Invisible Life of Addie LaRue, and Bury Our Bones in the Midnight Soil. She had previously vowed never to co-write a novel, especially one outside the realm of fantasy.

Meanwhile, Cat Clarke, who had experienced a tumultuous career as an editor and had authored several young adult novels, including Girlhood and Entangled, had left the publishing industry for the even more unpredictable world of film, swearing she would never return to writing books. However, fate—and an irresistible idea—turned them both into liars that night.

As they transitioned from tea to something stronger, Evelyn Clarke was born.

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Western Lane: A Novel by Chetna Maroo is a taut, enthralling first novel about grief, sisterhood, and a young athlete’s struggle to transcend herself. Western Lane is about three sisters who have lost their mother. Their father is encouraged to provide structure in raising his daughters. Gopi, the narrator, is a squash player, and her father imposes a brutal training regimen. I highly recommend this novel!

The following passage explains the importance of squash to Gopi and how she views the world.

In the court, your mind is not only on the shot you’re about to play and the shot with which your opponent might reply, but on the shots that will follow two, three, four moves ahead. You’re watching your opponent’s position and the game he or she is playing, making calculations. This is how you choose which way to go. Though your mind is following several paths at once, it’s not a splitting but expansion forwards and backward in time, and it happens so quickly that it feels like instinct. Sometimes, you don’t even know you are thinking.

In the first few pages, I wondered what I would have done if I had been a single parent when my sons were young. I do not believe I would have imposed on my sons what Gopi’s father did to her. However, I have found reading and art to be powerful tools to help me cope with grief. I have focused on rituals, structure, and purpose.

The Goodreads summary provides an overview,

Eleven-year-old Gopi has been playing squash since she was old enough to hold a racket. When her mother dies, her father enlists her in a quietly brutal training regimen, and the game becomes her world. Slowly, she grows apart from her sisters. Her life is reduced to the sport, guided by its rhythms: the serve, the volley, the drive, the shot, and its echo.

But on the court, she is not alone. She is with her pa. She is with Ged, a thirteen-year-old boy with formidable talent. She is with the players who have come before her. She is in awe.

An indelible coming-of-age story, Chetna Maroo’s first novel captures the ordinary and annihilates it with beauty. Western Lane is a valentine to innocence, to the closeness of sisterhood, to the strange ways we know ourselves and each other.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Stories: The Collected Short Fiction by Helen Garner, one of Australia’s most cherished writers, is featured as a Most Anticipated Book of the Year by The New Yorker. This collection presents a finely crafted assortment of short stories showcasing Garner’s “generous, category-defying imagination,” as noted by the New York Times Book Review. Helen Garner is best known for her frank, unsparing, and intricate portraits of Australian life.

A woman sends postcards from the beautiful Gold Coast to a former lover. A chorus of voices from her hometown gossips about a friend who has returned after going astray. A young girl discovers a hidden box filled with frightening secrets.

In Stories, you will find a collection of short fiction from a unique literary voice. These tales explore the complexities of love and longing, capturing the pain, darkness, and joy of life, all conveyed with Garner’s characteristic sharpness, honesty, and humor. Each story stands on its own as a perfect piece, but together they showcase the remarkable talent of a master of various literary forms.

Helen Garner is an accomplished writer known for her novels, short stories, screenplays, and non-fiction works. In 2006, she received the inaugural Melbourne Prize for Literature. A decade later, in 2016, she was honored with the prestigious Windham-Campbell Literature Prize for Non-Fiction. In 2019, she received the Australia Council Award for Lifetime Achievement in Literature.

Among her notable works are Monkey Grip, The Children’s Bach, Cosmo Cosmolino, The Spare Room, The First Stone, This House of Grief, and Everywhere I Look. Her diaries, titled Yellow Notebook, One Day I’ll Remember This, and How to End a Story, were published together as a single volume in the United States.

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Today, I started reading “The Annual Banquet of the Gravediggers’ Guild” by Mathias Énard. The book has been translated into English by Frank Wynne. This novel is full of Mathias Énard‘s characteristic humor and extensive knowledge. It is a lively book where the boundaries between past and present are constantly blurred, set against a backdrop of excess reminiscent of Rabelais’ writing.

David Mazon, an anthropology student, moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France, to research his thesis on contemporary agrarian life. He is determined to understand the essence of the local culture and spends his time scurrying around on his moped to interview the residents.

David must be made aware of the extraordinary events in an ordinary location. This place, where wars and revolutions once occurred, is now a dancefloor for Death. When something dies, its soul is recycled by the Wheel of Life and thrown back into the world as a microbe, human, or wild animal – sometimes in the past and sometimes in the future. Once a year, Death and the living agree to a temporary truce, during which gravediggers indulge in a three-day feast filled with food, drink, and conversation.

Mathias Énard’s novel, The Annual Banquet of the Gravediggers’ Guild, is a riotous and exciting comic masterpiece that won the prestigious Prix Goncourt award. The novel is set in the French countryside and is filled with Énard’s characteristic wit and encyclopedic brilliance. Against a backdrop of excess, the story blurs the lines between past and present, creating a Rabelaisian world of chaos and humor.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Checkout 19: A Novel by Claire-Louise Bennett, a New York Times Best Ten Best Books of 2022; the newspaper highlights the novel’s “unusual setting: the human mind — a brilliant, surprising, weird and very funny one. All the words one might use to describe this book — experimental, autofictional, surrealist — fail to convey the sheer pleasure of ‘Checkout 19.'” I fully agree with this description and found myself living in my mind.

Since Jan died in May of 2021, I have found myself with no one to talk to about the day-to-day events that consume so much of our lives. Checkout 19: A Novel reminded me that I have only been carrying those intimate conversations in my mind. Is it surreal? Yes. Yes, it is. Reading this novel helped me to accept the importance of those conversations. The new characters and scenarios I conjure are less creative than Ms. Claire-Louise Bennett’s. 

Goodreads describes Checkout 19: A Novel as the adventures of a young woman discovering her genius through the people she meets–and dreams up–along the way. Checkout 19 is a radical affirmation of the power of the imagination, and the magic escapes those who master it open to us all.

I recommend this book.

The Goodreads summary provides an overview,

In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses-and finds-herself. Even the derailing of a friendship, in a devastating violation. The thrill of learning to conjure characters and scenarios in her head is matched by the exhilaration of forging her own way in the world, the two kinds of ingenuity kindling to a brilliant conflagration.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I embarked on the journey of Kate Atkinson‘s ‘Life After Life,’ a novel that has secured its place among The New York Times 100 Best Books of the Century. The book presents a unique and thought-provoking premise: What if you could live multiple lives until you found the perfect one? With its darkly comic, startlingly poignant, and utterly original narrative, it’s a testament to Kate Atkinson‘s unparalleled storytelling prowess.

The story unfolds in a unique narrative structure, beginning on a cold and snowy night in 1910 when Ursula Todd is born to an English banker and his wife. She dies before drawing her first breath. However, on that same night, Ursula Todd is born again, lets out a loud cry, and starts a life that will be pretty unusual. As she grows up, she also dies repeatedly in various ways while the young century moves inexorably toward its second cataclysmic world war.

Could Ursula’s seemingly endless life be the key to altering the world’s inevitable destiny? The prospect is both thrilling and hopeful. Yet, the question lingers – if she possesses this power, will she choose to wield it?

Station Eleven: A Novel by Emily St. John Mandel, one of The New York Times’ 100 Best Books of the Century, is set in the unsettling days of civilization’s collapse and tells the captivating story of a Hollywood star, his potential savior, and a nomadic group of actors traveling through the scattered outposts of the Great Lakes region. They risk everything for art and humanity, reminding us of the enduring power of culture even in the most dire circumstances.

Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That night, a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end. Little did she know that this event would set events to shape the world’s future.

Twenty years later, Kirsten, a key figure in the story, traverses the settlements of the altered world with a small troupe of actors and musicians. They are The Traveling Symphony, a group that has made it their mission to keep the remnants of art and humanity alive. Their encounters, particularly in St. Deborah by the Water, with a violent prophet threatening their existence, form a crucial part of the narrative. The story’s unique structure, moving back and forth in time, vividly depicts life before and after the pandemic, and the strange twist of fate that connects them all will keep you on the edge of your seat.