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by Marlen Haushofer
Yesterday, I read “Killing Stella,” written by Marlen Haushofer and translated by Shaun Whiteside, which is a domestic horror story that culminates in an apocalyptic ending. This novella captures many of the themes present in Haushofer’s acclaimed novel, “The Wall,” presenting them within a claustrophobic, gothic, and striking narrative. It offers a gripping and incisive exploration of a fractured marriage, highlighting the remarkable talent of the author of “The Wall,” now available in English for the first time.
Main description: Left alone for the weekend while her husband and two children visit her in-laws, the narrator of “Killing Stella” recounts the addition of her friend’s daughter, Stella, to their already tense and tumultuous household. As she stares out the window at her garden, she worries about a baby bird in the linden tree, her husband Richard, who flits from one adulterous affair to another, her son’s gloomy demeanor, and her daughter’s obliviousness to everything. Most of all, she worries about Stella, a confused teenager who has met a sudden and disastrous end.
Marlen Haushofer (1920–1970) was an Austrian author known for her short stories, novels, radio plays, and children’s books. Her work has significantly influenced many German-speaking writers, including Nobel Prize winner Elfriede Jelinek, who dedicated one of her plays to Haushofer. One of her most notable works, “The Wall“, was adapted into a film in 2012, directed by Julian Pölsler and starring Martina Gedeck.
Shaun Whiteside is known for his translations of classic works from German, including those by Freud, Musil, and Nietzsche.
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by Cristina Rivera Garza
In 1934, a young José Revueltas traveled to Tamaulipas to support the cotton workers’ strike in Estación Camarón, which would later serve as the foundation for his landmark novel, Human Mourning. In her groundbreaking novel Autobiography of Cotton, Cristina Rivera Garza recounts her grandparents’ journey from mining towns to those same cotton fields. Her narrative intersects with Revueltas’s life and offers a vivid and evocative account of the history of cotton cultivation along the Mexico-U.S. border.
Through archival research and personal narrative, Rivera Garza explores how cotton transformed the borderlands by recounting the story of the cotton workers’ strike. She reveals how cycles of deprivation and environmental destruction continue to affect generations. Rivera Garza skillfully creates a new kind of border novel that illustrates how a fragile landscape drastically changed her grandparents’ lives and the territories they helped to develop. In this intimate fictionalization, Autobiography of Cotton offers a rich social history that encompasses agricultural colonization, labor activism, environmental degradation, and cross-border migration.
I recommend “Autobiography of Cotton,” but readers should be patient as the book shifts back and forth in time. Everything becomes clear as you continue reading.
Cristina Rivera Garza is the Pulitzer Prize–winning author of Liliana’s Invincible Summer. A MacArthur Fellow, she is the Hugh Roy and Lillie Cranz Cullen Distinguished Chair and founder of the University of Houston’s PhD in Creative Writing in Spanish.
Christina MacSweeney is the award-winning literary translator of works by Julián Herbert, Valeria Luiselli, and Elvira Navarro. She received the 2024 Sundial Literary Translation Award for her translation of Verónica Gerber Bicecci‘s The Company.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!
by George Saunders
My journey with “Lincoln in the Bardo: A Novel” by George Saunders began with recognition as one of The New York Times’ 100 Best Books of the Century. As I turned its pages, I was immersed in its profound exploration of living and loving in the face of inevitable endings. The book, which struck a personal chord with me after a loss, is a testament to Saunders’ storytelling prowess and a must-read for those interested in Abraham Lincoln.
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has already realized it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.
From a seed of historical truth, George Saunders weaves an unforgettable tale of familial love and loss that transcends its realistic, historical framework. The story takes a daring leap into a realm that is hilarious and terrifyingly supernatural. Willie Lincoln’s journey in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance, is a testament to Saunders’ imaginative prowess. The monumental struggle over young Willie’s soul in this transitional state, known as the bardo in the Tibetan tradition, is a narrative that will leave you spellbound.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of his generation’s most important and influential writers. Formally daring, generous in spirit, and deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully about the things that matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know everything we love must end?
George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize, and five collections of stories, including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama as one of his ten favorite books of 2022).
Three of Saunders’s books—Pastoralia, Tenth of December, and Lincoln in the Bardo—were chosen for The New York Times’s list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book, A Swim in a Pond in the Rain. In 2013, he was named one of Time’s 100 Most Influential People. He teaches in the creative writing program at Syracuse University.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!
by Helen Garner
Stories: The Collected Short Fiction by Helen Garner, one of Australia’s most cherished writers, is featured as a Most Anticipated Book of the Year by The New Yorker. This collection presents a finely crafted assortment of short stories showcasing Garner’s “generous, category-defying imagination,” as noted by the New York Times Book Review. Helen Garner is best known for her frank, unsparing, and intricate portraits of Australian life.
A woman sends postcards from the beautiful Gold Coast to a former lover. A chorus of voices from her hometown gossips about a friend who has returned after going astray. A young girl discovers a hidden box filled with frightening secrets.
In Stories, you will find a collection of short fiction from a unique literary voice. These tales explore the complexities of love and longing, capturing the pain, darkness, and joy of life, all conveyed with Garner’s characteristic sharpness, honesty, and humor. Each story stands on its own as a perfect piece, but together they showcase the remarkable talent of a master of various literary forms.
Helen Garner is an accomplished writer known for her novels, short stories, screenplays, and non-fiction works. In 2006, she received the inaugural Melbourne Prize for Literature. A decade later, in 2016, she was honored with the prestigious Windham-Campbell Literature Prize for Non-Fiction. In 2019, she received the Australia Council Award for Lifetime Achievement in Literature.
Among her notable works are Monkey Grip, The Children’s Bach, Cosmo Cosmolino, The Spare Room, The First Stone, This House of Grief, and Everywhere I Look. Her diaries, titled Yellow Notebook, One Day I’ll Remember This, and How to End a Story, were published together as a single volume in the United States.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Supporting these selections not only helps me continue to provide you with personalized recommendations but also ensures you have access to meaningful stories that enrich your life. Your support truly makes a difference in helping me share more books and insights with you!
by Margaret Atwood
Old Babes in the Wood: Stories by Margaret Atwood is a collection of remarkable tales, which delight, illuminate, and are quietly devastating. I especially found the stories about Nell and Tig compelling and engaging. Widow describes a letter Nell almost wrote to a friend after Tig is gone. Nell sounded like me when she said, “the warping or folding of time. In some parts of this refolded time, Tig still exists, as much as he ever did.”
The letter Nell is writing to a friend she will never be sent because it speaks to the harsh reality that grief imposes upon us.
Margaret Atwood writes as Nell,
Have I gone into the dark tunnel, dressed in mourning black with gloves and a veil, and come out the other end, all cheery and wearing bright colors and loaded for bear?
No. Because it’s not a tunnel. There isn’t any other end. Time has ceased to be linear, with life events and memories in a chronological row, like beads on a string. It’s the strangest feeling, or experience, or rearrangement. I’m not sure I can explain it to you.
As much as it might have appeared that I was in a dark tunnel after Jan died, I was not and am not now. There is indeed no defined end to the grief journey.
We all must learn how to live without our loved ones. The pathway I have chosen may not work for anyone else.
The earlier Nell and Tig stories are memories about their lives, reminding me of how I wrote about how Jan and I met and eventually married.
I have always enjoyed reading Atwood‘s writing, including The Handmaid’s Tale and The Testaments. I highly recommend Old Babes in the Wood: Stories by Margaret Atwood!
Old Babes in the Wood was my twenty-third book of the year and fulfilled my Goodreads 2023 Reading Challenge, but it will not end my reading this year.
The Goodreads summary provides an overview,
Margaret Atwood has established herself as one of the world’s most visionary and canonical authors. This collection of fifteen extraordinary stories–some of which have appeared in The New Yorker and The New York Times Magazine–explores the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit, and intellect.
The two brave sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the unbelievable, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love–and what comes after.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Justin Cronin
The novel, “The Ferryman,” by Justin Cronin, is set in the beautiful archipelago of Prospera. People lead long and fulfilling lives in this society until their forearm monitors drop below 10%. Then, they retire to the Nursery. Their memories are wiped clean, and they start a new life as sixteen-year-olds.
Although the book was recently published, I hesitated to read it due to the unsettling notion of having my memories wiped clean. However, my curiosity got the best of me, and I’m glad it did. Proctor Bennett, the protagonist, works as a ferryman, assisting people through retirement. But things worsen when Proctor starts dreaming, which is impossible in Prospera, and his monitor percentage rapidly decreases. Are these dreams fragments of a past that they cannot recall?
Amidst all this, rumors about the Arrivalists, who oppose the societal structure, and even the Support Staff, who keep Prospera functioning, are questioning their roles. Proctor finds himself caught up in a more significant cause than expected and sets out to uncover the truth.
Without giving away too much, things are not always what they seem in Prospera.
As a widow, I found this line particularly poignant: “That loss was love’s accounting, its unit of measure, as a foot was made of inches, a yard was made of feet.
I thoroughly enjoyed reading this book; it kept me engaged and excited, and my Kindle was my go-to device for reading it. I highly recommend this novel.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
