“Good and Evil and Other Stories” by Samanta Schweblin, translated by Megan McDowell, explores characters who find themselves at a point of no return, captivated by the impending tragedy surrounding them. Vulnerable and deeply human, they become ensnared in moments when the uncanny intrudes upon their lives. Some characters transform, others find themselves isolated, and many oscillate between feelings of guilt and tenderness. All are driven by uncertainty.

Schweblin’s prose employs tension and truth to create a literary universe where the monsters of everyday life come so close that we can almost feel their breath. Her writing evokes both awe and discomfort, placing readers in a state of alarm while transporting them to a world that is both recognizable and strange.

Samanta Schweblin won the 2022 National Book Award for Translated Literature for her story collection Seven Empty Houses. Her debut novel, Fever Dream, was shortlisted for the International Booker Prize, while her book, Little Eyes, and her story collection, Mouthful of Birds, have both been longlisted for the same prize. Her books have been translated into over forty languages, and her stories have appeared in prestigious English publications, including The New Yorker, The Paris Review, Granta, and Harper’s Magazine. Originally from Buenos Aires, Schweblin currently lives in Berlin.

Megan McDowell is the recipient of a 2020 Award in Literature from the American Academy of Arts and Letters and has been short- or longlisted four times for the International Booker Prize. She resides in Santiago, Chile.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

For the week before Father’s Day, I read So Far Gone by Jess Walter, a hilarious, empathetic, and brilliantly provocative adventure through life in modern America about a reclusive journalist forced back into the world to rescue his kidnapped grandchildren. Is this gripping tale of a grandfather’s love and determination the perfect read for the upcoming Father’s Day?

Rhys Kinnick, a character who has truly gone off the grid, provides a humorous twist to the story. At Thanksgiving a few years back, a fed-up Rhys punched his conspiracy theorist son-in-law in the mouth, chucked his smartphone out a car window, and fled for a cabin in the woods with no one around except a pack of hungry raccoons.

Now, Kinnick’s old life is about to land right back on his crumbling doorstep. Can this failed husband and father, a man with no internet and a car that barely runs, reemerge into a broken world to track down his missing daughter and save his sweet, precocious grandchildren from the members of a dangerous militia?

With the help of his caustic ex-girlfriend, a bipolar retired detective, and his only friend (who happens to be furious with him), Kinnick, a man who is struggling with his past and his present, heads off on a wild journey through cultural lunacy and the rubble of a life he thought he’d left behind. According to the Philadelphia Inquirer, So Far Gone is a rollicking, razor-sharp, and moving road trip through a fractured nation from a writer who has been called “a genius of the modern American moment.”

Jess Walter is the author of seven previous novels, including the bestsellers The Cold Millions and Beautiful Ruins, the National Book Award Finalist The Zero, and Citizen Vince, winner of the Edgar Award for best novel. His short fiction, collected in The Angel of Rome and We Live in Water, has won the O. Henry Prize and the Pushcart Prize and appeared three times in Best American Short Stories. He lives in his hometown of Spokane, Washington.

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Phoebe Greenwood‘s debut novel, Vulture, immerses readers in the dark heart of Western media and boldly questions its role in the tragedies it reports. This darkly humorous and emotionally charged satire exposes the inner workings of the war news industry. Set in the Middle East, Vulture is a fast-paced critique of war reporting, blending elements of satire with a tragicomic coming-of-age story.

In November 2012, Sara Byrne, an ambitious young journalist, is sent to Gaza to cover the war from The Beach. At the four-star hotel, the staff work tirelessly to provide safety, comfort, and generator-powered internet for the world’s media, all while their own homes and families are under threat.

Sara is determined to use this war to jumpstart her stalled career and win back her lover. When her fixer, Nasser, refuses to help her set up the dangerous story she believes will make her name, she turns to Fadi, the youngest member of a powerful militant family. Driven by the demons of a troubled and entitled childhood, Sara is willing to do anything to prove herself, even if it brings disaster to those around her.

Phoebe Greenwood is a writer and journalist based in London. From 2010 to 2013, she worked as a freelance correspondent in Jerusalem, covering the Middle East for publications such as The Guardian, The Daily Telegraph, and The Sunday Times. From 2013 to 2021, she served as an editor and correspondent at The Guardian, specializing in foreign affairs.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

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“North Sun: Or, the Voyage of the Whaleship Esther” by Ethan Rutherford is a finalist for the fiction category of the 2025 National Book Award. With one foot firmly planted in the traditional sea-voyage narrative, and another in a blazing mythos of its own, this debut novel looks unsparingly at the cost of environmental exploitation and predation, and in doing so feverishly sings not only of the past, but to the present and future as well.

Setting out from New Bedford in 1878, the crew of the Esther is confident the sea will be theirs: in addition to cruising the Pacific for whales, they intend to hunt the teeming northern grounds before the ice closes. But as they sail to their final destination in the Chukchi Sea, where their captain Arnold Lovejoy has an urgent directive of his own to attend to, their encounters with the natural world become more brutal, harrowing, ghostly, and strange.

Ethan Rutherford‘s fiction has appeared in BOMB, Tin House, Electric Literature, Ploughshares, One Story, American Short Fiction, Conjunctions, and The Best American Short Stories. He is the author of two story collections–Farthest South (Deep Vellum, 2020) and The Peripatetic Coffin and Other Stories (Ecco, 2013)–and for these works has been named a finalist for the Los Angeles Times Art Seidenbaum Award for First Fiction, a finalist for the John Leonard Prize and CLMP’s Firecracker Award, received honorable mention for the PEN/Hemingway Award, was a Barnes & Noble Discover Great New Writers selection, and was the winner of a Minnesota Book Award.

Born in Seattle, Washington, he received his MFA in Creative Writing from the University of Minnesota and now teaches Creative Writing at Trinity College. He lives in Hartford, Connecticut, with his wife and two children.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

The Friend: A Novel by Sigrid Nunez is a moving story of love, friendship, grief, healing, and the magical bond between a woman and her dog. When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind. I understand the positives and negatives of having a dog help with grief, but I cannot have one where I live.

One line that resonated with me was,

You can’t hurry, love, as the song goes. You can’t hurry, grief, either.

Far too often, widows are in a hurry, not unlike young lovers. We need to learn patience and remind ourselves that the more we love, the more we will grieve.

I often said that Jan would replace me with a dog if she survived me.

I recommend this book.

The Goodreads summary provides a concise overview,

The woman’s own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building.

While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog’s care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them.

Elegiac and searching, The Friend is both a meditation on loss and a celebration of human-canine devotion.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I dove into Jennifer Haigh‘s gripping new release, Rabbit Moon. Set against the vibrant backdrop of Shanghai, this tense and riveting drama unravels the complexities of a fractured American family. It explores hidden secrets and the unbreakable bond between two sisters. Ms. Haigh, the New York Times bestselling author of Mercy Street, which I read last year, weaves a tale that promises to keep readers on the edge of their seats.

Four years after their bitter divorce, Claire and Aaron Litvak receive a phone call that no parent is prepared for: their 22-year-old daughter Lindsey, who is teaching English in China during her college gap year, has been critically injured in a hit-and-run accident. As they wait at her bedside in a Shanghai hospital, they hold onto hope for the best while preparing for the worst.

The accident exposes a deeper rift within the family: it brings to light the shocking events that ended the Litvaks’ marriage and turned Lindsey against them. Estranged from her parents, Lindsey has confided only in her younger sister, Grace, who was adopted from China as an infant. As Claire and Aaron navigate the bustling, cosmopolitan atmosphere of Shanghai—the newly prosperous “miracle city”—they face unsettling questions about Lindsey’s life there, where nothing is as it seems.

With her trademark psychological insight, Jennifer Haigh crafts a taut and suspenseful story about the enduring ties of marriage that divorce cannot sever and the legendary red thread that connects two sisters across time and space. Ms. Haigh again demonstrates that she is, as The New York Times describes her, “an expertly nuanced storyteller…her work is gripping, real, and immersive.”

Jennifer Haigh is the author of seven best-selling, critically acclaimed works of fiction. Her first, Mrs. Kimble, won the PEN Hemingway Award for debut fiction. Her latest, Mercy Street, was named a Best Book of 2022 by the New Yorker and won the Mark Twain American Voice in Literature Award. A Guggenheim fellow and Iowa Writers’ Workshop graduate, she lives in Boston.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!