“The Witch” by Marie Ndiaye, the recipient of the Gold Medal in the Arts from the Kennedy Center International Committee on the Arts, is shortlisted for the International Booker Prize. In a small, sleepy town, a mediocre witch in a lackluster marriage attempts to pass on her gifts to her twin daughters, who quickly prove to possess abilities far greater than her own.

Lucie comes from a long line of witches, with powers passed down from mother to daughter. Many of them have hidden or repressed their gifts to appease disgusted or fearful men. But against the wishes of her controlling husband, Lucie initiates her twins into their family’s peculiar womanhood when they reach the age of twelve. In a few short months, Maud and Lise are crying rich crimson tears, their powers quickly becoming more potent than their mother’s, opening them to liberation and euphoria beyond what Lucie and her foremothers ever considered.

Equal parts dreamlike and disquieting, The Witch tells a tale as old as time, with a dark twist: Without looking back, children fly the nest, laying bare the tenuous threads of family that have long threatened to snap. With simmering tension and increasing panic, NDiaye’s latest novel in English captures the terror and precarity of motherhood and marriage, and the uncertainty of slowly realizing that your progeny are more dangerous—to the world and to your heart—and freer than you ever could have dreamed.

Marie Ndiaye was born in Pithiviers, France. She is the author of Rosie Carpe, winner of the Prix Femina, and of Three Strong Women, winner of the Prix Goncourt. Her recent novel, Vengeance is Mine, was a finalist for the National Book Critics Circle Award for Fiction. She is also the recipient of the Kennedy Center International Committee on the Arts Gold Medal. She lives in Paris.

Translated by Jordan Stump.

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“Bug Hollow” by Michelle Huneven is a decades-spanning family saga that follows the messy yet loving Samuelson clan as they navigate life after the loss of their son, Ellis. When Sally Samuelson was eight years old, her golden boy brother, Ellis, went missing the summer after he graduated from high school. He eventually reappeared at the picturesque Bug Hollow, a final remnant of the beautiful Northern California counterculture of the seventies.

Although he found joy in communal life, his life was tragically cut short in a freak accident just weeks later, leaving the Samuelson family to grapple with their grief. From that point on, the world of the Samuelsons never spun on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, showed up pregnant on their doorstep.

Each member of the Samuelson family has sought their form of solace: Sybil Samuelson pours herself into teaching to numb her pain after losing her beloved son; her husband, Phil, found comfort in a new love that developed while he was working as an engineer in Saudi Arabia; Katie, the high-achieving middle child, comes home to try to make peace with her mother following a cancer diagnosis. Meanwhile, Sally has become the de facto caretaker of Eva, the child Ellis never had the chance to know.

Michelle Huneven is known for her five enthralling novels, which chronicle the lives of middle-class Americans in her vividly portrayed native California. Her characters struggle with addiction, painful romances, and profound losses as they continue to seek meaning and strive to be good. She captures the Samuelson family with remarkable precision and deep empathy as they fracture and rebuild time and again.

Michelle Huneven is the author of Round Rock, Jamesland, Blame, Off Course, and Search. Her books have been New York Times Notable Books and finalists for the Los Angeles Times Book Prize and the National Book Critics Circle Award. She is the recipient of a Whiting Award for Fiction, a Guggenheim Fellowship, a James Beard Award, and a Literature Award from the American Academy of Arts and Letters. She received her Master of Fine Arts degree from the Iowa Writers’ Workshop and teaches creative writing at the University of California, Los Angeles.

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Today, I dove into “The Rest Is Memory: A Novel” by Lily Tuck, and it’s already leaving a powerful impression. This poignant tale follows a young Catholic girl’s harrowing journey to Auschwitz, woven in a captivating Rashomon-style narrative showcasing Tuck’s brilliance as a storyteller. Esquire has rightly placed it on their list of Best Books for Fall 2024, and I can see why.

In Tuck‘s skilled hands, “The Rest Is Memory” transforms into an unforgettable piece of historical reclamation, breathing life into an innocent soul who has long been remembered only through a haunting triptych of photographs. It’s a journey that promises to linger in my thoughts long after I’ve turned the last page.

In this mesmerizing novel by Lily Tuck, we first glimpse fourteen-year-old Czeslawa riding on the back of a boy’s motorcycle. Tuck imagines Czeslawa’s upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, she arrives at Auschwitz shorn and bearing the tattoo number 26947. Shortly after, she is photographed. Three months later, she is dead.

How did this happen to an ordinary Polish citizen? This is the question Tuck grapples with in this haunting narrative, which frames Czeslawa’s story within the tragic context of the six million Poles who perished during the German occupation. A decade before writing The Rest Is Memory“, Tuck read an obituary of the photographer Wilhelm Brasse, who took over 40,000 pictures of Auschwitz prisoners—including three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out these photos and kept them, determined to learn more about Czeslawa. However, she could only gather the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and neighbors, her tattoo number, and the date of her death. Tuck crafts a remarkable kaleidoscope of imagination from this scant evidence, something only our greatest novelists can achieve.

Susanna Moore described the novel as “Beautifully written, all the while instilling a sense of horror.” Tuck’s language swirls around the reader, yet no word is out of place. The subtly rotating images tumble forth, accelerating as we learn about Czeslawa’s tragic time in Auschwitz, as well as the lives of real individuals, including the brutal Commandant Rudolf Höss, his unconscionable wife Hedwig, psychiatrist and child rescuer Janusz Korczak, and the sharp Polish short story writer Tadeusz Borowski. Although we know Czeslawa’s fate, we must keep turning the pages, thoroughly captivated by Tuck’s nearly otherworldly prose.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

Today, I began reading “The Day Tripper: A Novel” by James Goodhand. The story centers around Alex Dean, who can travel through time but, unfortunately, always ends up in the wrong place at the wrong time. This book is a perfect read for a rainy April day. The story moves quickly in just the first few pages, with time flying by faster than it does for Alex.

It’s 1995, and Alex Dean has it all: a spot at Cambridge University next year, the love of a fantastic woman named Holly, and all the time ahead of him. That is, until a brutal encounter with a ghost from his past sees him beaten, battered, and almost drowning in the Thames.

The next day, he wakes to find himself in a messy, derelict room he’s never seen before, in grimy clothes Alex doesn’t recognize, with no idea how he got there. A glimpse in the mirror tells him he’s much older and has been living a hard life, his features ravaged by time and poor decisions. He snatches a newspaper and finds it’s 2010—fifteen years since the fight.

After finally drifting off to sleep, Alex wakes the following morning to find it’s now 2019, another nine years later. But the next day, it’s 1999. Never knowing which day is coming, he begins to piece together what happens in his life after that fateful night by the river.

But what exactly is going on? Why does his life look nothing like he thought it would? What about Cambridge and Holly? In this page-turning adventure, Alex must navigate the years to learn that small actions have an untold impact. And that might be all he needs to save the people he loves and, equally importantly, himself.

Losing Earth: A Recent History by Nathaniel Rich reminds us how close we were to halting the climate emergency, and our failure has resulted in our passing the tilting point. The book “reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil-fuel industry’s coordinated effort to thwart climate policy through misinformation propaganda and political influence.”

By 1979, we knew nearly everything we understand today about climate change – including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story and ours.

The New York Times Magazine devoted an entire issue to Nathaniel Rich’s groundbreaking chronicle of that decade, which became an instant journalistic phenomenon – the subject of news coverage, editorials, and conversations all over the world. In its emphasis on the lives of the people who grappled with the significant existential threat of our age, it made vivid the moral dimensions of our shared plight.

Losing Earth tells the human story of climate change in even richer, more intimate terms. It reveals, in previously unreported detail, the birth of climate denialism and the genesis of the fossil-fuel industry’s coordinated effort to thwart climate policy through misinformation propaganda and political influence. The audiobook carries the story into the present day, wrestling with the long shadow of our past failures and asking crucial questions about how we make sense of our past, our future, and ourselves.

Like John Hersey’s Hiroshima and Jonathan Schell’s The Fate of the Earth, Losing Earth is the rarest of achievements: a riveting work of dramatic history that articulates a moral framework for understanding how we got here and how we must go forward.

Losing Earth is a must-read book!

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Narrated in six parts, each spanning a time frame from a year to a single minute, Jonas Hassen Khemiri‘s The Sisters is a vivid family saga of exceptional quality—an engaging and entertaining tour de force. The novel has been recognized as one of the New York Times’ Top 10 Books of the Year and longlisted for the 2025 National Book Award for Fiction. Additionally, The New Yorker featured it in their list of 24 Essential Reads for 2025.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, and compulsively organized. Evelyn is dreamy, magnetic, and a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger.

Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress. And Anastasia runs off to Tunisia, where she falls in love with a woman who, years later, will transform her life.

Following the sisters from afar is Jonas, the son of a Swedish mother and a Tunisian father. Over the course of three decades, his life intersects with the sisters, from a chance encounter in Tunis to the scene of a fighter jet crash in Stockholm. When Evelyn disappears on a trip to New York, Jonas manages to track her down—and helps her to break the curse that has been looming over the Mikkolas for decades. In the process, a shocking revelation changes everything they believe about themselves.

Jonas Hassen Khemiri is the author of six novels, seven plays, and a collection of short stories and essays. His writing has been translated into over 35 languages. His novel The Family Clause was a finalist for the National Book Award for Translated Literature and received the Prix Médicis Étranger in France. Khemiri has been a finalist for Sweden’s most prestigious literary prize three times, winning it once. His play Invasion! earned an Obie Award for Best Script.

Khemiri is a recipient of the Cullman Fellowship at the New York Public Library, and his writing has appeared in The New York Times, The New Yorker, and numerous other publications. His novel The Sisters is his first book written in English. Khemiri lives in Brooklyn with his family and teaches creative writing at New York University (NYU).

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!