I started reading “The Women: A Novel” by Kristin Hannah today. This book is written by the same author who wrote “The Nightingale” and “The Four Winds.” “The Women” is a story set in a difficult time, depicting a woman’s coming-of-age journey and an epic tale of a divided nation. It highlights that women can be heroes, too.

When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation to her. She was raised in Southern California’s sun-drenched, idyllic world and was sheltered by her conservative parents. She has always prided herself on doing the right thing. However, in 1965, the world is changing, and Frankie suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she decides to join the Army Nurse Corps and follows his path.

Frankie, who is as inexperienced as the young men sent to fight in Vietnam, is struggling to cope with the chaos and destruction of war. Every day is a life-or-death gamble that can be filled with hope, betrayal, and shattered friendships. In this brutal reality, she encounters and becomes one of the lucky, the brave, the broken, and the lost.

War is just the beginning for Frankie and her veteran friends. The actual battle awaits when they return home to a divided and changing America, met by angry protesters and a nation wanting to forget Vietnam.

“The Women” is a novel that tells the story of a woman who goes to war. Still, its purpose is to bring attention to all the women who have put themselves in danger for their country and whose sacrifice and dedication have often been overlooked. The book is about solid friendships and patriotism, and it portrays a brave and idealistic heroine whose courage in times of war will become a defining moment in history.

“Watching Over Her,” a novel by the acclaimed French author and Prix Goncourt winner Jean-Baptiste Andrea, is described by The New York Times as a “sprawling fresco and star-crossed love story.” The narrative follows a dwarf and talented sculptor as he reflects on the moments in his life that inspired his mysteriously powerful masterpiece. This book is perfect for readers who enjoyed “Martyr!” and “The Covenant of Water.”

In an Italian monastery, a sculptor named Mimo lies on his deathbed. For decades, he has lived among the monks who watch over his masterpiece, an arresting statue that haunts all who see it. During his final hours, he reveals his life story: his impoverished childhood, brutal apprenticeship, and, most importantly, his meeting with Viola Orsini, the only daughter of a powerful and dangerous aristocratic family.

Mimo and Viola are instantly drawn to one another, viewing themselves as outsiders—Mimo, for his dwarfism, Viola, for her ability to remember everything she has ever read or experienced. Together, they traverse the unrest of the twentieth century, from the rise of fascism to the violence of the world wars. While Mimo becomes a celebrated artist, Viola chases her own dreams of becoming an emancipated woman. Over the decades, they will lose and find each other time and again, but never will they give up on the love they share.

Immersive and full of heart, Mimo’s adventures are ribald and hilarious, challenging conventions of his day. Jean-Baptiste Andrea’s Prix Goncourt–winning novel has captivated audiences worldwide and is now available to readers in English for the first time, thanks to Frank Wynne’s wonderfully vivid translation.

Jean-Baptiste Andrea is a writer, screenwriter, and director. His novel Watching Over Her won the Prix Goncourt, France’s most prestigious literary prize. He is also the author of Ma Reine, A Hundred Million Years and a Day, and Devils and Saints.

Frank Wynne is an Irish literary translator, writer, and editor known for his translations of various French and Hispanic authors, including Michel Houellebecq, Patrick Modiano, Javier Cercas, and Virginie Despentes. Over his career, which has spanned more than twenty-five years, he has won the IMPAC Dublin Literary Award twice and the Independent Foreign Fiction Prize.

Additionally, he has received the Scott Moncrieff Prize three times and the Premio Valle Inclán twice. Most recently, his translation of “The Annual Banquet of the Gravediggers’ Guild” by Mathias Énard won the 2024 French-American Prize. Wynne has also edited two significant anthologies: “Found in Translation: 100 of the Finest Short Stories Ever Translated” and “Queer: LGBT Writing from Ancient Times to Yesterday.”

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An end-of-the-world love story, Earth 7 is filled with both pathos and humor, exploring what aspects of our planet can still be cherished. Unfortunately, the tale of planet Earth is disheartening; it has been diminished to little more than a lump of burnt coal. However, as Deb Olin Unferth demonstrates in her latest electrifying novel, life and love can endure even in the most unexpected and inhospitable circumstances.

Two women meet on a beach of artificial sand. One was raised in a pod in the ocean, and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?

By the end of Unferth’s wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers.

Deb Olin Unferth is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes and was a finalist for the National Book Critics Circle Award. Her work has appeared in Granta, Harper’s, McSweeney’s, and The Paris Review.

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Today, I began reading Emily Henry‘s Funny Story, a delightful new novel about a pair of opposites connected by an unexpected bond. It was featured in The New York Times 100 Notable Books of 2024. The narrator, Daphne, finds herself single after being dumped following her fiancé’s bachelor party, and she ends up moving in with her ex-fiancé’s former boyfriend.

Daphne always enjoyed how her fiancé, Peter, told their love story: they met on a blustery day, fell in love over an errant hat, and moved back to his lakeside hometown to start their life together. He was great at telling their story—until he realized he was in love with his childhood best friend, Petra.

This is where Daphne begins her new chapter: stranded in beautiful Waning Bay, Michigan, without friends or family, but with a dream job as a children’s librarian (which barely pays the bills). She proposes to room with the only person who might understand her situation: Miles Nowak, Petra’s ex.

Miles is scruffy and chaotic, finding comfort in the sounds of heartbreak ballads. He is the opposite of practical, buttoned-up Daphne, whose coworkers know so little about her that they have a running bet whether she is in the FBI or witness protection. The two roommates initially avoid each other, but one day, while mourning their circumstances, they develop a fragile friendship and devise a plan. Their plan includes posting misleading photos of their summer adventures together—who could blame them for wanting to create a better story?

But it’s all just for show, of course, because there’s no way Daphne would start this new chapter by falling in love with her ex-fiancé’s new fiancée’s ex… right?

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The Vanishing Half by Brit Bennett was a true page-turner, and I did not want to stop reading it even when I got to the last page. I am not a fan of sequels, but if I was ever going to change my mind, this is the book I would want to read a sequel.

Ms. Bennett focuses on two twins who run away from home at age 16. They have grown up in Mallard, a fictional town in Louisiana. “In Mallard, nobody married dark,” Bennett writes starkly. Over time, its prejudices deepened as its population became lighter and lighter, “like a cup of coffee steadily diluted with cream.” The twins, with their “creamy skin, hazel eyes, wavy hair,” would have delighted the town’s founder. One of the women chooses to pass as white while the other does not.

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?

Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.

The question of why people choose to live differently than their origins is one that I often ponder. Growing up in a small town and living in a metropolis raises questions for me as to what my life is now and what was once.

I strongly recommend this book.

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A monumental new novel by National Book Award winner Susan Choi, Flashlight spans decades and continents in a captivating and emotional exploration of family, loss, memory, and the ways we are influenced by what remains hidden. Longlisted for the 2025 Booker Prize, the novel follows the journey of a father’s disappearance over time, across nations, and within the realm of memory. This work comes from the author of Trust Exercise.

On a summer night, Louisa and her father take a walk along the breakwater. Her father is carrying a flashlight, but he cannot swim. Later, Louisa is found on the beach, soaked to the skin and barely alive. Her father is missing. She is only ten years old.

Louisa is the only child of parents who have distanced themselves from their pasts. Her father, Serk, is Korean but was born and raised in Japan. He lost touch with his family after they embraced the promises of postwar Pyongyang and relocated to North Korea. Her American mother, Anne, is estranged from her Midwestern family due to a reckless adventure in her youth. Then there’s Tobias, Anne’s illegitimate son, whose unexpected return will have profound consequences.

For now, it is just Anne and Louisa—Louisa and Anne—adrift and facing the challenges of everyday life in the aftermath of their immense loss. Bound together yet estranged, they struggle to cope with their shared grief and attempt to move forward. However, they cannot escape the haunting memories of that fateful night. What happened to Louisa’s father?

With shifting perspectives across time and character, and repeatedly revisiting that night by the sea, Flashlight explores the shockwaves of one family’s tragedy while also engaging with the invisible currents of history.

Susan Choi is the author of Trust Exercise, which won the National Book Award for fiction. She has also written the novels The Foreign Student, American Woman, A Person of Interest, and My Education.

Choi has received several prestigious awards, including the Asian American Literary Award for fiction, the PEN/W. G. Sebald Award, a Lambda Literary Award, and the Sunday Times Audible Short Story Award. Additionally, she has been awarded fellowships from the National Endowment for the Arts and the Guggenheim Foundation.

Currently, she teaches in the Writing Seminars at Johns Hopkins University and resides in Brooklyn, New York.

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