Today, I began reading Alexandra Tanner‘s debut novel, Worry: A Novel. The New Yorker praised it as “dryly witty,” The New York Times Book Review called it “fabulously revealing.” The story follows two siblings-turned-roommates who try to navigate an absurd world on the verge of calamity. It explores existentialism and sisterhood in a Seinfeldian style.

In March 2019, Jules Gold, a 28-year-old woman, felt anxious, frustrated with her art, and addicted to the internet. She lives alone in the apartment she used to share with her ex-fiancé. Her younger sister Poppy unexpectedly comes to stay with her indefinitely. Poppy, who attempted suicide a year and a half ago, is looking for work and purpose in Brooklyn. Meanwhile, Jules spends her days scrolling through the feeds of Mormon mommy bloggers and waiting for something to happen in her life.

Poppy’s hives, which she has had since childhood, flare up again. Jules has health problems with her uterus. Poppy adopts a poorly behaved-rescue dog named Amy Klobuchar. Poppy’s mother, who recently became a devout Messianic Jew, starts believing in the same deep-state conspiracy theories as Jules’ online mommies. Jules half-heartedly tries to find the source of her ennui and cruelly blames Poppy for not being a good enough friend, writer, or sister. As the year progresses and a new decade approaches, a disastrous trip back to Florida forces Jules and Poppy to question their futures and whether they want to spend them together or apart.

Worry is a darkly funny and deadpan portrayal of two sisters struggling through anxiety and uncertainty in America. A bold new voice in contemporary fiction writes it.

Tash Aw‘s novel, The South, longlisted for the 2025 Booker Prize, is both expansive and concise, capturing the dynamics of a family navigating change and desire. It explores the intersection of public and private lives with remarkable grace and beauty. This intimate and radiant story follows the deepening relationship between two boys throughout a summer, delving into themes of family, desire, and the legacies we inherit.

When his grandfather passes away, Jay travels south with his family to the property they have inherited—a once-thriving farm that has now fallen into disrepair. The trees are diseased, and the fields have been dry due to months of drought.

Jay’s father, Jack, sends him out to work the land, or what remains of it. During these hot, oppressive days, Jay finds himself increasingly drawn to Chuan, the son of the farm’s manager. The boys are different in almost every way, except for one crucial connection.

As they work in the fields and venture into town, the tension between the boys intensifies. Meanwhile, within the house, the other family members begin to confront their secrets and regrets. Jack, a professor at a struggling local college, reflects on his failures, many of which may have started when he married his student, Sui Ching. Sui Ching strives to keep the family together, though she, too, contemplates what her life could have been. Fong, the farm manager, chooses to ignore the reality of the situation—about Chuan, the deteriorating land, and the global forces that threaten to render their entire way of life obsolete.

Tash Aw is the author of four novels, including We, the Survivors, as well as a memoir about a Chinese-Malaysian family titled Strangers on a Pier. These remarkable works earned their place as finalists for the Los Angeles Times Book Prize, showcasing the incredible talent behind them!

The author has also been honored with several esteemed awards, including the Whitbread, Commonwealth, and O. Henry Awards. Plus, being longlisted for the MAN Booker Prize twice speaks volumes about his skill. It’s exciting to see his fiction translated into 23 languages, sharing his stories with the world!

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

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I Have Some Questions for You by Rebecca Makkai is a book that, from page one, pulled me into the story and made me believe I was embedded with Bodie Kane as she returned to her boarding school and worked with students to review the murder of her roommate twenty-three years ago. I Have Some Questions for You was more than a page-turner as I was an unnamed participant. I highly recommend this book and, as Ms. Makkai does, buy it at an independent bookstore.

I had not heard of the book until I read a review in The New Yorker by Katty Waldman, who writes, “The new book, a murder mystery set at an élite boarding school, is being marketed as an irresistible whodunnit. But it also joins a growing number of critiques of true crime.” Once I finished the review, I ordered the book and did not put it down until I finished the novel.

Do not “read this book if you”are looking for a whodunnit. It is a critique of true crime and an assessment of the “me too” era. How do we judge the past by the standards of the present?

Every book I have read since Jan died is one I wanted to discuss with her. But I Have Some Questions is one that would have been helpful for both of us to read simultaneously and share our thoughts. Jan’s work with the YWCA of Union County’s Domestic Violence program would have given her a unique perspective. But my lifetime efforts to free me from male blindness would have been a good counterpoint.

Please read this book, share it, and discuss it.

The Goodreads summary provides an overview,

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s murder and the conviction of the school’s trainer, Omar Evans, are online, Bodie prefers—needs—to let sleeping dogs lie.

But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. As she falls down the rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t an outsider at Granby as she’d thought, perhaps, back in 1995, she knew something that might have held the key to solving the case. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there?

In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation, timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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“Sleep: A Novel” by Honor Jones captivates readers with its heartfelt narrative and deep insights into the human experience. This debut novel offers a genuine insight into the complex dynamics of motherhood and childhood, weaving together themes of love, secrets, and the vast array of possibilities that life can hold beyond silence.

Every parent exists in two families simultaneously: the one they were born into and the one they have created.

Ten-year-old Margaret, much like many of us, hides beneath a blackberry bush in her family’s lush backyard while her brother searches for her in a game of flashlight tag. Her childhood is filled with sunlit swimming pools, Saturday morning pancakes, and a devoted best friend. However, her family life requires careful navigation. Her mother can be as brittle and demanding as she is loving, while her father and brother embody familiar, if uncomfortable, models of masculinity. Then, late one summer, everything changes. After a series of confusing events, the simple joys of girlhood begin to fade away.

Twenty-five years later, Margaret hides under her parents’ bed, waiting for her young daughters to find her in a game of hide and seek. Newly divorced, she is learning to navigate her life as a co-parent while also discovering the pleasures of a new relationship. Yet part of her remains under the blackberry bush, frozen in time. As she strives to be a mother to her daughters and a daughter to her mother, she must confront the echoes and reflections of her past in light of her present. She grapples with what it means to keep a child safe and how much of our lives we experience in solitude.

Jones presents these emotional cycles with generosity and unflinching honesty, making the novel a compelling read that resonates on multiple levels.

Honor Jones, a senior editor at The Atlantic and formerly at The New York Times, brings her wealth of experience and insight to this novel. She lives in Brooklyn with her three children, a life experience that undoubtedly enriches her storytelling.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

Don’t miss out on this exciting opportunity! Enjoy a limited-time offer of 20% off your next book purchase at Bookshop.org! It’s the perfect chance to add this compelling novel to your collection.

‘Hurricane Season‘ by Fernanda Melchor, translated by Sophie Hughes, is a literary gem acknowledged by the New York Times as one of the 100 Best Books of the 21st Century. The story opens with the discovery of a dead witch in a village, leading to an investigation into her murder. As the novel unfolds, it offers a unique perspective on the lives of the villagers, each narrating the story from their point of view.

This unique portrayal of the characters, each with flaws and virtues, uncovers new details and acts of depravity. Despite the characters being seen as irredeemable, Melchor extracts some shred of humanity from them, creating a lasting portrait of a doomed Mexican village. This deep connection to Mexican culture is a significant aspect of the novel that will surely resonate with readers interested in this topic.

“Hurricane Season” draws significant literary inspiration from Roberto Bolaño‘s “2666” and Faulkner‘s novels. Like these works, it is set in a world filled with mythology and actual violence that seeps into the surroundings, creating a connection that makes it more terrifying the deeper you explore it.

Today, I embarked on a profound exploration of the human condition through Jonathan Franzen‘s ‘The Corrections: A Novel.’ It guides us from the heart of the Midwest in the mid-century to the bustling streets of Wall Street and the enigmatic landscapes of Eastern Europe. It’s no surprise that it’s hailed as one of The New York Times 100 Best Books of the 21st Century.

Jonathan Franzen‘s ‘The Corrections: A Novel‘ is not just a family saga but a profound critique of our modern society. It’s a work of art that delves into the issues of our new century, enlightening us with its insights. Franzen masterfully juxtaposes the old-fashioned America of freight trains, civic responsibility, and holiday treats with the modern absurdities of neuroscience, home surveillance, hands-off parenting, DIY mental health care, and the anti-gravity New Economy. It’s a narrative that will evoke laughter, tears, and deep contemplation. Through ‘The Corrections,’ Franzen establishes himself as one of the leading interpreters of American society and the American spirit.

Enid Lambert is distraught. She conceals her anxiety from her neighbors and adult children, but her husband, Alfred, is slipping into a world of his own. Whether it’s the medication for his Parkinson’s disease or his pessimism, he’s becoming increasingly detached. His days are spent brooding in the basement, engaging in mysterious, unsettling actions, and struggling to understand Enid’s words. The depth of their struggle is palpable, drawing the reader into their world.

Trouble also brews in the lives of Enid’s children. Her eldest son, Gary, a banker in Philadelphia, has become callous and materialistic, trying to push his parents out of their old home and into a small apartment. The middle child, Chip, has abruptly quit his exciting job as a professor at D—— College for no discernible reason. He moved to New York City, seemingly embracing a “transgressive” lifestyle while working on a screenplay. Meanwhile, the youngest, Denise, has left her disastrous marriage only to waste her youth and beauty on an affair with a married man—or so Gary implies.

Enid, a lover of life’s pleasures, still looks forward to a final family Christmas and the upcoming Nordic Pleasurelines Luxury Fall Color Cruise with Alfred. However, his growing confusion and instability threaten these remaining joys. As Alfred’s condition worsens, the Lamberts must confront their family’s past failures, secrets, and long-buried wounds. Yet, in this journey of confrontation and reconciliation, the hope for a better future emerges.