The Brighter the Light by Mary Ellen Taylor was my eighty-ninth book since the beginning of 2019. After reading about Thomas Cromwell, I needed a change of pace. With the start of the Hurricane season, it seemed as good a time as any to read a novel by a fellow Southerner. That the book is also an “evocative dual-timeline novel detailing one woman’s journey to discover the hidden stories of her family’s seaside resort” seemed a perfect match.

I highly recommend this book. As a Southerner, I found the revealing of the hidden secrets accomplished in a style that makes this a page-turner.

The Goodreads summary provides an overview.

When a shipwreck surfaces, old secrets are sure to follow.

Or so goes the lore in Ivy Neale’s hometown of Nags Head, North Carolina. When Ivy inherits her family’s beachfront cottage upon her grandmother’s death, she knows returning to Nags Head means facing the best friend and the boyfriend who betrayed her years ago.

But then a winter gale uncovers the shipwreck of local legend—and Ivy soon begins to stumble across more skeletons in the closet than just her own. Amid the cottage’s clutter are clues from her grandmother’s past at the enchanting seaside resort her family once owned. One fateful summer in 1950, the arrival of a dazzling singer shook the staff and guests alike—and not everyone made it to fall.

As Ivy contends with broken relationships and a burgeoning romance in the present, the past threatens to sweep her away. But as she uncovers the strength of her grandmother and the women who came before her, she realizes she is like the legendary shipwreck: the sands may shift around her, but she has found her home here by the sea.

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Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.

Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.

The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.

One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.

This dialogue could easily be one that Jan and I had.

Of course you want to summon his family—his (adult) children—but quickly, he says no.

Still waiting.

But – When?

Just not yet.

He is not an alarmist. (You are the alarmist.)

The novel is written in two parts – The Vigil and the Post-Mortem.

The opening paragraphs set the tone.

A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.

Whoever it is urging you – Breathe!

Leaning over you begging you – Breathe!

As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.

Among them is grief-vise, which I have written about in this stream.

In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.

In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.

Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.

Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.

The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.

These are some of the other phrases I have found useful and will include in posts.

• If there is no one to love, do we merit existence?
• Never come to the end of kissing.
• The first principle of life is; Breathe.
• Shy in the language of intimacy.
• As if a life lived with strangers could compensate for the emptiness in your heart.
• No purpose in your life. No compass.

What you love most, that you will lose. The price of your love is your loss.

I recommend this book to all readers, even those struggling with grief.

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Today, I began reading Amor Towles‘s “Table for Two: Fictions.” As a fan of his previous work, “A Gentleman in Moscow,” I was excited to delve into some of his shorter fiction. The book contains six stories from New York City and a novella from Golden Age Hollywood. Table for Two is another captivating addition to Towles’s collection of stylish and transporting fiction written with his signature wit, humor, and sophistication.

The New York stories, set primarily in the year 2000, explore the profound consequences that can result from fleeting encounters and the intricate dynamics of compromise that underpin modern marriages. These narratives are sure to evoke strong emotions and leave a lasting impression.

In the novel “Rules of Civility,” the resilient Evelyn Ross departs from New York City in September 1938, intending to return to her home in Indiana. However, as her train reaches Chicago, where her parents eagerly await her, she spontaneously decides to extend her journey to Los Angeles. “Eve in Hollywood,” narrated from seven different perspectives, reveals how Eve forges a new path for herself and others in a gripping noirish tale that traverses the movie sets, bungalows, and dive bars of Los Angeles.

“The Slip” is the debut novel by Lucas Schaefer, telling a compelling American story about a missing teenage boy, themes of fluid and mistaken identity, and the transformative power of boxing. Navigating the ever-changing landscape of a shifting country, “The Slip” offers an audacious and daring exploration of sex and race in America. The narrative builds to an unforgettable climax in the center of the ring.

This novel is the winner of the Kirkus Prize for 2025  and one of The New York Times Book Review’s 100 Notable Books of 2025, as well as one of The Washington Post’s 10 Best Books of 2025.

Austin, Texas: It’s the summer of 1998, and there’s a new face on the scene at Terry Tucker’s Boxing Gym. Sixteen-year-old Nathaniel Rothstein has never felt comfortable in his own skin, but under the tutelage of a swaggering, Haitian-born ex-fighter named David Dalice, he begins to come into his own. Even the boy’s slightly stoned uncle, Bob Alexander, who is supposed to be watching him for the summer, notices the change. Nathaniel is happier, more confident, and even tanner. Then one night, he vanishes, leaving little trace behind.

Across the city, Charles Rex, now going simply by “X,” has been undergoing a teenage transformation of his own, trolling the phone sex hotline that his mother works, seeking an outlet for everything that feels wrong about his body, looking for intimacy and acceptance in a culture that denies him both. As a surprising and unlikely romance blooms, X feels, for a moment, like he might have found the safety he’s been searching for. But it’s never that simple.

More than a decade later, Nathaniel’s uncle Bob receives a shocking tip, propelling him to open his own investigation into his nephew’s disappearance. The resulting search involves gymgoers past and present, including a down-on-his-luck twin and his opportunistic brother; a rookie cop determined to prove herself; and Alexis Cepeda, a promising lightweight who crossed the US-Mexico border when he was only fourteen, carrying a license bearing the wrong name and face.

Lucas Schaefer lives with his family in Austin. The Slip is his first novel.

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Phoebe Greenwood‘s debut novel, Vulture, immerses readers in the dark heart of Western media and boldly questions its role in the tragedies it reports. This darkly humorous and emotionally charged satire exposes the inner workings of the war news industry. Set in the Middle East, Vulture is a fast-paced critique of war reporting, blending elements of satire with a tragicomic coming-of-age story.

In November 2012, Sara Byrne, an ambitious young journalist, is sent to Gaza to cover the war from The Beach. At the four-star hotel, the staff work tirelessly to provide safety, comfort, and generator-powered internet for the world’s media, all while their own homes and families are under threat.

Sara is determined to use this war to jumpstart her stalled career and win back her lover. When her fixer, Nasser, refuses to help her set up the dangerous story she believes will make her name, she turns to Fadi, the youngest member of a powerful militant family. Driven by the demons of a troubled and entitled childhood, Sara is willing to do anything to prove herself, even if it brings disaster to those around her.

Phoebe Greenwood is a writer and journalist based in London. From 2010 to 2013, she worked as a freelance correspondent in Jerusalem, covering the Middle East for publications such as The Guardian, The Daily Telegraph, and The Sunday Times. From 2013 to 2021, she served as an editor and correspondent at The Guardian, specializing in foreign affairs.

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I Have Some Questions for You by Rebecca Makkai is a book that, from page one, pulled me into the story and made me believe I was embedded with Bodie Kane as she returned to her boarding school and worked with students to review the murder of her roommate twenty-three years ago. I Have Some Questions for You was more than a page-turner as I was an unnamed participant. I highly recommend this book and, as Ms. Makkai does, buy it at an independent bookstore.

I had not heard of the book until I read a review in The New Yorker by Katty Waldman, who writes, “The new book, a murder mystery set at an élite boarding school, is being marketed as an irresistible whodunnit. But it also joins a growing number of critiques of true crime.” Once I finished the review, I ordered the book and did not put it down until I finished the novel.

Do not “read this book if you”are looking for a whodunnit. It is a critique of true crime and an assessment of the “me too” era. How do we judge the past by the standards of the present?

Every book I have read since Jan died is one I wanted to discuss with her. But I Have Some Questions is one that would have been helpful for both of us to read simultaneously and share our thoughts. Jan’s work with the YWCA of Union County’s Domestic Violence program would have given her a unique perspective. But my lifetime efforts to free me from male blindness would have been a good counterpoint.

Please read this book, share it, and discuss it.

The Goodreads summary provides an overview,

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s murder and the conviction of the school’s trainer, Omar Evans, are online, Bodie prefers—needs—to let sleeping dogs lie.

But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. As she falls down the rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t an outsider at Granby as she’d thought, perhaps, back in 1995, she knew something that might have held the key to solving the case. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there?

In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation, timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I delved into There Is No Place for Us by Brian Goldstone, a poignant exploration of America’s escalating homelessness crisis. Goldstone’s examination of the issue’s scale, root causes, and consequences is a wake-up call, passionately arguing that housing must be recognized as a fundamental human right. His compelling narrative demands our immediate attention and action.

The phrase “the working homeless” serves as a stark reminder of the urgency of America’s homelessness crisis. In a country where hard work and determination are expected to lead to success, it is scandalous that individuals with full-time jobs struggle to maintain stable housing. Rising rents, low wages, and insufficient tenant rights have contributed to this alarming trend. Families are facing homelessness not due to a failing economy but because of a thriving one.

In his compelling and thoroughly researched book, Brian Goldstone explores the lives of five families in Atlanta. Maurice and Natalia attempt to rebuild their lives in the country’s “Black Mecca” after being priced out of Washington, D.C. Kara aspires to become an entrepreneur while working at a public hospital. Britt has secured a much-coveted housing voucher. Michelle is studying to become a social worker. Celeste works tirelessly at her warehouse job while battling ovarian cancer. Each of these individuals strives to provide a decent life for their children. Yet, one by one, they find themselves among the nation’s working homeless, demonstrating their resilience and the system’s failures.

Through intimate, novelistic portrayals, Goldstone exposes the human cost of this crisis, following parents and their children as they sleep in cars or squalid extended-stay hotel rooms, then head to their jobs and schools the next day. These are the nation’s hidden homeless—people often omitted from official statistics—showing that overflowing shelters and street encampments represent only the most visible aspects of a much larger problem.

Brian Goldstone is a journalist whose long-form reporting and essays have appeared in The New York Times, Harper’s Magazine, The New Republic, The California Sunday Magazine, and Jacobin, among other publications. He has a PhD in anthropology from Duke University and was a Mellon Research Fellow at Columbia University. In 2021, he was a National Fellow at New America. He lives in Atlanta with his family.

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“Bug Hollow” by Michelle Huneven is a decades-spanning family saga that follows the messy yet loving Samuelson clan as they navigate life after the loss of their son, Ellis. When Sally Samuelson was eight years old, her golden boy brother, Ellis, went missing the summer after he graduated from high school. He eventually reappeared at the picturesque Bug Hollow, a final remnant of the beautiful Northern California counterculture of the seventies.

Although he found joy in communal life, his life was tragically cut short in a freak accident just weeks later, leaving the Samuelson family to grapple with their grief. From that point on, the world of the Samuelsons never spun on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, showed up pregnant on their doorstep.

Each member of the Samuelson family has sought their form of solace: Sybil Samuelson pours herself into teaching to numb her pain after losing her beloved son; her husband, Phil, found comfort in a new love that developed while he was working as an engineer in Saudi Arabia; Katie, the high-achieving middle child, comes home to try to make peace with her mother following a cancer diagnosis. Meanwhile, Sally has become the de facto caretaker of Eva, the child Ellis never had the chance to know.

Michelle Huneven is known for her five enthralling novels, which chronicle the lives of middle-class Americans in her vividly portrayed native California. Her characters struggle with addiction, painful romances, and profound losses as they continue to seek meaning and strive to be good. She captures the Samuelson family with remarkable precision and deep empathy as they fracture and rebuild time and again.

Michelle Huneven is the author of Round Rock, Jamesland, Blame, Off Course, and Search. Her books have been New York Times Notable Books and finalists for the Los Angeles Times Book Prize and the National Book Critics Circle Award. She is the recipient of a Whiting Award for Fiction, a Guggenheim Fellowship, a James Beard Award, and a Literature Award from the American Academy of Arts and Letters. She received her Master of Fine Arts degree from the Iowa Writers’ Workshop and teaches creative writing at the University of California, Los Angeles.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

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