How Did I Grieve?

Estimated reading time: 12 minutes, 26 seconds

Publicly Mourning
Helped Me to Learn and Grow

It has been almost thirty-eight months since my wife passed away. Losing a loved one, particularly a spouse, is an experience no one would wish for. Atul Gawande wrote in “Being Mortal” that we have come to believe that every medical professional has a magic cure to prevent death or postpone it indefinitely. However, the truth is that death is one of the life cycle events encoded in our DNA.

When Jan, my wife, passed away, I mourned as if I was the first ever to suffer such a loss. I didn’t know if I could choose to grieve in public or private, so I decided to write about my experiences and develop habits that served as guardrails. I shared my writings on social media, attended grief support groups, and even organized a memorial service where I spoke about Jan and our life together. Looking back, I realize the importance of public mourning as it not only helps us heal but also helps others understand and cope with their grief. My journey, marked by resilience and growth, is a testament to the human spirit’s ability to overcome even the most profound loss.

After reading Cody Delistraty‘s essay “It’s Mourning in America” in The New Yorker, I understood I had chosen the best option. The subtitle “In the past century, grief has shifted from a public process to a private problem—something meant to be solved. Is there a better way?” made me reflect on how I mourned and coped with grief. More than three years after the loss, it was a timely reminder to review where I was during the darkest days and how I have learned to live and thrive, showcasing the remarkable resilience of the human spirit.

I have experienced the loss of my parents, Jan’s parents, and friends over the years, which has given me firsthand knowledge of the impact of death. Witnessing the deceased has also been a familiar experience. However, I have struggled to understand how to mourn. As pointed out by Mr. Delistraty, there is a prevalent notion in American culture of seeking closure and swiftly moving on from loss. This concept of ‘closure’ implies that one should neatly tie up their emotions and memories of the deceased, and resume normal activities and routines without allowing oneself to linger in grief. This expectation can be challenging and even harmful, as it may prevent individuals from fully processing their grief and healing in their own time.

After nearly two years of caring for my wife before her passing, I find myself without an understanding of what ‘normal’ means, if it means anything, or how to attain a state of equilibrium that would enable me to carry on. This complexity of grief is a shared experience, and it’s okay not to have all the answers. The more than 100,000 words on my blog have been a form of public mourning. I have shared the depths of despair, the steps I have taken, and how I have grown and sometimes failed. I have found solace in nature, in the support of friends and family, and in giving back to the community. These experiences have been instrumental in my healing and growth, and I hope they can offer some guidance and comfort to others on a similar journey.

Sharing Jan’s Love

In his essay, Mr. Delistraty eloquently discusses public and private grieving traditions. Before the 20th century, death was more common, and mourning was a public process involving family, friends, and neighbors. Now, “there is the stigma of grief—the idea, now rampant in American life, of closure. Most people are reluctant to linger on loss. We are expected to get back to work and back to normal.”

For everyone I know who lost a loved one during COVID-19, the concept of closure was unachievable. Three days before my wife died, NJ Governor Murphy rescinded a rule that limited mourners at a funeral to a dozen as long as those attending practiced social distancing. This rule change was a relief, as it meant more people could attend the funeral and pay their respects to Jan. However, it also presented a new challenge. I am not sure how I would have managed a funeral with such strict limitations. Whom would I have excluded from attendance if only a dozen could attend? These unique circumstances would have added a layer of complexity to my mourning process and forced me to reconsider traditional notions of closure and mourning.

On May 5, during my wife’s funeral at Beth Israel Cemetery in Woodbridge, it was lightly raining, and many of the almost one hundred-attendees had only a day’s notice about her passing and the funeral arrangements. In this shared moment of grief, I tried to express my deep gratitude to everyone who attended, as I recognized that they, too, were mourning Jan. Although some may have perceived my actions as unusual, I felt it was important to publicly thank them and expand our shared support network as we all navigated life without my wife. Their presence and support have been a source of strength and comfort, reminding me that I am not alone in this journey of grief and healing.

Merrit Malloy’s Epitaph, which Jan and I like, was read at her funeral and will be read at mine. When Rabbi Renee read the poem, I knew clearly that I had to give her love away if I would not only mourn but honor her. The last stanza is my wife’s final message to me.

Love doesn’t die,
People do.
So, when all that’s left of me
Is love,
Give me away.

Merrit Malloy’s Epitaph

I am sharing her love not because I no longer love her but because I love her now more than ever. By sharing her love, it will come back to me even more potent. Sharing Jan’s love will keep her memory and legacy alive and strengthen us all. Sharing her passion will inspire and empower us to improve the world and make it a better place for everyone. Sharing Jan’s love is the true expression of my love for her! This commitment to sharing her passion is a testament to the enduring power of love and its ability to transcend even the most profound loss.

Being Mortal

I understood, standing by her grave, that my sense of loss was unique as Jan’s husband, but accepting that I was not the only one was a crucial step in how I would manage grief. Having read Being Mortal by Atul Gawande days before my wife’s diagnosis of lymphoma prepared me for hospice but also for acceptance that her death was unavoidable once she was also diagnosed with COVID. He reminds us that “when it comes to the inescapable realities of aging and death, what medicine can do often runs counter to what it should.” As he writes in the book, the current system does not work and, in many cases, actually shortens life. Without that knowledge, I am not sure how I would have coped with hearing from her oncologists that there was no way of treating her and hospice was the only option.

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The Jan Lilien Education Fund!

She's Up to No Good

Read: July 2022

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She’s Up to No Good

by Sara Goodman Confino

After writing Road Trippin, I needed to read about other homeward-bound journeys that help us find peace and a future after a tragedy. Today I started reading She’s Up to No Good by Sara Goodman Confino. The book is a funny, poignant, and life-affirming novel about family, secrets, and broken hearts. It may be the best read for my days in San Diego.

It was the perfect read for my time at Camp, as it was a life-affirming novel. As much as I know that life continues, She’s Up to No Good reaffirmed my belief.

I highly recommend this book.

The Goodreads summary provides an overview.

Four years into her marriage, Jenna is blindsided when her husband asks for a divorce. With time on her hands and her life in flux, she agrees to accompany her eccentric grandmother, Evelyn, on a road trip to the seaside Massachusetts town where much of their family history was shaped.

When they hit the road, Evelyn spins the tale of the star-crossed teenage romance that captured her heart more than seventy years ago and changed the course of her life. She insists the return to her hometown isn’t about that at all—no matter how much she talks about Tony, her unforgettable and forbidden first love.

Upon arrival, Jenna meets Tony’s attentive great-nephew Joe. The new friendship and fresh ocean air give her the confidence and distance she needs to begin putting the pain of a broken marriage behind her.

As the secrets and truths of Evelyn’s past unfold, Jenna discovers a new side of her grandmother and of herself that she never knew existed—and learns that the possibilities for healing can come at the most unexpected times in a woman’s life.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. All donations are tax-deductible.

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The Second Mountain: The Quest for a Moral Life

Read: May 2019

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The Second Mountain: The Quest for a Moral Life

by David Brooks

The Second Mountain: The Quest for a Moral Life by David Brooks is a book I often recommend. Mr. Brooks writes about the first mountain that most people climb. The book challenges the reader to “live for a cause greater than themselves.”

It is about “to be a success, make your mark, experience personal happiness.” Even when they reach the top of the mountain, most people find they are unhappy. The climb to the summit has become unsatisfying.

On the second mountain, life moves from self-centered to other-centered.” Life becomes interdependent, not independent; it becomes a life of commitment, not about us.

Mr. Brooks “explores the four commitments that define a life of meaning and purpose: to a spouse and family, to a vocation, to a philosophy or faith, and to a community.

We live in a society, Brooks argues, that celebrates freedom, that tells us to be true to ourselves, at the expense of surrendering to a cause, rooting ourselves in a neighborhood, binding ourselves to others by social solidarity and love. We have taken individualism to the extreme—and in the process we have torn the social fabric in a thousand different ways.

When I read The Second Mountain, it became clear that Jan and I never even attempted to climb the first mountain. We were constantly climbing the second mountain.

We had chosen to do work that repaired the world; we both had a faith community and lived in a community.

All we were missing as far as commitments when we met was each other. Our love for each other provided the missing link and allowed us to climb to the top of the second mountain.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Catch

Read: June 2025

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The Catch: A Novel

by Yrsa Daley-Ward

In “The Catch,” her captivating debut novel, Yrsa Daley-Ward creates a vibrant multiverse that delves into the complexities of daughterhood and mother-want. She explores the sacrifices women often make in their pursuit of self-actualization. The result is a remarkable novel that boldly poses the question: “How can it ever be a crime to choose yourself?”

Twin sisters Clara and Dempsey have always struggled to connect, their familial bond severed after their mother vanished into the Thames. As infants, they were adopted by different families: Clara went to live with a successful, upper-class couple, while a distant and unaffectionate city councilor took in Dempsey. As adults, the sisters have settled into a comfortable estrangement until Clara spots a woman on the streets of London who looks exactly like their mother. The twist? This version of Serene appears ageless and has lived a childless life — the very life she might have had if the girls had never been born.

As with most things, Clara and Dempsey cannot agree on the strange appearance of this woman. Clara, a celebrity author with a penchant for excessive drinking and one-night stands, is eager to welcome the confident and temperamental Serene into her home. In contrast, reclusive Dempsey, who makes a modest living doing menial data entry work from her apartment, is suspicious of the entire situation, believing it to be a cunning scheme by a con woman.

As the sisters clash over this stranger who increasingly intrudes into their lives, they hurtle toward a confrontation that threatens their very existence, ultimately forcing them to face their shared past together.


Yrsa Daley-Ward is a poet, writer, and actress. She is the author of The How, bone, and The Terrible, for which she won the PEN Ackerley Prize. She lives in Los Angeles.



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Grief Is the Thing with Feathers

Read: May 2026

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Grief Is the Thing with Feathers

Max Porter‘s extraordinary debut, “Grief Is the Thing with Feathers,” is a unique blend of novella, polyphonic fable, and essay about grief. Combining compassion with a bold writing style, it delivers a powerful impact. Filled with sharp humor and deep insights, this haunting and original work introduces an important new talent. The book will be released as a major motion picture titled “The Thing with Feathers,” starring Benedict Cumberbatch.

Here he is, husband and father, scruffy romantic, a shambolic scholar–a man adrift in the wake of his wife’s sudden, accidental death. And there are his two sons, who, like him, struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised.

In this moment of violent despair, they are visited by Crow–antagonist, trickster, goad, protector, therapist, and babysitter. This self-described “sentimental bird,” at once wild and tender, who “finds humans dull except in grief,” threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow’s efforts are rewarded, and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up.


Max Porter is a publishing professional who lives in South London with his wife and children. “Grief Is the Thing with Feathers” is his debut book.



Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Supporting these selections not only helps me continue to provide you with personalized recommendations but also ensures you have access to meaningful stories that enrich your life. Your support truly makes a difference in helping me share more books and insights with you!


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Three Summers

Read: February 2025

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Three Summers: A Novel

by Margarita Liberaki

Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.

Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.

Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.

Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.

Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.



When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!


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Heart the Lover

Read: October 2025

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Heart the Lover

by Lily King

“Heart the Lover” by Lily King, the bestselling author of “Writers & Lovers,” is a beautifully intimate novel that explores themes of desire, friendship, and the lasting impact of first love. It renewed my belief that love is the most potent force in the world. Wise and unforgettable, with a delightful connection to “Writers & Lovers,” this is King at her best, solidifying her reputation as a masterful chronicler of the human experience and one of the finest novelists writing today.

You knew I’d write a book about you someday.

Our narrator has a deep understanding of good love stories—their secrets, subtext, highs, and lows. However, her most incredible love story, which she experienced herself, does not adhere to the conventional rules.

In the fall of her senior year in college, she meets two star students from her 17th-century Literature class: Sam and Yash. These best friends, who live off campus in the elegant house of a professor on sabbatical, invite her into their captivating world of academic enthusiasm, quick-witted banter, and lively card games. They nickname her Jordan, and she quickly discovers the joys of friendship, love, and her own intellectual ambition. Yet, youthful passion is unpredictable, and before long, she finds herself at the center of a complex and charged triangle. As graduation approaches, the choices made will alter the lives of the three of them forever.

Decades later, the vulnerable days of Jordan’s youth seem comfortably behind her. However, when a surprise visit and unexpected news bring the past crashing into the present, she returns to the world she left behind and must confront the decisions and deceptions of her younger self.

Written with the sharp wit and emotional sensitivity that fans and critics of Lily King admire, Heart the Lover is a profoundly moving love story that celebrates literature, forgiveness, and the transformative bonds that shape our lives.


Lily King is a bestselling author on the New York Times list, known for her six novels, including Euphoria and Writers & Lovers, as well as a collection of short stories titled Five Tuesdays in Winter. Her writing has garnered several prestigious awards, including the Kirkus Prize, the New England Book Award for Fiction, the Maine Book Award for Fiction, and a Whiting Award. Her books are read worldwide in twenty-eight different languages. She resides in Portland, Maine.



Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!


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