My random thoughts on Jan, love, grief, life, and all things considered.
Beautiful World, Where Are You by Sally Rooney, a writer recommended to me, but I have always kept them on the to-read list, not the current reading. Does a beautiful word exist? Is it possible to live in a beautiful world despite the loss of the love of my life? Perhaps reading Beautiful World, Where Are You, will help me in my grief journey.
Thursday night, I joined my friend Arnold at the Kenilworth Public Library for a classic rock concert by Rewind.
Rewind, featuring Jersey guys John Delgiodice of Hasbrouck Heights on guitar, Ken Cohen of Kenilworth on drums, and Rich Loughlin of Oceanport on bass, played golden oldies from the 1950s to the 1980s in their hour-long performance.
As young children danced and my feet bounced to the rhythm, Rewind asked the audience to sing along. Jan could always sing along and would know the song and lyrics after the first chord.
After the show, I kept singing in my head, Jan, I want to hold your hand and dance under the moonlight. Our love will never die!
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As I approach the fourteenth month without Jan, the love of my life, I have learned a few lessons that have helped me manage life without her.
As much as I always thought of myself as a kind person, grief has helped me become a kinder person.
My new levels of compassion and empathy are my superpower.
They do not mitigate or hide my grief but allow me to be able to help others.
When I help others, it helps me as much as I help them.
Being kind helps me not only endure my endless days and nights of mourning, but it provides meaning in a life that otherwise would be adrift in troubled waters.
Having the courage to be kind gives me the resilience to endure life without Jan.
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It’s been almost fourteen months since Jan passed away, and I still feel the weight of grief on my chest and miss her constantly. However, I’ve been able to grow and make changes due to these challenges. Interestingly, we learn more during difficult and threatening times than during quiet periods.
Dr. Lois Tonkin’s research emphasizes the importance of embracing grief as a part of our growth process. By incorporating Jan’s love into my life, I can gradually reduce my suffering and find peace.
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If marriage is a life-long conversation, is grief a one-way conversation for eternity?
Jan and I started a conversation the moment we met. It continued until the last morning she was alive.
We still talk, but it is a conversation in my mind.
I share with Jan what I did daily, ask her opinion, and express my undying love.
As Marz has written, we now live in an ironic period of our lives.
The irony that the person you want to talk to about how you’re feeling, what you did that day, that piece of advice you might need.
Until heaven gets cell service, my one-way communication is the best I can do, even if it is paradoxical.
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Interpreter of Maladies by Jhumpa Lahiri is an incredible book. Each short story is a page-turner that I will re-read many times. As Ms. Lahiri writes, “The question of identity is always a difficult one, but especially so for those who are culturally displaced, as immigrants are, or those who grow up in two worlds simultaneously, as is the case for their children.”
When I met Jan, I knew I loved her and would spend the rest of my life with her.
Our love for each other was unfathomable and broader than the combined rivers, streams, lakes, bayous, seas, and oceans.
Being older and male, I was sure that Jan would survive me. One day at a time, I had done whatever was I could to ensure that she would be able to manage without me.
In the early days of my grief journey, I was comforted that the level of grief was equal to the amount of love we shared.
Almost fourteen months, I love her more than ever but slowly have reprogramed my mind’s time and space dimensions so I can bring Jan with me.
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Loving Jan More to Minimize Grief
by Sally Rooney
Beautiful World, Where Are You by Sally Rooney, a writer recommended to me, but I have always kept them on the to-read list, not the current reading. Does a beautiful word exist? Is it possible to live in a beautiful world despite the loss of the love of my life? Perhaps reading Beautiful World, Where Are You, will help me in my grief journey.
Ms. Rooney’s book was a page-turner, and I highly recommend it.
One of the quotes from the book echoed my dream of a beautiful world.
“When I try to picture for myself what a happy life might look like, the picture hasn’t changed very much since I was a child – a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that’s all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth.” ― Beautiful World, Where Are You
It also helped remind me how unique and memorable the love that Jan and I shared was. We could quickly fall into a life lived separately as friends, or we might not have ever fallen in love and married.
As Beautiful World, Where Are You, wrote:
“If God wanted me to give you up, he wouldn’t have made me who I am.”
The Goodreads summary provides an overview.
Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a breakup and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, and they break apart. They have sex, they worry about sex, and they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?
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by Jhumpa Lahiri
Interpreter of Maladies by Jhumpa Lahiri is an incredible book. Each short story is a page-turner that I will re-read many times. As Ms. Lahiri writes, “The question of identity is always a difficult one, but especially so for those who are culturally displaced, as immigrants are, or those who grow up in two worlds simultaneously, as is the case for their children.”
Since 2000, Interpreter of Maladies has been on my reading list. For what is a writer, if not an interpreter of maladies? Perhaps, I waited until now so that I would have grief to help guide me thru this collection of short stories. I highly recommend Interpreter of Maladies.
The Goodreads summary provides a concise overview.
Navigating between the Indian traditions they’ve inherited and the baffling new world, the characters in Jhumpa Lahiri’s elegant, touching stories seek love beyond the barriers of culture and generations. In “A Temporary Matter,” published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth. At the same time, their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.
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by A.M. Homes
The Unfolding by A.M. Homes is a darkly comic political parable braided with a Bildungsroman that takes us inside the heart of a divided country. The Unfolding is an alternative history that is terrifyingly prescient, profoundly tender, and devastatingly funny. Will this novel help me to understand how we became a nation that no longer shares the same definitions of truth, freedom, and democracy, much less a shared vision of the future?
Although I understand more clearly the crisis facing the US, I highly recommend this novel.
Ms. Homes has written a must-read book that compliments the January 6th Committee report and should make us all more vigilant.
The characters are so well defined that at the end of the novel, I wanted to continue to read about them, especially Meghan.
The Goodreads summary provides an overview,
The Big Guy loves his family, money, and country. Undone by the 2008 presidential election results, he taps a group of like-minded men to reclaim their version of the American Dream. As they build a scheme to disturb and disrupt, the Big Guy also faces turbulence within his family. His wife, Charlotte, grieves a life not lived, while his 18-year-old daughter, Meghan, realizes that her favorite subject–history–is not exactly what her father taught her.
In a story that is as much about the dynamics within a family as it is about the desire for those in power to remain in force, Homes presciently unpacks a dangerous rift in American identity, prompting a reconsideration of the definition of truth, freedom, and democracy–and exploring the explosive consequences of what happens when the exact words mean such different things to people living together under one roof.
In her first novel since the Women’s Prize award-winning May We Be Forgiven, A.M. Homes delivers us back to ourselves in this stunning alternative history that is both terrifyingly prescient, deeply tender, and devastatingly funny.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Ann Napolitano
Hello Beautiful by Ann Napolitano is a gorgeous, profoundly moving portrait of what’s possible when we choose to love someone, not despite who they are but because of it. Although several sources recommended Hello Beautiful, I chose the novel based on the title as it is how I always greeted Jan. I highly recommend this book as it is one of the best I have ever read.
Hello Beautiful is an exquisite homage to Louisa May Alcott’s timeless classic, Little Women. Knowing it was not him, William Waters’s experience growing up as an only child was an engaging character in the early portion of the novel. However, my hero was Sylvie, the dreamer who pursued true love and found it in a place one would less expect to find it. The consequences of her love reverberate over decades in their families.
The following passage is one example of a well-written book.
We’re separated from the world by our own edges,” Charlie Padavano says to Sylvie in “Hello Beautiful.” He continues, “We’re all interconnected, and when you see that, you see how beautiful life is.
The interconnections of the characters make this novel one of the best I have read. If only more of us could learn the lessons that Charlie Padavano shared with Sylvie.
As a man on a lifetime grief journey, this exchange echoes my experience.
When an old person dies,” Kent said, “even if that person is wonderful, he or she is still somewhat ready, and so are the people who loved them. They’re like old trees, whose roots have loosened in the ground. They fall gently. But when someone like your aunt Sylvie dies—before her time—her roots get pulled out and the ground is ripped up. Everyone nearby is in danger of being knocked over.”
Grief is love.” Now Alice thought: Forgiveness is too.
The Goodreads summary provides an overview,
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him. So it’s a relief when his skill on the basketball court earns him a scholarship to college, far away from his childhood home. He soon meets Julia Padavano, a spirited and ambitious young woman who surprises William with her appreciation of his quiet steadiness. With Julia comes her family; she is inseparable from her three younger sisters: Sylvie, the dreamer, is happiest with her nose in a book and imagines a future different from the expected path of wife and mother; Cecelia, the family’s artist; and Emeline, who patiently takes care of all of them. Happily, the Padavanos fold Julia’s new boyfriend into their loving, chaotic household.
But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable loyalty to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by Yael van der Wouden
A house is a treasured possession, and “The Safekeep,” a debut novel by Yael van der Wouden, presents a gripping story of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961. The novel provides a profound exploration of the legacy of World War II and the darker elements of our shared history.
It is 1961, and the rural Dutch province of Overijssel is quiet. Bomb craters have become lakes, buildings have been repaired or rebuilt, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season.
Eva is the complete opposite of Isabel: she sleeps late, stomps around the house, and handles things she shouldn’t. In response, Isabel becomes increasingly obsessed and furious, especially as items begin to go missing around the house—a spoon, a knife, a bowl. As her suspicions grow, Isabel’s paranoia eventually leads to infatuation, culminating in a revelation that shatters everything she has ever known. It seems that the war might not truly be over, and neither Eva—nor the house they inhabit—is what they appear to be.
For my house will be called a house of devotion for all,” in Isaiah 56:7, serves as a closing that reminds us that a house not open to all is not a home.
Yael van der Wouden is a writer and a teacher. The Safekeep, her debut novel, was a finalist for the 2024 Booker Prize and has been longlisted for the 2025 Aspen Words Literary Prize. It was also named a New York Times Notable Book of the Year and a best book of the year by The Washington Post, Time, The Economist, Kirkus Reviews, The Times (London), The Independent, BookPage, and others. She lives in Utrecht, Netherlands.
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by Sunjeev Sahota
Today, I started reading The Spoiled Heart: A Novel by Sunjeev Sahota. Nayan Olak has been seeing Helen Fletcher around town. She has returned to live in the run-down house at the end of the lane with her teenage son. Though she seems guarded, Nayan cannot help but be drawn to her. He has not risked love since losing his young family in a terrible accident twenty years ago.
After Nayan’s tragedy, his labor union, a pillar of his community, became his refuge and purpose. It was his way of striving for a better and fairer world. Now, Nayan wants to become the leader of the union, a decision that sets the stage for a gripping conflict. His opponent, Megha, a newcomer, is a more formidable challenger than he could have anticipated. Nayan is now in a battle that could redefine his life and community. The differences between Nayan and Megha escalate and threaten the ideals he holds dear. He finds solace in his growing bond with Helen. Unbeknownst to him, their connection is not just a product of their present circumstances but a thread that weaves through their lives, holding secrets that could shatter them. The suspense builds, leaving the readers on the edge of their seats and eager to uncover the truth.
In one sense, The Spoiled Heart is a tragedy in the classic mold, tracing one man’s seemingly inevitable fall. However, it is also an explosively contemporary story of how a few words or a single action, which may appear careless to one person, can be charged for another, triggering a cascade of unimaginable consequences. It is a blazing achievement from one of Britain’s foremost living writers, a vivid and multilayered exploration of the mysteries of the heart, how community is forged and broken, and the shattering impact of secrets and assumptions alike.
by Julia Armfield
From Julia Armfield, the beloved and award-winning author of Our Wives Under the Sea, comes a speculative reimagining of King Lear. Private Rites centers on three sisters navigating queer love and loss in a world that is drowning. It has been raining for so long that the landscape has reshaped itself, and old rituals and religions are beginning to resurface. Sisters Isla, Irene, and Agnes have not spoken to each other in some time.
However, when their father—an architect who was both cruel and revered—passes away, their lives are forever changed. His death offers the sisters an opportunity to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until a revelation in his will shatters their fragile bond.
The sisters are more estranged than ever, and their lives spin out of control: Irene’s relationship is straining at the seams, Isla’s ex-wife keeps calling, and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters were chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.
Julia Armfield is the author of the novels Private Rites and Our Wives Under the Sea, which was a finalist for the Lambda Literary Award and the 2022 Goodreads Choice Award for Best Horror and Best Debut Novel, and the story collection salt slow. Her work has appeared in Granta, Lighthouse, Analog Magazine, Neon, and Best British Short Stories 2019 and 2021. She is the winner of the White Review Short Story Prize and a Pushcart Prize, and shortlisted for the Sunday Times Young Writer of the Year Awards in 2019. She lives and works in London.
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by Marie Ndiaye
“The Witch” by Marie Ndiaye, the recipient of the Gold Medal in the Arts from the Kennedy Center International Committee on the Arts, is shortlisted for the International Booker Prize. In a small, sleepy town, a mediocre witch in a lackluster marriage attempts to pass on her gifts to her twin daughters, who quickly prove to possess abilities far greater than her own.
Lucie comes from a long line of witches, with powers passed down from mother to daughter. Many of them have hidden or repressed their gifts to appease disgusted or fearful men. But against the wishes of her controlling husband, Lucie initiates her twins into their family’s peculiar womanhood when they reach the age of twelve. In a few short months, Maud and Lise are crying rich crimson tears, their powers quickly becoming more potent than their mother’s, opening them to liberation and euphoria beyond what Lucie and her foremothers ever considered.
Equal parts dreamlike and disquieting, The Witch tells a tale as old as time, with a dark twist: Without looking back, children fly the nest, laying bare the tenuous threads of family that have long threatened to snap. With simmering tension and increasing panic, NDiaye’s latest novel in English captures the terror and precarity of motherhood and marriage, and the uncertainty of slowly realizing that your progeny are more dangerous—to the world and to your heart—and freer than you ever could have dreamed.
Marie Ndiaye was born in Pithiviers, France. She is the author of Rosie Carpe, winner of the Prix Femina, and of Three Strong Women, winner of the Prix Goncourt. Her recent novel, Vengeance is Mine, was a finalist for the National Book Critics Circle Award for Fiction. She is also the recipient of the Kennedy Center International Committee on the Arts Gold Medal. She lives in Paris.
Translated by Jordan Stump.
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