Today, I began reading Sayaka Murata‘s Vanishing World, translated by Ginny Tapley Takemori. This novel, from the author of the bestselling literary sensations Convenience Store Woman and Earthlings, presents a surprising and highly imaginative story set in an alternate version of Japan where sexual relations between married couples have disappeared, and all children are conceived through artificial insemination.

Sayaka Murata has established herself as a remarkable observer of society’s peculiarities, delving into our contemporary world with bizarre and unsettling insights. Her portrayals of a contentedly unmarried retail worker in Convenience Store Woman and a young woman who believes she is an alien in Earthlings have resonated with millions of readers globally. In Vanishing World, Murata takes her vision to a bold new level, envisioning an alternative Japan where attitudes toward sex and procreation diverge significantly from our own.

As a girl, Amane is horrified to learn that her parents “copulated” to conceive her rather than using artificial insemination, which became the norm in the mid-twentieth century. She seeks to escape what she perceives as her mother’s indoctrination into this peculiar “system.” Despite her efforts, Amane’s attractions to both anime characters and real people carry an undeniable sexual weight.

As an adult in a suitably sexless marriage—where sex between married couples is regarded as taboo, akin to incest—Amane and her husband, Saku, decide to relocate to a mysterious new town called Experiment City, or Paradise-Eden. In this community, all children are raised collectively, and every person is considered a mother to all children. Men are beginning to experience pregnancy through artificial wombs that exist outside their bodies, resembling balloons, and children are nameless, referred to simply as “Kodomo-chan.” Will this new world finally cleanse Amane of her strangeness?

Sayaka Murata is the author of several books, including Convenience Store Woman, which won the Akutagawa Prize, Earthlings, and Life Ceremony. Freeman has recognized her as a “Future of New Writing” author, and Vogue Japan has honored her as a Woman of the Year.

Ginny Tapley Takemori has translated works from more than a dozen Japanese writers, including Ryu Murakami. She resides at the foot of a mountain in Eastern Japan.

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Today, I embarked on the journey of Heartwood by Amity Gaige. This novel unfolds a gripping narrative as a search and rescue team races against time to find an experienced hiker who mysteriously disappears on the Appalachian Trail in Maine. The suspense of the search for Valerie is palpable, drawing you into the story with great literary ambition and love at its core.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie’s emotional struggle is palpable as she pours her thoughts into fractured, poetic letters to her mother, battling the elements and struggling to keep hoping.

At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground. Meanwhile, Lena, a seventy-six-year-old birdwatcher in a Connecticut retirement community, becomes an unexpected armchair detective. What’s unique about this narrative is that a puzzle emerges between these compelling narratives, intensifying the frantic search, as Valerie’s disappearance may not be accidental.

Heartwood is a “gem of a thousand facets—suspenseful, transporting, tender, and ultimately soul-mending” (Megan Majumdar, New York Times bestselling author of A Burning). It tells the story of a lost hiker’s odyssey and is a moving rendering of each character’s interior journey. The mystery inspires more significant questions about how we get lost and how we are found.

Amity Gaige is the author of four previous novels: O My Darling, The Folded World, Schroder, Sea Wife, a 2020 New York Times Notable Book, and a Mark Twain American Voice Award finalist. Schroder was also a New York Times Notable Book and the best book of 2013 according to The Washington Post and The Wall Street Journal, and was shortlisted for the UK’s Folio Prize in 2014. Her work has been translated into eighteen languages. In 2018, Amity was awarded a Guggenheim Fellowship in Fiction. She lives with her family in West Hartford, Connecticut, and teaches creative writing at Yale.

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I started reading Jesmyn Ward‘s novel Sing, Unburied, Sing today. The New York Times selected it as one of the best books of the 21st century and awarded it the National Book Award. According to The New York Times, Jesmyn Ward‘s historic second National Book Award winner is “perfectly poised for the moment.” It’s an intimate portrait of three generations of a family and an epic tale of hope and struggle.

Jojo is thirteen years old and is trying to understand what it means to be a man. He has several father figures to learn from, including his Black grandfather, Pop. However, Jojo’s understanding is complicated by other men in his life: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who refuses to acknowledge him; and the memories of his deceased uncle, Given, who died as a teenager.

His mother, Leonie, is inconsistent in her and her toddler daughter’s lives. She is a flawed mother in constant conflict with herself and those around her. She is Black, and her children’s father is White. She wants to be a better mother but struggles to prioritize her children over her own needs, particularly her drug use. Tormented and comforted by visions of her deceased brother, which only come to her when she’s high, Leonie is embattled in ways that reflect the harsh reality of her circumstances.

When their father is released from prison, Leonie takes her kids and a friend in her car and drives north to Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a deceased inmate who carries the ugly history of the South with him in his wanderings. With his supernatural presence, this ghostly figure also has something to teach Jojo about fathers and sons, legacies, violence, and love.

Described as a majestic and unforgettable family story, ‘Sing, Unburied, Sing‘ is rich with Ward‘s distinctive, lyrical language. As noted by The Philadelphia Inquirer, her unique narrative style takes readers on ‘an odyssey through rural Mississippi’s past and present.’

Juhea Kim, the acclaimed author of Beasts of a Little Land and City of Night Birds, presents an exquisite collection of stories that explores the delicate balance between humans and the natural world. With the clear-eyed reverence of Richard Powers and the sparkling sincerity of George Saunders, her first story collection, A Love Story from the End of the World, offers a breathtaking view of our fractured world—and our broken hearts. Through its passionate narrative, the collection serves as a poignant reminder that, as humans, we are nothing without nature.

Spanning multiple locales and time periods, and rendered in fine detail and vivid color, this transportive collection illustrates what it means to live as human inhabitants of our singular, miraculous planet.

Lyrical, at times hilarious, and always heartfelt, each of these ten stories reflects individual choices in the face of “man-made” apocalypses. In a near-future Seoul, where air pollution has become so severe that a translucent biodome has covered the city, a civil engineer responsible for its upkeep considers an arranged marriage. A painter, disenchanted with New York City, travels to the South of France and becomes romantically involved with an entrepreneur who claims to have invented a new color. Meanwhile, on an island where the Indian and Pacific Oceans converge, and where foreign countries have dumped their waste, causing a landfill mountain to form, a local boy facing daily hardships gains internet fame for his K-pop-inspired dances.

Juhea Kim is the author of the novel Beasts of a Little Land, which was a finalist for the Dayton Literary Peace Prize and the winner of the Yasnaya Polyana Literary Award, Russia’s most significant annual award in literature. It has been translated into many languages and is for television. She is also the author of City of Night Birds, which was a Reese’s Book Club pick.

A graduate of Princeton University, her writing has been published in Granta, the Times Literary Supplement, the Independent, Zyzzyva, Guernica<, and other outlets. She is an advocate for wildlife conservation, animal rights, and education and aid in Africa. Born in Korea and raised in Portland, Oregon, Kim now lives in London.

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Black Sun by Rebecca Roanhorse.  Black Sun is the first book in the Between Earth and Sky trilogy, inspired by the civilizations of the Pre-Columbian Americas and woven into a tale of celestial prophecies, political intrigue, and forbidden magic.

I have always enjoyed fantasy novels like Black Sun, and this is the first one set in the Pre-Columbian Americas.

A god will return
When the earth and sky converge
Under the black sun

In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year, it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world.

Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as quickly as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.

Will Serapio be harmless or a villain? The answer, my friend, will be known when you read this book or perhaps the second one in the trilogy.

Before meeting and falling forever in love with Jan, I had dreamed of the life of an American Studies professor. Thousands of students are relieved to know I did not pursue that life. If I had opened that door, an area of focus would have been on Pre-Columbian Americas.

I recommend this book and will read the next two in the Between Earth and Sky trilogy.

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Today, I began reading Emily Henry‘s Funny Story, a delightful new novel about a pair of opposites connected by an unexpected bond. It was featured in The New York Times 100 Notable Books of 2024. The narrator, Daphne, finds herself single after being dumped following her fiancé’s bachelor party, and she ends up moving in with her ex-fiancé’s former boyfriend.

Daphne always enjoyed how her fiancé, Peter, told their love story: they met on a blustery day, fell in love over an errant hat, and moved back to his lakeside hometown to start their life together. He was great at telling their story—until he realized he was in love with his childhood best friend, Petra.

This is where Daphne begins her new chapter: stranded in beautiful Waning Bay, Michigan, without friends or family, but with a dream job as a children’s librarian (which barely pays the bills). She proposes to room with the only person who might understand her situation: Miles Nowak, Petra’s ex.

Miles is scruffy and chaotic, finding comfort in the sounds of heartbreak ballads. He is the opposite of practical, buttoned-up Daphne, whose coworkers know so little about her that they have a running bet whether she is in the FBI or witness protection. The two roommates initially avoid each other, but one day, while mourning their circumstances, they develop a fragile friendship and devise a plan. Their plan includes posting misleading photos of their summer adventures together—who could blame them for wanting to create a better story?

But it’s all just for show, of course, because there’s no way Daphne would start this new chapter by falling in love with her ex-fiancé’s new fiancée’s ex… right?

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