How Did I Grieve?

Estimated reading time: 12 minutes, 26 seconds

Publicly Mourning
Helped Me to Learn and Grow

It has been almost thirty-eight months since my wife passed away. Losing a loved one, particularly a spouse, is an experience no one would wish for. Atul Gawande wrote in “Being Mortal” that we have come to believe that every medical professional has a magic cure to prevent death or postpone it indefinitely. However, the truth is that death is one of the life cycle events encoded in our DNA.

When Jan, my wife, passed away, I mourned as if I was the first ever to suffer such a loss. I didn’t know if I could choose to grieve in public or private, so I decided to write about my experiences and develop habits that served as guardrails. I shared my writings on social media, attended grief support groups, and even organized a memorial service where I spoke about Jan and our life together. Looking back, I realize the importance of public mourning as it not only helps us heal but also helps others understand and cope with their grief. My journey, marked by resilience and growth, is a testament to the human spirit’s ability to overcome even the most profound loss.

After reading Cody Delistraty‘s essay “It’s Mourning in America” in The New Yorker, I understood I had chosen the best option. The subtitle “In the past century, grief has shifted from a public process to a private problem—something meant to be solved. Is there a better way?” made me reflect on how I mourned and coped with grief. More than three years after the loss, it was a timely reminder to review where I was during the darkest days and how I have learned to live and thrive, showcasing the remarkable resilience of the human spirit.

I have experienced the loss of my parents, Jan’s parents, and friends over the years, which has given me firsthand knowledge of the impact of death. Witnessing the deceased has also been a familiar experience. However, I have struggled to understand how to mourn. As pointed out by Mr. Delistraty, there is a prevalent notion in American culture of seeking closure and swiftly moving on from loss. This concept of ‘closure’ implies that one should neatly tie up their emotions and memories of the deceased, and resume normal activities and routines without allowing oneself to linger in grief. This expectation can be challenging and even harmful, as it may prevent individuals from fully processing their grief and healing in their own time.

After nearly two years of caring for my wife before her passing, I find myself without an understanding of what ‘normal’ means, if it means anything, or how to attain a state of equilibrium that would enable me to carry on. This complexity of grief is a shared experience, and it’s okay not to have all the answers. The more than 100,000 words on my blog have been a form of public mourning. I have shared the depths of despair, the steps I have taken, and how I have grown and sometimes failed. I have found solace in nature, in the support of friends and family, and in giving back to the community. These experiences have been instrumental in my healing and growth, and I hope they can offer some guidance and comfort to others on a similar journey.

Sharing Jan’s Love

In his essay, Mr. Delistraty eloquently discusses public and private grieving traditions. Before the 20th century, death was more common, and mourning was a public process involving family, friends, and neighbors. Now, “there is the stigma of grief—the idea, now rampant in American life, of closure. Most people are reluctant to linger on loss. We are expected to get back to work and back to normal.”

For everyone I know who lost a loved one during COVID-19, the concept of closure was unachievable. Three days before my wife died, NJ Governor Murphy rescinded a rule that limited mourners at a funeral to a dozen as long as those attending practiced social distancing. This rule change was a relief, as it meant more people could attend the funeral and pay their respects to Jan. However, it also presented a new challenge. I am not sure how I would have managed a funeral with such strict limitations. Whom would I have excluded from attendance if only a dozen could attend? These unique circumstances would have added a layer of complexity to my mourning process and forced me to reconsider traditional notions of closure and mourning.

On May 5, during my wife’s funeral at Beth Israel Cemetery in Woodbridge, it was lightly raining, and many of the almost one hundred-attendees had only a day’s notice about her passing and the funeral arrangements. In this shared moment of grief, I tried to express my deep gratitude to everyone who attended, as I recognized that they, too, were mourning Jan. Although some may have perceived my actions as unusual, I felt it was important to publicly thank them and expand our shared support network as we all navigated life without my wife. Their presence and support have been a source of strength and comfort, reminding me that I am not alone in this journey of grief and healing.

Merrit Malloy’s Epitaph, which Jan and I like, was read at her funeral and will be read at mine. When Rabbi Renee read the poem, I knew clearly that I had to give her love away if I would not only mourn but honor her. The last stanza is my wife’s final message to me.

Love doesn’t die,
People do.
So, when all that’s left of me
Is love,
Give me away.

Merrit Malloy’s Epitaph

I am sharing her love not because I no longer love her but because I love her now more than ever. By sharing her love, it will come back to me even more potent. Sharing Jan’s love will keep her memory and legacy alive and strengthen us all. Sharing her passion will inspire and empower us to improve the world and make it a better place for everyone. Sharing Jan’s love is the true expression of my love for her! This commitment to sharing her passion is a testament to the enduring power of love and its ability to transcend even the most profound loss.

Being Mortal

I understood, standing by her grave, that my sense of loss was unique as Jan’s husband, but accepting that I was not the only one was a crucial step in how I would manage grief. Having read Being Mortal by Atul Gawande days before my wife’s diagnosis of lymphoma prepared me for hospice but also for acceptance that her death was unavoidable once she was also diagnosed with COVID. He reminds us that “when it comes to the inescapable realities of aging and death, what medicine can do often runs counter to what it should.” As he writes in the book, the current system does not work and, in many cases, actually shortens life. Without that knowledge, I am not sure how I would have coped with hearing from her oncologists that there was no way of treating her and hospice was the only option.

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The Swimmers: A Novel

Read: October 2022

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The Swimmers: A Novel

by Julie Otsuka

The Swimmers: A Novel by Julie Otsuka is a novel about what happens to a group of obsessed recreational swimmers when a crack appears at the bottom of their local pool. This searing, intimate story of mothers and daughters—and the sorrows of implacable loss—is the most commanding and unforgettable work yet from a modern master. I highly recommend The Swimmers: A Novel by Julie Otsuka.

The novel was a page-turner from the first to the last page. It had been on my to-read list for months, and I am happy to start reading The Swimmers: A Novel by Julie Otsuka. 

Memory loss is a frightening situation for anyone. Ms. Otuska writes powerfully and eloquently about Alice’s loss of her memory. I felt as if it was one of my loved ones.

The Goodreads summary provides an overview,

The swimmers are unknown to one another except through their private routines (slow lane, medium lane, fast lane) and the solace each takes in their morning or afternoon laps. But when a crack appears at the bottom of the pool, they are cast out into an unforgiving world without comfort or relief.

One of these swimmers is Alice, who is slowly losing her memory. The pool was a final stand against the darkness of her encroaching dementia for Alice. Without the fellowship of other swimmers and the routine of her daily laps, she is plunged into dislocation and chaos, swept into memories of her childhood and the Japanese American incarceration camp where she spent the war. Alice’s estranged daughter, reentering her mother’s life too late, witnesses her stark and devastating decline.


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The Hero of This Book: A Novel

Read: November 2022

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The Hero of This Book: A Novel

by Elizabeth McCracken

The Hero of This Book: A Novel by Elizabeth McCracken is a searing examination of grief and renewal and a deeply felt relationship between a child and her parents. It is not a memoir but a remembrance of those we have lost. Ten months after her mother’s death, the narrator of The Hero of This Book takes a trip to London. The city was a favorite of her mother’s, and as the narrator wanders the streets, she reflects on her mother’s life and their relationship.

Thoughts of the past meld with questions of the future: Back in New England, the family home is now up for sale, its considerable contents already winnowed.

The following quote resonated with me.

I’ve always hated the notion, in life or in fiction, that the human personality is a puzzle to be solved, that we are a single flashback away from understanding why this person is cruel to her children, why that man has a dreamy, downcast look. A human being is not a lock and the past is not a key.

I highly recommend this book.

The Goodreads summary provides an overview,

The woman, a writer, recalls all that made her complicated mother extraordinary–her brilliant wit, her generosity, her unbelievable obstinacy, her sheer will to seize life despite physical difficulties–and finds herself wondering how her mother had endured. Even though she wants to respect her mother’s nearly pathological sense of privacy, the woman must come to terms with whether making a chronicle of this remarkable life constitutes an act of love or betrayal.

The Hero of This Book is a searing examination of grief and renewal and a deeply felt relationship between a child and her parents. What begins as a question of filial devotion ultimately becomes a lesson in what it means to write. At once comic and heartbreaking, with prose that delights at every turn, this is a novel of such piercing love and tenderness that we are reminded that art is what remains when all else falls away.


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Misinterpretation

Read: August 2025

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Misinterpretation: A Novel

by Ledia Xhoga

Ledia Xhoga‘s debut novel, Misinterpretation, is a reflective and engaging work longlisted for the 2025 Booker Prize. The novel delves into the darker legacies of family and country, exploring the tension between compassion and self-preservation. Additionally, it won the 2024 New York City Book Award for a first book, a prestigious recognition in the literary world. It was a finalist for the 2024 Center for Fiction First Novel Prize.

Set in present-day New York City, the story follows an Albanian interpreter who reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions. Despite her husband’s warnings, she becomes increasingly entangled in her clients’ struggles. Alfred’s nightmares unearth her own buried memories, and an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan. The emotional journey of the protagonist will surely resonate with you.

As a series of ill-fated decisions jeopardize the narrator’s marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania. This trip is a fascinating exploration of the contrast between her life in the United States and her roots back home. Upon returning, she must confront the consequences of her actions and question what is real and what is not.


Ledia Xhoga, the author of Misinterpretation, is an Albanian-American fiction writer and playwright. Her personal experiences and cultural background have deeply influenced her writing. Before earning an MFA in fiction from Texas State University, she worked in publishing in New York City. Her writing, which often explores themes of identity and belonging, has been featured in various journals, including Intrepid Times, Hobart, and KGB Magazine. Originally from Tirana, Albania, she now lives with her family in Brooklyn and the Catskills.



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Trust

Read: December 2022

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Trust by Hernan Diaz

by Hernan Diaz

Trust by Hernan Diaz is an elegant, multifaceted epic that recovers the voices buried under the myths that justify our foundational inequality; Trust is a literary triumph with a beating heart and urgent stakes. The novel is divided into four sections, each engaging and reminding us of the tremendous costs a fortune imposes on those who accumulate wealth. I highly recommend this novel as it is one of the best books I have ever read!

The first section is from Bonds, a successful novel about Benjamin and Helen Rask. Before finishing this section, I was so engrossed that I wanted their story to continue. The second is a memoir of Andrew Bevel, a successful fourth-generation financier, with notations on edits and corrections.

The third section is about Ida Partenza, an Italian-American novelist hired to flesh out Bevel’s memoir. The dynamics between her and Bevel, as well as her father and boyfriend, clarify the storyline and give it depth. Ms. Partenza seeks to find the truth, revealed in the fourth section, comprised of excerpts from Mildred’s diary. Suffice it to say; the admitted fact underscores the burdens of wealth and the antiquated views that limited women’s roles.

Trust is one of the NY Times’ top five fiction books of 2022. I have read four of them, Demon Copperhead, The Candy House, The Furrows, and Checkout 19. Trust was the fifth and the seventy-second book I have read this year. 

The Goodreads summary provides an overview.

Even though the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the brilliant daughter of eccentric aristocrats. Together, they have risen to the very top of seemingly endless wealth. But the secrets around their affluence and grandeur incite gossip. At what cost have they acquired their immense fortune? Rumors about Benjamin’s financial maneuvers and Helen’s reclusiveness start to spread–all as a decade of excess and speculation draws to an end.

This is the mystery at the center of a successful 1938 novel, Bonds, which all of New York seems to have read. But it isn’t the only version.

Hernan Diaz’s Trust brilliantly puts the story of these characters into conversation with other accounts–and in tension with the life and perspective of a young woman bent on disentangling fact from fiction. Provocative and propulsive, Trust engages the reader in a quest for the truth while confronting the reality-warping gravitational pull of money and how power often manipulates facts. The result is a novel that becomes more exhilarating and profound with each new layer and revelation.


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Maggie; or, A Man and a Woman Walk Into a Bar

Read: December 2025

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Maggie, or A Man and a Woman Walk Into a Bar

by Katie Yee

In the style of Jenny Offill and inspired by Nora Ephron‘s humorous and poignant writing on heartbreak and womanhood, “Maggie, or A Man and a Woman Walk Into a Bar” by Katie Yee is a masterclass in transforming personal tragedy into bold comedy. This debut novel has been recognized as a New York Times Notable Book and in Time’s list of 100 Must-Read Books of 2025, along with features in many other publications.

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie.

A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie.

Unfolding in fragments over the following months, Maggie, or a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation. She starts talking to Maggie (the tumor), getting acquainted with her body’s new inhabitant. She overgenerously creates a “Guide to My Husband: A User’s Manual” for Maggie (the other woman), hoping to ease the process of discovering her ex-husband’s whims and quirks. She turns her children’s bedtime stories into retellings of Chinese folklore passed down by her mother, in an attempt to help them fall in love with their shared culture—and perhaps save herself in the process.


Katie Yee is a writer based in Brooklyn. She has received fellowships from the Center for Fiction, the Asian American Writers’ Workshop, and Kundiman. Her work has been published in the Los Angeles Review of Books, No Tokens, The Believer, Washington Square Review, Triangle House, Epiphany, and Literary Hub. During the day, she works at the Brooklyn Museum, and at night, she writes—often under the watchful eye of her judgmental rescue dog, Ollie.



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Kairos

Read: June 2023

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Kairos by Jenny Erpenbeck

by Jenny Erpenbeck

I’ve recently delved into the captivating novel Kairos by Jenny Erpenbeck, which has left a lasting impression on me. The book tells the story of a young woman named Katharina who falls in love with a married writer named Hans, whom she met in East Berlin during the late 1980s. The historical context of Germany’s reunification is already an intriguing topic, but the addition of a love story made this book a must-read.

As their intense and complicated relationship plays out against the backdrop of a declining GDR, the novel offers a unique perspective on the tumultuous period following the country’s dissolution in 1989. Erpenbeck’s writing style is unmistakable, and her sweeping portrayal of the two lovers’ journey is truly remarkable. We witness Katharina’s growth as she tries to reconcile the reality of her lousy romance with the disappearance of an entire world and its ideologies.

The Times Literary Supplement has praised Erpenbeck’s ability to capture the weight of history and the influence of cultural and subjective memory on individual identity. Her work acknowledges the complexity of the human experience and the nuances of historical events.

Jenny Erpenbeck is an epic storyteller and a highly respected voice in contemporary German literature. Her translator, Michael Hofmann, has described Kairos as a great post-Unification novel, and his translation has been praised for being both faithful to the original text and beautifully written. I highly recommend this book to anyone seeking a thought-provoking and engaging read.


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