How Did I Grieve?

Estimated reading time: 12 minutes, 26 seconds

Publicly Mourning
Helped Me to Learn and Grow

It has been almost thirty-eight months since my wife passed away. Losing a loved one, particularly a spouse, is an experience no one would wish for. Atul Gawande wrote in “Being Mortal” that we have come to believe that every medical professional has a magic cure to prevent death or postpone it indefinitely. However, the truth is that death is one of the life cycle events encoded in our DNA.

When Jan, my wife, passed away, I mourned as if I was the first ever to suffer such a loss. I didn’t know if I could choose to grieve in public or private, so I decided to write about my experiences and develop habits that served as guardrails. I shared my writings on social media, attended grief support groups, and even organized a memorial service where I spoke about Jan and our life together. Looking back, I realize the importance of public mourning as it not only helps us heal but also helps others understand and cope with their grief. My journey, marked by resilience and growth, is a testament to the human spirit’s ability to overcome even the most profound loss.

After reading Cody Delistraty‘s essay “It’s Mourning in America” in The New Yorker, I understood I had chosen the best option. The subtitle “In the past century, grief has shifted from a public process to a private problem—something meant to be solved. Is there a better way?” made me reflect on how I mourned and coped with grief. More than three years after the loss, it was a timely reminder to review where I was during the darkest days and how I have learned to live and thrive, showcasing the remarkable resilience of the human spirit.

I have experienced the loss of my parents, Jan’s parents, and friends over the years, which has given me firsthand knowledge of the impact of death. Witnessing the deceased has also been a familiar experience. However, I have struggled to understand how to mourn. As pointed out by Mr. Delistraty, there is a prevalent notion in American culture of seeking closure and swiftly moving on from loss. This concept of ‘closure’ implies that one should neatly tie up their emotions and memories of the deceased, and resume normal activities and routines without allowing oneself to linger in grief. This expectation can be challenging and even harmful, as it may prevent individuals from fully processing their grief and healing in their own time.

After nearly two years of caring for my wife before her passing, I find myself without an understanding of what ‘normal’ means, if it means anything, or how to attain a state of equilibrium that would enable me to carry on. This complexity of grief is a shared experience, and it’s okay not to have all the answers. The more than 100,000 words on my blog have been a form of public mourning. I have shared the depths of despair, the steps I have taken, and how I have grown and sometimes failed. I have found solace in nature, in the support of friends and family, and in giving back to the community. These experiences have been instrumental in my healing and growth, and I hope they can offer some guidance and comfort to others on a similar journey.

Sharing Jan’s Love

In his essay, Mr. Delistraty eloquently discusses public and private grieving traditions. Before the 20th century, death was more common, and mourning was a public process involving family, friends, and neighbors. Now, “there is the stigma of grief—the idea, now rampant in American life, of closure. Most people are reluctant to linger on loss. We are expected to get back to work and back to normal.”

For everyone I know who lost a loved one during COVID-19, the concept of closure was unachievable. Three days before my wife died, NJ Governor Murphy rescinded a rule that limited mourners at a funeral to a dozen as long as those attending practiced social distancing. This rule change was a relief, as it meant more people could attend the funeral and pay their respects to Jan. However, it also presented a new challenge. I am not sure how I would have managed a funeral with such strict limitations. Whom would I have excluded from attendance if only a dozen could attend? These unique circumstances would have added a layer of complexity to my mourning process and forced me to reconsider traditional notions of closure and mourning.

On May 5, during my wife’s funeral at Beth Israel Cemetery in Woodbridge, it was lightly raining, and many of the almost one hundred-attendees had only a day’s notice about her passing and the funeral arrangements. In this shared moment of grief, I tried to express my deep gratitude to everyone who attended, as I recognized that they, too, were mourning Jan. Although some may have perceived my actions as unusual, I felt it was important to publicly thank them and expand our shared support network as we all navigated life without my wife. Their presence and support have been a source of strength and comfort, reminding me that I am not alone in this journey of grief and healing.

Merrit Malloy’s Epitaph, which Jan and I like, was read at her funeral and will be read at mine. When Rabbi Renee read the poem, I knew clearly that I had to give her love away if I would not only mourn but honor her. The last stanza is my wife’s final message to me.

Love doesn’t die,
People do.
So, when all that’s left of me
Is love,
Give me away.

Merrit Malloy’s Epitaph

I am sharing her love not because I no longer love her but because I love her now more than ever. By sharing her love, it will come back to me even more potent. Sharing Jan’s love will keep her memory and legacy alive and strengthen us all. Sharing her passion will inspire and empower us to improve the world and make it a better place for everyone. Sharing Jan’s love is the true expression of my love for her! This commitment to sharing her passion is a testament to the enduring power of love and its ability to transcend even the most profound loss.

Being Mortal

I understood, standing by her grave, that my sense of loss was unique as Jan’s husband, but accepting that I was not the only one was a crucial step in how I would manage grief. Having read Being Mortal by Atul Gawande days before my wife’s diagnosis of lymphoma prepared me for hospice but also for acceptance that her death was unavoidable once she was also diagnosed with COVID. He reminds us that “when it comes to the inescapable realities of aging and death, what medicine can do often runs counter to what it should.” As he writes in the book, the current system does not work and, in many cases, actually shortens life. Without that knowledge, I am not sure how I would have coped with hearing from her oncologists that there was no way of treating her and hospice was the only option.

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We the Animals

Read: July 2024

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We the Animals

by Justin Torres

Today, I embarked on the literary journey of We the Animals by Justin Torres. This novel, listed among the New York Times’ 100 Best Books of the Century, is a groundbreaking work of art. The author of Blackouts immerses us in the tumultuous heart of a family, the intense bonds of three brothers, and the mythic impact of this fierce love on the individuals we are destined to become.

The narrative unfolds as three brothers navigate their way through childhood, a journey filled with emotional highs and lows, from playful acts like smashing tomatoes on each other to finding solace in each other’s company during their parents’ conflicts and even tiptoeing around the house as their mother rests after her graveyard shift. Paps and Ma, hailing from Brooklyn—he’s Puerto Rican, she’s white—share a profound and challenging love, shaping and reshaping the family numerous times. Life in this family is intense and all-consuming, filled with disorder, heartache, and the ecstasy of belonging to each other.

From the intense familial unity, a child feels to the profound alienation he endures as he begins to see the world, this beautiful novel doesn’t just tell a coming-of-age story; it reinvents it in a sly and punch-in-the-stomach powerful way. It delves into themes such as love, the meaning of family, and heartache, adding another layer of depth and complexity to the story.

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The Bookstore Sisters: A Short Story

Read: October 2022

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The Bookstore Sisters: A Short Story

by Alice Hoffman

The Bookstore Sisters: A Short Story by Alice Hoffman is a heartfelt short story about family, independence, and finding your place in the world. The overview should be enough to encourage everyone to read the book. I recommend this short story without any reservations. Ms. Hoffman has written a moving story that helped me to grapple with grief and reminded me that love is the highest and most important goal that humans can aspire.

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again.

But when a mysterious letter arrives in her mailbox, Isabel feels drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island. What she finds there may forever alter her path—and change everything she thought she knew about her family, home, and herself.

Isabel sums up the power of love in this paragraph,

She was thinking about the way a fish loved a river, and a bird loved the sky, and a mother loved her daughters. She was remembering everything. How love could change a person, how it could cause you the greatest sorrow or shelter you from harm. There were moths hitting against the windowpanes. A night heron called in the marshland as if its heart were breaking.

I have always fantasized about working in or owning a small bookstore.

The Bookstore Sisters: A Short Story rekindled that dream and reminded me of the power of love.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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20 Under 40

Read: January 2019

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20 Under 40 Fiction

by Various Writers Under 40

Short Stories that Will Define the Future of American Letters

The New Yorker’s collection of short stories – 20 Under 40 – is a collection of twenty writers “whose work will help define the future of American letters.”

Some of these I had read in The New Yorker and others I had missed. Either way, they were a pleasure to read.

As The New Yorker wrote,

The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear-eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.

Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.

I recommend this collection of short stories.

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My Friend, I Care

Read: August 2021

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My Friend, I Care: The Grief Experience

by Barbara Karnes RN

My journey from the Island of Grief back to the Land of Love is long and arduous. Friends, especially those who have also lost a loved one, are the guideposts on this journey. One of these friends, Sue Gramacy, sent this book to me during the early phases of my grief journey.

My Friend, I Care: The Grief Experience may be one of the shortest books I have ever read, but it is also one that has been most helpful. Barbara Karnes, RN, provides a concise understanding of grief, and she includes a list of dos and don’ts that are very helpful to someone who has recently lost the love of their life.

She provides a compelling explanation of the new life that we all must strive to achieve.

Our inability to further enjoy life does not measure our loss. The quality of our relationship with the person who has died is found in our strength, our resilience and our ability to create a new and meaningful life.

The endpoint of my journey is a new and meaningful life. This book has helped remind me that it is an achievable goal.

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The Ten Year Affair

Read: November 2025

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The Ten Year Affair

by Erin Somers

The Ten Year Affair” by Erin Somers is a witty and emotionally charged exploration of marriage, family life, and the paths not taken, ultimately asking: Do we really want our fantasies to come true? This hilariously sharp novel weaves a sliding doors narrative around a chance meeting between two young parents, both happily married (just not to each other), that sparks a will-they-won’t-they romance—perfect for fans of “Big Swiss” and “Acts of Service.”

When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are content in their marriages and have two kids, and neither sees themselves as the type to engage in an affair. Yet, their connection deepens, and as their lives intertwine, the romantic tension becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings; in the other, they resist.

As reality splits, the everyday details of Cora’s life—her unfulfilling marketing job, her daughter’s newfound fascination with the afterlife, and her husband’s obsession with podcasts about the history of rope—gain fresh perspective. The intersecting and diverging timelines blur the boundaries between reality and fantasy, questioning what might have been and what truly matters.


Erin Somers is a reporter and news editor at Publishers Lunch. Her debut novel, “Stay Up with Hugo Best“, was recognized as a Vogue Best Book of the Year in 2019. Her work has appeared in esteemed publications such as The New Yorker, The Paris Review, The New York Times Book Review, The New Republic, New York magazine, The Atlantic, Esquire, GQ, and Best American Short Stories, among others.

Somers has received an Emerging Writer Fellowship from the NYC Center for Fiction, a fellowship from the Millay Colony, and was a finalist for a National Magazine Award in 2020. She resides in New York’s Hudson Valley with her family.



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The Once and Future Witches

Read: March 2022

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The Once and Future Witches

by Alix E. Harrow

The Once and Future Witches by Alix E. Harrow was on hold at my library for several weeks. It arrived today, and I could not imagine a better book to read for Women’s History Month. An homage to women’s invincible power and persistence, The Once and Future Witches reimagines stories of revolution, motherhood, and women’s suffrage—the lost ways are calling.

Although I found the book at times a slow read, I enjoyed it very much and highly recommend it. My only regret is that it had less to do with the suffrage movement than expected. In the late 1800s, three sisters used witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement.

Goodreads summary provides an overview.

In 1893, there was no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.

But when the Eastwood sisters―James Juniper, Agnes Amaranth, and Beatrice Belladonna―join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women’s movement into the witch’s movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote―and perhaps not even to live―the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive.

There’s no such thing as witches. But there will be.

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