Jimmy, We Will Miss You!

Jimmy, We Will Miss You!

Estimated reading time: 1 minute, 54 seconds

“I am glad we went early,” Jan said as we looked at the long line of people waiting to vote at Ebbetts Field Apartments.

I had placed my arm around her, not for security but for stability, as our first child was due at the end of December.

I responded that they would extend voting hours so everyone could vote.

“I want to be a parent with a president who cares about us.”

I nodded even though I knew the polls suggested it would be Ronald Reagan and not Jimmy Carter.

“We were standing close to home plate, which Jackie Robinson stole regularly. There is a chance Jimmy could still win.”

When we arrived at our home on Sterling Street, I turned on the radio after helping Jan remove her coat.

The first announcement confirmed that voting in NYC would be extended.

A half-hour later, while people on the West Coast and in our neighborhood were voting, the election was called for Reagan.


This forty-two-year-old memory resurfaced when I heard Jimmy Carter was going home for hospice.

I will leave it to professional historians to assess his one-term presidency.

What remains indisputable is his post-presidency humanitarian work.

As President Carter said,

I have one life and one chance to make it count for something… My faith demands that I do whatever I can, wherever I am, whenever I can, for as long as I can with whatever I have to try to make a difference.

Carter reminded me of my father, an honest, straightforward man who always wanted to make a difference.

Both set a high bar for my mensch-in-training studies.

Although I miss both Carter and my father, Jan, who is still with me in spirit, is the one I miss the most.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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We Are Having a Baby!

Dancing around the dining room into the living room, we celebrated. "We are having a baby!" We halted in the middle of the living room and kissed passionately.

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Jimmy, We Will Miss You!
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Self-Portrait with Ghost: Short Stories

Read: December 2022

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Self-Portrait with Ghost: Short Stories

by Meng Jin

Self-Portrait with Ghost: Short Stories by Meng Jin was written during the turbulent years of the Trump administration and the first year of the pandemic, these stories explore intimacy and isolation, coming of age, and coming to terms with the repercussions of past mistakes, fraying relationships, and surprising moments of connection. I highly recommend Self-Portrait with Ghost: Short Stories!

Each story speaks so clearly to the loneliness epidemic that confronts our world. I would read one short story and promise to stop and wait until another day to read the next one. Instead

One phrase that will always remain with me is: “The hallucinatory quality of grief.” As a widow, the phrase struck a chord that will forever resonate in my soul.

This is the seventy-third book I have read this year.

The Goodreads summary provides an overview,

Meng Jin’s critically acclaimed debut novel, Little Gods, was praised as “spectacular and emotionally polyphonic (Omar El-Akkad, BookPage), “powerful” (Washington Post), and “meticulously observed, daringly imagined” (Claire Messud). Jin turns her considerable talents into short fiction in ten thematically linked stories.

Moving between San Francisco and China, and from unsparing realism to genre-bending delight, Self-Portrait with Ghost considers what it means to live in an age of heightened self-consciousness, seemingly unlimited access to knowledge, and little actual power.

Page-turning, thought-provoking, and wholly unique, Self-Portrait with Ghost further establishes Meng Jin as a writer who “reminds us that possible explanations in our universe are as varied as the beings who populate it” (Paris Review).


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Weddings

Read: February 2023

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The Weddings: Inheritance Collection

by Alexander Chee

Today I read The Weddings by Alexander Chee. It is the fifth and last book in Inheritance, a collection of five stories about secrets, unspoken desires, and dangerous revelations between loved ones. For Jack Cho, a fortysomething gay man, being able to marry someone he loves is so unfamiliar it’s terrifying. Then a wedding invitation from a college friend brings about a collision with those fears—and his secret history.

I have always enjoyed weddings. I attended the last one when my younger son married in July 2021. Not sure if I will ever participate in another wedding.

I have attended many diverse weddings but never one with as many secret histories. To avoid revealing the secrets, I will state that The Weddings is well written, each moment is precise, and the mysteries are neither shocking nor disruptive to the story.

I highly recommend The Weddings.

Each Inheritance piece can be read or listened to in a single setting. By yourself, behind closed doors, or shared with someone you trust. The Weddings is the fifth one in the series I have read.

The previous four were:

I have enjoyed all five books.

The Goodreads summary provides an overview,

Jack and his new boyfriend, Caleb, are attending the wedding of Jack’s estranged straight friend Scott. No sooner do the guests start to mingle than questions arise about relationships, tradition, Jack’s feelings for the groom, and what’s at stake as he navigates daunting territory, both new and old. In this wry and surprising short story, award-winning author Alexander Chee extends an invitation to the party—and awakening—of a lifetime.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.



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Other People's Fun

Read: November 2025

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Other People’s Fun

by Harriet Lane

Other People’s Fun” by Harriet Lane is an engaging, thought-provoking novel that explores modern life, including the small lies we tell our neighbors, friends, families, and even ourselves, as well as the distorted reality of social media. Known for her signature blend of creeping unease and keen observation, Lane’s page-turner delves into our deep desire for others to truly see us as we are—and the consequences that arise when that happens.

“I look. I can’t stop looking. That’s the deal, isn’t it? We all know that’s how it works. If someone wants to be seen–and oh, how they want to be seen–then someone has to watch.”

Ruth is alone, unnoticed, and at a loss: her marriage has ended, her daughter is leaving home, and her job is leading nowhere.

But luckily, Sookie is back in her life, the vivid, self-assured Sookie who never spared time for Ruth when they were teenagers, but who now seems to want to be friends. But as Ruth becomes entangled in Sookie’s life, she realizes that everything is not as Instagrammable as Sookie would have her believe. As the truth about Sookie becomes clearer, so too does the choice Ruth will have to make.


Harriet Lane has experience as an editor and staff writer for Tatler and the Observer. She has contributed articles to The Guardian, Vogue, and The New York Times. Additionally, she is the author of two novels, Alys, Always, and Her. Lane resides in North London.



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The Rest Is Memory: A Novel

Read: January 2025

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The Rest Is Memory: A Novel

by Lily Tuck

Today, I dove into “The Rest Is Memory: A Novel” by Lily Tuck, and it’s already leaving a powerful impression. This poignant tale follows a young Catholic girl’s harrowing journey to Auschwitz, woven in a captivating Rashomon-style narrative showcasing Tuck’s brilliance as a storyteller. Esquire has rightly placed it on their list of Best Books for Fall 2024, and I can see why.

In Tuck‘s skilled hands, “The Rest Is Memory” transforms into an unforgettable piece of historical reclamation, breathing life into an innocent soul who has long been remembered only through a haunting triptych of photographs. It’s a journey that promises to linger in my thoughts long after I’ve turned the last page.

In this mesmerizing novel by Lily Tuck, we first glimpse fourteen-year-old Czeslawa riding on the back of a boy’s motorcycle. Tuck imagines Czeslawa’s upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, she arrives at Auschwitz shorn and bearing the tattoo number 26947. Shortly after, she is photographed. Three months later, she is dead.

How did this happen to an ordinary Polish citizen? This is the question Tuck grapples with in this haunting narrative, which frames Czeslawa’s story within the tragic context of the six million Poles who perished during the German occupation. A decade before writing The Rest Is Memory“, Tuck read an obituary of the photographer Wilhelm Brasse, who took over 40,000 pictures of Auschwitz prisoners—including three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out these photos and kept them, determined to learn more about Czeslawa. However, she could only gather the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and neighbors, her tattoo number, and the date of her death. Tuck crafts a remarkable kaleidoscope of imagination from this scant evidence, something only our greatest novelists can achieve.

Susanna Moore described the novel as “Beautifully written, all the while instilling a sense of horror.” Tuck’s language swirls around the reader, yet no word is out of place. The subtly rotating images tumble forth, accelerating as we learn about Czeslawa’s tragic time in Auschwitz, as well as the lives of real individuals, including the brutal Commandant Rudolf Höss, his unconscionable wife Hedwig, psychiatrist and child rescuer Janusz Korczak, and the sharp Polish short story writer Tadeusz Borowski. Although we know Czeslawa’s fate, we must keep turning the pages, thoroughly captivated by Tuck’s nearly otherworldly prose.



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Black River

Read: November 2024

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Black River: A Novel

by Nilanjana S. Roy

Today, I dove into the captivating pages of “Black River” by Nilanjana S. Roy, a standout selection from The New York Times’ 100 Notable Books of 2024. This compelling debut novel unfolds against contemporary India, a country grappling with rising religious intolerance. Roy’s storytelling is nothing short of mesmerizing, intricately weaving a narrative that vividly reflects the nation’s complexities and contradictions.

Teetapur, an unassuming village just a few hours outside bustling Delhi, is known for nothing—until the discovery of an 8-year-old girl named Munia, found dead and hanging from the branch of a Jamun tree. In this predominantly Hindu village, suspicion quickly falls on Mansoor, an itinerant Muslim man. The tension ignites like wildfire, intensified by the underlying religious discord.

The responsibility for uncovering the elusive truth—and preventing the lynching of the prime suspect—falls on the weary shoulders of Sub-Inspector Ombir Singh. With only one other officer under his command and a single working revolver between them, can he bring justice to a grieving father and an angry village? Or will Teetapur demand vengeance instead?

Black River” offers readers a gripping mystery and a sweeping analysis of the nation’s state, serving as a searing critique of modern India.



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Three Summers

Read: February 2025

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Three Summers: A Novel

by Margarita Liberaki

Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.

Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.

Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.

Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.

Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.



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