Each year, I set out on a meaningful pilgrimage to the top of the One Gateway Center in Newark, a tribute to my beloved wife, Jan, and to everyone touched by the harsh reality of blood cancers. It’s staggering to think that every three minutes, someone in the U.S. receives a diagnosis of leukemia, lymphoma, or myeloma, and heartbreakingly, someone loses their fight every nine minutes.
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“Penthouse, please,” I requested, my finger hovering over the button of the self-service elevator. The compact space could barely accommodate three people, yet somehow, it felt roomy. Jan stepped in beside me, her eyes sparkling with anticipation, and one of her friends joined us. In that moment, I couldn’t help but admire her. She had always captivated me, but on our wedding day fifty years ago, she was nothing short of breathtaking.
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“Richard!” A familiar voice called out just as I was about to step into the narrow alleyway between Sofia Color Lounge and the soon-to-open coffee shop where Beadsmith once stood. I turned around and saw—Eric! A genuine smile spread across my face as I recognized him. He was pushing a stroller, his daughter peeking out with bright, curious eyes.
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Rituals often become another item on our to-do lists, rushed and stripped of their more profound significance. When we overlook their meaning and purpose, we hinder our ability to heal from loss and navigate the complexities of grief.
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by Hernan Diaz
Trust by Hernan Diaz is an elegant, multifaceted epic that recovers the voices buried under the myths that justify our foundational inequality; Trust is a literary triumph with a beating heart and urgent stakes. The novel is divided into four sections, each engaging and reminding us of the tremendous costs a fortune imposes on those who accumulate wealth. I highly recommend this novel as it is one of the best books I have ever read!
The first section is from Bonds, a successful novel about Benjamin and Helen Rask. Before finishing this section, I was so engrossed that I wanted their story to continue. The second is a memoir of Andrew Bevel, a successful fourth-generation financier, with notations on edits and corrections.
The third section is about Ida Partenza, an Italian-American novelist hired to flesh out Bevel’s memoir. The dynamics between her and Bevel, as well as her father and boyfriend, clarify the storyline and give it depth. Ms. Partenza seeks to find the truth, revealed in the fourth section, comprised of excerpts from Mildred’s diary. Suffice it to say; the admitted fact underscores the burdens of wealth and the antiquated views that limited women’s roles.
Trust is one of the NY Times’ top five fiction books of 2022. I have read four of them, Demon Copperhead, The Candy House, The Furrows, and Checkout 19. Trust was the fifth and the seventy-second book I have read this year.
The Goodreads summary provides an overview.
Even though the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the brilliant daughter of eccentric aristocrats. Together, they have risen to the very top of seemingly endless wealth. But the secrets around their affluence and grandeur incite gossip. At what cost have they acquired their immense fortune? Rumors about Benjamin’s financial maneuvers and Helen’s reclusiveness start to spread–all as a decade of excess and speculation draws to an end.
This is the mystery at the center of a successful 1938 novel, Bonds, which all of New York seems to have read. But it isn’t the only version.
Hernan Diaz’s Trust brilliantly puts the story of these characters into conversation with other accounts–and in tension with the life and perspective of a young woman bent on disentangling fact from fiction. Provocative and propulsive, Trust engages the reader in a quest for the truth while confronting the reality-warping gravitational pull of money and how power often manipulates facts. The result is a novel that becomes more exhilarating and profound with each new layer and revelation.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Robert A. Caro
Working by Robert A. Caro is a book of evocatively written essays on his life and work. Among the many valuable words of wisdom is his case that one needs to look at every piece of information, not just what we know when we begin. Far too often, people jump to conclusions without having learned all of the facts.
He describes what it was like to interview the mighty Robert Moses and to begin discovering the extent of the political power Moses wielded; the combination of discouragement and exhilaration he felt confronting the vast holdings of the Lyndon B. Johnson Library in Austin, Texas; his encounters with witnesses, including longtime residents wrenchingly displaced by the construction of Moses’ Cross-Bronx Expressway and Lady Bird Johnson acknowledging the beauty and influence of one of LBJ‘s mistresses. He gratefully remembers how, after years of working in solitude, he found a writers’ community at the New York Public Library, and details the ways he goes about planning and composing his books.
Caro recalls the moments at which he came to understand that he wanted to write not just about the men who wielded power but about the people and the politics that were shaped by that power. And he talks about the importance to him of the writing itself, of how he tries to infuse it with a sense of place and mood to bring characters and situations to life on the page. Taken together, these reminiscences–some previously published, some written expressly for this book–bring into focus the passion, the wry self-deprecation, and the integrity with which this brilliant historian has always approached his work.
I found this one of the best books I have read and recommend it to all readers.
by Garrett Carr
The Boy from the Sea by Garrett Carr is set on the west coast of Ireland during the 1970s and 1980s. This captivating debut novel tells the story of a baby boy found on the beach near a small fishing town, narrated by the locals who become enchanted by him. Both outrageously funny and profoundly moving, The Boy from the Sea showcases the talent of an essential new voice in Irish literature.
In 1973, a baby boy was discovered on the beach of a close-knit fishing village in Ireland. Fisherman Ambrose Bonnar offers to bring the child into his family, which includes his son Declan, his wife Christine, and, up the lane, Christine’s sister and aging father. The townspeople remain fascinated by the baby, whom they name Brendan, as he grows into a strange yet charismatic young man.
The Boy from the Sea tells the story of a family and a community thrown into turmoil by Brendan’s arrival. The family’s fortunes rise and fall over the years, just as the town does because nothing happens to one family here without affecting them all. The forces of a voracious global economy and modernized commercial fishing wreak havoc on their way of life. In the village, Brendan and Declan are wildly different and often at odds; meanwhile, Ambrose worries about his children but cannot divert his attention from the brutal work that keeps his family afloat. As the world around them changes, the mystery of Brendan’s origins draws them toward a surprising and stormy fate.
Garrett Carr teaches creative writing at the Seamus Heaney Centre at Queen’s University Belfast and frequently contributes to The Guardian and The Irish Times. His nonfiction work, The Rule of the Land: Walking Ireland’s Border, was chosen as a BBC Radio 4 Book of the Week. The Boy from the Sea marks Carr’s debut novel.
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by Karen Joy Fowler
Booth by Karen Joy Fowler was on my to-read list for several months. Booth is an epic and intimate novel about the family behind one of the most infamous figures in American history: John Wilkes Booth. I have always been fascinated by history, especially the Civil War. Booth is a startling portrait of a country in the throes of change and a vivid exploration of the ties that make and break a family. It is the second book I have read this year.
Ms. Fowler struggled with how to write this novel without focusing on the cruelest member of the Booth family. She succeeded, but I sometimes felt confused about the type of book I was reading. Was it historical fiction or a textbook?
In the afterword, she admits that there is more of the story in the children of the siblings of John Wilkes Booth. I wish I knew more about that generation and how they responded to the notoriety. A family tree would have helped as there are many family members.
I recommend Booth as history is a dynamic lesson we must keep studying.
The Goodreads summary provides an overview,
In 1822, a secret family moved into a secret cabin some thirty miles northeast of Baltimore to farm, hide, and bear ten children over the next sixteen years. Junius Booth–breadwinner, celebrated Shakespearean actor, and master of the house in more ways than one–is at once a mesmerizing talent and a man of terrifying instability. One by one, the children arrive, as year by year, the country draws frighteningly closer to the boiling point of secession and civil war.
As the tenor of the world shifts, the Booths emerge from their hidden lives to cement their place as one of the country’s leading theatrical families. But behind the curtains of the many stages they have graced, multiple scandals, family triumphs, and criminal disasters begin to take their toll, and the solemn siblings of John Wilkes Booth are left to reckon with the truth behind the destructively specious promise of an early prophecy.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
by Brit Bennett
The Vanishing Half by Brit Bennett was a true page-turner, and I did not want to stop reading it even when I got to the last page. I am not a fan of sequels, but if I was ever going to change my mind, this is the book I would want to read a sequel.
Ms. Bennett focuses on two twins who run away from home at age 16. They have grown up in Mallard, a fictional town in Louisiana. “In Mallard, nobody married dark,” Bennett writes starkly. Over time, its prejudices deepened as its population became lighter and lighter, “like a cup of coffee steadily diluted with cream.” The twins, with their “creamy skin, hazel eyes, wavy hair,” would have delighted the town’s founder. One of the women chooses to pass as white while the other does not.
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
The question of why people choose to live differently than their origins is one that I often ponder. Growing up in a small town and living in a metropolis raises questions for me as to what my life is now and what was once.
I strongly recommend this book.
by Gráinne O'Hare
Filled with heart and humor, Thirst Trap by Gráinne O’Hare is a lively celebration of friendship, embracing uncertainty, and indulging in “just one more round” before heading home. This sharply funny novel explores the challenges of being in your late 20s as you approach 30, questioning when you will tire of morning hangovers, dead-end entry-level jobs, and late nights at bars. This friend group is about to discover the answer.
Sometimes friends hold you together.
Sometimes they’re why you’re falling apart.
Harley, Róise, and Maggie have been friends for a long time. They met in primary school years ago, and they are still together, spending their nights on the sticky dance floors of Belfast’s grungiest pubs. Each woman is navigating her own challenges—entry-level jobs, messy romantic entanglements, and late nights—but they always find their way back to each other and to the ramshackle house they share. Amidst the familiar chaos, the three are still grieving their fourth housemate, whose room remains untouched, with the weight of their last big fight lingering heavily over them.
The girls’ house has witnessed the highs and lows of their roaring twenties—raucous parties, surprising (and sometimes regrettable) hook-ups, and hellish hangovers. However, as they approach thirty, their home begins to crumble around them, and the cracks in their friendship become harder to ignore. In the midst of the wreckage, they must decide whether their friendship will survive into a new decade or if growing up sometimes means letting go.
Gráinne O’Hare is a writer from Belfast based in Newcastle upon Tyne. She received a Northern Debut Award for Fiction from New Writing North and was awarded funding by the Arts Council for the development and completion of her first novel. She has also been shortlisted for the Francis MacManus Short Story Competition and the Bridport Prize, and came in the top three of the Benedict Kiely Short Story Competition.
She is a media sub-editor for Criticks reviews of the British Society for Eighteenth-Century Studies and holds a PhD in eighteenth-century women’s life-writing from Newcastle University.
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