Evergreen by Kirsten Robinson is a tribute to the enduring resilience of human nature as we cycle through times of light and darkness, much like nature itself. In her debut book, Kirsten Robinson (@NakedWriting) lays her heart bare in a raw, relatable, and inspirational way to describe the journey of growth born out of finding beauty in breakage and love after loss.

Albeit a cliche, the book jumped off the shelf and into my hands when I saw it in Hickory & Hill General Store in Cranford.

This artfully honest collection embodies and expands upon the poetry and prose Robinson began writing under the famous social media pseudonym Naked Writing.

I highly recommend this book and intend to keep it at my bedside for a pick-me-up.

Although I have only started reading the poems, I want to share two that resonated with me.

The first one is on giving thanks.

Give thanks for all
that is good and beautiful;
the gifts you carry
people who lift you up
your big, big love
faith and trust that your life
is unfolding as it should

Give thanks for all
that has been difficult and hard;
trials tribulations tears
tests of self strength fears
all of the unknowns and days
that broke you

Without the darkness
you would not have
learned to appreciate the light

A second one on bravery.

Bravery
is not about standing tall
after you’ve climbed up
the top of a mountain

Bravery
is looking
fear
heartache
rejection
terror
loss
death
in the eye
and saying, “no,
not today”

Bravery
is standing back up
after you’ve been brought down
to your knees

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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A Gentleman in Moscow by Amor Towles is a transporting novel about a man sentenced by the government to spend the rest of his life inside a luxury hotel. In 1922, a Bolshevik tribunal deemed Count Alexander Rostov an unrepentant aristocrat. His house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors.

During my grief journey, I have on occasion felt as if I was a prisoner in my apartment, so I found this novel to be one that provided me an alternative to understanding what it would have been like to be under house arrest as Count Rostov was.

A Gentleman in Moscow was a page-turner. The plot captures a unique historical time and how Count Rostov makes the best of a bad situation. I highly recommend this novel.

The Goodreads summary provides an overview.

With his breakout debut novel, Rules of Civility, Amor Towles established himself as a master of absorbing, sophisticated fiction, bringing late 1930s Manhattan to life with a splendid atmosphere and an excellent command of style. As NPR commented, readers and critics were enchanted, “Towles writes with grace and verve about the mores and manners of a society on the cusp of radical change.”

A Gentleman in Moscow immerses us in another elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day. He must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him a doorway into a much larger world of emotional discovery.

Brimming with humor, a glittering cast of characters, and one beautifully rendered scene after another, this singular novel casts a spell as it relates to the count’s endeavor to gain a deeper understanding of what it means to be a man of purpose.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I started reading Dogs and Monsters: Stories by Mark Haddon. The collection features eight captivating and imaginative stories that blend Greek myths with contemporary dystopian narratives. The stories explore themes of mortality, moral choices, and various forms of love, including romantic, familial, and self-love. Haddon’s clear-eyed vision is infused with deep empathy.

In addition, Haddon’s fluid prose showcases his remarkable powers of observation, both of the physical world and the inner workings of the human psyche. Greek myths have fascinated people for millennia with their timeless appeal and enduring lessons about fate, hubris, and life’s uncertainties. In Dogs and Monsters: Stories, Mark Haddon delves into the heart of these ancient fables and presents them in a fresh light. For instance, in one story, the dawn goddess Eos requests that Zeus grant her lover Tithonus eternal life but forgets to ask for eternal youth. In “The Quiet Limit of the World,” Haddon imagines Tithonus’s life as he ages over thousands of years, transforming this cautionary tale about tempting the gods into a spellbinding meditation on observing death from the outside. This tale ultimately explores how carnal love evolves into something more profound and poignant over time.

In “The Mother‘s Story,” Haddon reinterprets the myth of the Minotaur, born of the monstrous lust of King Minos’s wife, Pasiphaë. He turns it into a heartbreaking parable of a mother’s love for a damaged child and the more tangible monstrosities of patriarchy. In “D.O.G.Z.,” the story of Actaeon, who was transformed into a stag after glimpsing the naked goddess Diana and was subsequently torn apart by his hunting dogs, becomes a visceral metaphor for the continuum of human and animal behavior.

Other stories in Dogs and Monsters: Stories play with contemporary mythic tropes—such as genetic engineering, attempts to escape the future, and the cruelty of adolescent ostracism. These stories showcase how modern humans are subject to the same capriciousness that concerned the Greeks but in a fresh and intriguing light. Haddon‘s tales cover a wide range of themes, from the mythic to the domestic, from ancient Greece to the present day, and explore love alongside stories of cruelty. They take readers from battlefields to bed and breakfasts and from dogs in space to doors between worlds, all bound together by profound sympathy and an insight into how human beings think, feel, and act when pushed to their limits.

Today, I began reading Julia Alvarez‘s novel “The Cemetery of Untold Stories.” The book explores whose stories deserve to be told and whose should remain buried. In the end, Alma, the main character, finds meaning in the power of storytelling. Julia Alvarez reminds us that our stories are never truly finished, even at the end.

Alma Cruz, a famous writer, doesn’t want to suffer the same fate as her friend, who became mentally unstable after struggling to finish a book. So, when Alma inherits a small plot of land in her native Dominican Republic, she turns it into a cemetery for her unfinished stories. She hopes her characters will finally be able to rest in peace.

However, they have other ideas and soon begin to rewrite and revise themselves, even talking and interacting with one another. Fortunately, Filomena, a local woman hired as the groundskeeper, becomes a listener to Alma’s characters’ secret tales. These tales include those of Bienvenida, the abandoned wife of dictator Rafael Trujillo, who was erased from official history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.

Today, I started reading “Memorial Days: A Memoir” by Geraldine Brooks, the bestselling Pulitzer Prize-winning author of “Horse”. In this poignant and beautifully written memoir, she explores sudden loss and the journey toward healing. Why do I choose to read novels and memoirs about loss and grief? Perhaps it’s because, as Martín Prechtel wrote in his book “The Smell of Rain on Dust”, “Grief is praise because it is the natural way love honors what it misses.”

Many cultural and religious traditions expect grieving people to withdraw from the world. In modern life, we frequently encounter bureaucratic obstacles and lengthy to-do lists. This is precisely what happened to Geraldine Brooks when her partner of more than thirty years, Tony Horwitz—just sixty years old and, to her knowledge, vigorous and healthy—collapsed and died on a sidewalk in Washington, D.C.

After spending their early years together in conflict zones as foreign correspondents, Geraldine and Tony settled down to raise two sons on Martha’s Vineyard. They lived a fulfilling life filled with meaningful work, good humor, and tenderness. Geraldine and Tony spent their days writing and evenings cooking family dinners or enjoying sunsets with friends at the beach. Their peaceful existence abruptly ended on Memorial Day 2019 when Geraldine received the dreaded phone call we all fear. The demands of life became immediate and overwhelming, leaving little room for grief. The sudden loss created a profound void in their lives.

Three years later, she booked a flight to a remote island off the coast of Australia to give herself the time to mourn finally. She often spent days alone in a shack on the pristine, rugged coast without seeing another person. It was a space for her to reflect on the various ways cultures grieve and consider which rituals might help her rebuild her life in the wake of Tony’s death.

“Memorial Days,” a spare and profoundly moving memoir, portrays a larger-than-life man and the timeless love between two souls. It exquisitely captures the joy, agony, and mystery of life.

Geraldine Brooks is the author of six novels, including “Horse,” “People of the Book,” “Year of Wonders,” and the Pulitzer Prize-winning “March.” She has also written acclaimed nonfiction works, including “Nine Parts of Desire” and “Foreign Correspondence.” Her books have been translated into more than thirty languages and have sold millions of copies worldwide. Born and raised in Australia, Brooks now divides her time between Sydney and Martha’s Vineyard.

My journey through grief has significantly helped me grow as a person by focusing on conscientious resilience. I make it a point to read and walk daily, engage in worship, and actively participate as a volunteer and a good neighbor in my community. Fourteen hundred days ago, I wasn’t sure if I could continue living or how to move forward. However, by concentrating on strengthening my resilience, I now lead a life filled with meaning and purpose. I choose to look back not on what I lost but on what I have gained.

As my friend Danny said nearly a year ago, “You are an incredible person! You are a new person! A better person! Although Jan is not here physically, she has done so much for you!

My Rabbi, Rav Uri, echoed similar sentiments during his remarks when I received the Rev. Dr. Martin Luther King, Jr. Distinguished Service Award. If their beliefs are true, much of my progress directly results from my conscientious resilience!

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I started reading “Last House: A Novel” by Jessica Shattuck today. She is an esteemed New York Times bestselling author known for her work “The Women in the Castle.” This sweeping narrative, perfect for “The Dutch House” and “Great Circle” fans, explores a nation’s rise to power and a family’s complex ties to the resources that shaped their wealth. It also delves into the events that led to their greatest tragedy, a secret that threatens to tear them apart.

In 1953, a World War II veteran turned company lawyer, Nick Taylor, saw oil as the key to the future. He commutes to the city for work and returns to the peaceful suburbs to be with his wife, Bet, a former codebreaker now a housewife, and their two children, Katherine and Harry. Nick, who comes from humble origins, can provide for his family, including their secluded country escape called Last House, thanks to his work for American Oil. Last House, deep in the Vermont mountains, offers the Taylors a retreat from the stresses of modern life. Bet no longer worries about the Russian H-bombs that haunt her dreams, and the children can roam freely in the woods. Last House is a place that seems capable of surviving the end of the world.

1968, a turning point in American history, where the nation teeters on the brink of transformation. The streets pulsate with protestors challenging everything from the Vietnam War to racism and even the country’s reliance on Big Oil. As Katherine enters adulthood, she finds herself caught in the era’s tide, struggling to reconcile her ideals with the privileged upbringing her parents, part of the Greatest Generation, toiled to provide. But when the Movement takes a secure, more radical turn, each member of the Taylor family must face the repercussions of their choices for the causes they believed in. This rich historical backdrop infuses the Taylor family’s narrative with depth and intrigue, leaving us hungry for more about this transformative era.

“Last House” spans multiple generations and nearly eighty years, telling the story of one American family during a time of grand ideals and significant downfalls. It explores themes of family dynamics, the impact of wealth, and the societal changes that shaped America. Set against the backdrop of our nation’s history, this emotional tour de force delves deeply into questions of inheritance and what we owe each other. It captures the gravity of time, the double edge of progress, and the hubris of empire to stunning effect.

Having surpassed my Goodreads 2022 reading goal, I wanted a lite, historical fiction book and found this one in the e-library. Lucky Us by Amy Bloom is a book that hooked me on the opening line – “My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.” I enjoyed reading it and highly recommend it.

The first section in Hollywood was the one I found less appealing. Partly that is because I identified with Eva, and she does not fulfill her leading role until the last two sections. Its depiction of how people survived the way years by sometimes is a reminder of our inner resilience.

Goodreads provides the following summary.

So begins this remarkable novel by Amy Bloom, whose critically acclaimed Away was called “a literary triumph” (The New York Times). Lucky Us is a brilliantly written, deeply moving, fantastically funny novel of love, heartbreak, and luck.

Disappointed by their families, Iris, the hopeful star and Eva the sidekick, journey through 1940s America in search of fame and fortune. Iris’s ambitions take the pair across the America of Reinvention in a stolen station wagon, from small-town Ohio to an unexpected and sensuous Hollywood, and to the jazz clubs and golden mansions of Long Island.

With their friends in high and low places, Iris and Eva stumble and shine through a landscape of big dreams, scandals, betrayals, and war. Filled with gorgeous writing, memorable characters, and surprising events, Lucky Us is a thrilling and resonant novel about success and failure, good luck and bad, the creation of a family, and the pleasures and inevitable perils of family life, conventional and otherwise. From Brooklyn’s beauty parlors to London’s West End, a group of unforgettable people love, lie, cheat, and survive in this story of our fragile, absurd, heroic species.

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Today, I started reading Creation Lake: A Novel by Rachel Kushner, a two-time finalist for the Booker Prize and the National Book Award. This novel follows a seductive and cunning American woman who infiltrates an anarchist collective in France. It is a gripping page-turner filled with dark humor. Creation Lake is Kushner‘s finest achievement—a work of high art, comedy, and unforgettable pleasure.

The story revolves around a secret agent, a thirty-four-year-old American woman who employs ruthless tactics and possesses striking beauty. She is sent to carry out covert operations in France. The narrator introduces herself as “Sadie Smith” when she arrives at a rural commune of French subversives, whom she is secretly monitoring, and to her lover, Lucien, a young and well-to-do Parisian whom she meets by so-called “cold bump”—making him believe their encounter was accidental. Like everyone else she targets, Lucien is helpful to her and ultimately manipulated by her. Sadie operates with strategy and deception, following instructions from her “contacts”—shadowy figures in business and government. Initially, these contacts want her to provoke reactions. As the story progresses, their demands become more complex.

In this region filled with ancient farms and prehistoric caves, Sadie becomes captivated by a mysterious figure named Bruno Lacombe. Bruno mentors young activists who believe that the path to emancipation lies not in revolt but in a return to the ancient past. Just as Sadie thinks she is the seductress and puppet master of those she surveils, Bruno enchants her with his ingenious counter-histories, poignant laments, and tragic narrative.

In brief, striking sections, Rachel Kushner‘s interpretation of “noir” is taut and dazzling.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!