Sea of Tranquility by Emily St. John Mandel has been on my reading list for months. I recommend the book without reservations. Sea of Tranquility is a novel of art, time, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon three hundred years later, unfurling a story of humanity across centuries and space. It was a page-turner from page one.

With the delay of Artemis I, I have been thinking a lot about the Sea of Tranquility, the original lunar landing site. Sea of Tranquility reminded me of the days of my youth when we believed that NASA would colonize the moon as it is in the novel.

One of the passages that moved me was when Olive Llewellyn asked, “What if it always is the end of the world.” A second profound passage asks, “A life lived in a simulation is still a life.”

The Goodreads summary provides a good overview,

Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.

Two centuries later a famous writer named Olive Llewellyn is on a book tour. She’s traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive’s bestselling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him.

When Gaspery-Jacques Roberts, a detective in the Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I began reading Yellowface, a novel by R.F. Kuang, today. The storyline has been captivating as I scroll through the pages on my Kindle App. The book explores important themes such as cultural diversity, racism, the negative impact of cultural appropriation, and the alienation caused by social media. I find the protagonist, June Hayward, relatable and enjoyable to read about while experiencing Yellowface on my Kindle App.

June and Athena were both talented writers, but Athena’s success overshadowed June’s. After Athena’s sudden death, June rashly steals her completed manuscript, a groundbreaking novel about the Chinese laborers who contributed to World War I. June edits the book and takes credit for it, even going so far as to change her name and ethnicity for marketing purposes. She believes the story deserves to be told, regardless of who tells it.

As June’s book becomes a bestseller, she is haunted by the guilt of stealing Athena’s work. Her secret becomes harder to keep as evidence of her theft surfaces. June must confront her actions and decide how far she will go to protect her newfound success.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I began reading “The Day Tripper: A Novel” by James Goodhand. The story centers around Alex Dean, who can travel through time but, unfortunately, always ends up in the wrong place at the wrong time. This book is a perfect read for a rainy April day. The story moves quickly in just the first few pages, with time flying by faster than it does for Alex.

It’s 1995, and Alex Dean has it all: a spot at Cambridge University next year, the love of a fantastic woman named Holly, and all the time ahead of him. That is, until a brutal encounter with a ghost from his past sees him beaten, battered, and almost drowning in the Thames.

The next day, he wakes to find himself in a messy, derelict room he’s never seen before, in grimy clothes Alex doesn’t recognize, with no idea how he got there. A glimpse in the mirror tells him he’s much older and has been living a hard life, his features ravaged by time and poor decisions. He snatches a newspaper and finds it’s 2010—fifteen years since the fight.

After finally drifting off to sleep, Alex wakes the following morning to find it’s now 2019, another nine years later. But the next day, it’s 1999. Never knowing which day is coming, he begins to piece together what happens in his life after that fateful night by the river.

But what exactly is going on? Why does his life look nothing like he thought it would? What about Cambridge and Holly? In this page-turning adventure, Alex must navigate the years to learn that small actions have an untold impact. And that might be all he needs to save the people he loves and, equally importantly, himself.

Isabella Hammad‘s highly anticipated novel, Enter Ghost, takes readers on a unique journey through modern-day Palestine, exploring themes of displacement, diaspora, and the unbreakable bonds of family and shared resistance. Hammad’s passionate and thoughtful writing brings to life a timely and unforgettable story, shedding light on the struggles of artistry under occupation.

The novel follows Sonia Nasir, an actress who returns to Haifa after years away from her family’s homeland to visit her sister, Haneen. However, this is no ordinary trip for Sonia, as it marks her first visit since the second intifada and the deaths of her grandparents. Still recovering from a disastrous love affair and a dissolute marriage, Sonia finds her relationship with Palestine to be fragile, both bone-deep and new.

As opening night approaches, a troupe of Palestinian actors faces numerous violent obstacles. Sonia meets Mariam, a local director who ropes her into a production of Hamlet on the West Bank. She rehearses Gertrude’s lines in classical Arabic and spends more time in Ramallah than in Haifa, working alongside a group of dedicated men from all over historic Palestine. Despite their competing egos and priorities, each group member is united in their desire to bring Shakespeare to that side of the wall. Amidst it all, Sonia has the daunting yet exhilarating possibility of finding a new self in her ancestral home.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I recently read “Something About Living” by Lena Khalaf Tuffaha, a poet and essayist whose work resonates deeply. The book of poems won the 2024 National Book Award for Poetry and delved into Palestinian life through the lens of the American language, revealing a legacy of obfuscation and erasure. It questions what happens when language packages ongoing disasters for consumption and disposal.

As a Jew supporting a two-state solution, I initially hesitated to read this collection of poems. However, I was pleasantly surprised by the lyrical beauty of the verses, which explore love not just as an emotion but as a transformative force and “a radical act.” Every poem that genuinely resonated with me. “Something About Living” is a book I highly recommend for its depth and insight!

Ms. Khalaf Tuffaha has an incredible literary repertoire; her previous work, “Water & Salt,” earned the esteemed 2018 Washington State Book Award, while “Kaan & Her Sisters” was a finalist for the Firecracker Award. In addition, “Something About Living” also received the 2022 Akron Prize for Poetry. I’m excited to explore her profound insights and lyrical mastery!

Adrian Matejka, the author of “Somebody Else Sold the World,” has written about “Something About Living,”

“It’s nearly impossible to write poetry that simultaneously holds the human desire for joy and the insistent agitations of protest, but Lena Khalaf Tuffaha‘s gorgeous and wide-ranging new collection Something About Living does just that. Her poems interweave Palestine’s historic suffering, the challenges of living in this world full of violence and ill will, and the gentle delights we embrace to survive that violence. Khalaf Tuffaha’s elegant poems sing the fractured songs of Diaspora while remaining clear-eyed to the cause of the fracturing: the multinational hubris of colonialism and greed. This collection is her witness to our collective unraveling, vowel by vowel, syllable by syllable. “Let the plural be a return of us,” the speaker of “On the Thirtieth Friday We Consider Plurals” says and this plurality is our tenuous humanity and the deep need to hang on to kindness in our communities. In these poems Khalaf Tuffaha reminds us that love isn’t an idea; it is a radical act. Especially for those who, like this poet, travel through the world vigilantly, but steadfastly remain heart first.

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My sixtieth book this year, The Rabbit Hutch, was a page-turner that I highly recommend. The Rabbit Hutch by Tess Gunty is a debut novel that won the 2022 National Book Award for fiction. It is a novel about four teenagers—recently aged out of the state foster-care system—living together in an apartment building in the post-industrial Midwest, exploring the quest for transcendence and the desire for love.

As Viktor Frankl wrote in Man’s Search for Meaning, “love is the ultimate and highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love.”

Ms. Gunty’s book focuses on that ultimate and higher goal. If you can read only one book this year, I recommend The Rabbit Hutch!

“This week is the ceremony for the National Book Award, and one of the finalists is Tess Gunty, whose debut novel, The Rabbit Hutch, is a finalist in the fiction category,” said Kerry Nolan as she spoke with Ms. Gunty.

The Goodreads summary provides an overview,

The automobile industry has abandoned Vacca Vale, Indiana, leaving the residents behind, too. In a run-down apartment building on the edge of town, commonly known as the Rabbit Hutch, several people now reside quietly, looking for ways to live in a dying city. Apartment C2 is lonely and detached. C6 is aging and stuck. C8 harbors a great fear. But C4 is of particular interest.

Here live four teenagers who have recently aged out of the state foster-care system: three boys and one girl, Blandine, who The Rabbit Hutch centers around. Hauntingly beautiful and unnervingly bright, Blandine is plagued by the structures, people, and places that not only failed her but actively harmed her. Now all Blandine wants is an escape, a true bodily escape like the mystics describe in the books she reads.

Set across one week and culminating in a shocking act of violence, The Rabbit Hutch chronicles a town on the brink, desperate for rebirth. How far will its residents—especially Blandine—go to achieve it? Does one person’s gain always come at another’s expense? Tess Gunty’s The Rabbit Hutch is a gorgeous and provocative tale of loneliness and community, entrapment and freedom. It announces a major new voice in American fiction, one bristling with intelligence and vulnerability.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I dove into “The Rest Is Memory: A Novel” by Lily Tuck, and it’s already leaving a powerful impression. This poignant tale follows a young Catholic girl’s harrowing journey to Auschwitz, woven in a captivating Rashomon-style narrative showcasing Tuck’s brilliance as a storyteller. Esquire has rightly placed it on their list of Best Books for Fall 2024, and I can see why.

In Tuck‘s skilled hands, “The Rest Is Memory” transforms into an unforgettable piece of historical reclamation, breathing life into an innocent soul who has long been remembered only through a haunting triptych of photographs. It’s a journey that promises to linger in my thoughts long after I’ve turned the last page.

In this mesmerizing novel by Lily Tuck, we first glimpse fourteen-year-old Czeslawa riding on the back of a boy’s motorcycle. Tuck imagines Czeslawa’s upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, she arrives at Auschwitz shorn and bearing the tattoo number 26947. Shortly after, she is photographed. Three months later, she is dead.

How did this happen to an ordinary Polish citizen? This is the question Tuck grapples with in this haunting narrative, which frames Czeslawa’s story within the tragic context of the six million Poles who perished during the German occupation. A decade before writing The Rest Is Memory“, Tuck read an obituary of the photographer Wilhelm Brasse, who took over 40,000 pictures of Auschwitz prisoners—including three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out these photos and kept them, determined to learn more about Czeslawa. However, she could only gather the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and neighbors, her tattoo number, and the date of her death. Tuck crafts a remarkable kaleidoscope of imagination from this scant evidence, something only our greatest novelists can achieve.

Susanna Moore described the novel as “Beautifully written, all the while instilling a sense of horror.” Tuck’s language swirls around the reader, yet no word is out of place. The subtly rotating images tumble forth, accelerating as we learn about Czeslawa’s tragic time in Auschwitz, as well as the lives of real individuals, including the brutal Commandant Rudolf Höss, his unconscionable wife Hedwig, psychiatrist and child rescuer Janusz Korczak, and the sharp Polish short story writer Tadeusz Borowski. Although we know Czeslawa’s fate, we must keep turning the pages, thoroughly captivated by Tuck’s nearly otherworldly prose.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!