After reading Aftermirth, I wanted a book I could enjoy without raising questions I was not ready to answer. A Harvest of Secrets by Roland Merullo was set in Italy in 1943. The terror seeds planted by Hitler brought Allied forces to Italian soil. Young lovers separated by war—one near a Tuscan hill town, the other a soldier on the Sicilian front—will meet any challenge to reunite. Historical fiction is a genre I enjoy. Will this book fulfill my needs? The answer is yes.

The web of secrets that are harvested kept me on my toes. Usually, the surprises of a novel are ones that I know even before finishing the book. At least one of the secrets did surprise me.

I also found the background of the war and loyalty to Il Duce a reminder that blind loyalty to a leader can destroy a nation.

I recommend this book.

The Goodreads summary provides an overview.

Vittoria SanAntonio, the daughter of a prosperous vineyard owner, is caught in a web of family secrets. Defying her domineering father, she has fallen for humble vineyard keeper Carlo Conte. When Carlo is conscripted into Mussolini’s army, it sets a fire in Vittoria, and she joins the resistance. As the Nazi war machine encroaches, Vittoria is drawn into dangers as unknowable as those faced by the man she loves.

Badly wounded on the first day of the invasion, Carlo regains consciousness on a farm in Sicily. Nursed back to health by a kind family there, he embarks on an arduous journey north through his ravaged homeland. For Carlo and Vittoria, as wartime threats mount and their paths diverge, what lies ahead will test their courage as never before.

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Aftermirth by Hillary Jordan is a book about grief as the two protagonists take a road trip that is a darkly funny journey of healing that takes them deep into the heart of their suffering and others, and then beyond it, to a place of peace and laughter. I had just finished reading When She Woke by Ms. Jordan and having enjoyed that book, reading a second one by the same author seemed reasonable.

When I selected this short novel to read, I questioned if it was a good choice for me.

I found it easier to read and, in some ways, helpful. It was like meeting fellow widows from my Zoom grief groups in person at Camp Widow. The ability to laugh about our loss and cry openly is essential to meeting fellow benefits.

Michael Larssen, the narrator, raised a question I have not and still do not want to consider. What if I am still alive, Jan was a great love but is not the love of my life?

“You can’t know that he was the love of your life, and do you know why? Because guess what, you aren’t dead yet. You may feel dead right now, and believe me I’ve been there, but the fact is, until you’re lying under a tombstone of your own you can’t be sure about anything. You could prick your finger on one of your roses tomorrow, and as you’re climbing the stairs to get a Band-Aid, you trip over one of the pugs and tumble to your death. Or you could meet a man in the checkout line at the grocery store–hell, you could meet a woman even and fall madly in love with her and end up with six kids and twenty grandkids. Michael looks over at Elena, then back at George. You just don’t know, George. That’s the thing. None of us does.”— Aftermirth (Kindle Single) by Hillary Jordan

Despite my anxiety about considering this disturbing question, I highly recommend Aftermirth by Hillary Jordan.

The Goodreads summary provides an overview.

I stopped being funny the day my wife was electrocuted by her underwire bra.” So begins “Aftermirth,” a dark comedy that explores the absurdity of death through the eyes of thirty-one-year-old comedian, writer, and actor Michael Larssen. What is funny to the rest of the world is devastating to Michael, who loves his wife deeply, exceptionally her bright, rippling, abandoned laughter, which captivated him from the first time he heard it. In the aftermath of her death, he loses his sense of humor and his career.

Then, after two years of mourning her, he sees an article in the paper about a factory worker named Julio Santiago who fell into a giant vat of dough and was kneaded to death. For reasons Michael doesn’t understand, he decides to go to the man’s wake. There he meets and bonds with Julio’s twenty-nine-year-old daughter Elena, a law student who is reeling from her father’s unexpected and preposterous death.

Three months later, she calls him out of the blue and suggests that the two of them drive to North Carolina to speak with another survivor like themselves Elena has found on the Internet. Their road trip is a darkly funny journey of healing that takes them deep into the heart of their grief and others and then beyond it to a place of peace and laughter.

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With the wisdom, playfulness, and explosive imagination we’ve come to expect from George Saunders, Vigil addresses some of the most pressing issues of our time, including corporate greed, the toll of capitalism, and the environmental dangers associated with progress. In doing so, it weaves a narrative that explores themes of life and death, good and evil, and the complex question of absolution. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion.

She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone claims he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it?

Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s post-death future.

George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize, and five collections of stories, including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama as one of his ten favorite books of 2022).

Three of Saunders’s books—Pastoralia, Tenth of December, and Lincoln in the Bardo—were chosen for The New York Times’s list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book, A Swim in a Pond in the Rain. In 2013, he was named one of Time’s 100 Most Influential People. He teaches in the creative writing program at Syracuse University.

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Midwives by Chris Bohjalian is “a compulsively readable novel that explores questions of human responsibility that are as fundamental to our society now as they were when the book was first published.” Forty years after the book was published, it is just as relevant, if not more so. Indeed, the book’s topics are more relevant today with the current set of decisions by the Supreme Court.

After reading The Pull of the Stars and watching every season of Call the Midwives, this was the logical next book for me to read. It is also one that I know Jan read and liked. 

I highly recommend this book!

The Goodreads summary provides a concise overview. 

The time is 1981, and Sibyl Danforth has been a dedicated midwife in the rural community of Reddington, Vermont, for fifteen years. But one treacherous winter night, in a house isolated by icy roads and failed telephone lines, Sibyl takes desperate measures to save a baby’s life. She performs an emergency Caesarean section on its mother, who appears to have died in labor. But what if—as Sibyl’s assistant later charges—the patient wasn’t already dead, and it was Sibyl who inadvertently killed her?

As recounted by Sibyl’s precocious fourteen-year-old daughter, Connie, the ensuing trial bears the earmarks of a witch hunt except that all its participants are acting from the highest motives—and the defendant increasingly appears to be guilty. As Sibyl Danforth faces the antagonism of the law, the hostility of traditional doctors, and the accusations of her conscience, Midwives engages, moves, and transfixes us as only the best novels ever do. 

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The Unfolding by A.M. Homes is a darkly comic political parable braided with a Bildungsroman that takes us inside the heart of a divided country. The Unfolding is an alternative history that is terrifyingly prescient, profoundly tender, and devastatingly funny. Will this novel help me to understand how we became a nation that no longer shares the same definitions of truth, freedom, and democracy, much less a shared vision of the future?

Although I understand more clearly the crisis facing the US, I highly recommend this novel.

Ms. Homes has written a must-read book that compliments the January 6th Committee report and should make us all more vigilant.

The characters are so well defined that at the end of the novel, I wanted to continue to read about them, especially Meghan.

The Goodreads summary provides an overview,

The Big Guy loves his family, money, and country. Undone by the 2008 presidential election results, he taps a group of like-minded men to reclaim their version of the American Dream. As they build a scheme to disturb and disrupt, the Big Guy also faces turbulence within his family. His wife, Charlotte, grieves a life not lived, while his 18-year-old daughter, Meghan, realizes that her favorite subject–history–is not exactly what her father taught her.

In a story that is as much about the dynamics within a family as it is about the desire for those in power to remain in force, Homes presciently unpacks a dangerous rift in American identity, prompting a reconsideration of the definition of truth, freedom, and democracy–and exploring the explosive consequences of what happens when the exact words mean such different things to people living together under one roof.

In her first novel since the Women’s Prize award-winning May We Be Forgiven, A.M. Homes delivers us back to ourselves in this stunning alternative history that is both terrifyingly prescient, deeply tender, and devastatingly funny.

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Today, I started reading Lorrie Moore‘s latest novel; I Am Homeless If This Is Not My Home. It’s her first book since A Gate at the Stairs, and it’s a bold and contemplative exploration of love, death, passion, and grief. Moore examines what it means to be haunted by the past in terms of history and the human heart.

The story follows a teacher who visits his dying brother in the Bronx. A mysterious journal from the 19th century is stolen from a boarding house. There’s also a therapy clown and an assassin, who is presumed dead but may not be.

Moore’s unique wordplay, wry humor, and wisdom make for an enchanting read. She presents us with a magic box of surprises, exploring themes of love, rebirth, and the pull toward life. This novel is a poetic and imaginative portrait of lovers and siblings that questions the stories we’ve been told and whether they’re true.

With I Am Homeless If This Is Not My Home, Moore takes us on a journey to a windswept, tragic, and comic landscape. It’s unmistakably her world and a journey you won’t forget.

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Today, I began reading Tom Lake by Ann Patchett. The novel beautifully explores family, love, and growing up. Patchett once again proves herself as one of America’s finest writers. Both hopeful and mournful, it explores happiness even when the world falls apart.

The story follows Lara’s three daughters as they return to the family’s orchard in Northern Michigan in the spring of 2020. While picking cherries, they ask their mother about Peter Duke, a famous actor with whom she had a romance years before at a theater company called Tom Lake.

As Lara reminisces, her daughters confront their own lives and relationships with their mother, leading them to reevaluate everything they thought they knew. With its hopeful and mournful tone, the novel is a testament to the transformative power of understanding what happiness truly means, even amid chaos. Patchett’s compelling narrative artistry and profound insights into family dynamics weave a rich and luminous story, showcasing why she is one of our time’s most revered and acclaimed literary talents.

I have also read Patchett’s Bel Canto, a compelling tale that explores themes of strength, vulnerability, love, and confinement. It ultimately tells an inspiring story of transcendent romance.

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“Sleep: A Novel” by Honor Jones captivates readers with its heartfelt narrative and deep insights into the human experience. This debut novel offers a genuine insight into the complex dynamics of motherhood and childhood, weaving together themes of love, secrets, and the vast array of possibilities that life can hold beyond silence.

Every parent exists in two families simultaneously: the one they were born into and the one they have created.

Ten-year-old Margaret, much like many of us, hides beneath a blackberry bush in her family’s lush backyard while her brother searches for her in a game of flashlight tag. Her childhood is filled with sunlit swimming pools, Saturday morning pancakes, and a devoted best friend. However, her family life requires careful navigation. Her mother can be as brittle and demanding as she is loving, while her father and brother embody familiar, if uncomfortable, models of masculinity. Then, late one summer, everything changes. After a series of confusing events, the simple joys of girlhood begin to fade away.

Twenty-five years later, Margaret hides under her parents’ bed, waiting for her young daughters to find her in a game of hide and seek. Newly divorced, she is learning to navigate her life as a co-parent while also discovering the pleasures of a new relationship. Yet part of her remains under the blackberry bush, frozen in time. As she strives to be a mother to her daughters and a daughter to her mother, she must confront the echoes and reflections of her past in light of her present. She grapples with what it means to keep a child safe and how much of our lives we experience in solitude.

Jones presents these emotional cycles with generosity and unflinching honesty, making the novel a compelling read that resonates on multiple levels.

Honor Jones, a senior editor at The Atlantic and formerly at The New York Times, brings her wealth of experience and insight to this novel. She lives in Brooklyn with her three children, a life experience that undoubtedly enriches her storytelling.

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