The Vanishing Half by Brit Bennett was a true page-turner, and I did not want to stop reading it even when I got to the last page. I am not a fan of sequels, but if I was ever going to change my mind, this is the book I would want to read a sequel.

Ms. Bennett focuses on two twins who run away from home at age 16. They have grown up in Mallard, a fictional town in Louisiana. “In Mallard, nobody married dark,” Bennett writes starkly. Over time, its prejudices deepened as its population became lighter and lighter, “like a cup of coffee steadily diluted with cream.” The twins, with their “creamy skin, hazel eyes, wavy hair,” would have delighted the town’s founder. One of the women chooses to pass as white while the other does not.

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?

Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.

The question of why people choose to live differently than their origins is one that I often ponder. Growing up in a small town and living in a metropolis raises questions for me as to what my life is now and what was once.

I strongly recommend this book.

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In Five Years by Rebecca Serle is a good, quick read. It is an “unforgettable love story that reminds us of the power of loyalty, friendship, and the unpredictable nature of destiny.”

The protagonist Dannie Kohan is a Type A lawyer who has her life planned out by the numbers. Everything she believes will happen according to her plan. But life sometimes throws us a curveball.

She applies for the job she has always wanted, and her boyfriend proposes to her. Everything is going according to her plan. She returns home believing that life is going as planned and falls asleep.

But when she wakes up, she’s suddenly in a different apartment, with a different ring on her finger, and beside a very different man. The television news is on in the background, and she can make out the scrolling date. It’s the same night—December 15—but 2025, five years in the future.

There are twists and turns, including her best friend introducing her new boyfriend, who happens to be the man she was with briefly in 2025. Her friends’ struggle with and eventual death from Ovarian cancer forces Dannie to confront life as is. Her friend reminds her that she has never truly experienced love and needs to stop controlling her life and those around her.

In five years is a question I am asking myself. Where will I be five years after Jan’s death?

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Today, I started reading “The Annual Banquet of the Gravediggers’ Guild” by Mathias Énard. The book has been translated into English by Frank Wynne. This novel is full of Mathias Énard‘s characteristic humor and extensive knowledge. It is a lively book where the boundaries between past and present are constantly blurred, set against a backdrop of excess reminiscent of Rabelais’ writing.

David Mazon, an anthropology student, moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France, to research his thesis on contemporary agrarian life. He is determined to understand the essence of the local culture and spends his time scurrying around on his moped to interview the residents.

David must be made aware of the extraordinary events in an ordinary location. This place, where wars and revolutions once occurred, is now a dancefloor for Death. When something dies, its soul is recycled by the Wheel of Life and thrown back into the world as a microbe, human, or wild animal – sometimes in the past and sometimes in the future. Once a year, Death and the living agree to a temporary truce, during which gravediggers indulge in a three-day feast filled with food, drink, and conversation.

Mathias Énard’s novel, The Annual Banquet of the Gravediggers’ Guild, is a riotous and exciting comic masterpiece that won the prestigious Prix Goncourt award. The novel is set in the French countryside and is filled with Énard’s characteristic wit and encyclopedic brilliance. Against a backdrop of excess, the story blurs the lines between past and present, creating a Rabelaisian world of chaos and humor.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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On the Rooftop: A Novel by Margaret Wilkerson Sexton, is a stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives—set against the backdrop of gentrifying 1950s San Francisco. The first few pages moved glacially and then the story unfolded fully and became a page-turner that I highly recommend.

After hearing Ms. Sexton’s interview on Get Lit with All Of It, a monthly on-air, social media, in-person, and live-stream book club hosted by Alison Stewart of WNYC’s All Of It, I picked up the book. The novel had been on my to-read list.

The novel was loosely based on Fiddler on the Roof and it worked exceedingly well. Vivian is the overbearing mother and the daughters who have their own dreams and goals. With urban renewal, AKA Urban Renewal, as the backdrop, the novel was one that I could not put down.

The small section of the song that Esther writes so she can sing for her people, was a song I wish I could hear in its entirety. That Chole choose to sing it for final audition made it even more powerful.

You put words to the music inside my heart You showed me the world could be its own art I’d never felt myself so whole before I’d never known how much I could reach for.

The Goodreads summary provides an overview,

At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.

Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine.

The neighborhood is changing, too: all around the Fillmore, white men in suits are approaching Black property owners with offers. One sister finds herself called to fight back, one falls into the comfort of an old relationship, and another yearns to make her voice heard. And Vivian, who has always maintained control, will have to confront the parts of her life that threaten to splinter: the community, The Salvations, and even her family.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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A Train to Moscow by Elena Gorokhova is set in post–World War II Russia; a girl, must reconcile a tragic past with her hope for the future in this powerful and poignant novel about family secrets, passion, loss, perseverance, and ambition. In a small, provincial town behind the Iron Curtain, Sasha lives in a house full of secrets, one of which is her dream of becoming an actress.

When she leaves for Moscow to audition for drama school, she defies her mother and grandparents and abandons her first love, Andrei.

Before she leaves, Sasha discovers the hidden war journal of her uncle Kolya, an artist still missing in action years after the war has ended. His pages expose the official lies and the forbidden truth of Stalin’s brutality. Kolya’s revelations and tragic love story guide Sasha through drama school and cement her determination to live a thousand lives onstage.

After graduation, she begins acting in Leningrad, where Andrei, now a Communist Party apparatchik, becomes a censor of her work. As a past secret comes to light, Sasha’s ambitions converge with Andrei’s duties, and Sasha must decide if her dreams are genuinely worth the necessary sacrifice and if, as her grandmother likes to say, all will indeed be well.

This was a page-turner, as I held my breath to find out the next steps that Sasha would take. Her ambition combined with the secrets she learns keeps the reader focused on the next page.

I recommend this book.

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I’ve started reading “Salvage the Bones: A Novel” by Jesmyn Ward, a two-time National Book Award winner and author of “Sing, Unburied, Sing.” The book delivers a gritty yet tender story about family and poverty in the days leading up to Hurricane Katrina. Hurricane Helene’s devastation makes it the perfect time to read this book. The novel is among The New York Times’ 100 Best Books of the 21st Century.

The story is set in Bois Sauvage, Mississippi, where a hurricane is building over the Gulf of Mexico, threatening the city. Esch’s father is growing concerned, although he is often absent and a heavy drinker. Esch and her three brothers are stocking food, but there is little to save. Esch, who is fourteen, is pregnant and struggling to keep down the little food she gets. Her brother Skeetah is trying to care for his pit bull’s new litter, which is dying one by one. Meanwhile, brothers Randall and Junior struggle with family dynamics and lack parental guidance.

As the twelve days that make up the novel’s framework yield their dramatic conclusion, this unforgettable family – motherless children sacrificing for one another, protecting and nurturing where love is scarce – pulls itself up to face another day. The novel is a big-hearted story about familial love and community against all odds, offering a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty. “Salvage the Bones” is a revelatory, honest, and poignant exploration of social issues, filled with poetry and emotional depth.

Trip: A Novel by Amie Barrodale follows a woman who embarks on a journey to the afterlife to help her son, who is lost at sea. Her voyage begins on a limbo-drifting ghost ship, blending humor and emotion as she explores the body and mind. Barrodale skillfully combines humor with poignant moments, making the supernatural feel personal. The book moved me, reflecting the emotional tides between mother and son.

Sandra dies suddenly at a death conference in Nepal. Days later in America, her son, Trip, runs away with a man. Sandra tries to send a message to Trip through the mystics, but they are distracted while her son and the man set out to sea.

Amie Barrodale‘s first novel follows the unpredictable journey of Sandra and her son, Trip, as they navigate the realms of restless souls and Buddhist deities. As they move between life and death, Sandra’s unwavering devotion to saving her child and striving to be a good mother anchors the narrative, propelling it forward with emotional depth and urgency. This book will particularly resonate with fans of literary fiction, magical realism, and those intrigued by philosophical explorations of life and death. Readers who appreciate stories rich in emotional complexity and spiritual themes will find themselves eagerly immersed in this enthralling tale.

Wide-eyed with wonder, hilariously funny and painfully moving, Trip: A Novel reveals the deeper meaning of The Tibetan Book of the Dead: the past is a memory, the future is a projection, the present disappears before we can see it.

Amie Barrodale’s stories and essays have appeared in The Paris Review, Harper’s Magazine, and other publications. In 2012, she was awarded The Paris Review’s Plimpton Prize for Fiction for her story “William Wei.” She is the author of You Are Having a Good Time: Stories.

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