Today, I began reading Wait: A Novel by Gabriella Burnham. This story is told with deep insight, humor, and an unexpected tenderness that will captivate you. The novel revolves around a family struggling against the societal issues that deteriorate their bonds, such as housing instability, immigration policies, and inherited wealth. At its core, it is also a tale about love, humor, and sisterhood, highlighting how two sisters lean on each other amid monumental changes while dreaming of a brighter future.

Elise is out dancing the night before her college graduation when her younger sister, Sophie, calls to inform her that their mother is missing. Elise promptly booked the next flight back to her childhood home on Nantucket Island, which she hadn’t visited in nearly four years.

Upon her return, the sisters are confronted with the harsh reality that their mother was stopped by the police while returning home from work and deported to São Paulo, Brazil. Despite the daunting odds, Elise boldly decides to stay fueled by her love for her mother and takes the same job she had during high school: monitoring endangered birds.

Meanwhile, her college best friend, Sheba—a lively socialite and heir to a famous children’s toy company—reveals that she has inherited her grandfather’s summer mansion on Nantucket. As Elise navigates her new reality, her worlds collide as she faces the emotional and material challenges that have fractured her family and the life in Brazil that her mother has been forced to leave behind.

Gabriella Burnham‘s debut novel, It Is Wood, It Is Stone, was named a best book of the year by Harper’s Bazaar, Marie Claire, Publishers Weekly, and Good Housekeeping. She holds an MFA in creative writing from St. Joseph’s College and has been awarded fellowships to Yaddo and MacDowell, where she was named a Harris Center Fellow. Her nonfiction writing has appeared in Harper’s Bazaar. Burnham and her partner live in Brooklyn, New York, with their rescue cats, Galleta and Franz.

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Today, I started reading The Café with No Name by Robert Seethaler, translated by Katy Derbyshire. It’s a vibrant story of love, companionship, and renewal in 1960s Vienna. With warm prose and tender humor, Seethaler has created a delightful parable about human existence, brought to life by unforgettable characters and a rich tapestry of narratives.

In the summer of 1966, Robert Simon was in his early thirties and had a dream. Raised in a home for war orphans, he has grown into a warm-hearted, hard-working, and determined man. When the former owners of the corner café in Carmelite Market Square close the business, Robert sees an opportunity to realize his dream.

The café, dark and dilapidated, is located in an impoverished neighborhood of the Austrian capital. However, a new energy is beginning to fill the air, signaling a desire for renewal. In the newspapers that fishmongers use to wrap char and trout from the Danube, one can read about the great things to come, heralding a bright future emerging from the shadows of the past.

Inspired by this optimism, Robert refurbishes the café. His efforts pay off as customers arrive, drawn to a congenial space where they can gather, talk, read, or sit and reflect. Each visitor brings their passion, friendship, loss, and heartache stories. Some search for companionship, while others long for love or a place to feel understood. As the city transforms, Robert’s café becomes a haven—a refuge from which to observe life, mourn, and rejoice.

Robert Seethaler was born in Vienna in 1966 and is the author of eight novels. In 2017, he was a finalist for the Man Booker International Prize with A Whole Life (FSG, 2016). He also works as an actor, most recently in Paolo Sorrentino’s Youth. He lives in Berlin.

Katy Derbyshire translates contemporary German writers, including Christa Wolf, Heike Geissler, and Olga Grjasnowa. Her translation of Clemens Meyer‘s While We Were Dreaming was longlisted for the 2023 International Booker Prize. She was born in London and has been based in Berlin for over twenty years.

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I recently dove into The Tokyo Suite by Giovana Madalosso, expertly translated by Bruna Dantas Lobato. This captivating book represents the English-language debut of one of Brazil’s most thrilling contemporary voices. It intricately unravels the complexities of modern family dynamics, diving deep into the hidden tensions that simmer just beneath the surface of everyday life. Each page draws you in, inviting you to explore the rich tapestry of emotions and experiences that define our relationships.

It’s a seemingly ordinary morning when Maju, a nanny, boards a bus with Cora, the young girl she’s been caring for and disappears. The abduction, an act as impulsive as it is extreme, sets off a series of events that will force each character to confront their deepest fears and desires.

Cora’s mother, Fernanda, is a successful executive who is so engulfed in her crisis that she initially fails to notice her daughter’s disappearance. Her marriage is strained, and she finds solace in an affair, distancing herself further from her family. Meanwhile, her husband, overwhelmed by the complexities of their domestic life, remains emotionally detached. As Maju navigates the streets of São Paulo with Cora, the “white army” of nannies, a term coined by Fernanda, seems to watch her every move, heightening her sense of paranoia and urgency.

Madalosso’s narrative delves deep into the human psyche, examining themes of maternal guilt, societal expectations, and the search for personal identity. Rich and multi-layered, The Tokyo Suite is a poignant and gripping tale that captures the essence of modern urban life and the lengths people will go to reclaim a sense of control and meaning.

Giovana Madalosso is a Brazilian writer and screenwriter born in Curitiba in 1975. She has been a finalist for the Biblioteca Nacional Award and the São Paulo Prize of Literature. The Tokyo Suite is her English-language debut.

Bruna Dantas Lobato is a fiction writer and translator. Her translation of Stênio Gardel‘s The Words That Remain won the 2023 National Book Award for Translated Literature. Her fiction has appeared in The New Yorker,  Guernica, A Public Space, and The Common. Raised in Natal, Brazil, she is an incoming Assistant Professor of English and Creative Writing at Grinnell College.

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Today, I began reading Sayaka Murata‘s Vanishing World, translated by Ginny Tapley Takemori. This novel, from the author of the bestselling literary sensations Convenience Store Woman and Earthlings, presents a surprising and highly imaginative story set in an alternate version of Japan where sexual relations between married couples have disappeared, and all children are conceived through artificial insemination.

Sayaka Murata has established herself as a remarkable observer of society’s peculiarities, delving into our contemporary world with bizarre and unsettling insights. Her portrayals of a contentedly unmarried retail worker in Convenience Store Woman and a young woman who believes she is an alien in Earthlings have resonated with millions of readers globally. In Vanishing World, Murata takes her vision to a bold new level, envisioning an alternative Japan where attitudes toward sex and procreation diverge significantly from our own.

As a girl, Amane is horrified to learn that her parents “copulated” to conceive her rather than using artificial insemination, which became the norm in the mid-twentieth century. She seeks to escape what she perceives as her mother’s indoctrination into this peculiar “system.” Despite her efforts, Amane’s attractions to both anime characters and real people carry an undeniable sexual weight.

As an adult in a suitably sexless marriage—where sex between married couples is regarded as taboo, akin to incest—Amane and her husband, Saku, decide to relocate to a mysterious new town called Experiment City, or Paradise-Eden. In this community, all children are raised collectively, and every person is considered a mother to all children. Men are beginning to experience pregnancy through artificial wombs that exist outside their bodies, resembling balloons, and children are nameless, referred to simply as “Kodomo-chan.” Will this new world finally cleanse Amane of her strangeness?

Sayaka Murata is the author of several books, including Convenience Store Woman, which won the Akutagawa Prize, Earthlings, and Life Ceremony. Freeman has recognized her as a “Future of New Writing” author, and Vogue Japan has honored her as a Woman of the Year.

Ginny Tapley Takemori has translated works from more than a dozen Japanese writers, including Ryu Murakami. She resides at the foot of a mountain in Eastern Japan.

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Today, I started reading Junot Diaz‘s The Brief Wondrous Life of Oscar Wao, one of The New York Times’ 100 Best Books of the Century. The book also won a Pulitzer Prize. Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old-world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love.

But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience. It explores the endless human capacity to persevere—and risk it all—in the name of love.

“Other People’s Fun” by Harriet Lane is an engaging, thought-provoking novel that explores modern life, including the small lies we tell our neighbors, friends, families, and even ourselves, as well as the distorted reality of social media. Known for her signature blend of creeping unease and keen observation, Lane’s page-turner delves into our deep desire for others to truly see us as we are—and the consequences that arise when that happens.

“I look. I can’t stop looking. That’s the deal, isn’t it? We all know that’s how it works. If someone wants to be seen–and oh, how they want to be seen–then someone has to watch.”

Ruth is alone, unnoticed, and at a loss: her marriage has ended, her daughter is leaving home, and her job is leading nowhere.

But luckily, Sookie is back in her life, the vivid, self-assured Sookie who never spared time for Ruth when they were teenagers, but who now seems to want to be friends. But as Ruth becomes entangled in Sookie’s life, she realizes that everything is not as Instagrammable as Sookie would have her believe. As the truth about Sookie becomes clearer, so too does the choice Ruth will have to make.

Harriet Lane has experience as an editor and staff writer for Tatler and the Observer. She has contributed articles to The Guardian, Vogue, and The New York Times. Additionally, she is the author of two novels, Alys, Always, and Her. Lane resides in North London.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Ann Packer makes a triumphant return with a powerful novel, which is both tender and raw, visceral and unexpected. Emotionally vibrant and complex, Some Bright Nowhere explores the profound gifts and unforeseen costs of truly loving someone, as well as the fears and desires we experience as the end of life approaches. What if your partner’s dying wish broke your heart? How well do we know the deepest desires of those we love dearly?

The beloved bestselling author returns with her first novel in over a decade, offering an intimate and profoundly moving examination of a long marriage and how a startling request can change a couple’s understanding of themselves, both together and apart.

Eliot and his wife, Claire, have been happily married for nearly four decades. They raised two children in their quiet Connecticut town and have weathered the inevitable ups and downs of a long life together. However, eight years after Claire was diagnosed with cancer, the end is near, and it is time to gather loved ones and prepare for the inevitable.

Throughout Claire’s illness, Eliot has willingly—lovingly—taken on the role of caregiver, appreciating the intimacy and tenderness that come with this role, which is even more layered and complex than that of a devoted husband. But as he settles into what will be their last days and weeks together, Claire makes an unexpected request that leaves him reeling. In an instant, his carefully constructed world shatters.

As Eliot confronts this profound turning point in his marriage and his life, he grapples with the man and husband he has been, as well as the uncertainties of Claire’s final days.

Ann Packer is the author of five previous works of fiction, including the bestselling novels The Children’s Crusade and The Dive from Clausen’s Pier, which received the Kate Chopin Literary Award along with numerous other prizes and honors.

Her short stories have appeared in The New Yorker and the O. Henry Prize Stories anthologies, and her novels have been translated and published internationally. Packer divides her time between New York, the Bay Area, and Maine.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Today, I dove into “Dream Count” by Chimamanda Ngozi Adichie, and I couldn’t be more excited! A decade in the making, this novel promises to be a captivating journey. Known for her bestselling works like “Americanah” and “We Should All Be Feminists,” Adichie brings her trademark brilliance to this story of four women exploring their loves, longings, and desires. I can’t wait to see how their lives unfold!

Chiamaka is a Nigerian travel writer living in America. During the pandemic, feeling alone, she reflects on her past lovers and grapples with her choices and regrets. Her best friend Zikora, a successful lawyer, faces betrayal and heartbreak, leading her to turn to the person she thought she needed the least. Omelogor, Chiamaka’s bold and outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she truly knows herself. Meanwhile, Kadiatou, Chiamaka’s housekeeper, proudly raises her daughter in America yet must confront an unimaginable hardship that threatens everything she has worked to achieve.

In “Dream Count,” Chimamanda Ngozi Adichie focuses on these women’s lives in a captivating and profound novel that explores the very nature of love. Is true happiness ever attainable, or is it merely a fleeting state? How honest must we be with ourselves to love and be loved? The story profoundly reflects on our choices and those made for us, mothers and daughters, and our interconnected world. “Dream Count” resonates with emotional urgency and provides poignant, unflinching observations of the human heart, all conveyed in beautifully powerful language. This work reaffirms Adichie’s status as one of contemporary literature’s most exciting and dynamic writers.

Chimamanda Ngozi Adichie grew up in Nigeria. Her work has been translated into more than fifty-five languages. She is the author of the novels “Purple Hibiscus,” which won the Commonwealth Writers’ Prize; “Half of a Yellow Sun,” which was the recipient of the Women’s Prize for Fiction “Best of the Best” award; Americanah, which won the National Book Critics Circle Award; the story collection “The Thing Around Your Neck” and the essays We Should All Be Feminists and Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions. Her most recent work is an essay about losing her father, Notes on Grief, and Mama’s Sleeping Scarf, a children’s book by Nwa Grace-James. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria.

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Aftermirth by Hillary Jordan is a book about grief as the two protagonists take a road trip that is a darkly funny journey of healing that takes them deep into the heart of their suffering and others, and then beyond it, to a place of peace and laughter. I had just finished reading When She Woke by Ms. Jordan and having enjoyed that book, reading a second one by the same author seemed reasonable.

When I selected this short novel to read, I questioned if it was a good choice for me.

I found it easier to read and, in some ways, helpful. It was like meeting fellow widows from my Zoom grief groups in person at Camp Widow. The ability to laugh about our loss and cry openly is essential to meeting fellow benefits.

Michael Larssen, the narrator, raised a question I have not and still do not want to consider. What if I am still alive, Jan was a great love but is not the love of my life?

“You can’t know that he was the love of your life, and do you know why? Because guess what, you aren’t dead yet. You may feel dead right now, and believe me I’ve been there, but the fact is, until you’re lying under a tombstone of your own you can’t be sure about anything. You could prick your finger on one of your roses tomorrow, and as you’re climbing the stairs to get a Band-Aid, you trip over one of the pugs and tumble to your death. Or you could meet a man in the checkout line at the grocery store–hell, you could meet a woman even and fall madly in love with her and end up with six kids and twenty grandkids. Michael looks over at Elena, then back at George. You just don’t know, George. That’s the thing. None of us does.”— Aftermirth (Kindle Single) by Hillary Jordan

Despite my anxiety about considering this disturbing question, I highly recommend Aftermirth by Hillary Jordan.

The Goodreads summary provides an overview.

I stopped being funny the day my wife was electrocuted by her underwire bra.” So begins “Aftermirth,” a dark comedy that explores the absurdity of death through the eyes of thirty-one-year-old comedian, writer, and actor Michael Larssen. What is funny to the rest of the world is devastating to Michael, who loves his wife deeply, exceptionally her bright, rippling, abandoned laughter, which captivated him from the first time he heard it. In the aftermath of her death, he loses his sense of humor and his career.

Then, after two years of mourning her, he sees an article in the paper about a factory worker named Julio Santiago who fell into a giant vat of dough and was kneaded to death. For reasons Michael doesn’t understand, he decides to go to the man’s wake. There he meets and bonds with Julio’s twenty-nine-year-old daughter Elena, a law student who is reeling from her father’s unexpected and preposterous death.

Three months later, she calls him out of the blue and suggests that the two of them drive to North Carolina to speak with another survivor like themselves Elena has found on the Internet. Their road trip is a darkly funny journey of healing that takes them deep into the heart of their grief and others and then beyond it to a place of peace and laughter.

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At the Villa Rose by Major Alfred Edward Woodley Mason, initially published in 1910, is a mystery novel in which Major Mason introduced his French detective, Inspector Hanaud, who was an early template for Agatha Christie’s famous Hercule Poirot. Missing jewels, high adventure some one hundred and fifty kilometers from Geneva, a casino, and blind love are all factors in a complex case for Hanaud, which ultimately involves a gang of frightened murderers. If you enjoy deductive mysteries like me, I highly recommend At the Villa Rose.

The Goodreads summary,

In Aix les Bains during the early 20th century, Celia Harland, a beautiful (of course) young English girl down on her luck, is befriended by a wealthy widow, Madame Dauvray, an addict of “spiritualism,” and stages seances for her benefactrix, while knowing full well that the supposed manifestations from the spirit world are entirely bogus. This set-up supplies the opportunity for a criminal gang master-minded by Madame Dauvray’s maid, with their eyes on the widow’s jewelry collection, to engineer an introduction for one of their numbers, Adele Tacé (“Rossignol”), whose taunts of disbelief goad the old lady into allowing a seance to be held which, unsuspected by either Celia or her patron, will be the cover for murder and robbery.

The crux of the plot is that as a medium, Celia will be made their innocent victim, on whom suspicion is to be planted.

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