“Fair Play” by Louise Hegarty is a captivating and playful novel that is both insightful and profoundly moving. It delves into the complexities of the human heart while challenging our perceptions of a beloved genre. Fans of Anthony Horowitz and Lucy Foley will appreciate this wonderfully original and genre-defying debut from Ireland. The book pays tribute to the brilliant detective novels of the early twentieth century but with a modern twist that will keep readers on the edge of their seats.

A group of friends, each with their quirks and secrets, gathers at an Airbnb to celebrate New Year’s Eve. It’s Benjamin’s birthday, and his sister, Abigail, is hosting a Jazz Age Murder Mystery-themed party. As the night unfolds, they enjoy champagne, devour hors d’oeuvres, and form or strain relationships. Someone kisses the wrong person, and someone else’s heart breaks. The setting, a grand mansion with its mysteries, adds an extra layer of intrigue to the story.

By morning, everyone wakes up—except for Benjamin.

As Abigail struggles to come to terms with her brother’s death, an esteemed detective arrives, determined to find Benjamin’s killer. The mansion is now filled with a butler, gardener, and housekeeper, making everyone a suspect, and nothing is quite as it seems. The detective’s arrival not only adds a layer of suspense but also brings a sense of hope as the characters cling to the possibility of justice and closure.

Will the culprit be revealed? And how can Abigail, feeling lost and alone, begin to piece her life back together in the wake of this tragedy?

Gripping yet playful, sharp yet profoundly moving, *Fair Play* explores the depths of the human heart while subverting one of our most beloved genres. It’s a twisty murder mystery that’s both classic and contemporary, along with a poignant exploration of grief and loss.

Louise Hegarty‘s work has appeared in Banshee, The Tangerine, The Stinging Fly, and The Dublin Review. It has also been featured on BBC Radio 4’s Short Works. She was the inaugural winner of the Sunday Business Post/Penguin Ireland Short Story Prize. Her short story “Getting the Electric” has been optioned by Fíbín Media. Louise resides in Cork, Ireland.

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“Bug Hollow” by Michelle Huneven is a decades-spanning family saga that follows the messy yet loving Samuelson clan as they navigate life after the loss of their son, Ellis. When Sally Samuelson was eight years old, her golden boy brother, Ellis, went missing the summer after he graduated from high school. He eventually reappeared at the picturesque Bug Hollow, a final remnant of the beautiful Northern California counterculture of the seventies.

Although he found joy in communal life, his life was tragically cut short in a freak accident just weeks later, leaving the Samuelson family to grapple with their grief. From that point on, the world of the Samuelsons never spun on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, showed up pregnant on their doorstep.

Each member of the Samuelson family has sought their form of solace: Sybil Samuelson pours herself into teaching to numb her pain after losing her beloved son; her husband, Phil, found comfort in a new love that developed while he was working as an engineer in Saudi Arabia; Katie, the high-achieving middle child, comes home to try to make peace with her mother following a cancer diagnosis. Meanwhile, Sally has become the de facto caretaker of Eva, the child Ellis never had the chance to know.

Michelle Huneven is known for her five enthralling novels, which chronicle the lives of middle-class Americans in her vividly portrayed native California. Her characters struggle with addiction, painful romances, and profound losses as they continue to seek meaning and strive to be good. She captures the Samuelson family with remarkable precision and deep empathy as they fracture and rebuild time and again.

Michelle Huneven is the author of Round Rock, Jamesland, Blame, Off Course, and Search. Her books have been New York Times Notable Books and finalists for the Los Angeles Times Book Prize and the National Book Critics Circle Award. She is the recipient of a Whiting Award for Fiction, a Guggenheim Fellowship, a James Beard Award, and a Literature Award from the American Academy of Arts and Letters. She received her Master of Fine Arts degree from the Iowa Writers’ Workshop and teaches creative writing at the University of California, Los Angeles.

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The Poppy Fields by Nikki Erlick is a unique and thought-provoking speculative novel that delves into themes of heartache, hope, and resilience. It explores the complexities of grief and healing, raising essential questions about recovery after loss and the lengths we go to in search of healing. This powerful exploration resonated with me and provided ample food for thought. I’d love to hear your thoughts on it!

The Poppy Fields is a captivating speculative story that explores themes of healing, self-discovery, forgiveness, and the power of newfound friendship. Located in a remote stretch of the California desert, the Poppy Fields offers hope for even the most battered hearts seeking to heal. Nikki Erlick‘s unique narrative technique adds an extra layer of intrigue to the story.

This area is home to an experimental and controversial treatment center designed for those grappling with the heartache of loss. It offers a unique solution, allowing patients to sleep through their pain and continue sleeping. However, when they eventually awaken from this prolonged state of slumber, they will be healed, provided they are willing to accept the possible shadowy side effects, raising concerns about the actual cost of healing.

Embarking on a journey to this mystical destination are four very different strangers and one little dog: Ava, a book illustrator; Ray, a fireman; Sasha, an occupational therapist; and Sky, a free spirit, accompanied by a friendly pup named PJ. Their diverse backgrounds and mysterious motivations add an intriguing layer to their quest to find Ellis, the brilliant and enigmatic founder of The Poppy Fields.

Nikki Erlick is the author of the instant New York Times bestseller, The Measure, which was selected as a Read with Jenna/Today Show book club pick. The Measure has been translated into twenty-four languages worldwide. She holds a bachelor’s degree from Harvard University and a master’s degree from Columbia University. Currently, she resides in Los Angeles.

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Yiyun Li, grappling with life’s deepest sorrows, invites readers into a poignant conversation between a mother and child in a timeless world.  Where Reasons End, composed in the aftermath of the loss of her son, ventures into the liminal space between life and death. Here, mother and child engage in conversations untethered from past images and narratives, a profoundly moving portrayal of the love and complexity of their relationship.

The narrator of Where Reasons End shares a profound insight, saying, “I clung to one delusion with all my might: We once gave Nikolai a life of flesh and blood; and I’m recreating it, this time through words.” This emotional journey of recreating a life through words is a central theme that resonates throughout the novel.

With a unique blend of originality, precision, and poise, Where Reasons End immerses readers in a world of intimacy, inescapable pain, and fierce love. The novel’s emotional impact is profound, leaving a lasting impression on those who delve into its pages.

Yiyun Li, a prolific author, has penned six works of fiction—Must I Go, Where Reasons End, Kinder Than Solitude, A Thousand Years of Good Prayers, The Vagrants, and Gold Boy, Emerald Girl—and the memoir Dear Friend, from My Life I Write to You in Your Life.

Her literary prowess has been recognized with numerous awards, including a PEN/Hemingway Award, a PEN/Jean Stein Book Award, a MacArthur Foundation fellowship, and a Windham-Campbell Prize.

She was also featured in The New Yorker’s 20 Under 40 fiction issue. Her work, which has been published in The New Yorker, A Public Space, The Best American Short Stories, and The O. Henry Prize Stories, among other publications, is a testament to her literary excellence.

Currently, she imparts her knowledge at Princeton University and resides in Princeton, New Jersey.

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In “The Catch,” her captivating debut novel, Yrsa Daley-Ward creates a vibrant multiverse that delves into the complexities of daughterhood and mother-want. She explores the sacrifices women often make in their pursuit of self-actualization. The result is a remarkable novel that boldly poses the question: “How can it ever be a crime to choose yourself?”

Twin sisters Clara and Dempsey have always struggled to connect, their familial bond severed after their mother vanished into the Thames. As infants, they were adopted by different families: Clara went to live with a successful, upper-class couple, while a distant and unaffectionate city councilor took in Dempsey. As adults, the sisters have settled into a comfortable estrangement until Clara spots a woman on the streets of London who looks exactly like their mother. The twist? This version of Serene appears ageless and has lived a childless life — the very life she might have had if the girls had never been born.

As with most things, Clara and Dempsey cannot agree on the strange appearance of this woman. Clara, a celebrity author with a penchant for excessive drinking and one-night stands, is eager to welcome the confident and temperamental Serene into her home. In contrast, reclusive Dempsey, who makes a modest living doing menial data entry work from her apartment, is suspicious of the entire situation, believing it to be a cunning scheme by a con woman.

As the sisters clash over this stranger who increasingly intrudes into their lives, they hurtle toward a confrontation that threatens their very existence, ultimately forcing them to face their shared past together.

Yrsa Daley-Ward is a poet, writer, and actress. She is the author of The How, bone, and The Terrible, for which she won the PEN Ackerley Prize. She lives in Los Angeles.

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Having surpassed my Goodreads 2022 reading goal, I wanted a lite, historical fiction book and found this one in the e-library. Lucky Us by Amy Bloom is a book that hooked me on the opening line – “My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.” I enjoyed reading it and highly recommend it.

The first section in Hollywood was the one I found less appealing. Partly that is because I identified with Eva, and she does not fulfill her leading role until the last two sections. Its depiction of how people survived the way years by sometimes is a reminder of our inner resilience.

Goodreads provides the following summary.

So begins this remarkable novel by Amy Bloom, whose critically acclaimed Away was called “a literary triumph” (The New York Times). Lucky Us is a brilliantly written, deeply moving, fantastically funny novel of love, heartbreak, and luck.

Disappointed by their families, Iris, the hopeful star and Eva the sidekick, journey through 1940s America in search of fame and fortune. Iris’s ambitions take the pair across the America of Reinvention in a stolen station wagon, from small-town Ohio to an unexpected and sensuous Hollywood, and to the jazz clubs and golden mansions of Long Island.

With their friends in high and low places, Iris and Eva stumble and shine through a landscape of big dreams, scandals, betrayals, and war. Filled with gorgeous writing, memorable characters, and surprising events, Lucky Us is a thrilling and resonant novel about success and failure, good luck and bad, the creation of a family, and the pleasures and inevitable perils of family life, conventional and otherwise. From Brooklyn’s beauty parlors to London’s West End, a group of unforgettable people love, lie, cheat, and survive in this story of our fragile, absurd, heroic species.

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Today, I delved into Elena Ferrante‘s captivating novel My Brilliant Friend. This acclaimed book hailed as the #1 Book of the 21st Century by the New York Times, weaves a timeless tale of the enduring bond between two women from Naples. With its rich character development and evocative historical setting, it stands alongside other character-driven works of literary fiction.

Beginning in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples, Elena Ferrante’s four-volume story spans almost sixty years. The main characters, the fiery and unforgettable Lila and the bookish narrator, Elena, are bound by an enduring friendship that withstands the test of time and life’s challenges. This first novel in the series follows Lila and Elena from their fateful meeting as ten-year-olds through their school years and adolescence, evoking a sense of enduring connection and emotional resonance.

Through the lives of these two women, Ferrante weaves a compelling narrative of a neighborhood, a city, and a country undergoing profound transformation. These societal changes, in turn, also reshape the relationship between the two women, adding a rich layer of historical and cultural context to the story. This context will enrich your reading experience and provide a deeper understanding of the characters and their journey.

One of the most important and blazingly original writers of his generation, George Saunders, is an undisputed master of the short story. The Tenth of December is his most honest, accessible, and moving collection yet. It is one of the New York Times’ 100 Best Books of the Century. The book is structured as a collection of short stories, each offering a unique and compelling narrative.

In the taut opener, “Victory Lap,” a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees or override years of smothering advice from his parents and act?

In “Home,” a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left behind with the one he has returned to.

In the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, throughout a fateful morning, gives the dying man a final chance to recall who he is.

An unfortunate, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders’s signature blend of exuberant prose, deep humanity, and stylistic innovation.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our morality, delving into what makes us suitable and what makes us human. They are not just stories but profound explorations that will stimulate your intellect and make you ponder.

Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight but also fulfill Chekhov’s dictum that art should “prepare us for tenderness.” The humor in these stories will keep you entertained and laughing, even as they delve into profound themes.

George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize, and five collections of stories, including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama as one of his ten favorite books of 2022).

Three of Saunders’s books—Pastoralia, Tenth of December, and Lincoln in the Bardo—were chosen for The New York Times’s list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book, A Swim in a Pond in the Rain. In 2013, he was named one of Time’s 100 Most Influential People. He teaches in the creative writing program at Syracuse University.

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Today, I commended reading Normal Rules Don’t Apply: Stories by Kate Atkinson, is a dazzling collection of eleven interconnected stories from the bestselling, award-winning author of Shrines of Gaiety and Life After Life, with everything that readers love about her novels—the inventiveness, the verbal felicity, the sharp observations on human nature, and the deeply satisfying emotional wallop.

Nothing is quite as it seems in this collection of eleven dazzling stories. We meet a queen who makes a bargain she cannot keep, a secretary who watches over the life she has just left, and a man who bets on a horse that may—or may not—have spoken to him. Everything that readers love about the novels of Kate Atkinson is here—the inventiveness, the verbal felicity, the sharp observations on human nature, and the deeply satisfying emotional wallop.

A startling and funny feast for the imagination, these stories conjure a multiverse of subtly connected worlds while illuminating the webs of chance and connection among us all.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I embarked on a literary journey into the distinct world of Long Island, a novel by the acclaimed author Colm Toibin. This captivating narrative continues the life of Eilis Lacey, a beloved character from Toibin’s celebrated work Brooklyn, but two decades have passed. Eilis, now in her forties, is married to Tony Fiorello, an Italian-American plumber, and they are raising two teenagers.

The novel offers a fresh perspective on Eilis’s life, struggles, and journey of self-discovery. She lives with Tony’s large and loving extended family on a cul-de-sac in Lindenhurst, Long Island, which plays a significant role in the story. Though Eilis feels connected to her Irish roots, she has yet to return to Ireland in many years.

One fateful day, a visitor arrives unannounced at Eilis’s doorstep, bringing with him a life-altering revelation. He reveals that his wife is carrying Tony’s child and plans to leave the baby with Eilis once it’s born. This unexpected twist throws Eilis into a maelstrom of emotions and a labyrinthine decision-making process. As the emotional core of Toibin’s narrative, this journey of self-discovery and emotional upheaval is sure to hold readers spellbound.

‘Long Island‘ is a poignant exploration of unfulfilled desires and the enigmatic secrets that shape our lives. Eilis’s reticence speaks volumes, and Toibin masterfully gives voice to her concealed yearnings and profound connections. For instance, Eilis often finds herself lost in memories of her life in Ireland, particularly her relationship with her mother. Though unspoken, these recollections lay bare her profound yearning for her homeland and family. This evocative tale of love, longing, and the quest for self-discovery is bound to enthrall readers.

NPR’s Mary Louise Kelly speaks with author Colm Toibin about his new novel Long Island.

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Today, I dove into “Godwin” by Joseph O’Neill, the brilliant mind behind “Netherland,” which snagged the title of Best Book of the Year from the New York Times Book Review. This captivating tale follows the adventure of two brothers embarking on a globe-trotting quest to find an extraordinary African soccer prodigy—someone who might transform their lives forever. The thrill of their journey and the promise of discovery have me hooked!

Mark Wolfe, a brilliant self-thwarting technical writer, lives in Pittsburgh with his wife, Sushila, and their toddler daughter. Born and raised in the United Kingdom, his half-brother Geoff is a desperate young soccer agent. He pulls Mark across the ocean into a scheme to track down an elusive prospect known as “Godwin“—an African teenager Geoff believes could be the next Lionel Messi.

Narrated in turn by Mark and his work colleague Lakesha Williams, Godwin is a tale of family and migration as well as an international adventure story that implicates the brothers in the beauty and ugliness of soccer, the perils and promises of global business, and the dark history of transatlantic money-making.

As only he can do, Joseph O’Neill investigates the legacy of colonialism in the context of family love, global capitalism, and the dreaming individual.

Mr. O’Neill was born in Ireland and grew up in Mozambique, Iran, Turkey, and Holland. His previous novels include the PEN/Faulkner Award-winning Netherland and the Booker Prize long-listed The Dog. O’Neill’s short fiction appears regularly in The New Yorker and his political essays in The New York Review of Books. He lives in New York City.

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