The Shadow King: A Novel by Maaza Mengiste is a book happened to offer two often overlooked threads of history. The first is Mussolini’s 1935 invasion of Ethiopia. The second one I am most interested in is the women soldiers who were left out of the historical record. I highly recommend The Shadow King. It is a gorgeously crafted and unputdownable exploration of female power and what it means to be a woman at war.

Hirut and Aster come alive in Maaza Mengiste talented writing. Their struggles to be seen as equal in a society at war is engaging. Hirut’s plan to create a shadow kingpin the absence of Emperor Haile Selassie is one that turns defeat into victory.

Goodreads provides a good overview of the book.

With the threat of Mussolini’s army looming, recently orphaned Hirut struggles to adapt to her new life as a maid in Kidane and his wife Aster’s household. Kidane, an officer in Emperor Haile Selassie’s army, rushes to mobilize his most muscular men before the Italians invaded. His initial kindness to Hirut shifts into flinty cruelty when she resists his advances. Hirut finds herself tumbling into a new world of thefts and violations, betrayals, and overwhelming rage. Meanwhile, Mussolini’s technologically advanced army prepared for an easy victory. Hundreds of thousands of Italians―Jewish photographer Ettore among them―march on Ethiopia seeking adventure.

As the war begins in earnest, Hirut, Aster, and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, Hirut offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take arms against the Italians. But how could she have predicted her war as a prisoner of one of Italy’s most vicious officers, who would force her to pose before Ettore’s camera?

What follows is a gorgeously crafted and unputdownable exploration of female power, with Hirut as the fierce, original, and brilliant voice at its heart. In incandescent, lyrical prose, Maaza Mengiste breathes life into complicated characters on both sides of the battle line, shaping a heartrending, unforgettable exploration of what it means to be a woman at war.

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Today I started reading A Line in the Sand: A Novel by Kevin Powers. Listed as one of the books to read this week by The New York Times, which described it as “a stunning novel. Kevin Powers provides what any discerning reader desires the most — complex and flawed characters, precise use of language, succinct description, and believable dialogue.”

One early morning on a Norfolk beach in Virginia, a dead body is discovered by a man taking his daily swim—Arman Bajalan, formerly an interpreter in Iraq. After narrowly surviving an assassination attempt that killed his wife and child, Arman has been given lonely sanctuary in the US as a maintenance worker at the Sea Breeze Motel. Now, convinced that the body is connected to his past, he knows he is still unsafe.

Seasoned detective Catherine Wheel and her newly minted partner have little to go on beyond a bus ticket in the dead man’s pocket. It leads them to Sally Ewell, a local journalist as grief-stricken as Arman is by the Iraq War, investigating a corporation on the cusp of landing a multi-billion-dollar government defense contract.

As victims mount around Arman, taking the team down wrong turns and towards startling evidence, they find themselves in a race committed to unraveling the truth and keeping Arman alive—even if it costs them everything.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Vanishing Half by Brit Bennett was a true page-turner, and I did not want to stop reading it even when I got to the last page. I am not a fan of sequels, but if I was ever going to change my mind, this is the book I would want to read a sequel.

Ms. Bennett focuses on two twins who run away from home at age 16. They have grown up in Mallard, a fictional town in Louisiana. “In Mallard, nobody married dark,” Bennett writes starkly. Over time, its prejudices deepened as its population became lighter and lighter, “like a cup of coffee steadily diluted with cream.” The twins, with their “creamy skin, hazel eyes, wavy hair,” would have delighted the town’s founder. One of the women chooses to pass as white while the other does not.

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?

Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.

The question of why people choose to live differently than their origins is one that I often ponder. Growing up in a small town and living in a metropolis raises questions for me as to what my life is now and what was once.

I strongly recommend this book.

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Today, I started reading Dogs and Monsters: Stories by Mark Haddon. The collection features eight captivating and imaginative stories that blend Greek myths with contemporary dystopian narratives. The stories explore themes of mortality, moral choices, and various forms of love, including romantic, familial, and self-love. Haddon’s clear-eyed vision is infused with deep empathy.

In addition, Haddon’s fluid prose showcases his remarkable powers of observation, both of the physical world and the inner workings of the human psyche. Greek myths have fascinated people for millennia with their timeless appeal and enduring lessons about fate, hubris, and life’s uncertainties. In Dogs and Monsters: Stories, Mark Haddon delves into the heart of these ancient fables and presents them in a fresh light. For instance, in one story, the dawn goddess Eos requests that Zeus grant her lover Tithonus eternal life but forgets to ask for eternal youth. In “The Quiet Limit of the World,” Haddon imagines Tithonus’s life as he ages over thousands of years, transforming this cautionary tale about tempting the gods into a spellbinding meditation on observing death from the outside. This tale ultimately explores how carnal love evolves into something more profound and poignant over time.

In “The Mother‘s Story,” Haddon reinterprets the myth of the Minotaur, born of the monstrous lust of King Minos’s wife, Pasiphaë. He turns it into a heartbreaking parable of a mother’s love for a damaged child and the more tangible monstrosities of patriarchy. In “D.O.G.Z.,” the story of Actaeon, who was transformed into a stag after glimpsing the naked goddess Diana and was subsequently torn apart by his hunting dogs, becomes a visceral metaphor for the continuum of human and animal behavior.

Other stories in Dogs and Monsters: Stories play with contemporary mythic tropes—such as genetic engineering, attempts to escape the future, and the cruelty of adolescent ostracism. These stories showcase how modern humans are subject to the same capriciousness that concerned the Greeks but in a fresh and intriguing light. Haddon‘s tales cover a wide range of themes, from the mythic to the domestic, from ancient Greece to the present day, and explore love alongside stories of cruelty. They take readers from battlefields to bed and breakfasts and from dogs in space to doors between worlds, all bound together by profound sympathy and an insight into how human beings think, feel, and act when pushed to their limits.

Tash Aw‘s novel, The South, longlisted for the 2025 Booker Prize, is both expansive and concise, capturing the dynamics of a family navigating change and desire. It explores the intersection of public and private lives with remarkable grace and beauty. This intimate and radiant story follows the deepening relationship between two boys throughout a summer, delving into themes of family, desire, and the legacies we inherit.

When his grandfather passes away, Jay travels south with his family to the property they have inherited—a once-thriving farm that has now fallen into disrepair. The trees are diseased, and the fields have been dry due to months of drought.

Jay’s father, Jack, sends him out to work the land, or what remains of it. During these hot, oppressive days, Jay finds himself increasingly drawn to Chuan, the son of the farm’s manager. The boys are different in almost every way, except for one crucial connection.

As they work in the fields and venture into town, the tension between the boys intensifies. Meanwhile, within the house, the other family members begin to confront their secrets and regrets. Jack, a professor at a struggling local college, reflects on his failures, many of which may have started when he married his student, Sui Ching. Sui Ching strives to keep the family together, though she, too, contemplates what her life could have been. Fong, the farm manager, chooses to ignore the reality of the situation—about Chuan, the deteriorating land, and the global forces that threaten to render their entire way of life obsolete.

Tash Aw is the author of four novels, including We, the Survivors, as well as a memoir about a Chinese-Malaysian family titled Strangers on a Pier. These remarkable works earned their place as finalists for the Los Angeles Times Book Prize, showcasing the incredible talent behind them!

The author has also been honored with several esteemed awards, including the Whitbread, Commonwealth, and O. Henry Awards. Plus, being longlisted for the MAN Booker Prize twice speaks volumes about his skill. It’s exciting to see his fiction translated into 23 languages, sharing his stories with the world!

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Today, I dove into “The Rest Is Memory: A Novel” by Lily Tuck, and it’s already leaving a powerful impression. This poignant tale follows a young Catholic girl’s harrowing journey to Auschwitz, woven in a captivating Rashomon-style narrative showcasing Tuck’s brilliance as a storyteller. Esquire has rightly placed it on their list of Best Books for Fall 2024, and I can see why.

In Tuck‘s skilled hands, “The Rest Is Memory” transforms into an unforgettable piece of historical reclamation, breathing life into an innocent soul who has long been remembered only through a haunting triptych of photographs. It’s a journey that promises to linger in my thoughts long after I’ve turned the last page.

In this mesmerizing novel by Lily Tuck, we first glimpse fourteen-year-old Czeslawa riding on the back of a boy’s motorcycle. Tuck imagines Czeslawa’s upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, she arrives at Auschwitz shorn and bearing the tattoo number 26947. Shortly after, she is photographed. Three months later, she is dead.

How did this happen to an ordinary Polish citizen? This is the question Tuck grapples with in this haunting narrative, which frames Czeslawa’s story within the tragic context of the six million Poles who perished during the German occupation. A decade before writing The Rest Is Memory“, Tuck read an obituary of the photographer Wilhelm Brasse, who took over 40,000 pictures of Auschwitz prisoners—including three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out these photos and kept them, determined to learn more about Czeslawa. However, she could only gather the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and neighbors, her tattoo number, and the date of her death. Tuck crafts a remarkable kaleidoscope of imagination from this scant evidence, something only our greatest novelists can achieve.

Susanna Moore described the novel as “Beautifully written, all the while instilling a sense of horror.” Tuck’s language swirls around the reader, yet no word is out of place. The subtly rotating images tumble forth, accelerating as we learn about Czeslawa’s tragic time in Auschwitz, as well as the lives of real individuals, including the brutal Commandant Rudolf Höss, his unconscionable wife Hedwig, psychiatrist and child rescuer Janusz Korczak, and the sharp Polish short story writer Tadeusz Borowski. Although we know Czeslawa’s fate, we must keep turning the pages, thoroughly captivated by Tuck’s nearly otherworldly prose.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

I began reading “Girlfriend on Mars: A Novel” by Deborah Willis today. It’s a humorous, touching, and captivating debut novel that satirizes the idea of space travel funded by billionaires and tells a love story that spans across planets. Alic Munro, one of my preferred authors, praised the book’s emotional depth and range, as well as the author’s exceptional clarity and skill in writing.

Amber Kivinen is vying for a chance to join MarsNow and be part of the first human-led mission to Mars. She is one of twenty-three reality TV contestants worldwide, including an attractive Israeli soldier named Adam, a charming Canadian named Pichu, and several science enthusiasts and aspiring influencers. Billionaire Geoff Task is sponsoring the mission; only two seats are available.

Meanwhile, Kevin, Amber’s boyfriend of fourteen years, is left behind as Amber pursues her dream. He spends his days caring for their hydroponic weed business in their expensive basement apartment in Vancouver while wondering why the woman he loves is so determined to leave the planet with someone else.

In a reality TV show similar to Survivor and Star Trek, Amber participates in challenges in various parts of the world. She seems to develop feelings for Adam, but it’s unclear whether it’s genuine or a strategy to avoid getting eliminated. Furthermore, given that the technology to return to Earth from Mars is not yet available, would Amber be willing to abandon everything to become a billionaire’s experimental subject on the red planet? Even though the rainforest is currently ablaze, Geoff Task has purchased New Zealand, and Kevin may be struggling with depression, is there any chance for a brighter future on Earth?

Girlfriend on Mars is an impressive first work from a brilliant and unique writer, as described by Molly Antopol. It presents a satirical critique of our societal desire for fame and fortune amid environmental turmoil. At the same time, it delves into humanity’s fundamental yearning and eternal cliché: love.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.