Today, I dove into “The Rest Is Memory: A Novel” by Lily Tuck, and it’s already leaving a powerful impression. This poignant tale follows a young Catholic girl’s harrowing journey to Auschwitz, woven in a captivating Rashomon-style narrative showcasing Tuck’s brilliance as a storyteller. Esquire has rightly placed it on their list of Best Books for Fall 2024, and I can see why.

In Tuck‘s skilled hands, “The Rest Is Memory” transforms into an unforgettable piece of historical reclamation, breathing life into an innocent soul who has long been remembered only through a haunting triptych of photographs. It’s a journey that promises to linger in my thoughts long after I’ve turned the last page.

In this mesmerizing novel by Lily Tuck, we first glimpse fourteen-year-old Czeslawa riding on the back of a boy’s motorcycle. Tuck imagines Czeslawa’s upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, she arrives at Auschwitz shorn and bearing the tattoo number 26947. Shortly after, she is photographed. Three months later, she is dead.

How did this happen to an ordinary Polish citizen? This is the question Tuck grapples with in this haunting narrative, which frames Czeslawa’s story within the tragic context of the six million Poles who perished during the German occupation. A decade before writing The Rest Is Memory“, Tuck read an obituary of the photographer Wilhelm Brasse, who took over 40,000 pictures of Auschwitz prisoners—including three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out these photos and kept them, determined to learn more about Czeslawa. However, she could only gather the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and neighbors, her tattoo number, and the date of her death. Tuck crafts a remarkable kaleidoscope of imagination from this scant evidence, something only our greatest novelists can achieve.

Susanna Moore described the novel as “Beautifully written, all the while instilling a sense of horror.” Tuck’s language swirls around the reader, yet no word is out of place. The subtly rotating images tumble forth, accelerating as we learn about Czeslawa’s tragic time in Auschwitz, as well as the lives of real individuals, including the brutal Commandant Rudolf Höss, his unconscionable wife Hedwig, psychiatrist and child rescuer Janusz Korczak, and the sharp Polish short story writer Tadeusz Borowski. Although we know Czeslawa’s fate, we must keep turning the pages, thoroughly captivated by Tuck’s nearly otherworldly prose.

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I began reading “Still Life,” a GMA Book Club pick by Sarah Winman. This captivating and bighearted novel weaves a rich tapestry of stories about people connected by love, war, art, flood, and the ghost of E.M. Forster. Kristen V. Brown, in The Atlantic Magazine’s Culture Survey, describes “Still Life” as the best novel she has recently read and considers it the best nonfiction work.

In Tuscany in 1944, as Allied troops advance and bombs fall around deserted villages, a young English soldier, Ulysses Temper, finds himself in the wine cellar of an abandoned villa. There, he encounters Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her youth. In each other, Ulysses and Evelyn find a kindred spirit amidst the rubble of war-torn Italy and set off on a course of events that will shape Ulysses’s life for the next four decades.

As Ulysses returns home to London, reimmersing himself in his crew at The Stoat and Parot—a motley mix of pub crawlers and eccentrics—he carries his time in Italy. And when an unexpected inheritance brings him back to where it all began, Ulysses knows better than to tempt fate and returns to the Tuscan hills.

With beautiful prose, extraordinary tenderness, and bursts of humor and light, Still Life is a sweeping portrait of unforgettable individuals who come together to make a family and a deeply drawn celebration of beauty and love in all its forms.

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Today, I dove into Betsy Lerner‘s debut novel, “Shred Sisters.” Lerner is also known for her acclaimed work, “The Bridge Ladies.” This gripping story beautifully unravels the intricate tapestry of family bonds, mental illness, and the tumultuous relationship between two sisters. It’s compelling enough to have earned a spot on the longlist for the Center for Fiction First Novel Prize.

The tagline resonates deeply: “No one will love or hurt you more than a sister.” When one family member is unstable, the entire family feels the impact. Enter the Shreds. Olivia, the sister in the spotlight, finds her once-stunning confidence becoming erratic and unpredictable, causing chaos in her wake. Her younger sister, Amy, is cautious and studious, believing in facts, proof, and empirical evidence. Yet none of that can explain what’s happening to Ollie, whose physical beauty and charisma hide the mental illness that will ultimately disrupt Amy’s carefully constructed life.

As Amy ages, she strives to find her place—first in academics, then in New York publishing, and through a series of troubled relationships. With every step she takes, she encounters Ollie, who unpredictably slips in and out of the Shred family’s life. Despite the challenges threatening their sibling bond, Amy and Ollie cannot escape or deny the unbreakable sisterly connection that ties them together.

“Shred Sisters” is an intimate and bittersweet story that explores the complexities of sisterhood, mental health, loss, and love over two decades. In the end, Amy learns a valuable lesson on her journey to self-acceptance: no one will love or hurt you more than a sister. I can’t wait to see where this emotional journey takes me!

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The Furrows: A Novel by Namwali Serpell is a bold exploration of memory and mourning that twists unexpectedly into a story of mistaken identity, double consciousness, and the wishful—and sometimes willful—longing for reunion with those we’ve lost. Namwali Serpell’s remarkable new novel captures the uncanny experience of grief, the way the past breaks over the present like waves in the sea. I highly recommend this book.

The Furrows: A Novel reminded me of my longing to be reunited with Jan. I know it is impossible, but that does not keep me from desiring the unattainable. Reading this novel helped me remind me that Jan is still with me in spirit and that is far better than reuniting with her.

The Goodreads summary provides an overview,

Cassandra Williams is twelve, and her little brother Wayne is seven. One day, an accident happens when they’re alone together, and Wayne is lost forever. Or so it seems. Though his body is never recovered, their mother, unable to give up hope, launches an organization dedicated to missing children. Their father leaves and starts another family somewhere else.

As C grows older, she sees her brother everywhere: in coffee shops, airplane aisles, subway cars, and cities on either coast. Here is her brother’s more aging face, the light in his eyes, his lanky limbs, the way he seems to recognize her too. But it can’t be, of course. Or can it? Disaster strikes again, and C meets a man, both mysterious and strangely familiar, who is also searching for someone and his place in the world. His name is Wayne.

Namwali Serpell’s remarkable novel captures the ongoing and uncanny experience of grief–the past breaking over the present like waves in the sea. The Furrows is a bold and beautiful exploration of memory and mourning that twists unexpectedly into a masterful story of black identity, double consciousness, and the wishful and sometimes willful longing for reunion with those we’ve lost.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I dove into the captivating pages of “Black River” by Nilanjana S. Roy, a standout selection from The New York Times’ 100 Notable Books of 2024. This compelling debut novel unfolds against contemporary India, a country grappling with rising religious intolerance. Roy’s storytelling is nothing short of mesmerizing, intricately weaving a narrative that vividly reflects the nation’s complexities and contradictions.

Teetapur, an unassuming village just a few hours outside bustling Delhi, is known for nothing—until the discovery of an 8-year-old girl named Munia, found dead and hanging from the branch of a Jamun tree. In this predominantly Hindu village, suspicion quickly falls on Mansoor, an itinerant Muslim man. The tension ignites like wildfire, intensified by the underlying religious discord.

The responsibility for uncovering the elusive truth—and preventing the lynching of the prime suspect—falls on the weary shoulders of Sub-Inspector Ombir Singh. With only one other officer under his command and a single working revolver between them, can he bring justice to a grieving father and an angry village? Or will Teetapur demand vengeance instead?

“Black River” offers readers a gripping mystery and a sweeping analysis of the nation’s state, serving as a searing critique of modern India.

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Ann Packer makes a triumphant return with a powerful novel, which is both tender and raw, visceral and unexpected. Emotionally vibrant and complex, Some Bright Nowhere explores the profound gifts and unforeseen costs of truly loving someone, as well as the fears and desires we experience as the end of life approaches. What if your partner’s dying wish broke your heart? How well do we know the deepest desires of those we love dearly?

The beloved bestselling author returns with her first novel in over a decade, offering an intimate and profoundly moving examination of a long marriage and how a startling request can change a couple’s understanding of themselves, both together and apart.

Eliot and his wife, Claire, have been happily married for nearly four decades. They raised two children in their quiet Connecticut town and have weathered the inevitable ups and downs of a long life together. However, eight years after Claire was diagnosed with cancer, the end is near, and it is time to gather loved ones and prepare for the inevitable.

Throughout Claire’s illness, Eliot has willingly—lovingly—taken on the role of caregiver, appreciating the intimacy and tenderness that come with this role, which is even more layered and complex than that of a devoted husband. But as he settles into what will be their last days and weeks together, Claire makes an unexpected request that leaves him reeling. In an instant, his carefully constructed world shatters.

As Eliot confronts this profound turning point in his marriage and his life, he grapples with the man and husband he has been, as well as the uncertainties of Claire’s final days.

Ann Packer is the author of five previous works of fiction, including the bestselling novels The Children’s Crusade and The Dive from Clausen’s Pier, which received the Kate Chopin Literary Award along with numerous other prizes and honors.

Her short stories have appeared in The New Yorker and the O. Henry Prize Stories anthologies, and her novels have been translated and published internationally. Packer divides her time between New York, the Bay Area, and Maine.

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“The Loneliness of Sonia and Sunny” by Kiran Desai is a remarkable and accomplished novel that showcases the talent of one of our greatest contemporary writers. It was shortlisted for the Booker Prize and is a finalist for the Kirkus Prize. The story follows two young individuals as they navigate the various influences that shape their lives, including their country, class, race, history, and the complex relationships that connect different generations.

This novel combines a love story, a family saga, and an exploration of profound themes. When Sonia and Sunny first catch sight of each other on an overnight train, they find themselves captivated yet embarrassed; their grandparents once tried to matchmake them, a well-meaning effort that only drove them apart.

Sonia is an aspiring novelist who has recently completed her studies in the snowy mountains of Vermont and has returned to her family in India. Sonia fears she is cursed by a dark spell cast by an artist who sought intimacy and inspiration from her. Meanwhile, Sunny, a struggling journalist who has relocated to New York City, is trying to escape his domineering mother and the violence of his feuding family.

Uncertain about their futures, Sonia and Sunny embark on a journey to find happiness together as they confront the various forms of alienation present in our modern world.

Kiran Desai is renowned for her novels, “Hullabaloo in the Guava Orchard” and “The Inheritance of Loss,” the latter of which won both the Booker Prize and the National Book Critics Circle Award. Born in India, she moved to the United States at the age of sixteen and currently resides in New York City.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Self-Portrait with Ghost: Short Stories by Meng Jin was written during the turbulent years of the Trump administration and the first year of the pandemic, these stories explore intimacy and isolation, coming of age, and coming to terms with the repercussions of past mistakes, fraying relationships, and surprising moments of connection. I highly recommend Self-Portrait with Ghost: Short Stories!

Each story speaks so clearly to the loneliness epidemic that confronts our world. I would read one short story and promise to stop and wait until another day to read the next one. Instead

One phrase that will always remain with me is: “The hallucinatory quality of grief.” As a widow, the phrase struck a chord that will forever resonate in my soul.

This is the seventy-third book I have read this year.

The Goodreads summary provides an overview,

Meng Jin’s critically acclaimed debut novel, Little Gods, was praised as “spectacular and emotionally polyphonic (Omar El-Akkad, BookPage), “powerful” (Washington Post), and “meticulously observed, daringly imagined” (Claire Messud). Jin turns her considerable talents into short fiction in ten thematically linked stories.

Moving between San Francisco and China, and from unsparing realism to genre-bending delight, Self-Portrait with Ghost considers what it means to live in an age of heightened self-consciousness, seemingly unlimited access to knowledge, and little actual power.

Page-turning, thought-provoking, and wholly unique, Self-Portrait with Ghost further establishes Meng Jin as a writer who “reminds us that possible explanations in our universe are as varied as the beings who populate it” (Paris Review).

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.

I recall reading portions of Man’s Search for Meaning by Viktor E. Frankl at various times, but I never completed the book. However, recently, eight and a half months after Jan’s passing, my wife and I were discussing in one of my groups. Frankl’s theory of logotherapy, which derives from the Greek word for “meaning,” centers around the idea that the primary human drive is not pleasure, as Freud believed, but rather the search for what gives life meaning. I now have a framework for my life without Jan.

For those like me who are widows, Frankl understands suffering,

In some ways, suffering ceases to be suffering at the moment it finds a meaning, such as the meaning of a sacrifice.

Jan and I lived meaningful lives. My challenge now is to continue to find meaning in my life without Jan.

As Frankl writes,

Those who have a ‘why’ to live can bear with almost any ‘how.

The love Jan and I shared was one of my primary sources of meaning. In addition, I stopped working full-time at the end of 2018 and struggled to replace the purpose I had gained from repairing the world. After Jan died, I suffered the “provisional existence of an unknown limit, ” which Frankl experienced when he was in the concentration camps.

I have replaced the loss of meaning and purpose with a series of activities:

1. Planning to celebrate Jan Day on her birthday this year.
2. Writing my random thoughts on Jan, love, grief, life, and all things considered;
3. Reading more than ever, including my Goodreads 2022 Reading Challenge; and
4. Walking more than I probably should.

I am also beginning to serve on the board of a few non-profits. It is time to transition from hands-on work to providing leadership in a different way.

Will this be enough to give my life meaning?

Ultimately, man should not ask what the meaning of his life is, but rather must recognize that it is he who is asked. In a word, each man is questioned by life, and he can only answer to life by answering for his own life; to life, he can only respond by being responsible.

I must continue to focus on my search for meaning, as life will inevitably change over time.

My grief journey has taught me that love never dies,

For the first time in my life, I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth – that Love is the ultimate and highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry, thought, and belief have to impart: The salvation of man is through love and in love.

My path forward is to keep Jan’s love alive and continue to share it with others.

I recommend this book without reservation.

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