Today, I dove into “Time of the Child” by Niall Williams, and I can already tell it will be a journey worth taking. This beautifully crafted novel, penned by the same author who brought us “This Is Happiness,” unfolds during a magical Christmas in the quaint Irish town of Faha. At its heart is a touching story about a father and daughter that beautifully explores the idea that miracles can touch our lives, no matter our beliefs.

As I turned the pages, I thought about how this enchanting tale would evoke love’s profound and transformative power when I light my Hanukkah candles. It promises to be a genuinely uplifting read!

Doctor Jack Troy was born and raised in Faha, but his responsibilities toward the sick and his care for the dying have always set him apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow and remains there, having missed one chance at love and declined another marriage proposal from an unsuitable man.

During the Advent season of 1962, as the town prepared for Christmas, Ronnie and Doctor Troy’s lives were turned upside down when a baby arrived on their doorstep. As winter passes, the lives of the father and daughter, their understanding of family, and their roles in the community are changed forever.

Set throughout one December in the same village as Williams’ beloved “This Is Happiness,” “Time of the Child” offers a tender return to Faha for readers familiar with its charms and serves as a heartwarming welcome for new readers exploring it for the first time.

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Today, I started reading “Nothing But the Truth,” the fourth book in Robyn Gigl‘s Erin McCabe Legal Thriller series. The New York Times has selected it as one of the Best Crime Novels 2024. I have also read “The Hunter” and “Gods of Wood,” which are on the same list. Nothing but the Truth is a gripping and timely thriller exploring murder, prejudice, and police corruption.

One of the reasons I decided to read this novel is that it—and the entire series—takes place mainly in Union County, particularly in Cranford, my hometown! Erin McCabe and her law partner get salads from the Gourmet Deli, and she dines with her husband at the Cranford Hotel. In this installment, Erin McCabe, a transgender attorney from the Garden State, discovers that uncovering the Truth can be deadly.

New Jersey State Trooper Jon Mazer has been charged with killing Black investigative reporter Russell Marshall in a racially charged, headline-making murder. The evidence against criminal defense attorney Erin McCabe’s new client is overwhelming. The gun used is Mazer’s off-duty weapon. Fingerprints and carpet fibers link Mazer to the crime. And Mazer was patrolling Marshall’s neighborhood shortly before the victim took three bullets to the chest. Mazer’s argument? He’s a gay officer being set up to take the fall in an even bigger story.

Mazer swears he was a secret source for Marshall’s exposé about the Lords of Discipline. The covert gang operating within the New Jersey State Police is notorious for enforcing its code of harassing women, framing minorities, and out-powering any troopers who don’t play their rogue and racist games. With everyone from the governor to the county prosecutor on the wrong side of justice, Erin and her partner, Duane Swisher, are prepared to do anything to ensure Mazer doesn’t become another victim.

As Erin deals with an intensely personal issue at home and faces an uphill battle to prove her client’s innocence, she and Duane find themselves mired in a conspiracy of corruption more profound than they imagined—and far more dangerous than they feared.

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Today, I began reading “You Dreamed of Empires: A Novel” by Álvaro Enrigue, translated by Natasha Wimmer. This book is from the visionary author of “Sudden Death,” a hallucinatory and revelatory tale of colonial revenge. It has been recognized as one of The New York Times’ 100 Notable Books of 2024 and included in the list of 10 Best Books of 2024. So far, I have read four of the top five fiction books of 2024: “All Fours,” “James,” “Martyr!,” and “Good Material.”

One morning in 1519, conquistador Hernán Cortés entered the city of Tenochtitlan, today’s Mexico City. Later that day, he will meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, and two possible futures.

Cortés is accompanied by his captains, troops, prized horses, and two translators: Friar Aguilar, a taciturn friar, and Malinalli, an enslaved, strategic Nahua princess. After nearly bungling their entrance to the city, the Spaniards are greeted at a ceremonial welcome meal by the steely Aztec princess Atotoxtli, sister and wife of Moctezuma. As they await their meeting with the emperor – who is at a political and spiritual crossroads and relies on hallucinogens to get by – Cortés and his entourage are ensconced in the labyrinthine palace. Soon, one of Cortés’s captains, Jazmín Caldera, overwhelmed by the place’s grandeur, began questioning the ease with which they were welcomed into the city and wondered at the chances of getting out alive, much less conquering the empire. And what if… they don’t?

You Dreamed of Empires brings Tenochtitlan to life at its height and reimagines its destiny. The incomparably original Álvaro Enrigue sets afire the moment of conquest and turns it into a revolution, a restitutive, fantastical counterattack, in a novel so electric and unique that it feels like a dream.

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Today, I started reading “Good Material: A Novel” by Dolly Alderton, the bestselling author of “Ghosts” and “Everything I Know About Love.” This book has been listed as one of The New York Times 100 Notable Books of 2024 and is among their 10 Best Books of 2024. So far, I have read three of the top five fiction books of 2024: “All Fours,” “James,” and “Martyr!.” I plan to read the fifth book, “You Dreamed of Empires,” next.

“Good Material” has received widespread acclaim for exploring heartbreak, friendship, and the various ways to cope with these experiences.

Andy loves Jen. Jen loved Andy. And he can’t work out why she stopped.

Now he is. . .

Without a home

Waiting for his stand-up career to take off

Wondering why everyone else around him seemed to have grown up while he wasn’t looking

Set adrift in the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer, Jen may find her way back to him. But Andy still has much to learn, not least his ex-girlfriend’s side of the story…

In this sharply funny and exquisitely relatable story of romantic disaster and friendship, Dolly Alderton offers up a love story with two endings, demonstrating again why she is one of the most exciting writers today and the authentic voice of a generation. Her writing feels like a conversation with a close friend, making you feel understood and seen.

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Today, I began reading Bluff: Poems by Danez Smith, which was selected as one of The New York Times 100 Notable Books of 2024. This collection emerged after two years of artistic silence, during which the world slowed due to the COVID-19 pandemic, and Minneapolis became the epicenter of protests following the murder of George Floyd. In Bluff, Danez Smith powerfully reflects on their role and responsibilities as a poet and their connection to their hometown of the Twin Cities.

This book addresses the awakening from violence, guilt, shame, and critical pessimism to a sense of wonder, envisioning how we might strive for a new existence in a world that seems to be descending into desolate futures.

Smith infuses these poems with a startling urgency; their questions demand a new language, deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to “anti-poetica” and “ars America,” implicating poetry in collusion with unchecked capitalism. A photographic collage builds across a sequence, illustrating the consequences of America’s acceptance of mass shootings. Additionally, a brilliant long poem—part map, part annotation, part visual argument—offers the history of Saint Paul’s vibrant Rondo neighborhood before and after officials decided to route an interstate directly through it.

Bluff is a manifesto of artistic resilience, even when time feels fleeting and the places we hold dear—both given and created—are in turmoil. In this powerful collection, Smith turns to honesty, hope, rage, and imagination to envision possible futures.

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“What We Can Know” by Ian McEwan, the critically acclaimed author of nineteen novels and two short story collections, is a remarkable work of fiction and a love story that celebrates both individuals and the words they leave behind. This literary detective story reclaims the present from our sense of impending catastrophe and envisions a future world where not everything is lost.

In 2014, during a dinner for close friends and colleagues, renowned poet Francis Blundy honored his wife’s birthday by reading aloud a new poem dedicated to her, titled “A Corona for Vivien.” As the guests enjoy a delicious meal and drink plenty of wine, little do they know that people will speculate about the meaning of this poem for generations to come. A copy of the poem was never published, and it remains an enduring mystery.

Fast forward to 2119: over one hundred years in the future, rising seas following a catastrophic nuclear accident have submerged much of the Western world. The survivors tormented by the memory of the vibrant world research the world that once existed. In the waterlogged south of what was once England, Thomas Metcalfe, a lonely scholar and researcher, longs for the early twenty-first century as he searches for the elusive poem “A Corona for Vivien.”

Thomas reflects on how wild and full of risk their lives were, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles upon a clue that may lead to the poem’s discovery, he uncovers a story of entangled loves and a brutal crime that shatters his assumptions about people he thought he knew intimately.

Ian McEwan is a critically acclaimed author known for his nineteen novels and two short story collections. His first published work, a collection of short stories titled “First Love, Last Rites,” won the Somerset Maugham Award.

His notable novels include “The Child in Time,” which won the Whitbread Novel of the Year Award in 1987; “The Cement Garden“; “Enduring Love;” “Amsterdam;” which won the Booker Prize in 1998; “Atonement;” “Saturday;” “On Chesil Beach;” “Solar;” “Sweet Tooth;” “The Children Act;” “Nutshell;” and “Machines Like Me,” which became a number-one bestseller.

Several of his works, including “Atonement,” “Enduring Love,” “The Children Act;,” and “On Chesil Beach,” have been adapted into films.

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Today, I began reading “All the Water in the World” by Eiren Caffall. Like Station Eleven, this novel is a literary thriller set partly in New York’s American Museum of Natural History in a flooded future. In the spirit of “From the Mixed-Up Files of Mrs. Basil E. Frankweiler” and “Parable of the Sower,” this adventurous journey offers hope that the most important things—love, work, community, and knowledge—will endure.

“All the Water in the World” is narrated by a girl who profoundly appreciates water. In the years following the melting of the glaciers, Nonie, along with her older sister, parents, and their researcher friends, remains in a nearly deserted New York City. They have established a settlement on the roof of the American Museum of Natural History with a strict rule: they may only take from the exhibits in cases of dire need. They hunt and grow their food in Central Park while also working to preserve the collections of human history and science.

When a superstorm breaches the city’s flood walls, Nonie and her family must escape northward along the Hudson River. They carry a book containing records of the lost collections. As they race down the swollen river for safety, they encounter communities that have adapted in various, sometimes frightening, ways to the new reality. Despite the challenges, they are determined to create a new world that honors everything they have saved.

Inspired by the stories of curators in Iraq and Leningrad who worked to protect their collections during wartime, “All the Water in the World” mediates what we strive to preserve from collapse and an adventure filled with danger, storms, and a fight for survival.

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Today, as heavy thunderstorms rumbled outside and flash flood warnings loomed, I dove into “King of Ashes,” a gripping Southern crime saga that draws inspiration from “The Godfather.” Written by the acclaimed New York Times bestselling author S. A. Cosby, this novel was a long-awaited treat for me. I read “All the Sinners Bleed” nearly two years ago and have been itching for Cosby’s next masterpiece ever since.

As I turned the pages, the opening paragraphs immediately pulled me in and confirmed that the wait was worthwhile. The summoning of eldest son Roman Carruthers’ home after his father’s car accident not only sets the stage for a gripping plot but also resonates with the universal theme of family. He finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident, and Dante’s recklessness has placed them all in real danger.

Roman, a financial whiz with a knack for numbers and a talent for making his clients wealthy, has some money to help his brother out of trouble. But in his work with wannabe tough guys, he’s forgotten that there are real gangsters out there. As his bargaining chips go up in smoke, Roman realizes that he has only one thing left to offer to save his brother: himself and his own particular set of financial skills.

Roman begins his work for the criminals while Neveah tries to uncover the long-ago mystery of what happened to their mother, who disappeared under mysterious or suspicious circumstances when they were teenagers. But Roman is far less of a pushover than the gangsters realize. He is willing to do anything to save his family. Anything.

Because everything burns.

S. A. Cosby is a New York Times bestselling writer from southeastern Virginia. He is the author of All the Sinners Bleed, which was on more than forty Best of the Year lists, including Barack Obama’s, as well as Edgar Award finalist Razorblade Tears and Los Angeles Times Book Prize winner Blacktop Wasteland. He has also won the Anthony Award, ITW Thriller Award, Barry Award, Macavity Award, BCALA Award, and Audie Award. He has been longlisted for the ALA Andrew Carnegie Medal for Excellence.

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Today, I dived into “Tell Me Everything: A Novel” by Elizabeth Strout, and I’m already captivated. This book made it onto NPR’s best books list for 2024 and caught the eye of Oprah’s Book Club—no small feat! Strout writes with such empathy and emotional depth that it reflects her incredible talent. Lucy beautifully captures this sentiment by stating, “Love comes in many different forms, but it is always love.”

With her profound understanding of the human condition and silences that convey deep emotions, Elizabeth Strout returns to the town of Crosby, Maine, reuniting with her beloved characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and others—as they confront a shocking crime, navigate love while choosing to remain apart, and ponder the question, as Lucy Barton puts it, “What does anyone’s life mean?”

It’s autumn in Maine, and the town lawyer, Bob Burgess, finds himself entangled in a murder investigation, defending a lonely, isolated man accused of killing his mother. He has also developed a deep and abiding friendship with the acclaimed writer Lucy Barton, who lives nearby in a house by the sea with her ex-husband, William.

Lucy and Bob take walks and discuss their lives, fears, regrets, and what could have been. Meanwhile, Lucy is finally introduced to the iconic Olive Kitteridge, who now resides in a retirement community on the outskirts of town. They spend afternoons in Olive’s apartment, sharing stories about people they have known—what Olive calls “unrecorded lives,” which reanimate their experiences and imbue their lives with meaning.

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Today, I dove into Tony Tulathimutte‘s “Rejection: Fiction,” and I’m already captivated! This book was longlisted for the 2024 National Book Award in Fiction and named a New York Times Best Book of the Year. Tulathimutte, known for his award-winning work “Private Citizens,” weaves together a series of electrifying linked stories that keenly examine how rejection weaves its way into the lives and relationships of his deeply intertwined characters.

With sharp observations and outrageous humor, *Rejection* delves into the most sensitive issues of modern life. This collection of seven interconnected stories transitions smoothly between the personal crises of a complex cast of characters and the comic tragedies associated with sex, relationships, identity, and the internet.

In “The Feminist,” a young man’s passionate allyship turns into furious nihilism as he realizes, after thirty lonely years, that his efforts are not leading to romantic success or even getting laid; in “Pics,” a young woman’s unrequited crush spirals into obsession, systematically eroding her sense of self. “Ahegao; or, The Ballad of Sexual Repression,” depicts a shy late bloomer whose fumbling attempts at a first relationship result in a life-changing mistake. As these characters intersect through dating apps, social media feeds, dimly lit bars, and bedrooms, they reveal how our delusions can distort our desire for connection.

These brilliant satires examine the understated sorrows of rejection with a modern classic’s authority and a manifesto’s frenetic energy. Bold and unforgettable, Rejection is a striking mosaic that redefines what it means to face rejection from lovers, friends, society, and oneself.

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“Endling” by Maria Reva, a novel of exceptional literary merit, has been longlisted for the 2024 Booker Prize. Set in Ukraine, the story follows an eccentric scientist who breeds rare snails and two sisters pretending to be part of the marriage industry in their quest to find their activist mother. As Russia invades, they embark on a wild journey that involves kidnapped bachelors and the last of its kind snail. This darkly comic novel delves into themes of survival, love, and hope in times of increasing darkness.

In Ukraine in 2022, Yeva is a loner and a daring scientist who lives outside her mob country. She traverses the country’s forests and valleys, attempting to breed rare snails, though her efforts often fail. Meanwhile, her relatives pressured her not to settle down and start a family. What they don’t realize is that Yeva is already dating multiple men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.

Nastia and her sister, Solomiya, are also caught up in the booming marriage industry. They pose as a hopeful bride and her translator while secretly searching for their missing mother, who disappeared after years of fierce activism against the romance tours.

Together, they embark on a journey across hundreds of miles, joined by three angry women, a truckload of kidnapped bachelors, and Lefty, a rare snail with one last chance to perpetuate his species. However, their plans come to a sudden halt when Russia invades.

In a strikingly ambitious and profoundly moving metafictive narrative, Endling masterfully balances horror and family, drawing on Reva’s own experiences as a Ukrainian expat navigating her family’s struggle for survival during wartime. As fiction and reality converge on the page, Reva explores the harsh truths of war: What stories must we tell ourselves to survive? How do we maintain our routines amid military occupation? And for those watching from abroad: Can our sense of normalcy and security ever be restored, or have they always been a fragile illusion?

Endling is a tour de force from an author who weaves a story of love, loss, humor, and devastation that only she can tell.

Maria Reva was born in Ukraine and raised in Canada. She holds an MFA from the Michener Center at the University of Texas. Her fiction has been published in The Atlantic, McSweeney’s, and Best American Short Stories, among others, and has won a National Magazine Award. Additionally, she works as an opera librettist.

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