Today, I dove into the enchanting world of “Three Days in June” by Anne Tyler, a novel that promises to become an instant classic. It beautifully captures the experience of a socially awkward mother-of-the-bride as she navigates the whirlwind of emotions before and after her daughter’s wedding. After shuffling through the frosty morning air on my walk, wrapping myself in the warmth of Tyler‘s words about three sun-soaked days in June felt like the perfect escape. What a delightful contrast!

Gail Baines is having a bad day. First, she loses her job—or quits, depending on whom you ask. Tomorrow, her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the groom’s mother. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay or even a suit.

However, the crisis occurs when Debbie shares a secret she has just learned about her husband-to-be with her parents. This will not only throw the wedding into question but also stir up Gail and Max’s past.

Told with deep sensitivity and a tart sense of humor and full of the joys and heartbreaks of love, marriage, and family life, “Three Days in June” is a triumph and shows the perennially bestselling, Pulitzer Prize-winning writer at the height of her powers.

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Today, I dove into Charlotte Wood‘s captivating novel, “Stone Yard Devotional.” I couldn’t resist picking it up after discovering a glowing review by Joumana Khatib. She expressed her fondness for the book in the New York Times Book Review Newsletter, saying, “I’m still so enamored of Charlotte Wood’s novel.” It’s impressive that this work was a finalist for the Booker Prize last year! I’m eager to read the book to determine if it is a “love story,” as Ms. Khatib believes.

Burnt out and needing a retreat, a middle-aged woman leaves Sydney to return to her childhood home, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She does not believe in God and is unfamiliar with the concept of prayer, finding herself living this strange, reclusive existence almost by accident.

However, her secluded life is disrupted by three significant events. First, a terrible mouse plague marks a new battle against the growing infestation daily. Second, the skeletal remains of a sister who disappeared decades ago and was presumed murdered return. Finally, a troubling visitor brings her further into her past.

Meditative, moving, and finely observed, “Stone Yard Devotional” is a seminal novel from a writer of rare power. It explores the meaning of retreating from the world, forgiveness’s true nature, and grief‘s lasting effects on the human soul.

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Today, I dove into Sally Rooney‘s latest novel, “Intermezzo: A Novel,” which instantly captivated me. It’s a profoundly moving exploration of grief, love, and the intricacies of family life, with love at its heart. Reflecting on my journey through grief, I remember how Ms. Rooney‘s earlier work, “Beautiful World, Where Are You,” resonated with me during my second year of processing loss.

It beautifully highlighted love’s enduring nature and reminded me that, even in the depths of sorrow, love’s essence never truly fades. Intermezzo focuses on the fact that, aside from being brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties—successful, competent, and unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women—his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her turbulent past, and their lives become rapidly and intensely intertwined.

In this poignant interlude, we delve into the lives of two brothers grappling with their profound grief, accompanied by those who care for them. It’s a raw journey woven with threads of longing, heartbreak, and the flickering light of hope. Together, they navigate the uncharted territory of loss, uncovering how much the human spirit can withstand before it shatters.

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“The Director” by Daniel Kehlmann, translated by Ross Benjamin, is a thought-provoking novel inspired by the life of film director G.W. Pabst. Pabst fled to Hollywood to escape the Nazis but later returned to Germany to produce propaganda films for the German Reich. The novel is a New York Times Top 10 Book of the Year, an NYPL Best Book of the Year, and a notable book by the Washington Post.

An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen.

G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him.

When he learns that his elderly mother is ill, he finds himself back in his homeland of Austria, now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement.

Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.

Daniel Kehlmann was born in Munich in 1975. His novels and plays have won numerous prizes, including the Candide Prize, the Doderer Prize, the Kleist Prize, the Welt Literature Prize, and the Thomas Mann Prize. His novel Tyll, shortlisted for the 2020 International Booker Prize, and Measuring the World have been translated into more than forty languages and are among the biggest successes in post-war German literature. He currently lives in Berlin and New York.

Ross Benjamin is the translator of numerous works of German-language literature, including Franz Kafka’s Diaries, Clemens J. Setz’s Indigo, Joseph Roth’s Job, Kevin Vennemann’s Close to Jedenew, Friedrich Hölderlin’s Hyperion, and Daniel Kehlmann’s Tyll and You Should Have Left. The recipient of a 2015 Guggenheim Fellowship, Benjamin was also awarded the 2010 Helen and Kurt Wolff Translator’s Prize for his rendering of Michael Maar’s Speak, Nabokov. His translation of Tyll was shortlisted for the 2020 International Booker Prize.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Today, I started reading Annabelle Tometich‘s The Mango Tree: A Memoir of Fruit, Florida, and Felony. The Mango Tree is not just a memoir but a profoundly emotional family saga. It takes us through the complexities of Annabelle’s life, from her childhood in a house filled with balikbayan boxes, vegetation, and luscious mangoes to her journey from aspiring medical student to restaurant critic.

It is a tribute to her fellow Filipino Americans, her younger self, and the mango tree symbolizing her family. Above all, it is a heartfelt homage to Annabelle’s mother, Josefina, who carved out a life and a home without whom Annabelle would not be who she is.

When journalist Annabelle Tometich picked up the phone one June morning, she wasn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterward was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood. Answering the questions of the breaking news reporter—at the same newspaper where Annabelle worked as a restaurant critic––proved more difficult. Annabelle decided to go with a variation of the truth: it was complicated.

Thus commences The Mango Tree, a memoir that deftly weaves a tapestry of a mixed-race Filipina’s life in suburban Florida. Annabelle’s journey is not linear but a series of interconnected stories that delve into her upbringing, her father’s tragic demise, her mother’s longing for her homeland, and her quest for identity.

Juhea Kim, the acclaimed author of Beasts of a Little Land and City of Night Birds, presents an exquisite collection of stories that explores the delicate balance between humans and the natural world. With the clear-eyed reverence of Richard Powers and the sparkling sincerity of George Saunders, her first story collection, A Love Story from the End of the World, offers a breathtaking view of our fractured world—and our broken hearts. Through its passionate narrative, the collection serves as a poignant reminder that, as humans, we are nothing without nature.

Spanning multiple locales and time periods, and rendered in fine detail and vivid color, this transportive collection illustrates what it means to live as human inhabitants of our singular, miraculous planet.

Lyrical, at times hilarious, and always heartfelt, each of these ten stories reflects individual choices in the face of “man-made” apocalypses. In a near-future Seoul, where air pollution has become so severe that a translucent biodome has covered the city, a civil engineer responsible for its upkeep considers an arranged marriage. A painter, disenchanted with New York City, travels to the South of France and becomes romantically involved with an entrepreneur who claims to have invented a new color. Meanwhile, on an island where the Indian and Pacific Oceans converge, and where foreign countries have dumped their waste, causing a landfill mountain to form, a local boy facing daily hardships gains internet fame for his K-pop-inspired dances.

Juhea Kim is the author of the novel Beasts of a Little Land, which was a finalist for the Dayton Literary Peace Prize and the winner of the Yasnaya Polyana Literary Award, Russia’s most significant annual award in literature. It has been translated into many languages and is for television. She is also the author of City of Night Birds, which was a Reese’s Book Club pick.

A graduate of Princeton University, her writing has been published in Granta, the Times Literary Supplement, the Independent, Zyzzyva, Guernica<, and other outlets. She is an advocate for wildlife conservation, animal rights, and education and aid in Africa. Born in Korea and raised in Portland, Oregon, Kim now lives in London.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Today, I started reading “People Collide” by Isle McElroy. The book is about a gender-bending, body-switching story that explores the themes of marriage, identity, and sex. “People Collide” is a profound exploration of ambition, sacrifice, desire, and loss. The book sheds a refreshing light on themes of love, sexuality, and the truth of who we are.

The protagonist, Eli, lives with his wife, Elizabeth, in a cramped apartment in Bulgaria. One day, Eli wakes up to find that he has switched bodies with Elizabeth, who has disappeared without a trace. The story follows Eli’s journey across Europe and America to find his missing wife while he learns to exist in her body.

As Eli comes closer to finding Elizabeth, he begins to question the effect of their metamorphosis on their relationship. He wonders how long he can keep up the illusion of living as someone else. Will their marriage wither away entirely in each other’s bodies? Or will this transformation be the key to making their marriage thrive?

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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We Are All the Same in the Dark by Julia Heaberlin is a novel I highly recommend and wish I had read earlier. The title summarizes the reality of all humans, that in the dark we are all the same. Disabilities do not define us, just as being a widow does not define who I am. In this twisty psychological thriller, Julia Heaberlin paints two unforgettable portraits of a woman and a girl who redefine perceptions of physical beauty and strength. Her novel has helped me redefine my grief.

I have been a widow for almost twenty-one months. After a trauma of that magnitude, it is easier to let the widowed state define me. But I am more than just a widow! But I am a father, grandfather, friend, neighbor, advocate, and more. Reading We Are All the Same in the Dark helped me embrace myself and not wallow in widowhood.

The novel begins with the discovery of a girl abandoned by the side of the road who threatens to unearth the long-buried secrets of a Texas town’s legendary cold case. In the first section, I was still determining if I wanted to continue. Once I read about Odette Tucker and Angel, it became a page-turner. 

This line from Odette given to Angelica, aka Angel, summarizes the characteristics that each of us should live by.

Tender. Resilient. Strong. Resourceful. Kind. Empathetic.—Six words Marshall Tucker wrote on a piece of paper to describe his daughter, Odette.

As a mensch-in-training, I will strive to live by those six words.

We are truly all the same in the dark.

We Are All the Same in the Dark is the ninth book I read this year.

The Goodreads summary provides an overview,

It’s been a decade since Trumanell Branson disappeared, leaving only a bloody handprint behind. Her pretty face still hangs like a watchful queen on the posters on the walls of the town’s Baptist church, the police station, and the high school. They all promise the same thing: We will find you. Meanwhile, her brother, Wyatt, lives as a pariah in the desolation of the old family house, cleared of wrongdoing by the police but tried and sentenced in the court of public opinion and a new documentary about the crime.

When Wyatt finds a lost girl dumped in a field of dandelions, making silent wishes, he believes she is a sign. The town’s youngest cop, Odette Tucker, believes she is a catalyst that will ignite a seething town still waiting for its missing girl to come home. But Odette can’t look away. She shares a wound that won’t close with the mute, one-eyed mystery girl. And she is haunted by her history with the missing Tru.

Desperate to solve both cases, Odette fights to save the lost girl in the present and to dig up the shocking truth about a fateful night in the past–the night her friend disappeared. This night inspired her to become a cop, the night that wrote them all a role in the town’s dark, violent mythology.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The City We Became: A Novel by N. K. Jemisin is my first science fiction and urban fantasy novel in quite some time. It is a story of culture, identity, magic, and myths in contemporary New York City. Jan and I had lived in New York City, and the book brought back fond memories.

Every great city has a soul. Some are ancient as myths, and others are as new and destructive as children.

But every City also has a dark side. A roiling, ancient evil stirs beneath the earth, threatening to destroy the City and her five protectors unless they can come together and stop it once and for all.

As Jemisin writes:

A city is never alone, not really — and this city seems less solitary than most. More like a family: many parts, frequently squabbling … but in the end, against enemies, they come together to protect one another. They must, or die.

The challenge is when evil forces threaten the City; the entire community needs to unite, and the City’s avatars for each of the five boroughs.

Initially, this is supposed to be one for each borough and one for the entire City. In the end, one of the avatars for the five boroughs chooses not to unite with the others. Without all six, they stand no chance to defeat the forces of evil.

How do they solve this? By adding the sixth borough – Jersey City.

I recommend this book without reservation.

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