Today, I dove into “Godwin” by Joseph O’Neill, the brilliant mind behind “Netherland,” which snagged the title of Best Book of the Year from the New York Times Book Review. This captivating tale follows the adventure of two brothers embarking on a globe-trotting quest to find an extraordinary African soccer prodigy—someone who might transform their lives forever. The thrill of their journey and the promise of discovery have me hooked!

Mark Wolfe, a brilliant self-thwarting technical writer, lives in Pittsburgh with his wife, Sushila, and their toddler daughter. Born and raised in the United Kingdom, his half-brother Geoff is a desperate young soccer agent. He pulls Mark across the ocean into a scheme to track down an elusive prospect known as “Godwin“—an African teenager Geoff believes could be the next Lionel Messi.

Narrated in turn by Mark and his work colleague Lakesha Williams, Godwin is a tale of family and migration as well as an international adventure story that implicates the brothers in the beauty and ugliness of soccer, the perils and promises of global business, and the dark history of transatlantic money-making.

As only he can do, Joseph O’Neill investigates the legacy of colonialism in the context of family love, global capitalism, and the dreaming individual.

Mr. O’Neill was born in Ireland and grew up in Mozambique, Iran, Turkey, and Holland. His previous novels include the PEN/Faulkner Award-winning Netherland and the Booker Prize long-listed The Dog. O’Neill’s short fiction appears regularly in The New Yorker and his political essays in The New York Review of Books. He lives in New York City.

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Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.

Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.

Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.

Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.

Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.

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Today, I began reading “Sun City” by Tove Jansson, translated by Thomas Teal. I found this book mentioned in Maya Chung‘s review in The Atlantic’s Book Briefings, and as an older man, it seemed like the perfect choice for me. In “The Summer Book” and “The True Deceiver,” as well as in her many short stories, Tove Jansson consistently explores the everyday lives of older adults.

She portrays them not as a separate group but as fully fleshed individuals who experience the same jealousies, desires, and joys as any other demographic. It’s no wonder that in her travels through America in the 1970s, she became fascinated with what was then a particularly American institution, the retirement home, where older people lived in their tightly knit worlds.

In Sun City, Jansson depicts these worlds in a group portrait of residents and employees at the Berkeley Arms in St. Petersburg, Florida. As the narrative moves from character to character, the characters move through an America riven by cultural divides, facing the death of its dream. The Berkeley Arms’s newest resident finds a place among the rocking chairs and endless chatter on the veranda while other residents long for past glories, mourning their losses and killing time. Meanwhile, one of their attendants, Bounty Joe, is eagerly awaiting a letter, or even just a postcard, alerting him to the imminent return of Jesus Christ. Nobody’s normal anymore,” the bartender says, “not the old geezers and not the newborn kids.”

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Today, I dove into the enchanting world of “Three Days in June” by Anne Tyler, a novel that promises to become an instant classic. It beautifully captures the experience of a socially awkward mother-of-the-bride as she navigates the whirlwind of emotions before and after her daughter’s wedding. After shuffling through the frosty morning air on my walk, wrapping myself in the warmth of Tyler‘s words about three sun-soaked days in June felt like the perfect escape. What a delightful contrast!

Gail Baines is having a bad day. First, she loses her job—or quits, depending on whom you ask. Tomorrow, her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the groom’s mother. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay or even a suit.

However, the crisis occurs when Debbie shares a secret she has just learned about her husband-to-be with her parents. This will not only throw the wedding into question but also stir up Gail and Max’s past.

Told with deep sensitivity and a tart sense of humor and full of the joys and heartbreaks of love, marriage, and family life, “Three Days in June” is a triumph and shows the perennially bestselling, Pulitzer Prize-winning writer at the height of her powers.

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Having surpassed my Goodreads 2022 reading goal, I wanted a lite, historical fiction book and found this one in the e-library. Lucky Us by Amy Bloom is a book that hooked me on the opening line – “My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.” I enjoyed reading it and highly recommend it.

The first section in Hollywood was the one I found less appealing. Partly that is because I identified with Eva, and she does not fulfill her leading role until the last two sections. Its depiction of how people survived the way years by sometimes is a reminder of our inner resilience.

Goodreads provides the following summary.

So begins this remarkable novel by Amy Bloom, whose critically acclaimed Away was called “a literary triumph” (The New York Times). Lucky Us is a brilliantly written, deeply moving, fantastically funny novel of love, heartbreak, and luck.

Disappointed by their families, Iris, the hopeful star and Eva the sidekick, journey through 1940s America in search of fame and fortune. Iris’s ambitions take the pair across the America of Reinvention in a stolen station wagon, from small-town Ohio to an unexpected and sensuous Hollywood, and to the jazz clubs and golden mansions of Long Island.

With their friends in high and low places, Iris and Eva stumble and shine through a landscape of big dreams, scandals, betrayals, and war. Filled with gorgeous writing, memorable characters, and surprising events, Lucky Us is a thrilling and resonant novel about success and failure, good luck and bad, the creation of a family, and the pleasures and inevitable perils of family life, conventional and otherwise. From Brooklyn’s beauty parlors to London’s West End, a group of unforgettable people love, lie, cheat, and survive in this story of our fragile, absurd, heroic species.

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Today, as heavy thunderstorms rumbled outside and flash flood warnings loomed, I dove into “King of Ashes,” a gripping Southern crime saga that draws inspiration from “The Godfather.” Written by the acclaimed New York Times bestselling author S. A. Cosby, this novel was a long-awaited treat for me. I read “All the Sinners Bleed” nearly two years ago and have been itching for Cosby’s next masterpiece ever since.

As I turned the pages, the opening paragraphs immediately pulled me in and confirmed that the wait was worthwhile. The summoning of eldest son Roman Carruthers’ home after his father’s car accident not only sets the stage for a gripping plot but also resonates with the universal theme of family. He finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident, and Dante’s recklessness has placed them all in real danger.

Roman, a financial whiz with a knack for numbers and a talent for making his clients wealthy, has some money to help his brother out of trouble. But in his work with wannabe tough guys, he’s forgotten that there are real gangsters out there. As his bargaining chips go up in smoke, Roman realizes that he has only one thing left to offer to save his brother: himself and his own particular set of financial skills.

Roman begins his work for the criminals while Neveah tries to uncover the long-ago mystery of what happened to their mother, who disappeared under mysterious or suspicious circumstances when they were teenagers. But Roman is far less of a pushover than the gangsters realize. He is willing to do anything to save his family. Anything.

Because everything burns.

S. A. Cosby is a New York Times bestselling writer from southeastern Virginia. He is the author of All the Sinners Bleed, which was on more than forty Best of the Year lists, including Barack Obama’s, as well as Edgar Award finalist Razorblade Tears and Los Angeles Times Book Prize winner Blacktop Wasteland. He has also won the Anthony Award, ITW Thriller Award, Barry Award, Macavity Award, BCALA Award, and Audie Award. He has been longlisted for the ALA Andrew Carnegie Medal for Excellence.

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The Houseboat: A Novel by Dane Bahr was one of 6 New Paperbacks to Read This Week in The New York Times. Miguel Salazar of the Times described it as “A girl claims her boyfriend has been murdered outside a small town in Iowa, and although no body is found, collective suspicion lands on a loner who lives in a rotting houseboat along the Mississippi River. Through chapters that shift in perspective and move through time, Bahr builds to a nail-biting denouement.”

Edward Nese, the regional marshall from Minnesota, was a character that I could identify with, as he was widowed but still married. Of course, in the early 1960s, I was still a middle school student and would probably have been freighted by The Houseboat. 

I recommend this true crime novel. Until the last page, you will be unsure how it will end.

After reading non-fiction history about the assassination of President Garfield, I needed a change of genre.

The Goodreads summary provides an overview,

James Sallis meets Mindhunter in this stylish and atmospheric noir set in a small town in Iowa in the 1960s, a midcentury heartland gothic with plentiful twists and a feverish conclusion.

Local outcast Rigby Sellers lives in squalor on a dilapidated houseboat on the Mississippi River. With only stolen manikins and the river to keep him company, Rigby spirals from the bizarre to the threatening. As a year of drought gives way to a season of storms, a girl is found trembling on the side of the road, claiming her boyfriend was murdered. The nearby town of Oscar turns its suspicions toward Sellers.

Town sheriff Amos Fielding knows this crime is more than he can handle alone. He calls on the regional marshall in Minnesota, and detective Edward Ness arrives in Oscar to help him investigate the homicide and defuse the growing unrest. Ness, suffering from his demons, is determined to put his past behind him and solve the case. But soon, more bodies are found. As Ness and Fielding uncover disturbing facts about Sellers, and a great storm floods the Mississippi, threatening the town, Oscar is pushed to a breaking point even Ness may not be able to prevent.

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Self-Portrait with Ghost: Short Stories by Meng Jin was written during the turbulent years of the Trump administration and the first year of the pandemic, these stories explore intimacy and isolation, coming of age, and coming to terms with the repercussions of past mistakes, fraying relationships, and surprising moments of connection. I highly recommend Self-Portrait with Ghost: Short Stories!

Each story speaks so clearly to the loneliness epidemic that confronts our world. I would read one short story and promise to stop and wait until another day to read the next one. Instead

One phrase that will always remain with me is: “The hallucinatory quality of grief.” As a widow, the phrase struck a chord that will forever resonate in my soul.

This is the seventy-third book I have read this year.

The Goodreads summary provides an overview,

Meng Jin’s critically acclaimed debut novel, Little Gods, was praised as “spectacular and emotionally polyphonic (Omar El-Akkad, BookPage), “powerful” (Washington Post), and “meticulously observed, daringly imagined” (Claire Messud). Jin turns her considerable talents into short fiction in ten thematically linked stories.

Moving between San Francisco and China, and from unsparing realism to genre-bending delight, Self-Portrait with Ghost considers what it means to live in an age of heightened self-consciousness, seemingly unlimited access to knowledge, and little actual power.

Page-turning, thought-provoking, and wholly unique, Self-Portrait with Ghost further establishes Meng Jin as a writer who “reminds us that possible explanations in our universe are as varied as the beings who populate it” (Paris Review).

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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When we experience something irreversible or unfixable, how do we continue living? How do we find our guiding star in the absence of clear answers? These questions lie at the heart of M. L. Stedman‘s unforgettable new novel, A Far-flung Life. From the acclaimed author of the beloved bestseller The Light Between Oceans, this sweeping epic explores a family, a tragedy, and the repercussions that echo for decades.

Set in remote Western Australia in 1958, the MacBride family has lived for generations on a vast sheep station called Meredith Downs, which spans a million acres of arid landscape. On an ordinary day, as patriarch Phil MacBride drives down a lonely road under the endless blue sky, he swerves to avoid a kangaroo. In that instant, it shatters the lives of the entire MacBride family. Tragedy strikes again when the consequences of this moment claim the life of one sibling and lead another to sacrifice everything for the well-being of an innocent child. Matt, the youngest MacBride, embarks on a moral and emotional journey for which there is neither a map nor a guide. The secrets at the core of this heartbreaking and beautiful story compel him to choose between love and duty, sacrifice and happiness.

A Far-flung Life is a tale of family and belonging, fate and time. It depicts individuals striving to do their best while each, for their own reasons, seeks shelter from life’s storms.

Can a fleeting moment unravel a life, marking it permanently and irrevocably? Can compassion, resilience, and forgiveness help us come to terms with our human imperfections? These are the profound questions Stedman explores in A Far-flung Life, her moving, uplifting, and luminous novel about the endurance of the heart for love’s sake.

M.L. Stedman was born and raised in Western Australia and now lives in London. The Light Between Oceans was her first novel. A Far-flung Life is her second novel.

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Today, I started reading Annabelle Tometich‘s The Mango Tree: A Memoir of Fruit, Florida, and Felony. The Mango Tree is not just a memoir but a profoundly emotional family saga. It takes us through the complexities of Annabelle’s life, from her childhood in a house filled with balikbayan boxes, vegetation, and luscious mangoes to her journey from aspiring medical student to restaurant critic.

It is a tribute to her fellow Filipino Americans, her younger self, and the mango tree symbolizing her family. Above all, it is a heartfelt homage to Annabelle’s mother, Josefina, who carved out a life and a home without whom Annabelle would not be who she is.

When journalist Annabelle Tometich picked up the phone one June morning, she wasn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterward was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood. Answering the questions of the breaking news reporter—at the same newspaper where Annabelle worked as a restaurant critic––proved more difficult. Annabelle decided to go with a variation of the truth: it was complicated.

Thus commences The Mango Tree, a memoir that deftly weaves a tapestry of a mixed-race Filipina’s life in suburban Florida. Annabelle’s journey is not linear but a series of interconnected stories that delve into her upbringing, her father’s tragic demise, her mother’s longing for her homeland, and her quest for identity.