Today, I dove into Betsy Lerner's debut novel, "Shred Sisters." Lerner is also known for her acclaimed work, "The Bridge Ladies." This gripping story beautifully unravels the intricate tapestry of family bonds, mental illness, and the tumultuous relationship between two sisters. It's compelling enough to have earned a spot on the longlist for the Center for Fiction First Novel Prize.
by Betsy Lerner
Today, I dove into Betsy Lerner‘s debut novel, “Shred Sisters.” Lerner is also known for her acclaimed work, “The Bridge Ladies.” This gripping story beautifully unravels the intricate tapestry of family bonds, mental illness, and the tumultuous relationship between two sisters. It’s compelling enough to have earned a spot on the longlist for the Center for Fiction First Novel Prize.
The tagline resonates deeply: “No one will love or hurt you more than a sister.” When one family member is unstable, the entire family feels the impact. Enter the Shreds. Olivia, the sister in the spotlight, finds her once-stunning confidence becoming erratic and unpredictable, causing chaos in her wake. Her younger sister, Amy, is cautious and studious, believing in facts, proof, and empirical evidence. Yet none of that can explain what’s happening to Ollie, whose physical beauty and charisma hide the mental illness that will ultimately disrupt Amy’s carefully constructed life.
As Amy ages, she strives to find her place—first in academics, then in New York publishing, and through a series of troubled relationships. With every step she takes, she encounters Ollie, who unpredictably slips in and out of the Shred family’s life. Despite the challenges threatening their sibling bond, Amy and Ollie cannot escape or deny the unbreakable sisterly connection that ties them together.
“Shred Sisters” is an intimate and bittersweet story that explores the complexities of sisterhood, mental health, loss, and love over two decades. In the end, Amy learns a valuable lesson on her journey to self-acceptance: no one will love or hurt you more than a sister. I can’t wait to see where this emotional journey takes me!
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by Ben Jealous
Today, I started reading “Never Forget Our People Were Always Free: A Parable of American Healing” by Ben Jealous, the Executive Director of the Sierra Club. The book highlights how the path to healing America’s broken heart begins with each of us having the courage to heal ourselves. According to Mr. Jealous, it would be transformative if every American treated each other as cousins.
Ben Jealous is the son of parents who had to leave Maryland because their cross-racial marriage was illegal.
I briefly met Ben Jealous last May when I went to Washington with the Religious Action Center of Reform Judaism‘s Day of Action. When I saw Mr. Jealous speaking at Temple Emanu-El in neighboring Westfield, I immediately signed up to attend in person. He is an inspiration as an advocate for the environment, civil rights, and the healing of America’s broken heart.
His lively, courageous, and empathetic storytelling calls on every American to look past deeply cut divisions and recognize that we are all in the same boat now. Along the way, Jealous grapples with hidden American mysteries, including:
The book Never Forget Our People Were Always Free is told through parables. It features intimate glimpses of political and faith leaders such as Jack Kemp, Stacey Abrams, and the late Archbishop Desmond Tutu. The book also highlights unlikely heroes such as a retired constable, a female pirate from Madagascar, a long-lost Irishman, a death row inmate, and a man with a Confederate flag over his heart.
Never Forget Our People Were Always Free offers readers hope that America’s oldest wounds can heal and her oldest divisions can be overcome.
Although I have only read a handful of pages of the book, I highly recommend it!
by Charlotte Wood
Today, I dove into Charlotte Wood‘s captivating novel, “Stone Yard Devotional.” I couldn’t resist picking it up after discovering a glowing review by Joumana Khatib. She expressed her fondness for the book in the New York Times Book Review Newsletter, saying, “I’m still so enamored of Charlotte Wood’s novel.” It’s impressive that this work was a finalist for the Booker Prize last year! I’m eager to read the book to determine if it is a “love story,” as Ms. Khatib believes.
Burnt out and needing a retreat, a middle-aged woman leaves Sydney to return to her childhood home, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She does not believe in God and is unfamiliar with the concept of prayer, finding herself living this strange, reclusive existence almost by accident.
However, her secluded life is disrupted by three significant events. First, a terrible mouse plague marks a new battle against the growing infestation daily. Second, the skeletal remains of a sister who disappeared decades ago and was presumed murdered return. Finally, a troubling visitor brings her further into her past.
Meditative, moving, and finely observed, “Stone Yard Devotional” is a seminal novel from a writer of rare power. It explores the meaning of retreating from the world, forgiveness’s true nature, and grief‘s lasting effects on the human soul.
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by Halldór Laxness
In “A Parish Chronicle,” celebrated novelist Halldór Laxness weaves an essayistic tale about the unlikely miracles that keep a church—destined to disappear time and again—rooted on the same hillside. Laxness explores the minutiae of history, from the location of the ancient burial mound of national hero Egill Skallagrímsson to the end of the 19th century, where weak-sighted Ólafur and boisterous farmhand Gunna each play unexpected roles in the parish’s enduring survival.
1882. In the still of morning, Ólafur sharpens his scythe on the bone-dry pavestones that separate his farmhouse from the rest of Mosfell Valley, where life revolves around sheep. The sound of his hammer rings out like a high-pitched bell over the tussocky fields. Across the valley, perched on a hill that receives more sunshine than others, stands Mosfell Church. Nearby, the parish priest’s maid Gunna pours her “slosh,” a weak cup of coffee. Further afield in Reykjavík (“down south” as the locals say), the general assembly decides to revisit an old plan to cut costs by consolidating small parishes and calls for the demolition of Mosfell. Yet today a church stands on that same hillside—its sharp steeple silhouetted against the clouds, its crown bell hanging to the left of the altar.
This intimate tribute to life in Laxness‘s home valley also offers a thoughtful commentary on how the peculiarities of certain individuals can shape history. “A Parish Chronicle” is rich with life and detail.
Halldór Laxness (1902-1998) is the undisputed master of modern Icelandic fiction. He was awarded the Nobel Prize in Literature in 1955, “for his vivid epic power which has renewed the great narrative art of Iceland.” His body of work includes novels, essays, poems, plays, stories, and memoirs: more than sixty books in all. His works available in English include Independent People, The Fish Can Sing, World Light, Under the Glacier, Iceland’s Bell, and Paradise Reclaimed.
Philip Roughton has translated the work of Halldór Laxness, Jón Kalman Stefánsson, Kristín Marja Baldursdóttir, and many others. He has twice been awarded the American-Scandinavian Foundation Translation Prize for his renderings of Halldór Laxness‘s work, in 2001 for Iceland’s Bell and in 2015 for Wayward Heroes. He also received the 2016 Oxford-Weidenfeld Prize for his translation of Jón Kalman Stefánsson’s The Heart of Man. He lives in Iceland. Translator Residence: Akureyri, Iceland
Salvatore Scibona is the recipient of a Mildred and Harold Strauss Living Award from the American Academy of Arts and Letters. His first novel, The End, was a finalist for the National Book Award and winner of the Young Lions Fiction Award. His second novel, The Volunteer, was called a “masterpiece” by the New York Times and won the Ohioana Book Award. His books have been translated into ten languages. His work has won a Guggenheim Fellowship, a Pushcart Prize, an O. Henry Award, and a Whiting Award, and the New Yorker named him one of its “20 Under 40” fiction writers. He is the Sue Ann and John Weinberg Director of the Cullman Center for Scholars and Writers at the New York Public Library.
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by Caro Claire Burke
“Yesteryear” by Caro Claire Burke has been recognized as one of The New York Times’ Best Books of the Year (So Far). The story follows a traditional American woman, a “tradwife” influencer, who suddenly finds herself in the harsh reality of 1855. She must figure out whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.
My name was Natalie Heller Mills, and I was perfect at being alive.
Natalie lives a traditional lifestyle. Her charming farmhouse is rustic; her husband, a handsome cowboy; her six children, each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.
Until one morning, she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. A sputtering fire rather than electricity warms her kitchen, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer.
Just yesterday, Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and hand-wash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.
Caro Claire Burke earned her Master’s in Fine Arts from the Bennington Writing Seminars. She co-hosts Diabolical Lies, a politics and culture podcast. Yesteryear is her debut novel.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Supporting these selections not only helps me continue to provide you with personalized recommendations but also ensures you have access to meaningful stories that enrich your life. Your support truly makes a difference in helping me share more books and insights with you!
by Janelle Brown
What Kind of Paradise is a captivating and suspenseful novel by bestselling author Janelle Brown. It follows a young woman on her quest to understand self-identity. The story boldly explores complex themes, including the relationships between parents and children, the balance between nature and technology, the tension between innocence and knowledge, the losses we experience in our past, and our aspirations for the future.
This unforgettable narrative delves into what shapes us as individuals. The first thing you have to understand is that my father was my entire world, says Jane, the narrator.
Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read instead of going to school. Her father is elusive about their pasts, giving Jane little beyond the fact that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Walden-esque utopia.
As Jane becomes a teenager, she begins to push against the boundaries of her restricted world. She begs to accompany her father on his occasional trips away from the cabin. But when Jane realizes that her devotion to her father has made her an accomplice to a horrific crime, she flees Montana to the only place she knows to look for answers about her mysterious past and her mother’s death: San Francisco. It is a city amid a seismic change, where her quest to understand herself will force her to reckon with both the possibilities and the perils of the fledgling internet, and where she will come to question everything she values.
Janelle Brown is the New York Times bestselling author of I’ll Be You, Pretty Things, Watch Me Disappear, All We Ever Wanted Was Everything, and This Is Where We Live. An essayist and journalist, she has written for Vogue, The New York Times, Elle, Wired, Self, Los Angeles Times, Salon, and more. She lives in Los Angeles with her husband and their two children.
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by Octavia E. Butler
This morning, I completed reading Octavia E. Butler‘s acclaimed post-apocalyptic novel Parable of the Sower and immediately started reading its sequel, Parable of the Talents, initially published in 1998. This second book is even more relevant today than it was back then. The novel’s timely message of hope and resistance in the face of fanaticism is shockingly prescient.
In 2032, Lauren Olamina survived the destruction of her home and family. She envisioned a peaceful community in Northern California, which she established based on her newly founded faith, Earthseed. This new settlement provides a haven for outcasts who face persecution following the election of an ultra-conservative president. The new president pledges to “make America great again,” but the country becomes increasingly divided and dangerous. Lauren’s subversive colony, a minority religious faction led by a young black woman, becomes a target for President Jarret’s oppressive regime characterized by terror and discrimination.
In the future, Asha Vere discovers the journals of her mother, Lauren Olamina, whom she never met. As she delves into her mother’s writings, she grapples with the conflict between Lauren’s responsibilities to her chosen family and her mission to guide humanity toward a brighter tomorrow.
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