Trouble the Saints

by Richard W. Brown January 8, 2022

Trouble the Saints

Estimated reading time: 1 minute, 57 seconds

Trouble the Saints by Alaya Dawn Johnson is one of NPR’s Books We Love from 2020. The dangerous magic of The Night Circus meets the powerful historical exploration of The Underground Railroad in this timely and unsettling novel, set against the darkly glamorous backdrop of New York City at the dawn of WWII. Amidst the whir of city life, a girl from Harlem is drawn into the glittering underworld of Manhattan, where she’s hired to use her knives to strike fear amongst its most dangerous denizens.

The book is written in three sections with different protagonists and voices. Phyllis, or Pea as her friends call her, is a black assassin for a white mob boss narrates the first section of the book. Her saint’s hands are the ability to use knives to commit murder. She can also pass as white as Phyllis, but she is a black woman from Harlem as Pea. The section she narrates is difficult at first to follow as she attempts to deal with the consequences of her actions. Can the past ever be the past?

Dev, Indian and Phyllis’s lover, narrates the second section. He is an undercover cop who protects her and helps her free herself from the mob boss. This section is located in the Hudson Valley and highlights the tensions before the war between whites and non-whites.

The third protagonist, Tamara, narrates this section. The war separates Phyllis and Dev. Phyllis is pregnant, and Dev and Tamara’s love interest are serving in the military. This section brings together the threads and reminds us that the past is never the past.

As Goodreads summarizes the book,

But the ghosts from her past are always by her side—and history has appeared on her doorstep to threaten the people she loves most.

Can one woman ever sacrifice enough to save an entire community?

Trouble the Saints is a dazzling, daring novel—a magical love story, a compelling chronicle of interracial tension, and an altogether brilliant and deeply American saga.

I recommend this book and encourage all readers to read it to the end.

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My random thoughts on love, grief, life and all things considered.

My Big Climb to Conquer Cancer on April 25, 2026
Please join me in making a difference! No matter the amount, your contribution can have a meaningful impact. As I do every year, I will match every donation made. Thank you! […]
50th Wedding Anniversary
All we ever needed was love—true love! It's the most powerful force in the world—a force that can heal, uplift, and give us our only hope for salvation. […]
The Infamous Walker Limps Home
My Apple Fitness app shows that I’ve averaged four miles daily over an unpredictable month, which might be my new normal. As long as I can walk every day, my streak will continue. Today marked 1,555 days and counting. […]
Living and Grieving
I am believed and seen. I believe in others and recognize their true selves. Though I may reside in my home, I live, grieve, and thrive within my community. […]
The Triad of Love
I focus on being good, rather than feeling good, and living a life my wife would be proud of, rather than letting sorrow overshadow my remaining days. […]

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The Boy from the Sea

Read: May 2025

The Boy from the Sea

by Garrett Carr

The Boy from the Sea by Garrett Carr is set on the west coast of Ireland during the 1970s and 1980s. This captivating debut novel tells the story of a baby boy found on the beach near a small fishing town, narrated by the locals who become enchanted by him. Both outrageously funny and profoundly moving, The Boy from the Sea showcases the talent of an essential new voice in Irish literature.

In 1973, a baby boy was discovered on the beach of a close-knit fishing village in Ireland. Fisherman Ambrose Bonnar offers to bring the child into his family, which includes his son Declan, his wife Christine, and, up the lane, Christine’s sister and aging father. The townspeople remain fascinated by the baby, whom they name Brendan, as he grows into a strange yet charismatic young man.

The Boy from the Sea tells the story of a family and a community thrown into turmoil by Brendan’s arrival. The family’s fortunes rise and fall over the years, just as the town does because nothing happens to one family here without affecting them all. The forces of a voracious global economy and modernized commercial fishing wreak havoc on their way of life. In the village, Brendan and Declan are wildly different and often at odds; meanwhile, Ambrose worries about his children but cannot divert his attention from the brutal work that keeps his family afloat. As the world around them changes, the mystery of Brendan’s origins draws them toward a surprising and stormy fate.

Garrett Carr teaches creative writing at the Seamus Heaney Centre at Queen’s University Belfast and frequently contributes to The Guardian and The Irish Times. His nonfiction work, The Rule of the Land: Walking Ireland’s Border, was chosen as a BBC Radio 4 Book of the Week. The Boy from the Sea marks Carr’s debut novel.

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The Faraway World

Read: January 2023

The Faraway World: Stories

by Patricia Engel

The Faraway World: Stories by Patricia Engel was released six days ago. The Faraway World is an exquisite collection of ten haunting, award-winning short stories set across the Americas and linked by themes of migration, sacrifice, and moral compromise. I highly recommend this collection of short stories. All ten are ones I would read again. As Leigh Newman wrote in her review in the NYTimes, The Faraway World is “a collection about the Latin American diaspora.”

In addition, Leigh Newman described The Faraway World proves that Engel, like one of her characters, is capable of noticing “that between two people, a look reveals more than a fingerprint.” The first story in the collection, “Aida,” is about two twins, one of whom goes missing. Once I read this story, I could not stop until I had read all ten.

The stories are based in Cuba, Colombia, and the US. I know a few NJ settings that gave more meaning to these stories. I felt like I was in Cuba and Colombia, which I had never visited.

NPR interviewed Patricia Engel. She described how she wrote the stories.

They came to me at different points when I was thinking about other things. But of course, they are connected by this – the motivating force for change, desire, and the ever-changing conditions of identity and movements and changing geography and landscape and diaspora. Those are things that I explore in all my writing, and it’s something that I explore in my life. So, of course, it permeates my stories.

The Goodreads summary provides an overview,

Two Colombian ex-pats meet as strangers on the rainy streets of New York City, both burdened with traumatic pasts. In Cuba, a woman discovers her deceased brother’s bones have been stolen, and the love of her life returns from Ecuador for a one-night visit. A cash-strapped couple hustles in Miami to life-altering ends.

The Faraway World is a collection of arresting stories from The New York Times bestselling author of Infinite Country, Patricia Engel, “a gifted storyteller whose writing shines even in the darkest corners” (The Washington Post). Intimate and panoramic, these stories bring to life the liminality of regret, the vibrancy of the community, and the epic deeds and quiet moments of love.

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Breathe

Read: September 2021

Breathe

by Joyce Carol Oates

Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.

Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.

The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.

One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.

This dialogue could easily be one that Jan and I had.

Of course you want to summon his family—his (adult) children—but quickly, he says no.

Still waiting.

But – When?

Just not yet.

He is not an alarmist. (You are the alarmist.)

The novel is written in two parts – The Vigil and the Post-Mortem.

The opening paragraphs set the tone.

A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.

Whoever it is urging you – Breathe!

Leaning over you begging you – Breathe!

As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.

Among them is grief-vise, which I have written about in this stream.

In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.

In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.

Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.

Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.

The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.

These are some of the other phrases I have found useful and will include in posts.

If there is no one to love, do we merit existence?
Never come to the end of kissing.
The first principle of life is; Breathe.
Shy in the language of intimacy.
As if a life lived with strangers could compensate for the emptiness in your heart.
No purpose in your life. No compass.

What you love most, that you will lose. The price of your love is your loss.

I recommend this book to all readers, even those struggling with grief.

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The Director

Read: December 2025

The Director: A Novel

by Daniel Kehlmann

“The Director” by Daniel Kehlmann, translated by Ross Benjamin, is a thought-provoking novel inspired by the life of film director G.W. Pabst. Pabst fled to Hollywood to escape the Nazis but later returned to Germany to produce propaganda films for the German Reich. The novel is a New York Times Top 10 Book of the Year, an NYPL Best Book of the Year, and a notable book by the Washington Post.

An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen.

G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him.

When he learns that his elderly mother is ill, he finds himself back in his homeland of Austria, now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement.

Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.

Daniel Kehlmann was born in Munich in 1975. His novels and plays have won numerous prizes, including the Candide Prize, the Doderer Prize, the Kleist Prize, the Welt Literature Prize, and the Thomas Mann Prize. His novel Tyll, shortlisted for the 2020 International Booker Prize, and Measuring the World have been translated into more than forty languages and are among the biggest successes in post-war German literature. He currently lives in Berlin and New York.

Ross Benjamin is the translator of numerous works of German-language literature, including Franz Kafka’s Diaries, Clemens J. Setz’s Indigo, Joseph Roth’s Job, Kevin Vennemann’s Close to Jedenew, Friedrich Hölderlin’s Hyperion, and Daniel Kehlmann’s Tyll and You Should Have Left. The recipient of a 2015 Guggenheim Fellowship, Benjamin was also awarded the 2010 Helen and Kurt Wolff Translator’s Prize for his rendering of Michael Maar’s Speak, Nabokov. His translation of Tyll was shortlisted for the 2020 International Booker Prize.

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