The Second Mountain: The Quest for a Moral Life by David Brooks is a book I often recommend. Mr. Brooks writes about the first mountain that most people climb. The book challenges the reader to “live for a cause greater than themselves.”

It is about “to be a success, make your mark, experience personal happiness.” Even when they reach the top of the mountain, most people find they are unhappy. The climb to the summit has become unsatisfying.

On the second mountain, life moves from self-centered to other-centered.” Life becomes interdependent, not independent; it becomes a life of commitment, not about us.

Mr. Brooks “explores the four commitments that define a life of meaning and purpose: to a spouse and family, to a vocation, to a philosophy or faith, and to a community.

We live in a society, Brooks argues, that celebrates freedom, that tells us to be true to ourselves, at the expense of surrendering to a cause, rooting ourselves in a neighborhood, binding ourselves to others by social solidarity and love. We have taken individualism to the extreme—and in the process we have torn the social fabric in a thousand different ways.

When I read The Second Mountain, it became clear that Jan and I never even attempted to climb the first mountain. We were constantly climbing the second mountain.

We had chosen to do work that repaired the world; we both had a faith community and lived in a community.

All we were missing as far as commitments when we met was each other. Our love for each other provided the missing link and allowed us to climb to the top of the second mountain.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Boy from the Sea by Garrett Carr is set on the west coast of Ireland during the 1970s and 1980s. This captivating debut novel tells the story of a baby boy found on the beach near a small fishing town, narrated by the locals who become enchanted by him. Both outrageously funny and profoundly moving, The Boy from the Sea showcases the talent of an essential new voice in Irish literature.

In 1973, a baby boy was discovered on the beach of a close-knit fishing village in Ireland. Fisherman Ambrose Bonnar offers to bring the child into his family, which includes his son Declan, his wife Christine, and, up the lane, Christine’s sister and aging father. The townspeople remain fascinated by the baby, whom they name Brendan, as he grows into a strange yet charismatic young man.

The Boy from the Sea tells the story of a family and a community thrown into turmoil by Brendan’s arrival. The family’s fortunes rise and fall over the years, just as the town does because nothing happens to one family here without affecting them all. The forces of a voracious global economy and modernized commercial fishing wreak havoc on their way of life. In the village, Brendan and Declan are wildly different and often at odds; meanwhile, Ambrose worries about his children but cannot divert his attention from the brutal work that keeps his family afloat. As the world around them changes, the mystery of Brendan’s origins draws them toward a surprising and stormy fate.

Garrett Carr teaches creative writing at the Seamus Heaney Centre at Queen’s University Belfast and frequently contributes to The Guardian and The Irish Times. His nonfiction work, The Rule of the Land: Walking Ireland’s Border, was chosen as a BBC Radio 4 Book of the Week. The Boy from the Sea marks Carr’s debut novel.

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Don’t miss out on this exciting opportunity! Enjoy a limited-time offer of 20% off your next book purchase at Bookshop.org! It’s the perfect chance to add this compelling novel to your collection.

Today, I started reading All Fours: A Novel by Miranda July. A semi-famous artist announces her plan to drive cross-country from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.

Miranda July’s second novel, a testament to her unique approach to fiction, confirms the brilliance of her storytelling. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

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Victory City: A Novel by Salman Rushdie is an epic tale of a woman who breathes a fantastical empire into existence, only to be consumed by it over the centuries from the transcendent imagination of Booker Prize-winning, internationally bestselling author Salman Rushdie. It is well written and was a page-turner from page one to the end. I highly recommend this novel and encourage everyone to read it.

Brilliantly styled as a translation of an ancient epic, this is a saga of love, adventure, and myth that is a testament to storytelling’s power. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. I was hooked when Pampa Kampana provided the seeds that created Victory City out of thin air.

David Remnick’s interview with Salman Rushdie in The New Yorker provided background I would have missed.

“The first kings of Vijayanagara announced, quite seriously, that they were descended from the moon,” Rushdie said. “So when these kings, Harihara and Bukka, announce that they’re members of the lunar dynasty, they’re associating themselves with those great heroes. It’s like saying, ‘I’ve descended from the same family as Achilles.’ Or Agamemnon. And so I thought, Well, if you could say that, I can say anything.”

Above all, the book is buoyed by the character of Pampa Kampana, who, Rushdie says, “just showed up in my head” and gave him his story, his sense of direction. Rushdie’s pleasure in writing the novel was in “world building” and, at the same time, writing about a character building that world: “It’s me doing it, but it’s also her doing it.” The pleasure is infectious. “Victory City” is an immensely enjoyable novel. It is also an affirmation. At the end, with the great city in ruins, what is left is not the storyteller but her words:

I, Pampa Kampana, am the author of this book.
I have lived to see an empire rise and fall.
How are they remembered now, these kings, these queens?
They exist now only in words . . .
I myself am nothing now. All that remains is this city of words.
Words are the only victors.

The Goodreads summary provides a brief overview,

In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing her mother’s death, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga–literally victory city–the wonder of the world.

Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on Parvati’s task: giving women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry–with Pampa Kampana at its center.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I began reading Charlotte Mendelson‘s novel, The Exhibitionist, today. The book tells the story of Lucia and Ray, two artists whose marriage starts to fall apart over a weekend. It explores themes such as art, sacrifice, family dynamics, queer desire, and personal freedom. Charlotte Mendelson has created yet another exceptional novel with The Exhibitionist, ranked as the year’s novel by The Times of London, and described as “furiously funny.”

The Hanrahan family is coming together for an important weekend. Ray Hanrahan, a well-known artist with a big ego, is preparing for his first exhibition in many years. His eldest daughter, Leah, is his biggest supporter. His son, Patrick, has decided to pursue his own path. His youngest daughter, Jess, has a big decision to make. Ray’s wife, Lucia, is also an artist but has always prioritized her roles as a wife and mother. She is keeping secrets of her own and must decide which desires to pursue as the weekend progresses and the exhibition approaches.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I began reading The Sunset Years of Agnes Sharp by Leonie Swann, translated by Amy Bojang. The book follows a unique group of senior citizens as they try to solve one murder while hiding another, all with the assistance of an innovative tortoise. The mystery is full of twists and turns and is cleverly written by the same author who wrote Three Bags Full, adding a darkly humorous touch to the plot.

It has been an eventful morning for Agnes Sharp and the other inhabitants of Sunset Hall, a house shared by the old and unruly in the sleepy English countryside. Although they have had some issues (misplaced reading glasses, conflicting culinary tastes, decreasing mobility, and gluttonous grandsons), nothing prepares them for an unexpected visit from a police officer with some shocking news. A body has been discovered next door. Everyone puts on a long face for show, but they are secretly relieved the body in question is not the one they’re currently hiding in the shed (sorry, Lillith).

The answer to their little problem with Lillith may have fallen right into their laps. All they have to do is find out who murdered their neighbor so they can pin Lillith’s death on them, thus killing two (old) birds with one stone (cold killer).

Agnes and her group of elderly friends are eager to begin their plan. They believe that creating a mystery will divert suspicion away from themselves. To investigate, they will venture out of their comfort zone and into the less-than-ideal village of Duck End. Along the way, they will encounter suspicious bakers, malfunctioning stairlifts, incompetent criminals, the local authorities, and their hidden secrets.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.