Mariel Franklin‘s debut novel, “Bonding,” is electrifying, sharp, and darkly humorous. It delves into the intersections of sex, technology, and pharmaceuticals in our digitally-driven world. The protagonist, Mary, is weary from a constant cycle of casual relationships and unstable jobs. After facing yet another career setback, she decides to escape to Ibiza.

There, at a party, she meets Tom, a brilliant chemist on the verge of launching a drug made to cure the anxieties of modern life.

Back in London after a heady trip, Mary runs into her volatile and driven sort-of-ex Lara, who has channeled her ambitions into an innovative dating app designed to revolutionize the industry.

When Mary begins working for Lara and falling for Tom, tech and pharma collide with shocking consequences, forcing her to question what love and success mean in a world that is hurtling out of control. A searing, elegiac satire of the way we live and work, Mariel Franklin‘s perceptive and unnerving Bonding heralds the arrival of a blazing new talent.

Mariel Franklin lives and works in London. She has an MA in English from Edinburgh University and later went on to study fine art at Goldsmiths. After graduating, she spent several years working in data administration in the tech industry. Bonding is her first novel.

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In the style of Jenny Offill and inspired by Nora Ephron‘s humorous and poignant writing on heartbreak and womanhood, “Maggie, or A Man and a Woman Walk Into a Bar” by Katie Yee is a masterclass in transforming personal tragedy into bold comedy. This debut novel has been recognized as a New York Times Notable Book and in Time’s list of 100 Must-Read Books of 2025, along with features in many other publications.

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie.

A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie.

Unfolding in fragments over the following months, Maggie, or a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation. She starts talking to Maggie (the tumor), getting acquainted with her body’s new inhabitant. She overgenerously creates a “Guide to My Husband: A User’s Manual” for Maggie (the other woman), hoping to ease the process of discovering her ex-husband’s whims and quirks. She turns her children’s bedtime stories into retellings of Chinese folklore passed down by her mother, in an attempt to help them fall in love with their shared culture—and perhaps save herself in the process.

Katie Yee is a writer based in Brooklyn. She has received fellowships from the Center for Fiction, the Asian American Writers’ Workshop, and Kundiman. Her work has been published in the Los Angeles Review of Books, No Tokens, The Believer, Washington Square Review, Triangle House, Epiphany, and Literary Hub. During the day, she works at the Brooklyn Museum, and at night, she writes—often under the watchful eye of her judgmental rescue dog, Ollie.

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Exciting, fast-paced, and emotionally charged, Atmosphere showcases Taylor Jenkins Reid at her finest: transporting readers to iconic times and places, creating complex protagonists, and narrating a passionate and uplifting story about the transformative power of love—this time among the stars. The book also explores themes of ambition, friendship, and the unknown, making it a compelling read for those interested in contemporary fiction and the exploration of space.

Joan Goodwin’s fascination with the stars has been a lifelong passion. As a thoughtful and reserved professor of physics and astronomy at Rice University and a devoted aunt to her precocious niece, Frances, Joan’s life is content. However, her world is turned upside down when she stumbles upon an advertisement seeking the first women scientists to join NASA’s space shuttle program. Suddenly, Joan is filled with a burning desire to be among the select few to venture into space.

Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center alongside an exceptional group of fellow candidates: Top Gun pilot Hank Redmond and scientist John Griffin, who are kind and easygoing even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warmhearted Donna Fitzgerald, who is navigating her secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane.

As the new astronauts forge unlikely friendships and prepare for their first flights, Joan discovers a passion and a love she never thought possible. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe.

Then, in December 1984, on mission STS-LR9, everything took a dramatic turn in an instant.

Taylor Jenkins Reid is the #1 New York Times bestselling author of nine novels, including Carrie Soto Is Back, Malibu Rising, Daisy Jones & The Six, and The Seven Husbands of Evelyn Hugo. She lives in Los Angeles with her husband and their daughter.

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Today, I began reading “Welcome Home, Stranger: A Novel” by Kate Christensen. The book tells the story of a woman in her fifties who returns home to Maine after her mother’s passing. The novel explores themes of grief, love, growing older, and family complexities. It raises the question: Can you ever honestly go back home?

Rachel is an environmental journalist living in Washington, DC. She has been estranged from her working-class family in New England for many years. Having gone through a divorce and being childless in her middle age, Rachel is a truly independent spirit who has experienced a lot of pain. She feels like her life is falling apart and is struggling to cope with big and small challenges. However, her life takes a different turn when she gets a call to return home for her mother’s funeral.

Then, everything falls apart.

Rachel is surrounded by a cast of characters who are sometimes comical, sometimes heartbreakingly earnest. Her sister is an arriviste, her brother-in-law is an alcoholic, and the love of her life has recently married her sister’s best friend. Rachel must face her past and come to terms with the sorrow she has long buried. She must also confront the ghost of her mother, who, for better or worse, made her the woman she is today.

Lively, witty, and painfully familiar, this sophisticated and emotionally resonant novel from the author of The Great Man holds a mirror up to modern life as it considers the way some of us must carry on now.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Midwives by Chris Bohjalian is “a compulsively readable novel that explores questions of human responsibility that are as fundamental to our society now as they were when the book was first published.” Forty years after the book was published, it is just as relevant, if not more so. Indeed, the book’s topics are more relevant today with the current set of decisions by the Supreme Court.

After reading The Pull of the Stars and watching every season of Call the Midwives, this was the logical next book for me to read. It is also one that I know Jan read and liked. 

I highly recommend this book!

The Goodreads summary provides a concise overview. 

The time is 1981, and Sibyl Danforth has been a dedicated midwife in the rural community of Reddington, Vermont, for fifteen years. But one treacherous winter night, in a house isolated by icy roads and failed telephone lines, Sibyl takes desperate measures to save a baby’s life. She performs an emergency Caesarean section on its mother, who appears to have died in labor. But what if—as Sibyl’s assistant later charges—the patient wasn’t already dead, and it was Sibyl who inadvertently killed her?

As recounted by Sibyl’s precocious fourteen-year-old daughter, Connie, the ensuing trial bears the earmarks of a witch hunt except that all its participants are acting from the highest motives—and the defendant increasingly appears to be guilty. As Sibyl Danforth faces the antagonism of the law, the hostility of traditional doctors, and the accusations of her conscience, Midwives engages, moves, and transfixes us as only the best novels ever do. 

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Originally written in Spanish by Cristina Rivera Garza, Death Takes Me is a thrilling masterpiece of literary fiction that turns the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, the story unfolds with the dreamlike logic of a surreal experience, transitioning from the police station to a professor’s classroom and through the intricate worlds of Latin American poetry and art. It invites readers to explore the unstable terrains of desire and sexuality.

A city is always a cemetery.

In the narrative, a professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and promptly reports it to the police. When shown a crime scene photo, she discovers a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”

The professor becomes the primary informant in the case, which is led by a detective who is newly obsessed with poetry and haunted by a list of past failures. But what has the professor truly witnessed? As more bodies of castrated men alongside lines of verse, the detective attempts to decipher the meaning of the poems in hopes of stopping the spreading violence throughout the city.

Cristina Rivera Garza is an acclaimed author known for works such as The Taiga Syndrome and The Iliac Crest. Her memoir, Liliana’s Invincible Summer, won the Pulitzer Prize and was a finalist for the National Book Award. She has received the MacArthur Fellowship and the Sor Juana Inés de la Cruz Prize. Currently, Rivera Garza holds the Hugh Roy and Lillie Cranz Cullen Distinguished Chair and serves as director of the PhD program in Creative Writing in Spanish at the University of Houston.

Sarah Booker is a teacher and a literary translator. Her translations include novels by Mónica Ojeda, Cristina Rivera Garza, and Gabriela Ponce. She is also an associate editor at Southwest Review.

Robin Myers is a poet and translator. Her translations encompass Andrés Neuman’s Bariloche, Claudia Peña Claros’s The Trees, Isabel Zapata’s In Vitro, Eliana Hernández-Pachón’s The Brush, and Cristina Rivera Garza’s The Restless Dead: Necrowriting and Disappropriation.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!