I’ve just started reading The Days of Abandonment by Elena Ferrante after finishing My Brilliant Friend. This book is among the New York Times’s 100 Best Books of the 21st Century. I chose to read it after watching An Undoing, a documentary about healing from an abusive 20-year marriage using unstitching wedding garments, one stitch at a time.

The film was part of the first night of the International Women’s Film Festival in Cranford. Although, except for one brief moment, I have never been in the same situation as the woman in the short video or Olga, the protagonist in the novel, I choose this as my next book to read. Of course, Ferrante’s writing is known for rich character development and powerful prose.

The Days of Abandonment follows the gripping story of an Italian woman named Olga, whose husband suddenly leaves after fifteen years of marriage. With two young children to care for, Olga finds it increasingly difficult to maintain her previous lifestyle of keeping a spotless house, cooking creative meals, and controlling her temper. After encountering her husband with his much younger lover in public, she even resorts to physically assaulting him.

In a “raging, torrential voice,” according to The New York Times, Olga describes her journey from denial to devastating emptiness. Trapped within the four walls of their high-rise apartment, she confronts her ghosts, the potential loss of her identity, and the possibility that life may never return to normal.

I have started reading “Whale Fall: A Novel” by Elizabeth O’Connor. With its unique blend of loss, isolation, folklore, and the journey of self-discovery, this debut novel offers a compelling narrative set in 1938 on a remote Welsh island. The story is catalyzed by the arrival of a dead whale, a powerful symbol that sets the stage for the characters’ journeys.

The story revolves around Manod, a young woman who has spent her entire life on the island. Despite their island home’s harsh yet stunning surroundings, Manod yearns to explore life beyond it, a desire that will resonate with many readers.

As two English ethnographers arrive to study the island’s culture, Manod sees it as a potential escape from her community. However, her growing involvement with them triggers a profound internal conflict. She grapples with the dilemma of pursuing her desires or remaining loyal to her community. This struggle resonates with the universal human experience, making it a compelling read for many.

‘Whale Fall‘ vividly portrays the tensions that surface when one person’s aspirations threaten the unity of a community. O’Connor’s narrative skillfully depicts the community and Manod on the brink, forced to confront a world that seems to infringe upon them. This evokes a sense of admiration for O’Connor’s storytelling prowess, making it a must-read for literary fiction enthusiasts.

Checkout 19: A Novel by Claire-Louise Bennett, a New York Times Best Ten Best Books of 2022; the newspaper highlights the novel’s “unusual setting: the human mind — a brilliant, surprising, weird and very funny one. All the words one might use to describe this book — experimental, autofictional, surrealist — fail to convey the sheer pleasure of ‘Checkout 19.'” I fully agree with this description and found myself living in my mind.

Since Jan died in May of 2021, I have found myself with no one to talk to about the day-to-day events that consume so much of our lives. Checkout 19: A Novel reminded me that I have only been carrying those intimate conversations in my mind. Is it surreal? Yes. Yes, it is. Reading this novel helped me to accept the importance of those conversations. The new characters and scenarios I conjure are less creative than Ms. Claire-Louise Bennett’s. 

Goodreads describes Checkout 19: A Novel as the adventures of a young woman discovering her genius through the people she meets–and dreams up–along the way. Checkout 19 is a radical affirmation of the power of the imagination, and the magic escapes those who master it open to us all.

I recommend this book.

The Goodreads summary provides an overview,

In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses-and finds-herself. Even the derailing of a friendship, in a devastating violation. The thrill of learning to conjure characters and scenarios in her head is matched by the exhilaration of forging her own way in the world, the two kinds of ingenuity kindling to a brilliant conflagration.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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“Fair Play” by Louise Hegarty is a captivating and playful novel that is both insightful and profoundly moving. It delves into the complexities of the human heart while challenging our perceptions of a beloved genre. Fans of Anthony Horowitz and Lucy Foley will appreciate this wonderfully original and genre-defying debut from Ireland. The book pays tribute to the brilliant detective novels of the early twentieth century but with a modern twist that will keep readers on the edge of their seats.

A group of friends, each with their quirks and secrets, gathers at an Airbnb to celebrate New Year’s Eve. It’s Benjamin’s birthday, and his sister, Abigail, is hosting a Jazz Age Murder Mystery-themed party. As the night unfolds, they enjoy champagne, devour hors d’oeuvres, and form or strain relationships. Someone kisses the wrong person, and someone else’s heart breaks. The setting, a grand mansion with its mysteries, adds an extra layer of intrigue to the story.

By morning, everyone wakes up—except for Benjamin.

As Abigail struggles to come to terms with her brother’s death, an esteemed detective arrives, determined to find Benjamin’s killer. The mansion is now filled with a butler, gardener, and housekeeper, making everyone a suspect, and nothing is quite as it seems. The detective’s arrival not only adds a layer of suspense but also brings a sense of hope as the characters cling to the possibility of justice and closure.

Will the culprit be revealed? And how can Abigail, feeling lost and alone, begin to piece her life back together in the wake of this tragedy?

Gripping yet playful, sharp yet profoundly moving, *Fair Play* explores the depths of the human heart while subverting one of our most beloved genres. It’s a twisty murder mystery that’s both classic and contemporary, along with a poignant exploration of grief and loss.

Louise Hegarty‘s work has appeared in Banshee, The Tangerine, The Stinging Fly, and The Dublin Review. It has also been featured on BBC Radio 4’s Short Works. She was the inaugural winner of the Sunday Business Post/Penguin Ireland Short Story Prize. Her short story “Getting the Electric” has been optioned by Fíbín Media. Louise resides in Cork, Ireland.

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I recently recommended reading “Brooklyn Crime Novel: A Novel” by Jonathan Lethem. The story is set in 1970s Brooklyn, where a daily ritual occurs on the streets. This ritual involves exchanging money, surrendering belongings, and asserting power. Violence is promised everywhere and becomes a currency itself.

Regardless of race, the street is like a stage in the shadows for the children. In the background, other players hide, including parents, cops, renovators, landlords, those who write the headlines, histories, and laws, and those who award this neighborhood its name.

Although the rules seem apparent initially, in memory’s prism, the roles of criminals and victims may appear to trade places. The voices of the past rise and gather as if in harmony, then war with one another. A street may seem to crack open and reveal what lies behind its shimmering facade. None who lived through it are ever permitted to forget.

Jonathan Lethem has written this story with kaleidoscopic verve and delirious wit, making it a breathtaking tour de force by a writer at the top of his powers. He has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we’ve made. He is known as “one of America’s greatest storytellers” by the Washington Post.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I began reading “Don’t Be a Stranger: A Novel” by Susan Minot, a captivating new work by the author of ‘Evening.’ Known for her lyrical prose and exploration of complex human relationships, Minot’s latest novel revolves around a woman involved in a love affair during midlife. It is a radiant tale that explores themes of erotic obsession, the desire for intimacy, communication, and oblivion, which will resonate with fans of Miranda July‘s ‘All Fours,’ a book I have also read.

Ivy Cooper is 52 years old when Ansel Fleming first enters her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience, their physical chemistry is overpowering. Over the heady weeks and months that follow, Ivy finds her life bifurcated by his presence: On the surface, she is a responsible mother, managing the demands of friends, an ex-husband, and home, but emotionally, psychologically, sexually, she is consumed by desire and increasingly alive only in the stolen moments-out-of-time, with Ansel in her bed.

Don’t Be a Stranger is a gripping, sensual, and provocative work from one of the most remarkable voices in contemporary fiction.