Evergreen by Kirsten Robinson is a tribute to the enduring resilience of human nature as we cycle through times of light and darkness, much like nature itself. In her debut book, Kirsten Robinson (@NakedWriting) lays her heart bare in a raw, relatable, and inspirational way to describe the journey of growth born out of finding beauty in breakage and love after loss.

Albeit a cliche, the book jumped off the shelf and into my hands when I saw it in Hickory & Hill General Store in Cranford.

This artfully honest collection embodies and expands upon the poetry and prose Robinson began writing under the famous social media pseudonym Naked Writing.

I highly recommend this book and intend to keep it at my bedside for a pick-me-up.

Although I have only started reading the poems, I want to share two that resonated with me.

The first one is on giving thanks.

Give thanks for all
that is good and beautiful;
the gifts you carry
people who lift you up
your big, big love
faith and trust that your life
is unfolding as it should

Give thanks for all
that has been difficult and hard;
trials tribulations tears
tests of self strength fears
all of the unknowns and days
that broke you

Without the darkness
you would not have
learned to appreciate the light

A second one on bravery.

Bravery
is not about standing tall
after you’ve climbed up
the top of a mountain

Bravery
is looking
fear
heartache
rejection
terror
loss
death
in the eye
and saying, “no,
not today”

Bravery
is standing back up
after you’ve been brought down
to your knees

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Before departing for Toronto to celebrate our 44th Wedding Anniversary, I went through the e-library. Everything on my list that I wanted to read was not available except for this book. Being Mortal by Atul Gawande is the book I read on our vacation before Jan’s diagnosis of non-Hodgkin Large B-cell Lymphoma.

Selecting Being Mortal might seem an accidental choice to some, and I believe it was a divine intervention. It prepared me to be a caregiver to my wife over the nineteen months of her fight with cancer. It helped me focus on the good life that my wife lived and not the pain and suffering.

Atul Gawande describes his book as “riveting, honest, and humane. Being Mortal shows that the ultimate goal is not a good death but a good life – to the very end.”

When I read the book, I wondered what I could have done to help my mother in her final years. The book offers an excellent overview of how nursing homes and assisted living facilities have struggled to meet the needs of their residents.

Dr. Gawande provides an in-depth overview of the benefits of hospice care. Although I knew of this option, reading this book helped me understand that I was ready for hospice when my wife came home for the last time.

He reminds us that “when it comes to the inescapable realities of aging and death, what medicine can do often runs counter to what it should.” As he writes in the book, the current system does not work and, in many cases, actually shortens life.

This book has had a lasting impact on my life. It allowed me to be a loving caregiver to my wife when she needed it more than anything else. I read it when it would be most beneficial to me.

I highly recommend this book.

Atul Gawande is the author of several bestselling books: Complications, a finalist for the National Book Award; Better; The Checklist Manifesto; and Being Mortal. He is also a surgeon at Brigham and Women’s Hospital in Boston, a staff writer for The New Yorker, and a professor at Harvard Medical School and the Harvard School of Public Health. He has won the Lewis Thomas Prize for Writing about Science, a MacArthur Fellowship, and two National Magazine Awards. In his work in public health, he is the Founder and Chair of Ariadne Labs, a joint center for health systems innovation, and Lifebox, a nonprofit organization dedicated to making surgery safer globally. He is also the chair of Haven, where he served as CEO from 2018 to 2020. He and his wife have three children and live in Newton, Massachusetts.

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I started reading The Fraud: A Novel by Zadie Smith today. The book is a kaleidoscopic work of historical fiction that revolves around a legal trial that divided Victorian England. The story is set in 1873, where Mrs. Eliza Touchet, a Scottish housekeeper and cousin by marriage of a once-famous novelist, William Ainsworth, lives with him for thirty years. Mrs. Touchet is interested in literature, justice, abolitionism, class, and her cousin’s wives.

However, she is skeptical of her cousin’s talent, Mr. Charles Dickens’ character, and England’s facades, in which nothing is as it seems.

On the other hand, Andrew Bogle grew up enslaved on the Hope Plantation in Jamaica. He knows that every lump of sugar comes at a human cost, that the rich deceive the poor, and that people are more easily manipulated than they realize. When Bogle finds himself in London, a star witness in a celebrated case of imposture, he knows that his future depends on telling the right story.

The “Tichborne Trial” captivates Mrs. Touchet and all of England. The trial involves a lower-class butcher from Australia who claimed he was the rightful heir of a sizable estate and title. The question is whether Sir Roger Tichborne is genuinely who he says he is or whether he’s a fraud. In a world of hypocrisy and self-deception, deciding what’s real is complicated for Mrs. Touchet and Mr. Bogle.

The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity, and the mystery of “other people.” It’s based on historical events.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Bodily Harm by Margaret Atwood is one of the books I picked up from our bookshelf in the first few months after Jan’s death. Being someone who has always fantasized about being a journalist, I found it very interesting.

A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges.  Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply.  By turns comic, satiric, relentless, and terrifying, Margaret Atwood’s Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.

Bodily Harm may be the bleakest book that Ms. Atwood has written. One of her common themes is “the violence that human beings inflict on one another and their isolation in an uncaring world. It holds out some hope in the form of compassion to be shared by those who are victims of bodily harm in any form. The novel suggests that every person falls into this category. All are victims. There is no exemption, no escape for anyone.”

I recommend this book.

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Today, I started reading the novel “Fire Exit” by Morgan Talty. The book is the debut novel of the award-winning author of “Night of the Living Rez,” Morgan Talty. “Fire Exit” is a compelling story that explores the themes of family, legacy, culture, and our complex obligations toward one another. These are themes that I have focused on after losing my wife.

The protagonist, Charles Lamosway, lives by a river near Maine’s Penobscot Reservation. He watches his neighbor Elizabeth grow up, from her early days to her twenties, but he holds a secret: Elizabeth is his daughter, a truth he can no longer conceal.

Charles becomes anxious when he hasn’t seen Elizabeth for weeks. As he tries to hold on to his home, look after his friend Bobby and his mother Louise, and grapple with his past, Charles is forced to confront painful memories and ask himself difficult questions. Is it his place to share the secret about Elizabeth, and would she want to know the truth even if it means losing everything she has ever known?

Today, I began reading Wait: A Novel by Gabriella Burnham. This story is told with deep insight, humor, and an unexpected tenderness that will captivate you. The novel revolves around a family struggling against the societal issues that deteriorate their bonds, such as housing instability, immigration policies, and inherited wealth. At its core, it is also a tale about love, humor, and sisterhood, highlighting how two sisters lean on each other amid monumental changes while dreaming of a brighter future.

Elise is out dancing the night before her college graduation when her younger sister, Sophie, calls to inform her that their mother is missing. Elise promptly booked the next flight back to her childhood home on Nantucket Island, which she hadn’t visited in nearly four years.

Upon her return, the sisters are confronted with the harsh reality that their mother was stopped by the police while returning home from work and deported to São Paulo, Brazil. Despite the daunting odds, Elise boldly decides to stay fueled by her love for her mother and takes the same job she had during high school: monitoring endangered birds.

Meanwhile, her college best friend, Sheba—a lively socialite and heir to a famous children’s toy company—reveals that she has inherited her grandfather’s summer mansion on Nantucket. As Elise navigates her new reality, her worlds collide as she faces the emotional and material challenges that have fractured her family and the life in Brazil that her mother has been forced to leave behind.

Gabriella Burnham‘s debut novel, It Is Wood, It Is Stone, was named a best book of the year by Harper’s Bazaar, Marie Claire, Publishers Weekly, and Good Housekeeping. She holds an MFA in creative writing from St. Joseph’s College and has been awarded fellowships to Yaddo and MacDowell, where she was named a Harris Center Fellow. Her nonfiction writing has appeared in Harper’s Bazaar. Burnham and her partner live in Brooklyn, New York, with their rescue cats, Galleta and Franz.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

Enjoy a limited-time offer of 20% off your next book purchase at Bookshop.org!

Ledia Xhoga‘s debut novel, Misinterpretation, is a reflective and engaging work longlisted for the 2025 Booker Prize. The novel delves into the darker legacies of family and country, exploring the tension between compassion and self-preservation. Additionally, it won the 2024 New York City Book Award for a first book, a prestigious recognition in the literary world. It was a finalist for the 2024 Center for Fiction First Novel Prize.

Set in present-day New York City, the story follows an Albanian interpreter who reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions. Despite her husband’s warnings, she becomes increasingly entangled in her clients’ struggles. Alfred’s nightmares unearth her own buried memories, and an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan. The emotional journey of the protagonist will surely resonate with you.

As a series of ill-fated decisions jeopardize the narrator’s marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania. This trip is a fascinating exploration of the contrast between her life in the United States and her roots back home. Upon returning, she must confront the consequences of her actions and question what is real and what is not.

Ledia Xhoga, the author of Misinterpretation, is an Albanian-American fiction writer and playwright. Her personal experiences and cultural background have deeply influenced her writing. Before earning an MFA in fiction from Texas State University, she worked in publishing in New York City. Her writing, which often explores themes of identity and belonging, has been featured in various journals, including Intrepid Times, Hobart, and KGB Magazine. Originally from Tirana, Albania, she now lives with her family in Brooklyn and the Catskills.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

Enjoy a limited-time offer of 20% off your next book purchase at Bookshop.org!

‘Hurricane Season‘ by Fernanda Melchor, translated by Sophie Hughes, is a literary gem acknowledged by the New York Times as one of the 100 Best Books of the 21st Century. The story opens with the discovery of a dead witch in a village, leading to an investigation into her murder. As the novel unfolds, it offers a unique perspective on the lives of the villagers, each narrating the story from their point of view.

This unique portrayal of the characters, each with flaws and virtues, uncovers new details and acts of depravity. Despite the characters being seen as irredeemable, Melchor extracts some shred of humanity from them, creating a lasting portrait of a doomed Mexican village. This deep connection to Mexican culture is a significant aspect of the novel that will surely resonate with readers interested in this topic.

“Hurricane Season” draws significant literary inspiration from Roberto Bolaño‘s “2666” and Faulkner‘s novels. Like these works, it is set in a world filled with mythology and actual violence that seeps into the surroundings, creating a connection that makes it more terrifying the deeper you explore it.