“The Book of I” by David Greig is a remarkable debut novel from Scotland, shortlisted for both the Highland Book Prize and the Bookmark Book Festival Book of the Year. This unique work offers a philosophical exploration of themes such as guilt, redemption, humanity, love, and the beliefs we hold dear. Told with humor and enhanced by sharply vivid dialogue, David Greig skillfully bridges the gap between our contemporary world and the past.

Set in the year 825 CE, the story unfolds in the aftermath of a brutal attack by northern raiders, leaving an unlikely trio as the sole survivors on a remote Scottish island. The survivors include Brother Martin, a young monk who is the only member of the local monastery to escape martyrdom; Una, a beekeeper and mead maker who has freed herself from her violent husband during the chaos; and Grimur, an aging Norseman who digs himself out of a makeshift grave where his fellow raiders had left him, believing him to be dead.

As the seasons change in this wild and isolated environment, their initial distrust of one another evolves into a complex exploration of the distances and connections among them. “The Book of I” is a unique novel that serves as a philosophical commentary on guilt, redemption, humanity, love, and the beliefs we choose to embrace.

David Greig is a renowned Scottish writer whose plays have been performed extensively across the UK and internationally. His notable works for the theatre include The Strange Undoing of Prudencia Hart, Touching the Void, Midsummer, The Events, Charlie and the Chocolate Factory, Local Hero, and Macbeth (also known as Dunsinane). He served as the Artistic Director of Edinburgh’s Lyceum Theatre from 2015 to 2025. The Book of I marks his debut novel.

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“Discontent” by Beatriz Serrano is a bold and darkly humorous novel that follows a young woman whose carefully constructed office persona starts to unravel when she is compelled to attend her company’s annual retreat. On the surface, Marisa’s life appears enviable. She lives in a beautiful apartment in the heart of Madrid, has a charming neighbor who often spends time with her, and has quickly ascended the ranks at a successful advertising agency.

And yet she’s drowning in a dark hole of existential dread induced by the banality of corporate life. Marisa hates her job and everyone at it. She spends her working hours locked in her office, hiding from her coworkers, bingeing on YouTube videos, and getting high on tranquilizers. When she has the time, she escapes to her favorite museum where she contemplates the meaning of life while staring at Hieronymus Bosch paintings, or tries to get hit by a car so she can go on disability.

However, Marisa’s dubious success, which is primarily built on lies and work she has stolen from others, is in danger of being exposed when she’s forced to attend her company’s team-building retreat. Isolated in the Segovia forests, haunted by the deeply buried memory of a former coworker, and surrounded by psychopathic bosses, overzealous coworkers, flirty retreat staff, and an excess of drugs, Marisa finds herself acting on her wildest impulses. She is pushed to the brink of a complete spiral.

Beatriz Serrano is a striking new voice in international literature. A writer and journalist who has written for publications such as BuzzFeed, Vanity Fair, GQ, Harper’s Bazaar, El País, SModa, and Vogue. Along with writer Guillermo Alonso, she currently co-directs the podcast “Arsenic Caviar“, which won the Ondas Prize for best conversational podcast. Discontent is her first novel. She lives in Madrid.

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“What We Can Know” by Ian McEwan, the critically acclaimed author of nineteen novels and two short story collections, is a remarkable work of fiction and a love story that celebrates both individuals and the words they leave behind. This literary detective story reclaims the present from our sense of impending catastrophe and envisions a future world where not everything is lost.

In 2014, during a dinner for close friends and colleagues, renowned poet Francis Blundy honored his wife’s birthday by reading aloud a new poem dedicated to her, titled “A Corona for Vivien.” As the guests enjoy a delicious meal and drink plenty of wine, little do they know that people will speculate about the meaning of this poem for generations to come. A copy of the poem was never published, and it remains an enduring mystery.

Fast forward to 2119: over one hundred years in the future, rising seas following a catastrophic nuclear accident have submerged much of the Western world. The survivors tormented by the memory of the vibrant world research the world that once existed. In the waterlogged south of what was once England, Thomas Metcalfe, a lonely scholar and researcher, longs for the early twenty-first century as he searches for the elusive poem “A Corona for Vivien.”

Thomas reflects on how wild and full of risk their lives were, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles upon a clue that may lead to the poem’s discovery, he uncovers a story of entangled loves and a brutal crime that shatters his assumptions about people he thought he knew intimately.

Ian McEwan is a critically acclaimed author known for his nineteen novels and two short story collections. His first published work, a collection of short stories titled “First Love, Last Rites,” won the Somerset Maugham Award.

His notable novels include “The Child in Time,” which won the Whitbread Novel of the Year Award in 1987; “The Cement Garden“; “Enduring Love;” “Amsterdam;” which won the Booker Prize in 1998; “Atonement;” “Saturday;” “On Chesil Beach;” “Solar;” “Sweet Tooth;” “The Children Act;” “Nutshell;” and “Machines Like Me,” which became a number-one bestseller.

Several of his works, including “Atonement,” “Enduring Love,” “The Children Act;,” and “On Chesil Beach,” have been adapted into films.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

“Good and Evil and Other Stories” by Samanta Schweblin, translated by Megan McDowell, explores characters who find themselves at a point of no return, captivated by the impending tragedy surrounding them. Vulnerable and deeply human, they become ensnared in moments when the uncanny intrudes upon their lives. Some characters transform, others find themselves isolated, and many oscillate between feelings of guilt and tenderness. All are driven by uncertainty.

Schweblin’s prose employs tension and truth to create a literary universe where the monsters of everyday life come so close that we can almost feel their breath. Her writing evokes both awe and discomfort, placing readers in a state of alarm while transporting them to a world that is both recognizable and strange.

Samanta Schweblin won the 2022 National Book Award for Translated Literature for her story collection Seven Empty Houses. Her debut novel, Fever Dream, was shortlisted for the International Booker Prize, while her book, Little Eyes, and her story collection, Mouthful of Birds, have both been longlisted for the same prize. Her books have been translated into over forty languages, and her stories have appeared in prestigious English publications, including The New Yorker, The Paris Review, Granta, and Harper’s Magazine. Originally from Buenos Aires, Schweblin currently lives in Berlin.

Megan McDowell is the recipient of a 2020 Award in Literature from the American Academy of Arts and Letters and has been short- or longlisted four times for the International Booker Prize. She resides in Santiago, Chile.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

As an amateur historian, I have always enjoyed historical fiction, especially when It helps us redefine the past to be more accurate. Lone Women: A Novel by Victor LaValle is a haunting new vision of the American West from the award-winning author of The Changeling. Blue skies, empty land—and enough room to hide away a horrifying secret. Or is there? I recommend this book.

When I began reading this novel, I was unsure where it was going or what might be hidden in the steamer trunk. I was unaware of this story and found this book a well-written account of forgotten history that must be told and shared with all readers. Stay the course as Lone Women: A Novel reveals the secrets in the Trunk and the fantastic story of lone women who lived in and prospered in the old West.

Lone Women is the twenty-fifth book I have read in 2023. Although I have surpassed my reading goal, I will continue to read.

The Goodreads summary provides an overview,

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk is opened, people around her start to disappear…

The year is 1914, and Adelaide is in trouble. Her secret sin killed her parents and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the “lone women” taking advantage of the government’s offer of free land for those who can cultivate it—except Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing keeping her alive.

Told in Victor LaValle’s signature style, blending historical fiction, shimmering prose, and inventive horror, Lone Women is the gripping story of a woman desperate to bury her past—and a portrait of early twentieth-century America as you’ve never seen.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.

Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.

The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.

One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.

This dialogue could easily be one that Jan and I had.

Of course you want to summon his family—his (adult) children—but quickly, he says no.

Still waiting.

But – When?

Just not yet.

He is not an alarmist. (You are the alarmist.)

The novel is written in two parts – The Vigil and the Post-Mortem.

The opening paragraphs set the tone.

A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.

Whoever it is urging you – Breathe!

Leaning over you begging you – Breathe!

As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.

Among them is grief-vise, which I have written about in this stream.

In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.

In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.

Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.

Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.

The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.

These are some of the other phrases I have found useful and will include in posts.

• If there is no one to love, do we merit existence?
• Never come to the end of kissing.
• The first principle of life is; Breathe.
• Shy in the language of intimacy.
• As if a life lived with strangers could compensate for the emptiness in your heart.
• No purpose in your life. No compass.

What you love most, that you will lose. The price of your love is your loss.

I recommend this book to all readers, even those struggling with grief.

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Today, I dove into Sally Rooney‘s latest novel, “Intermezzo: A Novel,” which instantly captivated me. It’s a profoundly moving exploration of grief, love, and the intricacies of family life, with love at its heart. Reflecting on my journey through grief, I remember how Ms. Rooney‘s earlier work, “Beautiful World, Where Are You,” resonated with me during my second year of processing loss.

It beautifully highlighted love’s enduring nature and reminded me that, even in the depths of sorrow, love’s essence never truly fades. Intermezzo focuses on the fact that, aside from being brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties—successful, competent, and unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women—his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her turbulent past, and their lives become rapidly and intensely intertwined.

In this poignant interlude, we delve into the lives of two brothers grappling with their profound grief, accompanied by those who care for them. It’s a raw journey woven with threads of longing, heartbreak, and the flickering light of hope. Together, they navigate the uncharted territory of loss, uncovering how much the human spirit can withstand before it shatters.

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I started reading “The Book of Love: A Novel” by Kelly Link today. The book showcases her exceptional writing skills, where she channels different forms of love, including friendships, romance, and family ties, with her trademark compassion, wit, and literary prowess. Readers can expect to experience joy, a little terror, and an affirmation that love endures despite challenges.

The story revolves around Laura, Daniel, and Mo, who mysteriously vanished from their hometown in Lovesend, Massachusetts, and were presumed dead. However, almost a year later, they find themselves in a high school classroom with their unremarkable music teacher. The teacher seems to know why they disappeared and what brought them back. They agree to undertake magical tasks to reclaim their lives, allowing them to return to their families and friends, but they can’t reveal where they’ve been. The tasks would lead to winners and losers.

Their resurrection attracts the attention of other supernatural beings with their agendas, which puts the community in danger and chaos. As Laura, Daniel, and Mo try to piece their lives together, and Laura’s sister Susannah tries to make sense of what she remembers, they must solve the mystery of their deaths to prevent a looming disaster.

The story takes place in Lovesend, where readers will experience love and loss, laughter and dread, magic, karaoke, and some delicious pizza.

Four Spirits by Sena Jeter Naslund is a book that I could not put down. It is a page-turner. The title is from the four girls killed at Sunday School in Birmingham. When that happened in 1963, I was only a few years older and the impact brought home to me that we lived in a broken world that required repair. Like Stella Silver in the novel, my life changed as a result of the bombing. 

As my reading list may indicate, I have always preferred non-fiction with a preference for history. Picking this novel up combined my prior reading habits with my desire to read books that my wife, Jan, recommended.

Weaving together the lives of blacks and whites, racists and civil rights advocates, and the events of peaceful protest and violent repression, Sena Jeter Naslund creates a tapestry of American social transformation at once intimate and epic.

In Birmingham, Alabama, twenty-year-old Stella Silver, an idealistic white college student, is sent reeling off her measured path by the events of 1963. Combining political activism with single parenting and night-school teaching, African American Christine Taylor discovers she must heal her own bruised heart to actualize meaningful social change. Inspired by the courage and commitment of the civil rights movement, the child Edmund Powers embodies hope for future change. In this novel of maturation and growth, Naslund makes vital the intersection of spiritual, political, and moral forces that have redefined America.

Stella’s idealism reminded me of how I became the person I am. Change is not easy but, it takes all of us to risk our lives to repair the world so, it works for all of us.

The book’s critical focus on the “intersection of spiritual, political, and moral forces that have redefined America” makes this a must-read. The redefinition has made America a better country but, we may be retreating from that ideal.

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I started reading “Absolution: A Novel” by Alice McDermott today. The opening line immediately grabbed my attention: “You have no idea what it was like. For us. The women, I mean.” In most literature about the Vietnam War, American women, particularly wives, have been minor characters. However, in “Absolution,” they take center stage.

The book follows the story of two women, Tricia, a shy newlywed, and Charlene, a practiced corporate spouse and mother of three. They both found themselves in Saigon in 1963, forming a wary alliance. They balance the era’s mandate to be “helpmeets” to their ambitious husbands with their inchoate impulse to “do good” for the people of Vietnam.

Sixty years later, Charlene’s daughter reaches out to Tricia after encountering an aging Vietnam vet. Together, they look back at their time in Saigon, carefully considering that pivotal year and Charlene’s altruistic machinations. They discover how their lives as women on the periphery have been shaped and burdened by the same unintended consequences that followed America’s tragic interference in Southeast Asia.

This virtuosic new novel from Alice McDermott, one of our most observant and affecting writers, explores themes of folly and grace, obligation, sacrifice, and, finally, the quest for absolution in a broken world.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.