“The Loneliness of Sonia and Sunny” by Kiran Desai is a remarkable and accomplished novel that showcases the talent of one of our greatest contemporary writers. It was shortlisted for the Booker Prize and is a finalist for the Kirkus Prize. The story follows two young individuals as they navigate the various influences that shape their lives, including their country, class, race, history, and the complex relationships that connect different generations.

This novel combines a love story, a family saga, and an exploration of profound themes. When Sonia and Sunny first catch sight of each other on an overnight train, they find themselves captivated yet embarrassed; their grandparents once tried to matchmake them, a well-meaning effort that only drove them apart.

Sonia is an aspiring novelist who has recently completed her studies in the snowy mountains of Vermont and has returned to her family in India. Sonia fears she is cursed by a dark spell cast by an artist who sought intimacy and inspiration from her. Meanwhile, Sunny, a struggling journalist who has relocated to New York City, is trying to escape his domineering mother and the violence of his feuding family.

Uncertain about their futures, Sonia and Sunny embark on a journey to find happiness together as they confront the various forms of alienation present in our modern world.

Kiran Desai is renowned for her novels, “Hullabaloo in the Guava Orchard” and “The Inheritance of Loss,” the latter of which won both the Booker Prize and the National Book Critics Circle Award. Born in India, she moved to the United States at the age of sixteen and currently resides in New York City.

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“The Wilderness” by Angela Flournoy is a remarkable and multifaceted follow-up to her critically acclaimed debut, “The Turner House.” A true talent, Flournoy skillfully captures how five women form deep, lasting connections over a lifetime, often reflecting the complex and uncertain nature of friendship, with sharp wit and vibrant language. The book is a finalist for the 2025 Kirkus Prize for Fiction and longlisted for the 2025 National Book Award for Fiction.

This era-defining novel centers on the lives of five Black women as they navigate their twenty-year friendship, moving through the dizzying and sometimes precarious transition from young adulthood to midlife. It is a highly anticipated second book from National Book Award finalist Angela Flournoy.

Desiree, Danielle, January, Monique, and Nakia are all in their early twenties, beginning their careers, marriages, and motherhood, while also settling into their big-city lives in New York and Los Angeles. Together, they are finding their path through the wilderness—an overwhelming, mysterious period of life filled with both freedom and consequences.

Desiree and Danielle, sisters whose shared history has only deepened their estrangement, cope with painful family wounds in different ways. January finds herself in a relationship with a “good” man but feels ambivalent about him, especially following her unexpected pregnancy. Monique, a librarian and aspiring blogger, unexpectedly gains online fame after calling out her university for its plans to whitewash its complicated history. Meanwhile, Nakia is striving to establish her restaurant without relying on her upper-middle-class family, who question whether she should pursue a more conventional career.

As these friends transition from the late 2000s into the late 2020s, evolving from young adults into grown women, they must discover what they mean to each other amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life.

Angela Flournoy is the author of “The Turner House“, which was a finalist for the National Book Award, the Center for Fiction First Novel Prize, and selected as a Barnes & Noble Discover Great New Writers choice. It was also an Indie Next pick and recognized as a New York Times Notable Book of the Year.

Her fiction has appeared in The Paris Review, and she has written for The New York Times, The New Yorker, the Los Angeles Times, and other publications.

A graduate of the Iowa Writers’ Workshop, Flournoy has taught at the University of Iowa, Princeton University, and UCLA. She currently lives in New York.

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In a raw and unflinching memoir, Eli Sharabi, a survivor of 491 days in Hamas captivity, recounts his harrowing ordeal in “Hostage: A Memoir.” He was abducted from Kibbutz Be’eri on October 7, 2023. In this powerful narrative, he shares the profound loss of his wife and daughters along with his unwavering determination to survive. Comparisons can be drawn to Elie Wiesel‘s “Night” and Laura Hillenbrand‘s “Unbroken.” “Hostage” stands as a significant testimony to history, ensuring that his experience will neither be forgotten nor erased.

“I refuse to let myself drown in pain. I am surviving. I am a hostage in the heart of Gaza, a stranger in this unfamiliar land, living with a family that supports Hamas. And I am getting out of here. I have to. I’m getting out of here. I’m coming home.” — Eli Sharabi.

On October 7, 2023, Hamas terrorists stormed Kibbutz Be’eri, shattering the peaceful life Eli Sharabi had built with his British wife, Lianne, and their teenage daughters, Noiya and Yahel. Dragged barefoot out his front door while his family watched in horror, Sharabi was plunged deep into the suffocating darkness of Gaza’s tunnels. As war raged above him, he endured a grueling 491 days in captivity, all the while holding onto the hope that he would one day be reunited with his loved ones.

Eli Sharabi‘s story is one of hunger and heartache, of physical pain, longing, loneliness, and a helplessness that threatens to destroy the soul. But it is also a story of strength, of resilience, and of the human spirit’s refusal to surrender. It is about the camaraderie forged in captivity, the quiet power of faith, and one man’s unrelenting decision to choose life, time and time again.

In the first memoir by a released Israeli hostage, and the fastest-selling book in Israel’s history, Sharabi offers a searing firsthand account of survival under unimaginable conditions—starvation, isolation, physical beatings, and psychological abuse at the hands of his captors.

Franklin Foer‘s essay –The Existential Heroism of the Israeli Hostages – was written about Hostage. His closing paragraph eloquently summarizes how hope can persist even in our darkest days. 

“This weekend, on the cusp of the release of the last 20 living hostages in Gaza, Donald Trump’s son-in-law Jared Kushner stood in the plaza in front of the Tel Aviv Museum of Art, dubbed Hostages Square, to address a jubilant throng. He called the hostages’ release the end of a nightmare. In reality, the nightmare never ends; trauma that endures for generations is the surest outcome of this war. But we also know that the hostages are going home, living proof that hope can persist even in the darkest hole.”

Eli Sharabi is a former hostage who survived 491 days in Hamas captivity after being abducted from Kibbutz Be’eri on October 7, 2023. Since his release, Sharabi has become a global advocate for the remaining hostages. He has met with world leaders, including former US President Donald Trump, spoken at the United Nations, and shared his story with audiences around the world. His memoir, *Hostage*, which is the first published account by a released Israeli hostage, quickly became a number one bestseller in Hebrew and the fastest-selling book in Israeli history.

Born in Tel Aviv to Yemenite and Moroccan parents, Sharabi moved to Be’er Sheva as a teenager. He later married Lianne, a British woman, and they have two daughters, Noiya and Yahel, aged sixteen and thirteen. A longtime resident of Be’eri, Sharabi worked as the Kibbutz’s business manager and served as the Chief Financial Officer for Be’eri Printing and other private companies in Israel. He continues to work tirelessly as a leader in the campaign for the release of captives.

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Karen Russell‘s The Antidote, a finalist in the fiction category for the 2025 National Book Award, serves as a profound reckoning with a nation’s tendency to forget. It addresses the settler amnesia and deliberate omissions that have been passed down through generations, revealing not only horrors but also shimmering possibilities. The Antidote resonates with urgent warnings about our current climate emergency, prompting readers to reflect on what might have been and what is still possible.

The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the Dust Bowl drought but beneath its own violent histories.

The Antidote follows a “Prairie Witch,” whose body serves as a bank vault for peoples’ memories and secrets; a Polish wheat farmer who learns how quickly a hoarded blessing can become a curse; his orphan niece, a basketball star and witch’s apprentice in furious flight from her grief; a voluble scarecrow; and a New Deal photographer whose time-traveling camera threatens to reveal both the town’s secrets and its fate.

Karen Russell is the author of six fiction books, including the New York Times bestsellers Swamplandia! and Vampires in the Lemon Grove. She is a MacArthur Fellow, a Guggenheim Fellow, and a Pulitzer Prize finalist.

She has received two National Magazine Awards for Fiction, the Shirley Jackson Award, the 2023 Bottari Lattes Grinzane Prize, and the 2024 Mary McCarthy Prize, and was selected for the National Book Foundation’s 5 Under 35 award and The New Yorker’s 20 Under 40 list (she is now decisively over forty).

She serves on the board of Street Books, a mobile library for people living outdoors. Born and raised in Miami, Florida, she lives in Portland, Oregon, with her husband, son, and daughter.

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“North Sun: Or, the Voyage of the Whaleship Esther” by Ethan Rutherford is a finalist for the fiction category of the 2025 National Book Award. With one foot firmly planted in the traditional sea-voyage narrative, and another in a blazing mythos of its own, this debut novel looks unsparingly at the cost of environmental exploitation and predation, and in doing so feverishly sings not only of the past, but to the present and future as well.

Setting out from New Bedford in 1878, the crew of the Esther is confident the sea will be theirs: in addition to cruising the Pacific for whales, they intend to hunt the teeming northern grounds before the ice closes. But as they sail to their final destination in the Chukchi Sea, where their captain Arnold Lovejoy has an urgent directive of his own to attend to, their encounters with the natural world become more brutal, harrowing, ghostly, and strange.

Ethan Rutherford‘s fiction has appeared in BOMB, Tin House, Electric Literature, Ploughshares, One Story, American Short Fiction, Conjunctions, and The Best American Short Stories. He is the author of two story collections–Farthest South (Deep Vellum, 2020) and The Peripatetic Coffin and Other Stories (Ecco, 2013)–and for these works has been named a finalist for the Los Angeles Times Art Seidenbaum Award for First Fiction, a finalist for the John Leonard Prize and CLMP’s Firecracker Award, received honorable mention for the PEN/Hemingway Award, was a Barnes & Noble Discover Great New Writers selection, and was the winner of a Minnesota Book Award.

Born in Seattle, Washington, he received his MFA in Creative Writing from the University of Minnesota and now teaches Creative Writing at Trinity College. He lives in Hartford, Connecticut, with his wife and two children.

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“Heart the Lover” by Lily King, the bestselling author of “Writers & Lovers,” is a beautifully intimate novel that explores themes of desire, friendship, and the lasting impact of first love. It renewed my belief that love is the most potent force in the world. Wise and unforgettable, with a delightful connection to “Writers & Lovers,” this is King at her best, solidifying her reputation as a masterful chronicler of the human experience and one of the finest novelists writing today.

You knew I’d write a book about you someday.

Our narrator has a deep understanding of good love stories—their secrets, subtext, highs, and lows. However, her most incredible love story, which she experienced herself, does not adhere to the conventional rules.

In the fall of her senior year in college, she meets two star students from her 17th-century Literature class: Sam and Yash. These best friends, who live off campus in the elegant house of a professor on sabbatical, invite her into their captivating world of academic enthusiasm, quick-witted banter, and lively card games. They nickname her Jordan, and she quickly discovers the joys of friendship, love, and her own intellectual ambition. Yet, youthful passion is unpredictable, and before long, she finds herself at the center of a complex and charged triangle. As graduation approaches, the choices made will alter the lives of the three of them forever.

Decades later, the vulnerable days of Jordan’s youth seem comfortably behind her. However, when a surprise visit and unexpected news bring the past crashing into the present, she returns to the world she left behind and must confront the decisions and deceptions of her younger self.

Written with the sharp wit and emotional sensitivity that fans and critics of Lily King admire, Heart the Lover is a profoundly moving love story that celebrates literature, forgiveness, and the transformative bonds that shape our lives.

Lily King is a bestselling author on the New York Times list, known for her six novels, including Euphoria and Writers & Lovers, as well as a collection of short stories titled Five Tuesdays in Winter. Her writing has garnered several prestigious awards, including the Kirkus Prize, the New England Book Award for Fiction, the Maine Book Award for Fiction, and a Whiting Award. Her books are read worldwide in twenty-eight different languages. She resides in Portland, Maine.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

The Last White Man by Mohsin Hamid is a story of love, loss, and rediscovery in a time of unsettling change. One morning, Anders, the novel’s protagonist,  wakes to find that his skin has turned dark, his reflection a stranger to him. At first, he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land.

In Mohsin Hamid’s “lyrical and urgent” prose (O Magazine), The Last White Man powerfully uplifts our capacity for empathy and the transcendence over bigotry, fear, and anger it can achieve.

I highly recommend this book. It was a page-turner that kept me thinking about love, loss, and rediscovery. All three are subjects close to my heart since Jan’s death.

I decided to read the book after hearing an interview with the author on All of It on WNYC.

One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.

Hamid’s The Last White Man invites us to envision a future – our future – that dares to reimagine who we think we are, and how we might yet be together.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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A Feather on the Water by Lindsay Jayne Ashford is an excellent historical fiction of the post-was era for displaced people. I highly recommend it. The tagline reads, “for three women in postwar Germany, 1945 is a time of hope—lost and found.” I have always enjoyed historical fiction, and A Feather on the Water seemed like a perfect choice.

The opening paragraphs confirmed my decision, as Martha, one of the three women, escapes from her abusive husband in Williamsburg, Brooklyn. Martha and the two other characters, Delphine and Kitty, come to life with Ms. Ashford’s gifted pen.

Like a feather in the water, our lives continue despite the trials and tribulations we must confront.

The Goodreads summary provides an overview.

Just weeks after World War II ends, three women from different corners of the world arrive in Germany to run a displaced-persons camp. They long to help rebuild shattered lives—including their own.

For Martha, going to Germany provides an opportunity to escape Brooklyn and a violent marriage. Arriving from England is orphaned Kitty. She hopes working at the camp will bring her closer to her parents, last seen before the war began. For Delphine, Paris has been a city of ghosts after her husband and son died in Dachau. Working at the camp is her chance to find meaning again by helping other victims of Hitler’s regime.

Charged with the care of more than two thousand camp residents, Martha, Delphine, and Kitty draw on each other’s strength to endure and to give hope when all seems lost. Among these strangers and survivors, they might find the love and closure they need to heal their hearts and leave their troubled pasts behind.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. All donations are tax-deductible.

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“Fair Play” by Louise Hegarty is a captivating and playful novel that is both insightful and profoundly moving. It delves into the complexities of the human heart while challenging our perceptions of a beloved genre. Fans of Anthony Horowitz and Lucy Foley will appreciate this wonderfully original and genre-defying debut from Ireland. The book pays tribute to the brilliant detective novels of the early twentieth century but with a modern twist that will keep readers on the edge of their seats.

A group of friends, each with their quirks and secrets, gathers at an Airbnb to celebrate New Year’s Eve. It’s Benjamin’s birthday, and his sister, Abigail, is hosting a Jazz Age Murder Mystery-themed party. As the night unfolds, they enjoy champagne, devour hors d’oeuvres, and form or strain relationships. Someone kisses the wrong person, and someone else’s heart breaks. The setting, a grand mansion with its mysteries, adds an extra layer of intrigue to the story.

By morning, everyone wakes up—except for Benjamin.

As Abigail struggles to come to terms with her brother’s death, an esteemed detective arrives, determined to find Benjamin’s killer. The mansion is now filled with a butler, gardener, and housekeeper, making everyone a suspect, and nothing is quite as it seems. The detective’s arrival not only adds a layer of suspense but also brings a sense of hope as the characters cling to the possibility of justice and closure.

Will the culprit be revealed? And how can Abigail, feeling lost and alone, begin to piece her life back together in the wake of this tragedy?

Gripping yet playful, sharp yet profoundly moving, *Fair Play* explores the depths of the human heart while subverting one of our most beloved genres. It’s a twisty murder mystery that’s both classic and contemporary, along with a poignant exploration of grief and loss.

Louise Hegarty‘s work has appeared in Banshee, The Tangerine, The Stinging Fly, and The Dublin Review. It has also been featured on BBC Radio 4’s Short Works. She was the inaugural winner of the Sunday Business Post/Penguin Ireland Short Story Prize. Her short story “Getting the Electric” has been optioned by Fíbín Media. Louise resides in Cork, Ireland.

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Weather: A Novel by Jenny Offil was a book that I was confused and uncertain if I wanted to finish for the first few pages. I am delighted that I did, and I highly recommend this book. Its brief diary-like dispatches about life in our time when we sense that we may all be doomed to a climate catastrophe made this a book I truly enjoyed reading. The subtext of the rise of right-wing strongmen in the USA and abroad adds to the crisis her dispatches describe.

Her Obligatory Note of Hope challenges all of us to engage in solutions instead of accepting doom.

How can we contribute to the common good? There are people all over the world trying to answer these questions. In big ways but also in small ways. In grand leaps but also in fits and starts.

I always thought it was ridiculous to try and fight for social change when I couldn’t even get my own house in order. How could a meat-eating, plane-flying, march-hating person like me ever find a place in the climate justice movement? But then I started to read about all the different ways ordinary people were refusing to give into fatalism and were exploring the possibilities of what they could do, what they might fight for in this half-ruined world of ours.

There were saints among these accidental activists, but also stone-cold hypocrites like me. Slowly, I began to see collective action as the antidote to my dithering and despair.

There’s a way in for everyone. Aren’t you tired of all this fear and dread?

Goodreads provides an overview of the book if you are not yet convinced to read it.

 Lizzie Benson is a very relatable woman who slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practice her other calling: a fake shrink. She has tended to her God-haunted mother and her recovering addict brother for years. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with her husband and son before her old mentor, Sylvia Liller, proposes. She wants to hire Lizzie to answer the mail she receives: left-wingers worried about climate change and right-wingers concerned about the decline of western civilization. Sylvia has become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization.

As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you’ve seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience. But she still tries to save everyone, using everything she’s learned about empathy and despair, conscience and collusion, floundering the library stacks her years of wa.. And all the while the voices of the city keep floating in—funny, disturbing, and increasingly mad.

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The School for Good Mothers by Jessamine Chan is a searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages.

Although it has been forty-two years since I became a parent, I still remember the anxiety of being a father. What if I could not be a good dad? Fortunately, I never had a bad like Frida. or lived in an age where parents would be sent to “a Big Brother-like institution that measures the success or failure of a mother’s devotion.”

Reading The School for Good Mothers was a reminder that solutions like this are possible unless we are willing to invest in families so that the skills and support are there to resolve any issues in the home. As a widow, I found Frida’s inner dialogue comparable to the early stages of my grief journey—the total isolation and fear of failing dominated my first months of mourning.

The School for Good Mothers had been on my book list since the middle of last year. I recommend it without reservations! Jan would have already read it, and we would be debating its fine points.

The Goodreads summary provides an overview,

In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

Until Frida has a very bad day.

The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.

Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.

Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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In the style of Jenny Offill and inspired by Nora Ephron‘s humorous and poignant writing on heartbreak and womanhood, “Maggie, or A Man and a Woman Walk Into a Bar” by Katie Yee is a masterclass in transforming personal tragedy into bold comedy. This debut novel has been recognized as a New York Times Notable Book and in Time’s list of 100 Must-Read Books of 2025, along with features in many other publications.

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie.

A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie.

Unfolding in fragments over the following months, Maggie, or a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation. She starts talking to Maggie (the tumor), getting acquainted with her body’s new inhabitant. She overgenerously creates a “Guide to My Husband: A User’s Manual” for Maggie (the other woman), hoping to ease the process of discovering her ex-husband’s whims and quirks. She turns her children’s bedtime stories into retellings of Chinese folklore passed down by her mother, in an attempt to help them fall in love with their shared culture—and perhaps save herself in the process.

Katie Yee is a writer based in Brooklyn. She has received fellowships from the Center for Fiction, the Asian American Writers’ Workshop, and Kundiman. Her work has been published in the Los Angeles Review of Books, No Tokens, The Believer, Washington Square Review, Triangle House, Epiphany, and Literary Hub. During the day, she works at the Brooklyn Museum, and at night, she writes—often under the watchful eye of her judgmental rescue dog, Ollie.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!