Jan Lilien and Richard Brown, Wedding Day, August 9, 1975

Widow Time is Non-Linear

Memories Are No Longer Chronological

Estimated reading time: 2 minutes, 48 seconds

Since Jan died almost two years ago, I have written about my grief journey but have only discussed it with a few people. Many but not all of these were fellow widows.

If the death of my parents was like “losing the bookend to a row of books,” as Rebecca Makkai described it in I Have Some Questions for You, Jan’s death was the collapse of the entire bookcase.

Have I been lonely? Devastated? In crisis?

The answer is yes to these questions and dozens more that I have experienced on my grief journey.

Reading Widow, a short story by Margaret Atwood in Old Babes in the Wood, reminded me of how I felt when Jan died and why I have defined my path to healing and recovery.

Nell, the protagonist in Widow, is writing a letter to a friend she will never send because it speaks to the harsh reality that grief imposes upon us.

Margaret Atwood writes,

Have I gone into the dark tunnel, dressed in mourning black with gloves and a veil, and come out the other end, all cheery and wearing bright colors and loaded for bear?

No. Because it’s not a tunnel. There isn’t any other end. Time has ceased to be linear, with life events and memories in a chronological row, like beads on a string. It’s the strangest feeling, or experience, or rearrangement. I’m not sure I can explain it to you.

As much as it might have appeared that I was in a dark tunnel after Jan died, I was not and am not now. There is indeed no defined end to the grief journey.

We all must learn how to live without our loved ones. The pathway I have chosen may not work for anyone else.

Because of how time-warped, Nell was confident that “Tig isn’t exactly gone.

Atwood speaks the same way I feel when I say that Jan is still with me,

You’d jump immediately to ghosts, or delusional states on my part, or dementia, but none of those would apply. You will understand it later, perhaps, this warping or folding of time. In some parts of this refolded time, Tig still exists, as much as he ever did.

When I write about how Jan and I met and married, I think the same way Nell feels about Tig. Jan is not exactly gone, and I know she is still with me and always will be with me.

Grief has been an outstanding teacher, and it has taught me to live life fully.

By living fully, I know I am not only doing what Jan wanted me to do, but if we were to meet now, she would see someone she could love, not someone so drained by a loss that they are an empty shell.

Have I chosen wisely?


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Bringing Jan With Me!

Although I focused on what I had lost in the initial hours and days after Jan died, the only way forward was to focus on what I gained, not what I lost.

My addition calculation begins with Merrit Malloy's poem Epitaph, which was read at Jan's funeral and will be a part of mine.

Love doesn't die, People do. So, when all that's left of me Is love, Give me away.

2 comments add your comment

  1. Grieving is the hardest part of life, but our family would love us to continue our lives!! As you said, Jan wanted you to keep going and going!!

    • Thanks, Hugo. Love never dies, but those who survive must continue to live and share the love with others. Jan and I liked Merrit Malloy’s Epitaph, and that poem commands me to give her away when all that was left of Jan was her love!

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Jan Lilien and Richard Brown, Wedding Day, August 9, 1975
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Grand Rapids: A Novel

Read: January 2026

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Grand Rapids: A Novel

by Natasha Stagg

Natasha Stagg‘s “Grand Rapids” is a coming-of-age story set in the Michigan suburbs in the early 2000s. Alexander Calder’s public sculpture, “La Grande Vitesse”, installed alongside the Grand River in downtown Grand Rapids, has become a symbol of the city. Tess moved there from Ypsilanti, Michigan, in 2001—the same year her mother passed away, marking the beginning of a time when everything felt like it was moving in slow motion for her.

Thrust into adolescence nearly rudderless, fifteen-year-old Tess is intoxicated, angsty, and sexually awake. A decade later, inspired by diary entries and TV reruns, she remembers this summer in the suburbs as the one that redefined her. Its echoes of death are frozen in time, like the waves represented in Calder’s sculpture or the concrete steps leading down to the churning river. She sees Grand Rapids as a collection of architecture and emblems, another home to which she cannot return.


Natasha Stagg is the author of Surveys: A Novel (2016), Sleeveless: Fashion, Image, Media, New York 2011–2019 (2019), and Artless: Stories 2019–2023 (2023). She lives in New York City.



Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!


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All Fours: A Novel

Read: May 2024

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All Fours: A Novel

by Miranda July

Today, I started reading All Fours: A Novel by Miranda July. A semi-famous artist announces her plan to drive cross-country from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.

Miranda July’s second novel, a testament to her unique approach to fiction, confirms the brilliance of her storytelling. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.



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The Wilderness

Read: October 2025

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The Wilderness: A Novel

by Angela Flournoy

The Wilderness” by Angela Flournoy is a remarkable and multifaceted follow-up to her critically acclaimed debut, “The Turner House.” A true talent, Flournoy skillfully captures how five women form deep, lasting connections over a lifetime, often reflecting the complex and uncertain nature of friendship, with sharp wit and vibrant language. The book is a finalist for the 2025 Kirkus Prize for Fiction and longlisted for the 2025 National Book Award for Fiction.

This era-defining novel centers on the lives of five Black women as they navigate their twenty-year friendship, moving through the dizzying and sometimes precarious transition from young adulthood to midlife. It is a highly anticipated second book from National Book Award finalist Angela Flournoy.

Desiree, Danielle, January, Monique, and Nakia are all in their early twenties, beginning their careers, marriages, and motherhood, while also settling into their big-city lives in New York and Los Angeles. Together, they are finding their path through the wilderness—an overwhelming, mysterious period of life filled with both freedom and consequences.

Desiree and Danielle, sisters whose shared history has only deepened their estrangement, cope with painful family wounds in different ways. January finds herself in a relationship with a “good” man but feels ambivalent about him, especially following her unexpected pregnancy. Monique, a librarian and aspiring blogger, unexpectedly gains online fame after calling out her university for its plans to whitewash its complicated history. Meanwhile, Nakia is striving to establish her restaurant without relying on her upper-middle-class family, who question whether she should pursue a more conventional career.

As these friends transition from the late 2000s into the late 2020s, evolving from young adults into grown women, they must discover what they mean to each other amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life.


Angela Flournoy is the author of “The Turner House“, which was a finalist for the National Book Award, the Center for Fiction First Novel Prize, and selected as a Barnes & Noble Discover Great New Writers choice. It was also an Indie Next pick and recognized as a New York Times Notable Book of the Year.

Her fiction has appeared in The Paris Review, and she has written for The New York Times, The New Yorker, the Los Angeles Times, and other publications.

A graduate of the Iowa Writers’ Workshop, Flournoy has taught at the University of Iowa, Princeton University, and UCLA. She currently lives in New York.



Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!


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A Parish Chronicle

Read: February 2026

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A Parish Chronicle

by Halldór Laxness

In “A Parish Chronicle,” celebrated novelist Halldór Laxness weaves an essayistic tale about the unlikely miracles that keep a church—destined to disappear time and again—rooted on the same hillside. Laxness explores the minutiae of history, from the location of the ancient burial mound of national hero Egill Skallagrímsson to the end of the 19th century, where weak-sighted Ólafur and boisterous farmhand Gunna each play unexpected roles in the parish’s enduring survival.

1882. In the still of morning, Ólafur sharpens his scythe on the bone-dry pavestones that separate his farmhouse from the rest of Mosfell Valley, where life revolves around sheep. The sound of his hammer rings out like a high-pitched bell over the tussocky fields. Across the valley, perched on a hill that receives more sunshine than others, stands Mosfell Church. Nearby, the parish priest’s maid Gunna pours her “slosh,” a weak cup of coffee. Further afield in Reykjavík (“down south” as the locals say), the general assembly decides to revisit an old plan to cut costs by consolidating small parishes and calls for the demolition of Mosfell. Yet today a church stands on that same hillside—its sharp steeple silhouetted against the clouds, its crown bell hanging to the left of the altar.

This intimate tribute to life in Laxness‘s home valley also offers a thoughtful commentary on how the peculiarities of certain individuals can shape history. “A Parish Chronicle” is rich with life and detail.


Halldór Laxness (1902-1998) is the undisputed master of modern Icelandic fiction. He was awarded the Nobel Prize in Literature in 1955, “for his vivid epic power which has renewed the great narrative art of Iceland.” His body of work includes novels, essays, poems, plays, stories, and memoirs: more than sixty books in all. His works available in English include Independent People, The Fish Can Sing, World Light, Under the Glacier, Iceland’s Bell, and Paradise Reclaimed.

Philip Roughton has translated the work of Halldór Laxness, Jón Kalman Stefánsson, Kristín Marja Baldursdóttir, and many others. He has twice been awarded the American-Scandinavian Foundation Translation Prize for his renderings of Halldór Laxness‘s work, in 2001 for Iceland’s Bell and in 2015 for Wayward Heroes. He also received the 2016 Oxford-Weidenfeld Prize for his translation of Jón Kalman Stefánsson’s The Heart of Man. He lives in Iceland. Translator Residence: Akureyri, Iceland

Salvatore Scibona is the recipient of a Mildred and Harold Strauss Living Award from the American Academy of Arts and Letters. His first novel, The End, was a finalist for the National Book Award and winner of the Young Lions Fiction Award. His second novel, The Volunteer, was called a “masterpiece” by the New York Times and won the Ohioana Book Award. His books have been translated into ten languages. His work has won a Guggenheim Fellowship, a Pushcart Prize, an O. Henry Award, and a Whiting Award, and the New Yorker named him one of its “20 Under 40” fiction writers. He is the Sue Ann and John Weinberg Director of the Cullman Center for Scholars and Writers at the New York Public Library.



Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!


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Bodily Harm

Read: June 2021

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Bodily Harm

by Margaret Atwood

Bodily Harm by Margaret Atwood is one of the books I picked up from our bookshelf in the first few months after Jan’s death. Being someone who has always fantasized about being a journalist, I found it very interesting.

A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges.  Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply.  By turns comic, satiric, relentless, and terrifying, Margaret Atwood’s Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love.

Bodily Harm may be the bleakest book that Ms. Atwood has written. One of her common themes is “the violence that human beings inflict on one another and their isolation in an uncaring world. It holds out some hope in the form of compassion to be shared by those who are victims of bodily harm in any form. The novel suggests that every person falls into this category. All are victims. There is no exemption, no escape for anyone.”

I recommend this book.

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Remarkably Bright Creatures

Read: January 2024

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Remarkably Bright Creatures

by Shelby Van Pelt

Today, I recommended reading “Remarkably Bright Creatures” by Shelby Van Pelt. It’s a charming, witty, and compulsively readable exploration of friendship, reckoning, and hope. The novel traces the unlikely connection of a widow with a giant Pacific octopus, making it perfect for fans of “A Man Called Ove.” Shelby Van Pelt’s debut novel is a gentle reminder that sometimes, looking at the past can help uncover a future that once felt impossible.

The story follows Tova Sullivan, who works the night shift at the Sowell Bay Aquarium after her husband dies. Tova has been coping with loss since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago.

While at the aquarium, Tova becomes acquainted with Marcellus, a grumpy giant Pacific octopus who refuses to cooperate with his human captors. However, Marcellus forms a remarkable friendship with Tova and helps her uncover the truth about her son’s disappearance.

As a detective, Marcellus uses his invertebrate body to deduce what happened when Tova’s son disappeared. Together, they embark on a journey to unearth the truth before it’s too late.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.



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