On Sunday, Jan and I participated in a Refugee and Asylum Action Advocacy Training sponsored by HIAS. America is an idea. Now is the time to welcome the stranger and protect the refugees. #JewsforRefugees
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by Percival Everett
I started reading “James: A Novel” by Percival Everett, my fiftieth book this year. After reading only a few pages, I knew I had selected the perfect novel. The story revolves around an enslaved man named Jim who overhears that he is about to be sold to a man in New Orleans, separating him from his wife and daughter forever. In response, he decides to hide on nearby Jackson Island while formulating a plan.
Simultaneously, we encounter Huck Finn, who has staged his death to flee his abusive father and has recently resurfaced in town. The narrative unfolds as they embark on a perilous journey, navigating the Mississippi River on a raft. Each turn brings floods, storms, and unexpected encounters, including a run-in with the Duke and Dauphin.
While the familiar elements of ‘Adventures of Huckleberry Finn‘ are present, ‘James: A Novel‘ offers a unique perspective. It illuminates Jim’s agency, intelligence, and compassion, challenging our preconceived notions and offering a fresh take on a classic narrative.
‘James: A Novel‘ is not just a book; it’s a cornerstone of twenty-first-century American literature. It’s a testament to Everett’s literary prowess, solidifying his status as a true icon in the literary world.
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by Helen Garner
Today, I began reading Monkey Grip: A Novel by Helen Garner. It’s a book that launched the career of one of Australia’s most celebrated writers. The story follows the infatuations of a young, single mother fascinated by the excesses of Melbourne’s late-70s counterculture. Monkey Grip is a seminal novel about Australia’s turbulent 1970s, including communal households, music, friendships, children, love, drugs, and sex.
Helen Garner is a renowned novelist, short-story writer, and journalist. She’s best known for her frank, unsparing, and intricate portrayals of Australian life, often drawn from the pages of her journals and diaries. A new US edition of her debut novel, which establishes Garner’s masterful and quietly radical literary voice, is now available.
The novel is set in Australia during the late 1970s and tells the story of Nora, a single mother and writer. Nora navigates Melbourne’s bohemian underground with her young daughter, Gracie, in tow. Nora falls in love with Javo, a flighty man trapped in his addiction. As their relationship disintegrates, Nora struggles to wean off a love that feels impossible to live without.
When Monkey Grip was first published in 1977, it caused a sensation. Critics praised Garner for her craft, but many criticized her gritty depictions of the human body, frankness about sex and drugs, the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece.
by K-Ming Chang
I recently started reading ‘Organ Meats: A Novel‘ by K-Ming Chang. The story follows the journey of two best friends, Anita and Rainie, who find solace under the shade of an old sycamore tree and some stray dogs. The tree is believed to have the power to communicate with humans. As the girls explore their surroundings, they discover they are connected to a long line of dog-headed women and woman-headed dogs.
Anita convinces Rainie to become a dog like her, and they tie red string collars around their necks to symbolize their bond. However, their friendship is tested when they separate, and Anita enters a dream world. As Anita’s physical body begins to decay, Rainie takes it upon herself to rebuild her friend’s body and save her from being lost forever.
The story is filled with ghosts and vivid descriptions of the human body, portraying the beauty and horror of intimacy, all written in K-Ming Chang’s unique poetic style.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Henry Louis Gates Jr
Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow by Henry Louis Gates Jr. is a must-read book, especially with white nationalism on the rise.
I read this book when Jan began her chemotherapy. Although the book’s subject – the retreat from reconstruction – was one I studied in college, at times, I found it hard to focus on the material and my wife’s health at the same time. I stayed on the stony road as it is a subject we need to understand if we are going to correct the past failures.
As The New York Times wrote,
Henry Louis Gates Jr.’s “Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow,” an indispensable guide to the making of our times, addresses 2017’s mystifications. The book sets the Obama era beside Reconstruction and the Trump era beside the white supremacist terrorism of Redemption, the period beginning in 1877 during which Reconstruction’s nascent, biracial democracy was largely dismantled. Gates juxtaposes the optimism of Reconstruction, the despair of Redemption, and the promise of the New Negro movement — the effort by black Americans, starting around the turn of the 20th century, to craft a counternarrative to white supremacy. In doing so, “Stony the Road” presents a bracing alternative to Trump-era white nationalism.
Growing up in the Jim Crow south, I was well aware of white nationalism. This book is an essential read if we are going to make America a multi-racial democracy.
by Walt Hunter
The Singing Word: 168 Years of Atlantic Poetry, edited by Walt Hunter, celebrates the people, land, and spirit of America. This remarkable collection showcases a wide range of contemporary and historical poetry from the 168-year archive of The Atlantic magazine. Since its first issue in 1857, the poetry published in The Atlantic has drawn attention to the nation’s ongoing journey of self-discovery.
The magazine’s verse has featured odes to American leaders and landscapes, laments for the dead, and calls for change, appealing to the enduring ideals of Atlantic readers.
This one-of-a-kind collection selects poems of rousing optimism, clear-eyed realism, and moving lyricism—poems infused with the language of America’s songs, myths, and history, from the Civil War up through the present in three rich parts: National Anthems, Natural Lines, and Personal Mythologies.
Curated by The Atlantic’s Poetry Editor, this anthology features both world-famous poets—from Longfellow to Limón, including Robert Frost, W. S. Merwin, Sylvia Plath, and Adrienne Rich—as well as poets whose work has never before been published outside of the magazine.
Offering readers an essential understanding of American canon and the evolving nation, its poets have yearned to capture—the poetry of The Atlantic is the poetry of America.
Walt Hunter is a professor of twentieth- and twenty-first-century literature and chair of the English department at Case Western Reserve University. He is also the fiction and poetry editor for The Atlantic.
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by Gabriella Burnham
Today, I began reading Wait: A Novel by Gabriella Burnham. This story is told with deep insight, humor, and an unexpected tenderness that will captivate you. The novel revolves around a family struggling against the societal issues that deteriorate their bonds, such as housing instability, immigration policies, and inherited wealth. At its core, it is also a tale about love, humor, and sisterhood, highlighting how two sisters lean on each other amid monumental changes while dreaming of a brighter future.
Elise is out dancing the night before her college graduation when her younger sister, Sophie, calls to inform her that their mother is missing. Elise promptly booked the next flight back to her childhood home on Nantucket Island, which she hadn’t visited in nearly four years.
Upon her return, the sisters are confronted with the harsh reality that their mother was stopped by the police while returning home from work and deported to São Paulo, Brazil. Despite the daunting odds, Elise boldly decides to stay fueled by her love for her mother and takes the same job she had during high school: monitoring endangered birds.
Meanwhile, her college best friend, Sheba—a lively socialite and heir to a famous children’s toy company—reveals that she has inherited her grandfather’s summer mansion on Nantucket. As Elise navigates her new reality, her worlds collide as she faces the emotional and material challenges that have fractured her family and the life in Brazil that her mother has been forced to leave behind.
Gabriella Burnham‘s debut novel, It Is Wood, It Is Stone, was named a best book of the year by Harper’s Bazaar, Marie Claire, Publishers Weekly, and Good Housekeeping. She holds an MFA in creative writing from St. Joseph’s College and has been awarded fellowships to Yaddo and MacDowell, where she was named a Harris Center Fellow. Her nonfiction writing has appeared in Harper’s Bazaar. Burnham and her partner live in Brooklyn, New York, with their rescue cats, Galleta and Franz.
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