Today, I started reading Let Us Descend: A Novel by Jesmyn Ward. She is a two-time National Book Award winner, the youngest winner of the Library of Congress Prize for American Fiction, and a MacArthur Fellow. The book is a haunting masterpiece that is sure to become an instant classic. It tells the story of an enslaved girl in the years before the Civil War.

The book’s title is from Dante Alighieri’s Inferno: “‘Let us descend,’ the poet now began, ‘and enter this blind world.” Let Us Descend is a reimagining of American slavery, beautifully rendered yet heart-wrenching. The novel takes us on a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.

Annis is the reader’s guide through this hellscape, sold south by the white enslaver who fathered her. As Annis struggles through the miles-long march, she turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout the journey, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history, spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

Let Us Descend is a magnificent novel that inscribes Black American grief and joy in the very land of the American South. Ward’s writing takes you through the rich but unforgiving forests, swamps, and rivers of the South, making this novel a masterwork for the ages.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I recently started reading a book called “Move Like Water: My Story of the Sea” by Hannah Stowe. It’s a captivating book that immerses you in a world of water, whales, storms, and starlight, allowing you to experience what it’s like to sail for weeks and live life to a new rhythm.

Hannah Stowe, a marine biologist and sailor in her mid-twenties, grew up on the Pembrokeshire coast of Wales, where she fell asleep to the sound of the lighthouse beam. Drawing upon her experiences sailing tens of thousands of miles in various seas, including the North Sea, North Atlantic, Mediterranean, Celtic Sea, and the Caribbean, she explores the human connection to the wild waters. Stowe ponders why she and others are drawn to life at sea and what we can learn from the water around us.

Stowe intertwines her narrative and illustrations with stories of six keystone marine creatures: the fire crow, sperm whale, wandering albatross, humpback whale, shearwater, and barnacle. Through these stories, she invites readers to fall in love with the sea and its inhabitants and to discover the majesty, wonder, and fragility of the underwater world.

If you enjoy the works of Rachel Carson and Annie Dillard, then “Move Like Water: My Story of the Sea” is a must-read. It’s an inspiring and heartfelt tribute to the sea, a testimony to pursuing and achieving a dream, and an unforgettable introduction to a talented new nature writer.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I recently recommended reading “Brooklyn Crime Novel: A Novel” by Jonathan Lethem. The story is set in 1970s Brooklyn, where a daily ritual occurs on the streets. This ritual involves exchanging money, surrendering belongings, and asserting power. Violence is promised everywhere and becomes a currency itself.

Regardless of race, the street is like a stage in the shadows for the children. In the background, other players hide, including parents, cops, renovators, landlords, those who write the headlines, histories, and laws, and those who award this neighborhood its name.

Although the rules seem apparent initially, in memory’s prism, the roles of criminals and victims may appear to trade places. The voices of the past rise and gather as if in harmony, then war with one another. A street may seem to crack open and reveal what lies behind its shimmering facade. None who lived through it are ever permitted to forget.

Jonathan Lethem has written this story with kaleidoscopic verve and delirious wit, making it a breathtaking tour de force by a writer at the top of his powers. He has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we’ve made. He is known as “one of America’s greatest storytellers” by the Washington Post.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I highly recommend reading “The Unsettled: A Novel” by Ayana Mathis. It’s a brilliant, explosive, and vitally crucial new work from one of America’s most fiercely talented storytellers. The story follows Ava Carson and her ten-year-old son, Toussaint, arriving at the Glenn Avenue family shelter in Philadelphia in 1985. From the outset, Ava is already thinking of a way to escape.

She is disgusted by the shelter’s squalid conditions, including a room infested with cockroaches, barely edible food, and an untrustworthy night security guard. She is resolute in her mission to rescue her son from the shelter’s dangers and humiliations and free herself from the complex past that led them there.

Ava and her mother, Dutchess, have been estranged for many years since Ava left her Alabama home as a young woman. Despite the miles between them, mother and daughter are still deeply connected. However, Ava finds it hard to forgive her mother for her sharp tongue, intractability, and bouts of despair that led to neglect and hunger during her childhood.

Ava wants to be a better mother to her son, Toussaint. However, when Toussaint’s father, Cass, suddenly reappears, Ava is drawn to his charisma and radical vision to dismantle systems of racial injustice and establish a new communal living.

Meanwhile, in Alabama, Dutchess is facing a difficult challenge. She is struggling to prevent the sale of Bonaparte to white developers, who are rapidly encroaching on the land. Bonaparte has been a beacon of Black freedom and self-determination, and it is now in the hands of its last five Black residents – families who have lived there for generations. Dutchess is fighting to preserve the venerable history of Bonaparte and the land, which she has worked hard to keep as Ava’s inheritance.

As Ava approaches Cass, Toussaint begins to sense danger around him. He worries about his mother’s erratic behavior and his father’s intense and volatile nature. Toussaint dreams of returning to Bonaparte and Dutchess, where he was born and raised. He hopes to find his way back there soon.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I began reading When We Cease to Understand the World by Benjamín Labatut, translated by Adrian Nathan West. This book, listed on The New York Times 100 Best Books of the 21st Century, promises to be thought-provoking as it delves into the intricate connections between scientific and mathematical discovery, madness, and destruction.

In a world where scientific advancements often involve ethical dilemmas and societal implications, this book offers a unique perspective on the lives of scientists who have shaped our understanding of the world. Fritz Haber, Alexander Grothendieck, Werner Heisenberg, and Erwin Schrödinger are some of the luminaries whose troubled lives Benjamín Labatut deeply explores in his fictional examination. Labatut shows how these scientists and thinkers grappled with profound questions of existence, experiencing strokes of unparalleled genius, alienating friends and lovers, and descending into isolation and insanity. Their discoveries, some of which significantly improved human life, while others led to chaos and unimaginable suffering, continue to shape our world.

With a breakneck pace and a wealth of disturbing detail, Labatut uses fiction’s imaginative resources to tell the stories of the scientists and mathematicians who expanded our notions of the possible.

Impossible to Forget by Imogen Clark is a poignant novel from the bestselling author of Where the Story Starts, an extraordinary final wish that brings five lives together forever.

Just turned eighteen, Romany is on the cusp of taking her first steps into adulthood when tragedy strikes, and she finds herself suddenly alone without her mother, Angie, the only parent she has ever known. In her final letter, Angie has charged her four closest friends with guiding Romany through her last year of school—but is there an ulterior motive to her unusual dying wish?

When I started reading the book’s initial chapters on Amazon, I found myself in an unexpected page-turner. I had been looking for a relaxing read and instead found a novel that is truly impossible to forget.

The book’s premise that a mother would assign her four closest friends to shared guardianship of her daughter is an unusual answer to a question that Jan and I often debated. Who would we designate to raise our children if something had happened to us? If only we could have had the imagination of Angie and her belief that this strange arrangement would be the answer.

Three of the friends were ones that Angie met at University.

• Maggie, an attorney, is designated to focus on the tasks that need order.
• Leon is given the culture assignment, although he has denied his talents.
• Tiger, a nomad, is in charge of travel.

The fourth guardian, Hope, a former model, is in charge of relationships. But none of the others know her or why Angie would assign her that portfolio.

I very much enjoyed reading this novel. However, despite knowing it is about Angie’s death, I did not expect to find myself weeping uncontrollably in the closing chapters as Romany grapples with the beneficial outcomes of her mum’s plans.

Goodreads provides this overview.

As the guardians reflect on their friendship with Angie, it becomes apparent that this unusual arrangement is as much about them as it is about Romany. Navigating their grief individually and as a group, what will all five of them learn about themselves, their pasts—and the woman who’s brought them all together?

I recommend this book without reservation.

Impossible to Forget is the second time I have gotten a book from Amazon First Reads. Impossible to Forget is not scheduled to be published until February 1, 2022.

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Aftermirth by Hillary Jordan is a book about grief as the two protagonists take a road trip that is a darkly funny journey of healing that takes them deep into the heart of their suffering and others, and then beyond it, to a place of peace and laughter. I had just finished reading When She Woke by Ms. Jordan and having enjoyed that book, reading a second one by the same author seemed reasonable.

When I selected this short novel to read, I questioned if it was a good choice for me.

I found it easier to read and, in some ways, helpful. It was like meeting fellow widows from my Zoom grief groups in person at Camp Widow. The ability to laugh about our loss and cry openly is essential to meeting fellow benefits.

Michael Larssen, the narrator, raised a question I have not and still do not want to consider. What if I am still alive, Jan was a great love but is not the love of my life?

“You can’t know that he was the love of your life, and do you know why? Because guess what, you aren’t dead yet. You may feel dead right now, and believe me I’ve been there, but the fact is, until you’re lying under a tombstone of your own you can’t be sure about anything. You could prick your finger on one of your roses tomorrow, and as you’re climbing the stairs to get a Band-Aid, you trip over one of the pugs and tumble to your death. Or you could meet a man in the checkout line at the grocery store–hell, you could meet a woman even and fall madly in love with her and end up with six kids and twenty grandkids. Michael looks over at Elena, then back at George. You just don’t know, George. That’s the thing. None of us does.”— Aftermirth (Kindle Single) by Hillary Jordan

Despite my anxiety about considering this disturbing question, I highly recommend Aftermirth by Hillary Jordan.

The Goodreads summary provides an overview.

I stopped being funny the day my wife was electrocuted by her underwire bra.” So begins “Aftermirth,” a dark comedy that explores the absurdity of death through the eyes of thirty-one-year-old comedian, writer, and actor Michael Larssen. What is funny to the rest of the world is devastating to Michael, who loves his wife deeply, exceptionally her bright, rippling, abandoned laughter, which captivated him from the first time he heard it. In the aftermath of her death, he loses his sense of humor and his career.

Then, after two years of mourning her, he sees an article in the paper about a factory worker named Julio Santiago who fell into a giant vat of dough and was kneaded to death. For reasons Michael doesn’t understand, he decides to go to the man’s wake. There he meets and bonds with Julio’s twenty-nine-year-old daughter Elena, a law student who is reeling from her father’s unexpected and preposterous death.

Three months later, she calls him out of the blue and suggests that the two of them drive to North Carolina to speak with another survivor like themselves Elena has found on the Internet. Their road trip is a darkly funny journey of healing that takes them deep into the heart of their grief and others and then beyond it to a place of peace and laughter.

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Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.

Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.

Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.

Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.

Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.

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I began to read “The Great Divide: A Novel” by Cristina Henriquez today. The book stood out for its compassionate exploration of the lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers. It sheds light on individuals whose essential contributions history overlooks. The novel weaves these characters’ stories in a unique and compelling narrative structure.

Set against the backdrop of the yet-to-be-built Panama Canal, the book delves into the lives of various characters. Francisco, a local fisherman, resents the foreign powers vying for control of his homeland. His son, Omar, works in the excavation zone, seeking connection in a rapidly changing world.

Sixteen-year-old Ada Bunting, from Barbados, stows away in Panama to find work and fund her ailing sister’s surgery. When she encounters Omar, who collapsed after a grueling shift, she rushes to his aid, setting off a chain of events that will change their lives.

John Oswald, a scientist dedicated to eliminating malaria, is in Panama when his wife, Marian, falls ill. Witnessing Ada’s bravery and compassion, he hires her as a caregiver, setting off a tale of ambition, loyalty, and sacrifice.

I began reading Yellowface, a novel by R.F. Kuang, today. The storyline has been captivating as I scroll through the pages on my Kindle App. The book explores important themes such as cultural diversity, racism, the negative impact of cultural appropriation, and the alienation caused by social media. I find the protagonist, June Hayward, relatable and enjoyable to read about while experiencing Yellowface on my Kindle App.

June and Athena were both talented writers, but Athena’s success overshadowed June’s. After Athena’s sudden death, June rashly steals her completed manuscript, a groundbreaking novel about the Chinese laborers who contributed to World War I. June edits the book and takes credit for it, even going so far as to change her name and ethnicity for marketing purposes. She believes the story deserves to be told, regardless of who tells it.

As June’s book becomes a bestseller, she is haunted by the guilt of stealing Athena’s work. Her secret becomes harder to keep as evidence of her theft surfaces. June must confront her actions and decide how far she will go to protect her newfound success.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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