I started reading “Last House: A Novel” by Jessica Shattuck today. She is an esteemed New York Times bestselling author known for her work “The Women in the Castle.” This sweeping narrative, perfect for “The Dutch House” and “Great Circle” fans, explores a nation’s rise to power and a family’s complex ties to the resources that shaped their wealth. It also delves into the events that led to their greatest tragedy, a secret that threatens to tear them apart.

In 1953, a World War II veteran turned company lawyer, Nick Taylor, saw oil as the key to the future. He commutes to the city for work and returns to the peaceful suburbs to be with his wife, Bet, a former codebreaker now a housewife, and their two children, Katherine and Harry. Nick, who comes from humble origins, can provide for his family, including their secluded country escape called Last House, thanks to his work for American Oil. Last House, deep in the Vermont mountains, offers the Taylors a retreat from the stresses of modern life. Bet no longer worries about the Russian H-bombs that haunt her dreams, and the children can roam freely in the woods. Last House is a place that seems capable of surviving the end of the world.

1968, a turning point in American history, where the nation teeters on the brink of transformation. The streets pulsate with protestors challenging everything from the Vietnam War to racism and even the country’s reliance on Big Oil. As Katherine enters adulthood, she finds herself caught in the era’s tide, struggling to reconcile her ideals with the privileged upbringing her parents, part of the Greatest Generation, toiled to provide. But when the Movement takes a secure, more radical turn, each member of the Taylor family must face the repercussions of their choices for the causes they believed in. This rich historical backdrop infuses the Taylor family’s narrative with depth and intrigue, leaving us hungry for more about this transformative era.

“Last House” spans multiple generations and nearly eighty years, telling the story of one American family during a time of grand ideals and significant downfalls. It explores themes of family dynamics, the impact of wealth, and the societal changes that shaped America. Set against the backdrop of our nation’s history, this emotional tour de force delves deeply into questions of inheritance and what we owe each other. It captures the gravity of time, the double edge of progress, and the hubris of empire to stunning effect.

Today, I started reading The Spoiled Heart: A Novel by Sunjeev Sahota. Nayan Olak has been seeing Helen Fletcher around town. She has returned to live in the run-down house at the end of the lane with her teenage son. Though she seems guarded, Nayan cannot help but be drawn to her. He has not risked love since losing his young family in a terrible accident twenty years ago.

After Nayan’s tragedy, his labor union, a pillar of his community, became his refuge and purpose. It was his way of striving for a better and fairer world. Now, Nayan wants to become the leader of the union, a decision that sets the stage for a gripping conflict. His opponent, Megha, a newcomer, is a more formidable challenger than he could have anticipated. Nayan is now in a battle that could redefine his life and community. The differences between Nayan and Megha escalate and threaten the ideals he holds dear. He finds solace in his growing bond with Helen. Unbeknownst to him, their connection is not just a product of their present circumstances but a thread that weaves through their lives, holding secrets that could shatter them. The suspense builds, leaving the readers on the edge of their seats and eager to uncover the truth.

In one sense, The Spoiled Heart is a tragedy in the classic mold, tracing one man’s seemingly inevitable fall. However, it is also an explosively contemporary story of how a few words or a single action, which may appear careless to one person, can be charged for another, triggering a cascade of unimaginable consequences. It is a blazing achievement from one of Britain’s foremost living writers, a vivid and multilayered exploration of the mysteries of the heart, how community is forged and broken, and the shattering impact of secrets and assumptions alike.

In the bestselling novel that has captivated readers in Italy, The Letter Carrier by Francesca Giannone depicts a small town in southern Italy that reflects the experiences of many others. It portrays the lives of women and men—husbands and wives, fathers and sons, mothers and daughters—as they strive to navigate the world while remaining true to their hearts. The Letter Carrier explores the universal theme of connection and examines the consequences that arise when those connections occur at the wrong time.

Salento, Italy, June 1934: A coach stops in the main square of Lizzanello, a tight-knit village where everyone knows each other. A couple gets off: The man, Carlo, a Southerner, is happy to be back home after a long time away; the woman, Anna—his wife—is a Northerner. Carlo’s brother is there to meet them, and he, along with everyone else, can’t help but notice that Anna is as beautiful as a Greek statue.

But Anna is not like the other wives. She doesn’t gossip or attend church. She reads books no one else has ever heard of, exploring ideas that some find threatening. She even wears pants, just like a man, and thinks a woman should have rights, just like a man.

There aren’t many options for a woman with Anna’s sensibilities, so when she learns that the post office is hiring, she leaps at the opportunity. A female letter carrier? It is unthinkable! But Anna passes the postal exam and soon becomes the invisible thread connecting the town as she delivers letters between clandestine lovers, families waiting to hear news of loved ones away at war, and even helps those who can’t read.

Letters connect people, conveying both information and emotion. But for some in Lizzanello, letters are too little and too late.

Francesca Giannone holds a degree in communication science and studied at the CSC, the oldest film school in Europe, located in Rome. She has published several short stories in literary magazines, both in print and online. Currently, Giannone resides in Milan, but her heart remains in her hometown of Lizzanello, a seaside town in the Salento region of Italy. She hopes to return there to live one day.

Elettra Pauletto translated The Letter Carrier. After earning her MFA from Columbia University, she has split her time between writing about her experiences in Africa—specifically in the Democratic Republic of the Congo, Rwanda, and Senegal—and translating fiction and nonfiction works from Italian and French into English. In both her writing and translations, she heavily relies on her background as a former political risk analyst who covered Sub-Saharan Africa, the Middle East, and Europe.

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Send for Me by Lauren Fox. Send for Me is an achingly beautiful work of historical fiction that moves between Germany on the eve of World War II and present-day Wisconsin, unspooling a thread of love, longing, and the constant push and pull of family. Annelise is a dreamer: imagining her future while working at her parents’ famous bakery in Feldenheim, Germany, anticipating all the delicious possibilities yet to come. There are rumors that anti-Jewish sentiment is on the rise, but Annelise and her parents can’t quite believe that it will affect them; they’re hardly religious at all. But as Annelise falls in love, marries, and gives birth to her daughter, the dangers grow closer: a brick was thrown through her window; a childhood friend who cuts ties with her; customers refuse to patronize the bakery.

This novel explores mothers and daughters, duty and obligation, hope and forgiveness of four generations of mothers and daughters – Klara, Annelise, Ruth, and Clare.

Klara is the matriarch who remains in Germany, where she dies at the beginning of the war. Annelise is her daughter who becomes a refugee in Milwaukee. The poignant letters from her mother ask for help to leave Germany and reunite with her daughter and granddaughter Ruthie, tying together the four generations.

The letters are found by Clara, who pays to have them translated. Can we ever escape from the past, and how does it shape our futures.

I enjoyed reading this book as I prefer historical fiction, especially about the rise of Germany and antisemitism.

Send for Me is also a reminder that we are refugees.

Our lives are forever intertwined between two cultures, the past and the future.

I highly recommend Send for Me.

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Today, I started reading The Morningside: A Novel by Téa Obreht. The book tells the story of Silvia and her mother, who have been expelled from their home and have settled in a luxury tower called Island City, where Silvia’s aunt Ena is the superintendent. The Morningside is a place of magical possibilities, where Ena shares folktales with Silvia about her demolished homeland, a place of natural beauty and communal spirit. This starkly contrasts Silvia’s current reality, where she feels unmoored and disconnected from her past.

Silvia is fascinated by Bezi Duras, an enigmatic woman who lives in the penthouse and is shrouded in mystery. Bezi has her elevator entrance and only leaves the building at night to walk her three massive hounds, returning in the early morning. Silvia becomes obsessed with unraveling the truth about Bezi’s life and haunted past, even if it comes at a significant cost to her.

The Morningside is an inventive and moving novel that explores the power of storytelling and how we use it to make sense of our lives and the world around us.

Today, I began reading Sayaka Murata‘s Vanishing World, translated by Ginny Tapley Takemori. This novel, from the author of the bestselling literary sensations Convenience Store Woman and Earthlings, presents a surprising and highly imaginative story set in an alternate version of Japan where sexual relations between married couples have disappeared, and all children are conceived through artificial insemination.

Sayaka Murata has established herself as a remarkable observer of society’s peculiarities, delving into our contemporary world with bizarre and unsettling insights. Her portrayals of a contentedly unmarried retail worker in Convenience Store Woman and a young woman who believes she is an alien in Earthlings have resonated with millions of readers globally. In Vanishing World, Murata takes her vision to a bold new level, envisioning an alternative Japan where attitudes toward sex and procreation diverge significantly from our own.

As a girl, Amane is horrified to learn that her parents “copulated” to conceive her rather than using artificial insemination, which became the norm in the mid-twentieth century. She seeks to escape what she perceives as her mother’s indoctrination into this peculiar “system.” Despite her efforts, Amane’s attractions to both anime characters and real people carry an undeniable sexual weight.

As an adult in a suitably sexless marriage—where sex between married couples is regarded as taboo, akin to incest—Amane and her husband, Saku, decide to relocate to a mysterious new town called Experiment City, or Paradise-Eden. In this community, all children are raised collectively, and every person is considered a mother to all children. Men are beginning to experience pregnancy through artificial wombs that exist outside their bodies, resembling balloons, and children are nameless, referred to simply as “Kodomo-chan.” Will this new world finally cleanse Amane of her strangeness?

Sayaka Murata is the author of several books, including Convenience Store Woman, which won the Akutagawa Prize, Earthlings, and Life Ceremony. Freeman has recognized her as a “Future of New Writing” author, and Vogue Japan has honored her as a Woman of the Year.

Ginny Tapley Takemori has translated works from more than a dozen Japanese writers, including Ryu Murakami. She resides at the foot of a mountain in Eastern Japan.

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I started reading Blue Skies: A Novel by T. C. Boyle today. The book is an eco-thriller with comedic elements. It explores the relationships between humans and their habitats in a world where natural disasters frequently occur, where “the only truism seems to be that things always get worse.

Denied a dog, a baby, and even a faithful fiancé, Cat suddenly craves a snake: a glistening, writhing creature that can be worn like “jewelry, living jewelry” to match her black jeans. But when the budding social media star promptly loses the young “Burmie” she buys from a local pet store, she inadvertently sets a chain of increasingly dire and outrageous events threatening her survival.

Blue Skies follows the tradition of T. C. Boyle’s finest novels, combining high-octane plotting with biting wit and intelligent social commentary. Here Boyle, one of the most inventive voices in contemporary fiction, transports us to water-logged and heat-ravaged coastal America, where Cat and her hapless, nature-loving family—including her eco-warrior parents, Ottilie and Frank; her brother, Cooper, an entomologist; and her frat-boy-turned-husband, Todd—are struggling to adapt to the “new normal,” in which once-in-a-lifetime natural disasters happen once a week and drinking seems to be the only way to cope.

But there’s more than meets the eye to this compulsive family drama. Lurking beneath the bland façade of twenty-first-century Californians and Floridians attempting to preserve normalcy in the face of violent weather perturbations is a caricature of materialist American society that doubles as a prophetic warning about our planet’s future. Blue Skies deftly explores the often volatile relationships between humans and their habitats, from pet bees and cricket-dependent diets to massive species die-offs and pummeling hurricanes, in which “the only truism seems to be that things always get worse.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I started reading The Café with No Name by Robert Seethaler, translated by Katy Derbyshire. It’s a vibrant story of love, companionship, and renewal in 1960s Vienna. With warm prose and tender humor, Seethaler has created a delightful parable about human existence, brought to life by unforgettable characters and a rich tapestry of narratives.

In the summer of 1966, Robert Simon was in his early thirties and had a dream. Raised in a home for war orphans, he has grown into a warm-hearted, hard-working, and determined man. When the former owners of the corner café in Carmelite Market Square close the business, Robert sees an opportunity to realize his dream.

The café, dark and dilapidated, is located in an impoverished neighborhood of the Austrian capital. However, a new energy is beginning to fill the air, signaling a desire for renewal. In the newspapers that fishmongers use to wrap char and trout from the Danube, one can read about the great things to come, heralding a bright future emerging from the shadows of the past.

Inspired by this optimism, Robert refurbishes the café. His efforts pay off as customers arrive, drawn to a congenial space where they can gather, talk, read, or sit and reflect. Each visitor brings their passion, friendship, loss, and heartache stories. Some search for companionship, while others long for love or a place to feel understood. As the city transforms, Robert’s café becomes a haven—a refuge from which to observe life, mourn, and rejoice.

Robert Seethaler was born in Vienna in 1966 and is the author of eight novels. In 2017, he was a finalist for the Man Booker International Prize with A Whole Life (FSG, 2016). He also works as an actor, most recently in Paolo Sorrentino’s Youth. He lives in Berlin.

Katy Derbyshire translates contemporary German writers, including Christa Wolf, Heike Geissler, and Olga Grjasnowa. Her translation of Clemens Meyer‘s While We Were Dreaming was longlisted for the 2023 International Booker Prize. She was born in London and has been based in Berlin for over twenty years.

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