Today, I started reading “Chain Gang All Stars” by Nana Kwame Adjei-Brenyah. The story revolves around Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker, the main characters of the Chain-Gang All-Stars, a highly controversial and top-rated program in America’s private prison industry. The program is called Criminal Action Penal Entertainment (CAPE), where prisoners compete for the ultimate prize- their freedom. It’s similar to the return of the gladiators but in a modern-day setting.

The story is set in a prison called CAPE, where inmates are forced to participate in death matches as a part of a chain-gang. These matches are held in front of cheering crowds, while the prison authorities claim it to be a righteous act. Among the participants, Thurwar and Staxxx are the most popular as they are also lovers. Thurwar is just a few matches away from her freedom, which she carries with a heavy heart and lethal hammer. Thurwar contemplates how she can help her fellow inmates preserve their humanity despite being forced into these brutal games. However, the owners of CAPE are determined to safeguard their status quo, and they will go to extreme lengths to stop anyone who challenges them. Thurwar’s attempts to resist the system have devastating consequences.

Chain-Gang All-Stars” is a powerful book that sheds light on the American prison system’s problematic alliance with systemic racism, unchecked capitalism, and mass incarceration. It critically examines the situation from various perspectives, from the Links in the field to the protestors, the CAPE employees, and beyond. The book offers a clear-eyed reckoning of what freedom really means in America. It is a noteworthy contribution from a “new and necessary American voice,” as described by Tommy Orange in The New York Times Book Review.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Regarding gifts made this month, I will match dollar for dollar. All donations are tax-deductible.

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How the Word Is Passed: A Reckoning with the History of Slavery Across America by Clint Smith. This book was a gift from my son Jon. The New York Times selected How the Word is Passed as one of the best books published this year. Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

How the Word is Passed is one of the best books I have read in 2021. I had read an excerpt in The Atlantic on the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. Like most of us, I had placed the book on my to-read list, where it remained lost in the cobwebs. Fortunately, my son Jon purchased the book for me.

Secondly, the book rekindled my long-lost dream of being an American Studies professor. As soon as Jan and I met, I dropped plans to leave Brooklyn and start graduate school in the fall of 1974. I made that decision primarily because of how much I loved Jan. But it was also partly that I did not have a clear vision of what my life would be like as a professor. The book provided clear examples of people like Yvonne Holden at The Whitney Plantation redefining history to be more accurate and inclusive. I probably could not have done as well as she did, but I can now see that it might have resulted in a career for me that could have been impactful.

Goodreads provides this overview for those who still need to be convinced to read this book.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.

How the Word is Passed is one of the best books I have read this year and many prior ones. I encourage you to read it and share your comments.

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Exciting, fast-paced, and emotionally charged, Atmosphere showcases Taylor Jenkins Reid at her finest: transporting readers to iconic times and places, creating complex protagonists, and narrating a passionate and uplifting story about the transformative power of love—this time among the stars. The book also explores themes of ambition, friendship, and the unknown, making it a compelling read for those interested in contemporary fiction and the exploration of space.

Joan Goodwin’s fascination with the stars has been a lifelong passion. As a thoughtful and reserved professor of physics and astronomy at Rice University and a devoted aunt to her precocious niece, Frances, Joan’s life is content. However, her world is turned upside down when she stumbles upon an advertisement seeking the first women scientists to join NASA’s space shuttle program. Suddenly, Joan is filled with a burning desire to be among the select few to venture into space.

Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center alongside an exceptional group of fellow candidates: Top Gun pilot Hank Redmond and scientist John Griffin, who are kind and easygoing even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warmhearted Donna Fitzgerald, who is navigating her secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane.

As the new astronauts forge unlikely friendships and prepare for their first flights, Joan discovers a passion and a love she never thought possible. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe.

Then, in December 1984, on mission STS-LR9, everything took a dramatic turn in an instant.

Taylor Jenkins Reid is the #1 New York Times bestselling author of nine novels, including Carrie Soto Is Back, Malibu Rising, Daisy Jones & The Six, and The Seven Husbands of Evelyn Hugo. She lives in Los Angeles with her husband and their daughter.

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My journey from the Island of Grief back to the Land of Love is long and arduous. Friends, especially those who have also lost a loved one, are the guideposts on this journey. One of these friends, Sue Gramacy, sent this book to me during the early phases of my grief journey.

My Friend, I Care: The Grief Experience may be one of the shortest books I have ever read, but it is also one that has been most helpful. Barbara Karnes, RN, provides a concise understanding of grief, and she includes a list of dos and don’ts that are very helpful to someone who has recently lost the love of their life.

She provides a compelling explanation of the new life that we all must strive to achieve.

Our inability to further enjoy life does not measure our loss. The quality of our relationship with the person who has died is found in our strength, our resilience and our ability to create a new and meaningful life.

The endpoint of my journey is a new and meaningful life. This book has helped remind me that it is an achievable goal.

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Filled with heart and humor, Thirst Trap by Gráinne O’Hare is a lively celebration of friendship, embracing uncertainty, and indulging in “just one more round” before heading home. This sharply funny novel explores the challenges of being in your late 20s as you approach 30, questioning when you will tire of morning hangovers, dead-end entry-level jobs, and late nights at bars. This friend group is about to discover the answer.

Sometimes friends hold you together.
Sometimes they’re why you’re falling apart.

Harley, Róise, and Maggie have been friends for a long time. They met in primary school years ago, and they are still together, spending their nights on the sticky dance floors of Belfast’s grungiest pubs. Each woman is navigating her own challenges—entry-level jobs, messy romantic entanglements, and late nights—but they always find their way back to each other and to the ramshackle house they share. Amidst the familiar chaos, the three are still grieving their fourth housemate, whose room remains untouched, with the weight of their last big fight lingering heavily over them.

The girls’ house has witnessed the highs and lows of their roaring twenties—raucous parties, surprising (and sometimes regrettable) hook-ups, and hellish hangovers. However, as they approach thirty, their home begins to crumble around them, and the cracks in their friendship become harder to ignore. In the midst of the wreckage, they must decide whether their friendship will survive into a new decade or if growing up sometimes means letting go.

Gráinne O’Hare is a writer from Belfast based in Newcastle upon Tyne. She received a Northern Debut Award for Fiction from New Writing North and was awarded funding by the Arts Council for the development and completion of her first novel. She has also been shortlisted for the Francis MacManus Short Story Competition and the Bridport Prize, and came in the top three of the Benedict Kiely Short Story Competition.

She is a media sub-editor for Criticks reviews of the British Society for Eighteenth-Century Studies and holds a PhD in eighteenth-century women’s life-writing from Newcastle University.

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Today, I began reading Monkey Grip: A Novel by Helen Garner. It’s a book that launched the career of one of Australia’s most celebrated writers. The story follows the infatuations of a young, single mother fascinated by the excesses of Melbourne’s late-70s counterculture. Monkey Grip is a seminal novel about Australia’s turbulent 1970s, including communal households, music, friendships, children, love, drugs, and sex.

Helen Garner is a renowned novelist, short-story writer, and journalist. She’s best known for her frank, unsparing, and intricate portrayals of Australian life, often drawn from the pages of her journals and diaries. A new US edition of her debut novel, which establishes Garner’s masterful and quietly radical literary voice, is now available.

The novel is set in Australia during the late 1970s and tells the story of Nora, a single mother and writer. Nora navigates Melbourne’s bohemian underground with her young daughter, Gracie, in tow. Nora falls in love with Javo, a flighty man trapped in his addiction. As their relationship disintegrates, Nora struggles to wean off a love that feels impossible to live without.

When Monkey Grip was first published in 1977, it caused a sensation. Critics praised Garner for her craft, but many criticized her gritty depictions of the human body, frankness about sex and drugs, the mess of motherhood, and her unabashed use of her own life as inspiration. Today, such criticism feels old-fashioned and glaringly gendered, and Monkey Grip is considered a modern masterpiece.