The School for Good Mothers by Jessamine Chan is a searing page-turner that is also a transgressive novel of ideas about the perils of "perfect" upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages.
by Jessamine Chan
The School for Good Mothers by Jessamine Chan is a searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages.
Although it has been forty-two years since I became a parent, I still remember the anxiety of being a father. What if I could not be a good dad? Fortunately, I never had a bad like Frida. or lived in an age where parents would be sent to “a Big Brother-like institution that measures the success or failure of a mother’s devotion.”
Reading The School for Good Mothers was a reminder that solutions like this are possible unless we are willing to invest in families so that the skills and support are there to resolve any issues in the home. As a widow, I found Frida’s inner dialogue comparable to the early stages of my grief journey—the total isolation and fear of failing dominated my first months of mourning.
The School for Good Mothers had been on my book list since the middle of last year. I recommend it without reservations! Jan would have already read it, and we would be debating its fine points.
The Goodreads summary provides an overview,
In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.
Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.
Until Frida has a very bad day.
The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.
Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.
Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.
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by Percival Everett
I started reading “James: A Novel” by Percival Everett, my fiftieth book this year. After reading only a few pages, I knew I had selected the perfect novel. The story revolves around an enslaved man named Jim who overhears that he is about to be sold to a man in New Orleans, separating him from his wife and daughter forever. In response, he decides to hide on nearby Jackson Island while formulating a plan.
Simultaneously, we encounter Huck Finn, who has staged his death to flee his abusive father and has recently resurfaced in town. The narrative unfolds as they embark on a perilous journey, navigating the Mississippi River on a raft. Each turn brings floods, storms, and unexpected encounters, including a run-in with the Duke and Dauphin.
While the familiar elements of ‘Adventures of Huckleberry Finn‘ are present, ‘James: A Novel‘ offers a unique perspective. It illuminates Jim’s agency, intelligence, and compassion, challenging our preconceived notions and offering a fresh take on a classic narrative.
‘James: A Novel‘ is not just a book; it’s a cornerstone of twenty-first-century American literature. It’s a testament to Everett’s literary prowess, solidifying his status as a true icon in the literary world.
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by Rabih Alameddine
“The True True Story of Raja the Gullible (and His Mother)” is a wonderfully unique and vibrant celebration of love. Written by Rabih Alameddine, a National Book Award finalist and winner of the PEN/Faulkner Award for Fiction, “The True True Story of Raja the Gullible (and His Mother)” is a tragicomic love story set in Lebanon. It explores the modern saga of family, memory, and the unbreakable bond between a son and his mother.
In a small apartment in Beirut, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja enjoys books, meditative walks, order, and solitude. Meanwhile, his octogenarian mother, Zalfa, feels that Raja’s desire for privacy is a personal affront. She demands to know every detail of his work and love life, disregarding his boundaries.
When Raja receives an invitation to an all-expenses-paid writing residency in America, it couldn’t come at a better time. It arrives on the heels of a series of personal and national disasters that have left him longing for peace, away from his mother and the turmoil of Lebanon. However, what initially seems like a stroke of luck soon forces Raja to confront and relive the very disasters and past betrayals he wishes to forget.
Told in Raja’s irresistible, wickedly funny voice, the novel traverses six decades, narrating the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and perhaps even forgiveness.
Rabih Alameddine is the author of several acclaimed works, including the novels “The Wrong End of the Telescope“, “Angel of History“, “An Unnecessary Woman“, “The Hakawati“, “I, the Divine“, and “Koolaids“. He also wrote a collection of stories titled “The Perv” and a nonfiction work called “Comforting Myths”.
Alameddine has received numerous awards for his writing, including the PEN/Faulkner Award for Fiction, and he was a finalist for the National Book Award. In 2019, he was honored with the Dos Passos Prize, received a Lannan Award in 2021, and was awarded the Bill Whitehead Lifetime Achievement Award in 2025.
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by N. K. Jemisin
The City We Became: A Novel by N. K. Jemisin is my first science fiction and urban fantasy novel in quite some time. It is a story of culture, identity, magic, and myths in contemporary New York City. Jan and I had lived in New York City, and the book brought back fond memories.
Every great city has a soul. Some are ancient as myths, and others are as new and destructive as children.
But every City also has a dark side. A roiling, ancient evil stirs beneath the earth, threatening to destroy the City and her five protectors unless they can come together and stop it once and for all.
As Jemisin writes:
A city is never alone, not really — and this city seems less solitary than most. More like a family: many parts, frequently squabbling … but in the end, against enemies, they come together to protect one another. They must, or die.
The challenge is when evil forces threaten the City; the entire community needs to unite, and the City’s avatars for each of the five boroughs.
Initially, this is supposed to be one for each borough and one for the entire City. In the end, one of the avatars for the five boroughs chooses not to unite with the others. Without all six, they stand no chance to defeat the forces of evil.
How do they solve this? By adding the sixth borough – Jersey City.
I recommend this book without reservation.
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by Tana French
Today, I started reading Tana French‘s The Searcher: A Novel. Last week, I read The Hunter by the same author. I should have read The Searcher first, as it is the prequel to The Hunter, but reading in reverse order helped my enjoyment. Despite knowing some of the suspenseful twists and turns the story would take, I found it a page-turner.
The story follows Cal Hooper, a retired Chicago police officer who seeks a fresh start in a tranquil Irish village. However, when a local boy approaches him to investigate his missing brother, Cal discovers that the town has its share of dark secrets. The book raises thought-provoking questions about distinguishing right from wrong in a complicated world and what we risk when making that decision.
Tana French is a highly acclaimed crime novelist who skillfully creates a captivating and suspenseful atmosphere throughout the book.
by Margarita Liberaki
Today, I began reading Margarita Liberaki‘s Three Summers, translated by Karen Van Dyck. This edition features a detailed introduction by Ms. Van Dyck, in which she shares her experiences meeting Ms. Liberaki and collaborating with her on the translation. The original novel, written in Greek, was titled The Straw Hats, but Ms. Van Dyck felt that this title would not resonate with foreign readers similarly.
Three Summers is the story of three sisters who grew up in the countryside near Athens before the outbreak of the Second World War. The sisters live in a large, old house surrounded by a beautiful garden. The oldest sister, Maria, is adventurous and eager to settle down and start her own family. The middle sister, Infanta, is gorgeous but emotionally distant. Katerina, the narrator, and the youngest sister is dreamy and rebellious.
Throughout three summers, the sisters share and keep secrets, fall in and out of love, and try to understand their parents and other adult figures. They also observe the peculiar behaviors of friends and neighbors while worrying about and discovering their identities. Karen Van Dyck’s translation beautifully captures the light and warmth of this modern Greek classic.
Margarita Liberaki (1919-2001) was born in Athens and raised by her grandparents, who owned the Fexis bookstore and publishing house. In addition to her novel Three Summers, she authored The Other Alexander (1950) and The Mystery (1976). She also wrote several plays, including Candaules’ Wife (1955) and The Danaïds (1956), part of a cycle she called Mythical Theater. Furthermore, she contributed screenplays, such as Jules Dassin’s Phaedra (1962) and Diaspora (1999), which focused on Greek intellectuals in exile in Paris during the junta. Her novel Three Summers is now a standard part of public education in Greece and Cyprus and was adapted into a television miniseries in 1995.
Karen Van Dyck is the Kimon A. Doukas Professor of Modern Greek Literature at Columbia University. Her research focuses on modern Greek literature, diaspora literature, gender studies, and translation. She has edited or co-edited several poetry anthologies, including A Century of Greek Poetry (2004), The Greek Poets: Homer to the Present (2010), and Austerity Measures: The New Greek Poetry (2017) for NYRB Poets. Additionally, her translations have appeared in Brooklyn Rail, Asymptote, and The Baffler.
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by Edited by Joanne B. Freeman
The Essential Hamilton: Letters & Other Writings, edited by Joanne B. Freeman, Professor of History and American Studies at Yale University, is a must-read in our times when a constitutional crisis is the watchword of our day. Compared to reading all 27 volumes of Hamilton’s writings, this book provides the essential texts that offer a clear understanding of both the revolutionary era, the debates over the constitution, Hamilton’s impact as Secretary of the Treasury, and his downfall and eventual downfall death in Weehawken.
Professor Freeman’s introductions and chronology help place the writings into a historical context.
The Essential Hamilton is one of four books that I purchased after my first One Day University class.
