When She Woke, a fable about a stigmatized woman struggling to navigate an America of a not-too-distant future by Hillary Jordan, Bellwether Prize Winner. Hannah Payne, the protagonist, embarks on a path of self-discovery that forces her to question the values she once held and the righteousness of a country that politicizes faith. The premise of When She Woke seems to be happening as I read the novel. It is also the one hundred books I have read since the beginning of 2019 and the forty-fifth this year.

Hannah Payne, like Hester Prynne, is attacked for her actions by extreme religious beliefs. Instead of wearing a scarlet letter, Hannah’s chroming (i.e., having her skin altered) makes her skin red from head to toe. The chroming might have been a good theme for a science fiction novel. Still, Ms. Jordan has written a captivating book in which Hannah confronts who she is and, after questioning the values she once had, discovers that Hannah is more vital than she believed she could be.

I highly recommend this novel.

As Ms. Jordan describes the book,

Hannah Payne’s life has been devoted to church and family. But after she’s convicted of murder, she awakens to a nightmare: she finds herself lying on a table in a solitary confinement cell, her skin turned bright red. Cameras are broadcasting her every move to millions at home, for whom observing newly made “Chromes”—criminals whose skin color has been genetically altered to reflect their crime—is a sinister form of entertainment. Hannah is a Red, a murderess. The victim, says the state of Texas, was her unborn child, and she’s determined to protect the identity of the father, a public figure with whom she shared a fierce and forbidden love.

A powerful reimagining of The Scarlet Letter, When She Woke is a timely fable about a stigmatized woman struggling to navigate a dystopian America. In this not-too-distant future, the line between church and state has been eradicated and convicted felons are no longer imprisoned, but “chromed” and released back into the population to survive as best they can.

As she seeks a path to safety in an alien and hostile world, Hannah unknowingly embarks on a journey of self-discovery that forces her to question the values she once held true and the righteousness of a country that politicizes faith and love.

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Self-Portrait with Ghost: Short Stories by Meng Jin was written during the turbulent years of the Trump administration and the first year of the pandemic, these stories explore intimacy and isolation, coming of age, and coming to terms with the repercussions of past mistakes, fraying relationships, and surprising moments of connection. I highly recommend Self-Portrait with Ghost: Short Stories!

Each story speaks so clearly to the loneliness epidemic that confronts our world. I would read one short story and promise to stop and wait until another day to read the next one. Instead

One phrase that will always remain with me is: “The hallucinatory quality of grief.” As a widow, the phrase struck a chord that will forever resonate in my soul.

This is the seventy-third book I have read this year.

The Goodreads summary provides an overview,

Meng Jin’s critically acclaimed debut novel, Little Gods, was praised as “spectacular and emotionally polyphonic (Omar El-Akkad, BookPage), “powerful” (Washington Post), and “meticulously observed, daringly imagined” (Claire Messud). Jin turns her considerable talents into short fiction in ten thematically linked stories.

Moving between San Francisco and China, and from unsparing realism to genre-bending delight, Self-Portrait with Ghost considers what it means to live in an age of heightened self-consciousness, seemingly unlimited access to knowledge, and little actual power.

Page-turning, thought-provoking, and wholly unique, Self-Portrait with Ghost further establishes Meng Jin as a writer who “reminds us that possible explanations in our universe are as varied as the beings who populate it” (Paris Review).

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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In Five Years by Rebecca Serle is a good, quick read. It is an “unforgettable love story that reminds us of the power of loyalty, friendship, and the unpredictable nature of destiny.”

The protagonist Dannie Kohan is a Type A lawyer who has her life planned out by the numbers. Everything she believes will happen according to her plan. But life sometimes throws us a curveball.

She applies for the job she has always wanted, and her boyfriend proposes to her. Everything is going according to her plan. She returns home believing that life is going as planned and falls asleep.

But when she wakes up, she’s suddenly in a different apartment, with a different ring on her finger, and beside a very different man. The television news is on in the background, and she can make out the scrolling date. It’s the same night—December 15—but 2025, five years in the future.

There are twists and turns, including her best friend introducing her new boyfriend, who happens to be the man she was with briefly in 2025. Her friends’ struggle with and eventual death from Ovarian cancer forces Dannie to confront life as is. Her friend reminds her that she has never truly experienced love and needs to stop controlling her life and those around her.

In five years is a question I am asking myself. Where will I be five years after Jan’s death?

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The School for Good Mothers by Jessamine Chan is a searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle-class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages.

Although it has been forty-two years since I became a parent, I still remember the anxiety of being a father. What if I could not be a good dad? Fortunately, I never had a bad like Frida. or lived in an age where parents would be sent to “a Big Brother-like institution that measures the success or failure of a mother’s devotion.”

Reading The School for Good Mothers was a reminder that solutions like this are possible unless we are willing to invest in families so that the skills and support are there to resolve any issues in the home. As a widow, I found Frida’s inner dialogue comparable to the early stages of my grief journey—the total isolation and fear of failing dominated my first months of mourning.

The School for Good Mothers had been on my book list since the middle of last year. I recommend it without reservations! Jan would have already read it, and we would be debating its fine points.

The Goodreads summary provides an overview,

In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

Until Frida has a very bad day.

The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.

Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.

Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I started reading Junot Diaz‘s The Brief Wondrous Life of Oscar Wao, one of The New York Times’ 100 Best Books of the Century. The book also won a Pulitzer Prize. Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old-world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love.

But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience. It explores the endless human capacity to persevere—and risk it all—in the name of love.

Such a Fun Age by Kiley Reid. Although many reviewers highly rated this book, I was unsure it was the book for me. However, once I started reading, I could not stop. It is “a striking and surprising debut novel from a compelling new voice. Such a Fun Age is a big-hearted story about race and privilege, set around a young Black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both.

Alix Chamberlain is a woman who gets what she wants and has made a living with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains’ toddler one night, walking the aisles of their local high-end supermarket. The store’s security guard, seeing a young Black woman out late with a White child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right.

But Emira herself is aimless, broke, and wary of Alix’s desire to help. At 25, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix’s past, both women find themselves on a crash course that will upend everything they think they know about themselves and each other.

With empathy and piercing social commentary, Such a Fun Ageexplores the stickiness of transactional relationships, what it means to make someone “family”, and the complicated reality of being a grown-up. It is a searing debut for our times.

When race and privilege are paramount issues, this book is a first step to understanding the intersectionality of the issues and addressing them. I recommend this book with our reservation.

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