Today, I embarked on the unique narrative journey of The Sellout: A Novel by Paul Beatty. This biting satire, which revolves around a young man’s isolated upbringing and the race trial that takes him to the Supreme Court, is a testament to Paul Beatty‘s comic genius. The Sellout, a part of The New York Times’ 100 Best Books of the Century, is a must-read for those who appreciate a distinct narrative style.

The Sellout is a bold and thought-provoking work that challenges the sacred tenets of the United States Constitution, urban life, and the civil rights movement. It also explores the father-son relationship and the pursuit of racial equality, symbolized by the black Chinese restaurant. This social commentary is a vital aspect of The Sellout, making it a relevant and engaging read for those interested in contemporary issues.

Born in the “agrarian ghetto” of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: “I’d die in the same bedroom I’d grown up in, looking up at the cracks in the stucco ceiling that’s been there since ’68 quake.”

Raised by a single father, a controversial sociologist, he spent his childhood as the subject of racially charged psychological studies. Despite these challenges, he believes his father’s pioneering work will result in a memoir that will solve his family’s financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that’s left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has been removed from the map to save California from further embarrassment. Enlisting the help of the town’s most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court. His determination to fight injustice is a powerful force that drives the narrative forward.

One of the most important and blazingly original writers of his generation, George Saunders, is an undisputed master of the short story. The Tenth of December is his most honest, accessible, and moving collection yet. It is one of the New York Times’ 100 Best Books of the Century. The book is structured as a collection of short stories, each offering a unique and compelling narrative.

In the taut opener, “Victory Lap,” a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees or override years of smothering advice from his parents and act?

In “Home,” a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left behind with the one he has returned to.

In the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, throughout a fateful morning, gives the dying man a final chance to recall who he is.

An unfortunate, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders’s signature blend of exuberant prose, deep humanity, and stylistic innovation.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our morality, delving into what makes us suitable and what makes us human. They are not just stories but profound explorations that will stimulate your intellect and make you ponder.

Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight but also fulfill Chekhov’s dictum that art should “prepare us for tenderness.” The humor in these stories will keep you entertained and laughing, even as they delve into profound themes.

George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize, and five collections of stories, including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama as one of his ten favorite books of 2022).

Three of Saunders’s books—Pastoralia, Tenth of December, and Lincoln in the Bardo—were chosen for The New York Times’s list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book, A Swim in a Pond in the Rain. In 2013, he was named one of Time’s 100 Most Influential People. He teaches in the creative writing program at Syracuse University.

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Today, I embarked on the literary journey of We the Animals by Justin Torres. This novel, listed among the New York Times’ 100 Best Books of the Century, is a groundbreaking work of art. The author of Blackouts immerses us in the tumultuous heart of a family, the intense bonds of three brothers, and the mythic impact of this fierce love on the individuals we are destined to become.

The narrative unfolds as three brothers navigate their way through childhood, a journey filled with emotional highs and lows, from playful acts like smashing tomatoes on each other to finding solace in each other’s company during their parents’ conflicts and even tiptoeing around the house as their mother rests after her graveyard shift. Paps and Ma, hailing from Brooklyn—he’s Puerto Rican, she’s white—share a profound and challenging love, shaping and reshaping the family numerous times. Life in this family is intense and all-consuming, filled with disorder, heartache, and the ecstasy of belonging to each other.

From the intense familial unity, a child feels to the profound alienation he endures as he begins to see the world, this beautiful novel doesn’t just tell a coming-of-age story; it reinvents it in a sly and punch-in-the-stomach powerful way. It delves into themes such as love, the meaning of family, and heartache, adding another layer of depth and complexity to the story.

“What We Can Know” by Ian McEwan, the critically acclaimed author of nineteen novels and two short story collections, is a remarkable work of fiction and a love story that celebrates both individuals and the words they leave behind. This literary detective story reclaims the present from our sense of impending catastrophe and envisions a future world where not everything is lost.

In 2014, during a dinner for close friends and colleagues, renowned poet Francis Blundy honored his wife’s birthday by reading aloud a new poem dedicated to her, titled “A Corona for Vivien.” As the guests enjoy a delicious meal and drink plenty of wine, little do they know that people will speculate about the meaning of this poem for generations to come. A copy of the poem was never published, and it remains an enduring mystery.

Fast forward to 2119: over one hundred years in the future, rising seas following a catastrophic nuclear accident have submerged much of the Western world. The survivors tormented by the memory of the vibrant world research the world that once existed. In the waterlogged south of what was once England, Thomas Metcalfe, a lonely scholar and researcher, longs for the early twenty-first century as he searches for the elusive poem “A Corona for Vivien.”

Thomas reflects on how wild and full of risk their lives were, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles upon a clue that may lead to the poem’s discovery, he uncovers a story of entangled loves and a brutal crime that shatters his assumptions about people he thought he knew intimately.

Ian McEwan is a critically acclaimed author known for his nineteen novels and two short story collections. His first published work, a collection of short stories titled “First Love, Last Rites,” won the Somerset Maugham Award.

His notable novels include “The Child in Time,” which won the Whitbread Novel of the Year Award in 1987; “The Cement Garden“; “Enduring Love;” “Amsterdam;” which won the Booker Prize in 1998; “Atonement;” “Saturday;” “On Chesil Beach;” “Solar;” “Sweet Tooth;” “The Children Act;” “Nutshell;” and “Machines Like Me,” which became a number-one bestseller.

Several of his works, including “Atonement,” “Enduring Love,” “The Children Act;,” and “On Chesil Beach,” have been adapted into films.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

Today, I started reading Lorrie Moore‘s latest novel; I Am Homeless If This Is Not My Home. It’s her first book since A Gate at the Stairs, and it’s a bold and contemplative exploration of love, death, passion, and grief. Moore examines what it means to be haunted by the past in terms of history and the human heart.

The story follows a teacher who visits his dying brother in the Bronx. A mysterious journal from the 19th century is stolen from a boarding house. There’s also a therapy clown and an assassin, who is presumed dead but may not be.

Moore’s unique wordplay, wry humor, and wisdom make for an enchanting read. She presents us with a magic box of surprises, exploring themes of love, rebirth, and the pull toward life. This novel is a poetic and imaginative portrait of lovers and siblings that questions the stories we’ve been told and whether they’re true.

With I Am Homeless If This Is Not My Home, Moore takes us on a journey to a windswept, tragic, and comic landscape. It’s unmistakably her world and a journey you won’t forget.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Conjure Women by Afia Atakora is about a mother and her daughter with a shared talent for healing—and for the conjuring of curses — at the heart of this dazzling first novel. Conjure Women takes place before, during, and after the Civil War. The book is structured around three-time frames; Slaverytime, Freddomtime, and Wartime.

Having grown up in the South and heard far too many stories about the Lost Cause, it was a joy to read a book narrated by two African-American women. The third leading character is the daughter o the owner of the plantation. At the end of the war, she was hidden away for six years and was unaware the South had surrendered.

Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom.

Magnificently written, brilliantly researched, and richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love.

Since Jan died, I have read many books that I know she enjoyed. We both enjoyed Call the Midwife, and this book focused on birthing and mothering. Although conjuring was their medical care and not the type practiced in poplar by the Midwives, we would both have enjoyed the book.

Conjure Women also raises questions about the meaning of freedom. For example, Rue chooses not to leave the former plantation after the Klan attacks despite being free.

I recommend this book and look forward to reading more from Afia Atakora.

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Today, I delved into the gripping pages of “All the Sinners Bleed” by S. A. Cosby. This enthralling novel centers around Titus Crown, the first African American sheriff in Charon County, Virginia. Despite the county’s reputation for traditional customs such as moonshine, cornbread, and honeysuckle, Titus, with his FBI expertise, knows that the peace won’t last forever.

On the first anniversary of Titus’s election, a schoolteacher is murdered by an ex-student, and Titus’s deputies take down the perpetrator. As Titus delves deeper into the case, he uncovers a web of horrendous crimes and finds a serial killer lurking in plain sight, haunting Charon’s dirt roads and woodland clearings.

Titus is determined to solve the case, despite its connection to a nearby church, and he harbors a personal secret that haunts him. However, he faces opposition from a far-right group that wants to hold a parade to honor the town’s Confederate past while he tries to solve the issue.

Despite the challenges, Titus remains resolute in his love for Charon and his commitment to finding justice. The collision of religion and hatred cannot deter him from his duty.

S. A. Cosby is a New York Times bestselling writer from southeastern Virginia. He is the author of All the Sinners Bleed, which was on more than forty Best of the Year lists, including Barack Obama’s, as well as Edgar Award finalist Razorblade Tears and Los Angeles Times Book Prize winner Blacktop Wasteland. He has also won the Anthony Award, ITW Thriller Award, Barry Award, Macavity Award, BCALA Award, and Audie Award. He has been longlisted for the ALA Andrew Carnegie Medal for Excellence.

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Today, I dove into “Dream Count” by Chimamanda Ngozi Adichie, and I couldn’t be more excited! A decade in the making, this novel promises to be a captivating journey. Known for her bestselling works like “Americanah” and “We Should All Be Feminists,” Adichie brings her trademark brilliance to this story of four women exploring their loves, longings, and desires. I can’t wait to see how their lives unfold!

Chiamaka is a Nigerian travel writer living in America. During the pandemic, feeling alone, she reflects on her past lovers and grapples with her choices and regrets. Her best friend Zikora, a successful lawyer, faces betrayal and heartbreak, leading her to turn to the person she thought she needed the least. Omelogor, Chiamaka’s bold and outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she truly knows herself. Meanwhile, Kadiatou, Chiamaka’s housekeeper, proudly raises her daughter in America yet must confront an unimaginable hardship that threatens everything she has worked to achieve.

In “Dream Count,” Chimamanda Ngozi Adichie focuses on these women’s lives in a captivating and profound novel that explores the very nature of love. Is true happiness ever attainable, or is it merely a fleeting state? How honest must we be with ourselves to love and be loved? The story profoundly reflects on our choices and those made for us, mothers and daughters, and our interconnected world. “Dream Count” resonates with emotional urgency and provides poignant, unflinching observations of the human heart, all conveyed in beautifully powerful language. This work reaffirms Adichie’s status as one of contemporary literature’s most exciting and dynamic writers.

Chimamanda Ngozi Adichie grew up in Nigeria. Her work has been translated into more than fifty-five languages. She is the author of the novels “Purple Hibiscus,” which won the Commonwealth Writers’ Prize; “Half of a Yellow Sun,” which was the recipient of the Women’s Prize for Fiction “Best of the Best” award; Americanah, which won the National Book Critics Circle Award; the story collection “The Thing Around Your Neck” and the essays We Should All Be Feminists and Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions. Her most recent work is an essay about losing her father, Notes on Grief, and Mama’s Sleeping Scarf, a children’s book by Nwa Grace-James. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

Tayari Jones, the bestselling and award-winning author of An American Marriage, has crafted a magnificent new novel titled Kin. This unforgettable story sparkles with wit, intelligence, and deep emotion as it explores the lives of two lifelong friends whose paths intersect after many years apart, brought together by a devastating tragedy. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Vernice and Annie, two daughters raised without mothers in Honeysuckle, Louisiana, have been best friends and neighbors since childhood. However, they lead very different lives. Vernice, cared for by a strong aunt who aims to provide her with stability after her mother’s death, leaves Honeysuckle at eighteen to attend Spelman College. There, she joins a powerful sisterhood of Black women and enters a world of affluence, manners, ambition, and inequality.

In contrast, Annie, abandoned by her mother as a child, is obsessed with finding her mother and filling the emptiness left by her absence. Her quest leads her into a life filled with danger and challenges, as well as love and adventure, ultimately culminating in a fight for her survival.

Kin is a novel that explores the themes of motherhood, friendship, sisterhood, and the complexities of being a woman in the American South. It is an exuberant, emotionally rich, and unforgettable work by one of contemporary fiction’s most compelling voices. Kin delves into themes of motherhood and daughterhood, friendship and sisterhood, and the complexities of being a woman in the American South.

Tayari Jones is the author of four novels, including her most recent work, An American Marriage. This novel was selected for Oprah’s Book Club and featured on Barack Obama’s summer reading list and his year-end roundup. It has won several prestigious awards, including the Women’s Prize for Fiction, the Aspen Words Literary Prize, and an NAACP Image Award, and published in two dozen countries. Jones serves as the C.H. Candler Professor of English and Creative Writing at Emory University and resides in Atlanta.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!