Maggie Stiefvater‘s latest historical fiction, The Listeners, is now available in stores today, and it’s an enthralling read that you won’t want to put down. Set against the backdrop of January 1942, the luxurious Avallon Hotel & Spa stands as a beacon of elegance amid the rugged beauty of West Virginia, its refreshing mountain waters promising to wash away the worries of high society until it is ordered to house Axis diplomats. Stiefvater‘s meticulous research and attention to historical detail bring this era to life in a way that will captivate any history buff.

At the heart of this gripping tale is June Porter Hudson, a local girl who has risen to the role of general manager. With remarkable skill, she navigated the early challenges of wartime operations, but nothing could prepare her for the complexities of hosting diplomats from the Axis powers. As tensions mount and secrets unfold, June must confront her fears and the profound changes in history, all while striving to uphold the dignity of the Avallon. Dive into this captivating story and feel the weight of the changing tides of history.

In the opulent world of the Avallon Hotel, the Gilfoyle family reigns supreme, their aristocratic lineage a testament to old-world charm and privilege. But this sanctuary of luxury is thrown into turmoil when the family heir strikes a clandestine deal with the State Department, bringing a motley crew of captured Axis diplomats into their midst. June, the hotel’s resourceful manager, finds herself in an impossible position, tasked with persuading her dedicated staff, many of whom have loved ones fighting on the front lines, to serve these enemy guests with charming smiles.

As tensions simmer beneath the surface, FBI Agent Tucker Minnick lurks in the shadows, his coal tattoo serving as a reminder of his rugged Appalachian roots. He presses his ear against the hotel’s walls, eavesdropping on the diplomats’ whispered secrets. Yet, his past clings to him like a specter, revealing that the very same balancing act that keeps June poised could lead to perilous consequences. Beneath the hotel lies Sweetwater—its power to heal intertwined with its potential to destroy.

June is known for her ability to charm any guest, but these diplomats challenge her mastery. They’ve waged a silent war at her doorstep, forcing her to confront the reality that clashing loyalties threaten to shatter Avallon’s polished exterior. As June navigates this treacherous terrain, she must weigh the actual cost of luxury and decide what she’s willing to sacrifice in a time of conflict.

Maggie Stiefvater is the New York Times bestselling author of the Shiver trilogy, The Raven Cycle, and The Scorpio Races, among dozens of other YA fantasy novels. Her books have sold over five million copies worldwide. She lives in the Shenandoah Valley of Virginia with her husband and their two children.

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I highly recommend reading “The Unsettled: A Novel” by Ayana Mathis. It’s a brilliant, explosive, and vitally crucial new work from one of America’s most fiercely talented storytellers. The story follows Ava Carson and her ten-year-old son, Toussaint, arriving at the Glenn Avenue family shelter in Philadelphia in 1985. From the outset, Ava is already thinking of a way to escape.

She is disgusted by the shelter’s squalid conditions, including a room infested with cockroaches, barely edible food, and an untrustworthy night security guard. She is resolute in her mission to rescue her son from the shelter’s dangers and humiliations and free herself from the complex past that led them there.

Ava and her mother, Dutchess, have been estranged for many years since Ava left her Alabama home as a young woman. Despite the miles between them, mother and daughter are still deeply connected. However, Ava finds it hard to forgive her mother for her sharp tongue, intractability, and bouts of despair that led to neglect and hunger during her childhood.

Ava wants to be a better mother to her son, Toussaint. However, when Toussaint’s father, Cass, suddenly reappears, Ava is drawn to his charisma and radical vision to dismantle systems of racial injustice and establish a new communal living.

Meanwhile, in Alabama, Dutchess is facing a difficult challenge. She is struggling to prevent the sale of Bonaparte to white developers, who are rapidly encroaching on the land. Bonaparte has been a beacon of Black freedom and self-determination, and it is now in the hands of its last five Black residents – families who have lived there for generations. Dutchess is fighting to preserve the venerable history of Bonaparte and the land, which she has worked hard to keep as Ava’s inheritance.

As Ava approaches Cass, Toussaint begins to sense danger around him. He worries about his mother’s erratic behavior and his father’s intense and volatile nature. Toussaint dreams of returning to Bonaparte and Dutchess, where he was born and raised. He hopes to find his way back there soon.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.

Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.

The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.

One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.

This dialogue could easily be one that Jan and I had.

Of course you want to summon his family—his (adult) children—but quickly, he says no.

Still waiting.

But – When?

Just not yet.

He is not an alarmist. (You are the alarmist.)

The novel is written in two parts – The Vigil and the Post-Mortem.

The opening paragraphs set the tone.

A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.

Whoever it is urging you – Breathe!

Leaning over you begging you – Breathe!

As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.

Among them is grief-vise, which I have written about in this stream.

In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.

In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.

Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.

Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.

The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.

These are some of the other phrases I have found useful and will include in posts.

• If there is no one to love, do we merit existence?
• Never come to the end of kissing.
• The first principle of life is; Breathe.
• Shy in the language of intimacy.
• As if a life lived with strangers could compensate for the emptiness in your heart.
• No purpose in your life. No compass.

What you love most, that you will lose. The price of your love is your loss.

I recommend this book to all readers, even those struggling with grief.

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For the week before Father’s Day, I read So Far Gone by Jess Walter, a hilarious, empathetic, and brilliantly provocative adventure through life in modern America about a reclusive journalist forced back into the world to rescue his kidnapped grandchildren. Is this gripping tale of a grandfather’s love and determination the perfect read for the upcoming Father’s Day?

Rhys Kinnick, a character who has truly gone off the grid, provides a humorous twist to the story. At Thanksgiving a few years back, a fed-up Rhys punched his conspiracy theorist son-in-law in the mouth, chucked his smartphone out a car window, and fled for a cabin in the woods with no one around except a pack of hungry raccoons.

Now, Kinnick’s old life is about to land right back on his crumbling doorstep. Can this failed husband and father, a man with no internet and a car that barely runs, reemerge into a broken world to track down his missing daughter and save his sweet, precocious grandchildren from the members of a dangerous militia?

With the help of his caustic ex-girlfriend, a bipolar retired detective, and his only friend (who happens to be furious with him), Kinnick, a man who is struggling with his past and his present, heads off on a wild journey through cultural lunacy and the rubble of a life he thought he’d left behind. According to the Philadelphia Inquirer, So Far Gone is a rollicking, razor-sharp, and moving road trip through a fractured nation from a writer who has been called “a genius of the modern American moment.”

Jess Walter is the author of seven previous novels, including the bestsellers The Cold Millions and Beautiful Ruins, the National Book Award Finalist The Zero, and Citizen Vince, winner of the Edgar Award for best novel. His short fiction, collected in The Angel of Rome and We Live in Water, has won the O. Henry Prize and the Pushcart Prize and appeared three times in Best American Short Stories. He lives in his hometown of Spokane, Washington.

When you purchase a book through one of my links, I earn a small commission that helps support my passion for reading. This contribution allows me to buy even more books to share with you, creating an incredible cycle of discovering great reads together! Your support truly makes a difference!

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Today, I began reading Diane Oliver‘s Neighbors and Other Stories. It’s a powerful and eerie debut collection of stories that portrays the struggles of different characters as they face the everyday dangers of racism during the Jim Crow era. The book features an introduction by Tayari Jones.

Diane Oliver is an important yet often overlooked figure in African American literature of the 20th century. She was a gifted writer, ahead of her time, whose talent was cut short by her untimely death at 22 in 1966. Nevertheless, she left behind a remarkable collection of crisply written and often chilling tales that delve into race and racism in America during the 1950s and 60s. Oliver’s insightful stories remain relevant today; this is the only existing collection of her works. She has rightfully earned her place in the literary canon as a masterful storyteller.

The passage below describes several short stories with different themes. The first story, “The Closet on the Top Floor,” tells the story of Winifred, the first Black student in a newly integrated college. In this story, Winifred begins to disappear, creating a nightmarish scenario. The second story is titled “Mint Juleps not Served Here.” It’s about a couple who live deep in a forest with their son. They will go to bloody lengths to protect him from any danger. The third story, “Spiders Cry without Tears,” features a couple named Meg and Walt. They must confront prejudices and strains of interracial and extramarital love. Finally, the last story is the titular one, and it’s a high-tension narrative that follows a nervous older sister the night before her younger brother is set to desegregate his school.

These are powerful and personal depictions of African American families‘ everyday struggles and moments of distress, illustrating how they utilize their abilities to overcome challenges. “Neighbors” is an enthralling compilation and a valuable historical and social document, displaying the remarkable literary skills of a previously overlooked author.

A Good Neighborhood by Therese Anne Fowler is a book that was difficult to put down once I started it. A Good Neighborhood is a “gripping contemporary novel that examines the American dream through the lens of two families living side by side in an idyllic neighborhood, throughout one summer that changes their lives irrevocably.”

I selected the book as it focuses, among other issues, on gentrification and environmental degradation. But to say that is what it is about would be a disservice. It also includes a full range of the social issues of our time.

But with little in common except a property line, these two very different families quickly find themselves at odds: first, over an historic oak tree in Valerie’s yard, and soon after, the blossoming romance between their two teenagers. Told from multiple points of view, A Good Neighborhood asks big questions about life in America today ― what does it mean to be a good neighbor? How do we live alongside each other when we don’t see eye to eye? ― as it explores the effects of class, race, and heartrending star-crossed love in a story that’s as provocative as it is powerful.

Ms. Fowler narrates the book. Greek Chorus. By doing this, she ensures that we are part of the story as much as readers.

We need to find answers to the big questions if we are to be good neighbors.

• What does it mean to be a good neighbor?
• How do we live alongside each other when we don’t see eye to eye?

The effects of class, race, and heartrending star-crossed love make this a must-read book.

I recommend the book to all readers.

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