The Little Prince by Antoine de Saint-Exupéry is often referred to as a children’s book. I read it as a child and later read it to my children. After Jan died, I picked it up again and read it more than once.

I have found quotes from the book very helpful during my grief journey. These are three that I often use in my writing and my conversations with friends and family.

The most beautiful things in the world cannot be seen or touched, they are felt with the heart.”

It is such a mysterious place, the land of tears.

You see, one loves the sunset when one is so sad.”

The first quote about beautiful things only felt in the heart summarizes how I knew Jan was the one for me within seconds of meeting her.

For those who have not read the book, this overview might help convince you to read it today!

The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It’s a wonderfully inventive sequence that evokes the great fairy tales and monuments of postmodern whimsy. The author pokes similar fun at a business person, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence.

The Little Prince will be by my bedside as long as I live!

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Today, I began reading Bluff: Poems by Danez Smith, which was selected as one of The New York Times 100 Notable Books of 2024. This collection emerged after two years of artistic silence, during which the world slowed due to the COVID-19 pandemic, and Minneapolis became the epicenter of protests following the murder of George Floyd. In Bluff, Danez Smith powerfully reflects on their role and responsibilities as a poet and their connection to their hometown of the Twin Cities.

This book addresses the awakening from violence, guilt, shame, and critical pessimism to a sense of wonder, envisioning how we might strive for a new existence in a world that seems to be descending into desolate futures.

Smith infuses these poems with a startling urgency; their questions demand a new language, deep self-scrutiny, and virtuosic textual shapes. A series of ars poetica gives way to “anti-poetica” and “ars America,” implicating poetry in collusion with unchecked capitalism. A photographic collage builds across a sequence, illustrating the consequences of America’s acceptance of mass shootings. Additionally, a brilliant long poem—part map, part annotation, part visual argument—offers the history of Saint Paul’s vibrant Rondo neighborhood before and after officials decided to route an interstate directly through it.

Bluff is a manifesto of artistic resilience, even when time feels fleeting and the places we hold dear—both given and created—are in turmoil. In this powerful collection, Smith turns to honesty, hope, rage, and imagination to envision possible futures.

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Hello Beautiful by Ann Napolitano is a gorgeous, profoundly moving portrait of what’s possible when we choose to love someone, not despite who they are but because of it. Although several sources recommended Hello Beautiful, I chose the novel based on the title as it is how I always greeted Jan. I highly recommend this book as it is one of the best I have ever read.

Hello Beautiful is an exquisite homage to Louisa May Alcott’s timeless classic, Little Women. Knowing it was not him, William Waters’s experience growing up as an only child was an engaging character in the early portion of the novel. However, my hero was Sylvie, the dreamer who pursued true love and found it in a place one would less expect to find it. The consequences of her love reverberate over decades in their families. 

The following passage is one example of a well-written book.

We’re separated from the world by our own edges,” Charlie Padavano says to Sylvie in “Hello Beautiful.” He continues, “We’re all interconnected, and when you see that, you see how beautiful life is.

The interconnections of the characters make this novel one of the best I have read. If only more of us could learn the lessons that Charlie Padavano shared with Sylvie.

As a man on a lifetime grief journey, this exchange echoes my experience.

When an old person dies,” Kent said, “even if that person is wonderful, he or she is still somewhat ready, and so are the people who loved them. They’re like old trees, whose roots have loosened in the ground. They fall gently. But when someone like your aunt Sylvie dies—before her time—her roots get pulled out and the ground is ripped up. Everyone nearby is in danger of being knocked over.”

Grief is love.” Now Alice thought: Forgiveness is too.

The Goodreads summary provides an overview,

William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him. So it’s a relief when his skill on the basketball court earns him a scholarship to college, far away from his childhood home. He soon meets Julia Padavano, a spirited and ambitious young woman who surprises William with her appreciation of his quiet steadiness. With Julia comes her family; she is inseparable from her three younger sisters: Sylvie, the dreamer, is happiest with her nose in a book and imagines a future different from the expected path of wife and mother; Cecelia, the family’s artist; and Emeline, who patiently takes care of all of them. Happily, the Padavanos fold Julia’s new boyfriend into their loving, chaotic household.

But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable loyalty to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I started reading “Kala: A Novel” by Colin Walsh, a gripping literary page-turner from a rising Irish talent. Former friends, estranged for twenty years, reckon with the terrifying events of the summer that changed their lives. Three old friends are reunited in the seaside town of Kinlough, on Ireland’s west coast, for the first time in years.

Helen, Joe, and Mush were part of an original group of six inseparable teenagers in the summer of 2003, with motherless, reckless Kala Lanann as their group’s white-hot center. Soon after that summer’s peak, Kala disappeared without a trace.

Now it’s fifteen years later:

• Helen has reluctantly returned to Ireland for her father’s wedding.
• Joe is a world-famous musician who is newly back in town.
• Mush has never left, too scared to venture beyond the counter of his mother’s café.

But human remains are discovered in the woods. Two more girls have gone missing. As past and present begin to collide, the estranged friends are forced to confront their involvement in the events that led to Kala’s disappearance.

Against the backdrop of a town suffocating on its secrets, in a story that builds from a smolder to a stunning climax, Kala brilliantly examines the sometimes brutal costs of belonging and the battle in the human heart between vengeance and forgiveness, despair and redemption.

Today, I embarked on the journey of Kate Atkinson‘s ‘Life After Life,’ a novel that has secured its place among The New York Times 100 Best Books of the Century. The book presents a unique and thought-provoking premise: What if you could live multiple lives until you found the perfect one? With its darkly comic, startlingly poignant, and utterly original narrative, it’s a testament to Kate Atkinson‘s unparalleled storytelling prowess.

The story unfolds in a unique narrative structure, beginning on a cold and snowy night in 1910 when Ursula Todd is born to an English banker and his wife. She dies before drawing her first breath. However, on that same night, Ursula Todd is born again, lets out a loud cry, and starts a life that will be pretty unusual. As she grows up, she also dies repeatedly in various ways while the young century moves inexorably toward its second cataclysmic world war.

Could Ursula’s seemingly endless life be the key to altering the world’s inevitable destiny? The prospect is both thrilling and hopeful. Yet, the question lingers – if she possesses this power, will she choose to wield it?

“Angel Down” by Daniel Kraus immerses readers in World War I, weaving a complex tale of survival, supernatural wonder, and moral conflict. Five soldiers on a mission to venture into the perilous No Man’s Land to euthanize a wounded comrade. Instead, they discover a fallen angel. “Angel Down” was recognized as one of the New York Times’ 100 Notable Books of 2025.

Private Cyril Bagger has survived the unspeakable horrors of the Great War by relying on his wits and deception, swindling fellow soldiers at every opportunity. However, his survival instincts are put to the ultimate test when he and four other soldiers are given a deadly mission: to venture into No Man’s Land to end the suffering of a wounded comrade.

What they find amidst the ruined battlefield, however, is not a man in need of mercy, but a fallen angel, seemingly struck down by artillery fire. This celestial being may hold the key to ending the brutal conflict, but the soldiers must suppress their individual desires and work together. As jealousy, greed, and paranoia take hold, the group is torn apart by their inner demons, threatening to transform their angelic encounter into a descent into hell.

Daniel Kraus is a New York Times bestselling author known for his novels, television, and film work. His novel Whalefall received a front-cover review in The New York Times Book Review, won the Alex Award, and was a finalist for the LA Times Book Prize. Recognized as one of the Best Books of 2023 by NPR, The New York Times, the Chicago Tribune, and several other publications.

Kraus coauthored The Shape of Water with Guillermo del Toro, based on the idea they developed for the Oscar-winning film. He also collaborated with del Toro on Trollhunters, which was adapted into the Emmy-winning Netflix series. Additionally, Kraus co-wrote The Living Dead and Pay the Piper with the legendary filmmaker George A. Romero. His novel The Death and Life of Zebulon Finch was named one of Entertainment Weekly’s Top 10 Books of the Year.

Throughout his career, Kraus has received numerous accolades, including the Bram Stoker Award, the Scribe Award, and two Odyssey Awards (for both Rotters and Scowler). He has been featured multiple times as a Library Guild selection and recognized by YALSA as a Best Fiction for Young Adults. His works have been translated into over twenty languages. Daniel Kraus resides in Chicago with his wife. Visit him at DanielKraus.com.

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