Today, I delved into There Is No Place for Us by Brian Goldstone, a poignant exploration of America’s escalating homelessness crisis. Goldstone’s examination of the issue’s scale, root causes, and consequences is a wake-up call, passionately arguing that housing must be recognized as a fundamental human right. His compelling narrative demands our immediate attention and action.

The phrase “the working homeless” serves as a stark reminder of the urgency of America’s homelessness crisis. In a country where hard work and determination are expected to lead to success, it is scandalous that individuals with full-time jobs struggle to maintain stable housing. Rising rents, low wages, and insufficient tenant rights have contributed to this alarming trend. Families are facing homelessness not due to a failing economy but because of a thriving one.

In his compelling and thoroughly researched book, Brian Goldstone explores the lives of five families in Atlanta. Maurice and Natalia attempt to rebuild their lives in the country’s “Black Mecca” after being priced out of Washington, D.C. Kara aspires to become an entrepreneur while working at a public hospital. Britt has secured a much-coveted housing voucher. Michelle is studying to become a social worker. Celeste works tirelessly at her warehouse job while battling ovarian cancer. Each of these individuals strives to provide a decent life for their children. Yet, one by one, they find themselves among the nation’s working homeless, demonstrating their resilience and the system’s failures.

Through intimate, novelistic portrayals, Goldstone exposes the human cost of this crisis, following parents and their children as they sleep in cars or squalid extended-stay hotel rooms, then head to their jobs and schools the next day. These are the nation’s hidden homeless—people often omitted from official statistics—showing that overflowing shelters and street encampments represent only the most visible aspects of a much larger problem.

Brian Goldstone is a journalist whose long-form reporting and essays have appeared in The New York Times, Harper’s Magazine, The New Republic, The California Sunday Magazine, and Jacobin, among other publications. He has a PhD in anthropology from Duke University and was a Mellon Research Fellow at Columbia University. In 2021, he was a National Fellow at New America. He lives in Atlanta with his family.

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Today, I dove into “Audition” by Katie Kitamura, and I’m already hooked! This gripping novel explores a woman’s journey as she navigates what could be the performance of her lifetime—and perhaps even two. It’s both exhilarating and disorienting, much like a Möbius strip that challenges our understanding of the people we cherish. I can’t wait to see where this story takes me!

The narrative begins with two people meeting for lunch in a Manhattan restaurant. She is an accomplished actress in rehearsals for an upcoming premiere, while he is an attractive, troubled young man—young enough to be her son. What is his relationship to her, and how does she see him?

In this compulsively readable and brilliantly crafted novel, two competing narratives unfold, challenging our understanding of the roles we play in life – whether as partners, parents, creators, or muses – and revealing the truths that each performance conceals, particularly from those who believe they know us best.

Taut and hypnotic, “Audition” showcases Katie Kitamura‘s virtuosic writing at its finest.

Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.

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Today, I embarked on the journey of Heartwood by Amity Gaige. This novel unfolds a gripping narrative as a search and rescue team races against time to find an experienced hiker who mysteriously disappears on the Appalachian Trail in Maine. The suspense of the search for Valerie is palpable, drawing you into the story with great literary ambition and love at its core.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie’s emotional struggle is palpable as she pours her thoughts into fractured, poetic letters to her mother, battling the elements and struggling to keep hoping.

At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground. Meanwhile, Lena, a seventy-six-year-old birdwatcher in a Connecticut retirement community, becomes an unexpected armchair detective. What’s unique about this narrative is that a puzzle emerges between these compelling narratives, intensifying the frantic search, as Valerie’s disappearance may not be accidental.

Heartwood is a “gem of a thousand facets—suspenseful, transporting, tender, and ultimately soul-mending” (Megan Majumdar, New York Times bestselling author of A Burning). It tells the story of a lost hiker’s odyssey and is a moving rendering of each character’s interior journey. The mystery inspires more significant questions about how we get lost and how we are found.

Amity Gaige is the author of four previous novels: O My Darling, The Folded World, Schroder, Sea Wife, a 2020 New York Times Notable Book, and a Mark Twain American Voice Award finalist. Schroder was also a New York Times Notable Book and the best book of 2013 according to The Washington Post and The Wall Street Journal, and was shortlisted for the UK’s Folio Prize in 2014. Her work has been translated into eighteen languages. In 2018, Amity was awarded a Guggenheim Fellowship in Fiction. She lives with her family in West Hartford, Connecticut, and teaches creative writing at Yale.

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Today, I dove into Jennifer Haigh‘s gripping new release, Rabbit Moon. Set against the vibrant backdrop of Shanghai, this tense and riveting drama unravels the complexities of a fractured American family. It explores hidden secrets and the unbreakable bond between two sisters. Ms. Haigh, the New York Times bestselling author of Mercy Street, which I read last year, weaves a tale that promises to keep readers on the edge of their seats.

Four years after their bitter divorce, Claire and Aaron Litvak receive a phone call that no parent is prepared for: their 22-year-old daughter Lindsey, who is teaching English in China during her college gap year, has been critically injured in a hit-and-run accident. As they wait at her bedside in a Shanghai hospital, they hold onto hope for the best while preparing for the worst.

The accident exposes a deeper rift within the family: it brings to light the shocking events that ended the Litvaks’ marriage and turned Lindsey against them. Estranged from her parents, Lindsey has confided only in her younger sister, Grace, who was adopted from China as an infant. As Claire and Aaron navigate the bustling, cosmopolitan atmosphere of Shanghai—the newly prosperous “miracle city”—they face unsettling questions about Lindsey’s life there, where nothing is as it seems.

With her trademark psychological insight, Jennifer Haigh crafts a taut and suspenseful story about the enduring ties of marriage that divorce cannot sever and the legendary red thread that connects two sisters across time and space. Ms. Haigh again demonstrates that she is, as The New York Times describes her, “an expertly nuanced storyteller…her work is gripping, real, and immersive.”

Jennifer Haigh is the author of seven best-selling, critically acclaimed works of fiction. Her first, Mrs. Kimble, won the PEN Hemingway Award for debut fiction. Her latest, Mercy Street, was named a Best Book of 2022 by the New Yorker and won the Mark Twain American Voice in Literature Award. A Guggenheim fellow and Iowa Writers’ Workshop graduate, she lives in Boston.

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American Dirt by Jeanine Cummins is one of the best books I have read this year.

American Dirt is a “cross-genre novel that combines elements of a commercial thriller, literary fiction, suspense, and romance.” American Dirt refers to the land that is the United States of America and to the difficulty undocumented migrants face both before and after crossing the border.

According to SuperSummary,

Lydia Quixano Pérez, a bookstore owner in Acapulco, saves her son Luca from a massacre that wipes out their entire family at a quinceañera cookout. The perpetrators are three sicarios, killers for Los Jardineros, a violent local cartel. Javier Crespo Fuentes, Lydia’s close friend and the jefe of Los Jardineros, ordered the hit in retaliation for an exposé written by Lydia’s husband, a journalist named Sebastián Pérez Delgado. Javier’s murderous rage stems not from the article itself, but from the impact it has on his daughter, Marta, who commits suicide when she learns of her father’s true identity. Lydia and Luca spend the rest of the novel running from Javier’s men, encountering a diverse cast of migrants along the road to the US.

I read the book at the same time that Haitian migrants were being deported at the border. Ms. Cummins writes passionately about the plight of migrants and the difficulties they face as they seek a new life in the US. This book highlighted this to me in ways that I understood intellectually but not emotionally.

Ms. Cummins refers to a sign she saw in Spanish in Tijuana while she was researching this book:

También de este lado hay sueños.

On this side, too, there are dreams.

All of our ancestors were migrants, and they all had dreams of a better life. We need to find a better way to help those who now have goals find a home so that their hopes for a better future can come true.

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Today, I explored “We Do Not Part,” the latest novel by Han Kang, the 2024 Nobel Prize in Literature laureate. Translated by the talented e. yaewon and Paige Aniyah Morris, this book offers a remarkable journey. The New York Times has called it Kang’s most revealing work since her acclaimed novel, “The Vegetarian.” What captivates me the most is how it intricately weaves the story of two women’s friendship while shedding light on a hidden chapter of Korean history.

One winter morning, Kyungha receives an urgent message from her friend Inseon, asking her to visit a hospital in Seoul. Inseon has injured herself in an accident and begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird named Ama. A snowstorm hits the island when Kyungha arrives. At all costs, she must reach Inseon’s house, but the icy wind and blizzards slow her down as night falls. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she does not yet suspect the vertiginous plunge into darkness that awaits her at her friend’s house.

Blurring the boundaries between dream and reality, “We Do Not Part” powerfully illuminates a forgotten chapter of Korean history buried for decades, bringing to light the lost voices of the past to prevent them from fading into oblivion. It is both a tribute to enduring friendship and a plea for remembrance. The novel tells a story of profound love in the face of unspeakable violence and celebrates life, however fragile.

Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, which I have read, and winner of the International Booker Prize,  Human Acts, The White Book, Greek Lessons, and We Do Not Part. In 2024, she received the Nobel Prize in Literature.

e. yaewon is based in Korea and translates from and into Korean, including titles by Hwang Jungeun, Deborah Levy, and Samuel Beckett.

Paige Aniyah Morris divides her time between the United States and Korea. Recent translations include works by Pak Kyongni, Ji-min Lee, and Chang Kang-myoung.

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Today, I dove into the captivating pages of “Black River” by Nilanjana S. Roy, a standout selection from The New York Times’ 100 Notable Books of 2024. This compelling debut novel unfolds against contemporary India, a country grappling with rising religious intolerance. Roy’s storytelling is nothing short of mesmerizing, intricately weaving a narrative that vividly reflects the nation’s complexities and contradictions.

Teetapur, an unassuming village just a few hours outside bustling Delhi, is known for nothing—until the discovery of an 8-year-old girl named Munia, found dead and hanging from the branch of a Jamun tree. In this predominantly Hindu village, suspicion quickly falls on Mansoor, an itinerant Muslim man. The tension ignites like wildfire, intensified by the underlying religious discord.

The responsibility for uncovering the elusive truth—and preventing the lynching of the prime suspect—falls on the weary shoulders of Sub-Inspector Ombir Singh. With only one other officer under his command and a single working revolver between them, can he bring justice to a grieving father and an angry village? Or will Teetapur demand vengeance instead?

“Black River” offers readers a gripping mystery and a sweeping analysis of the nation’s state, serving as a searing critique of modern India.

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Today, I embarked on a transformative journey with Rabbi Shai Held’s book, “Judaism Is About Love.” Rav Uri‘s mention of this book during this year’s Yom Kippur service at Temple Sha’arey Shalom sparked a profound connection to the Divine, as echoed in my writings “Love Can Conquer Even Death” and “High Holiday Meditation Cleanses My Soul.” Rabbi Held’s book, which focuses on love, meaning, purpose, and faith, has guided my quest to become the best version of myself.

“Judaism Is About Love” is a beacon of understanding, offering a profound and groundbreaking perspective on Jewish life. It challenges a long-standing misinterpretation that has shaped the Western narrative: Christianity is the religion of love, while Judaism is the religion of law. Rabbi Shai Held, a leading Jewish thinker in America, passionately argues for correcting this misconception. He asserts that love is not just a part of Judaism but a fundamental aspect, thus reclaiming the heart of the Jewish tradition.

With a unique blend of intellectual rigor, respect for tradition, and a vibrant Judaism, Held’s aim is clear: to reclaim Judaism in its authentic form. He illustrates that love is the foundation of the true Jewish faith, influencing our unique perspectives on injustice, protest, grace, family life, responsibilities toward neighbors and enemies, and chosenness.

“Judaism Is About Love” is a work of ambition and revelation. It serves as a beacon, illuminating the true essence of Judaism. More than just a book, it is an act of restoration from within, reclaiming the authentic form of Judaism.

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I started reading Everything’s Fine by Cecilia Rabess today, a stunning debut introducing a talented new author. However, I found it easier to decide to read it after reading in the New York Times that some reviewers on Goodreads criticized the book’s premise without reading it. It’s unfair to criticize something after experiencing it first-hand.

On Jess’s first day at Goldman Sachs, she’s disappointed to learn that she’ll be working with Josh, a white conservative she used to argue with in college. Josh enjoys playing devil’s advocate and can be challenging to deal with.

But when Jess realizes she’s the only Black woman on the team and is being overlooked, Josh offers his support in imperfect but meaningful ways. As they develop an unlikely friendship with undeniable chemistry, it eventually becomes an electrifying romance that shocks them both.

Despite their differences, their attraction brings them together, and Jess starts to question whether happiness is more important than being right. However, as the cultural and political landscape shifts in 2016, Jess, who is just discovering herself, must decide what she’s willing to compromise for love and if everything is excellent. This poignant and sharp novel by Cecilia Rabess asks if they will and if they should.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Followers by Megan Angelo is one of NPR’s Books We Love from 2020. Goodreads describes this as an electrifying story of two ambitious friends, the dark choices they make, and the stunning moment that changes the world as we know it forever.

Followers is a novel, but it could easily be read as history with all that has occurred with technology and social media. With the increased discussion of the Metaverse, how close are we to a significant spill of personal information? With the focus on followers defining our culture, how close are we to being manipulated by social media?

As a wannabe blogger, I am impressed by a handful of likes on social media and two comments on my posts. Although I can understand the temptation of Orla and Floss to manipulate the system for their benefit, it is something I know I would not do even if I had the skills.

The spill of personal information is described in a very plausible way. It is not just credit card data but private conversations, photos, and secrets that are spilled and alter the world as we know it. Is this possible? Hopefully not, but without adequate privacy regulations, we may all wake up one day to know that our most private secrets become known by everyone.

Marlow, the daughter of two mothers, along with Orla, provides an option of how we might all leave with less reliance on blue screens. As a secessionist nation in NJ, Atlantis was an interesting alternate reality.

Goodreads provides this overview if you are not convinced to read this book.

Orla Cadden is a budding novelist stuck in a dead-end job, writing clickbait about movie-star hookups and influencer yoga moves. Then Orla meets Floss ― a striving wannabe A-lister ― who comes up with a plan for launching them both into the high-profile lives they dream about. So what if Orla and Floss’s methods are a little shady and sometimes people get hurt? Their legions of followers can’t be wrong.

Thirty-five years later, in a closed California village where government-appointed celebrities live every moment of the day on camera, a woman named Marlow discovers a shattering secret about her past. Despite her massive popularity ― twelve million loyal followers ― Marlow dreams of fleeing the corporate sponsors who would do anything to keep her on-screen. When she learns that her whole family history is based on a lie, Marlow finally summons the courage to run in search of the truth, no matter the risks.

Followers traces the paths of Orla, Floss and Marlow as they wind through time toward each other, and toward a cataclysmic event that sends America into lasting upheaval. At turns wry and tender, bleak and hopeful, this darkly funny story reminds us that even if we obsess over famous people we’ll never meet, what we crave is genuine human connection.

I recommend Followers as not only a good read but an allegory of our technology-dominated culture.