Today, I am back in Philadelphia for the annual Flower Show. Since my beloved wife passed away three years ago, I have kept this tradition alive for four years. My dear friends Hugo and Arnold will be my companions during this visit.
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The essence of life lies in living it to the fullest, but what if we find ourselves living it all alone? The words of Lauren Groff from her book “The Vaster Wilds” resonate with my situation, as she rightly pointed out that to exist alone and survive is not the same as being alive. Although I strive to make the most of my life by reading, writing, walking, offering help to others, and serving as the board chair for Bridges, I still feel that I am merely surviving from one day to the next.
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“Watch out, Maggie!” Joe exclaimed as his energetic dog jumped on my leg, threatening to muddy my clothes. Despite the interruption, I couldn’t help but smile at Maggie’s playful antics. I gently petted her head, feeling her soft fur beneath my fingertips, and told Joe that today was laundry day.
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Walking down Alden Street, I noticed Chris smoking a cigarette outside Ambelis Greek Taverna, his restaurant. He saw me and exclaimed, “Richard!” in a loud voice that could have woken up the entire neighborhood. His enthusiasm made me smile. He asked me how I was doing, and his concern seemed genuine. Even though I wasn’t alright, I muttered that I was, but my answer wasn’t convincing. Being a good friend, Chris said something that sounded straight from my vocabulary: “Let me know if I can be of any help.” His kindness warmed my heart. He had to go back inside, but not before giving me a bear hug, which I happily accepted.
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by Yiyun Li
Yiyun Li, grappling with life’s deepest sorrows, invites readers into a poignant conversation between a mother and child in a timeless world. Where Reasons End, composed in the aftermath of the loss of her son, ventures into the liminal space between life and death. Here, mother and child engage in conversations untethered from past images and narratives, a profoundly moving portrayal of the love and complexity of their relationship.
The narrator of Where Reasons End shares a profound insight, saying, “I clung to one delusion with all my might: We once gave Nikolai a life of flesh and blood; and I’m recreating it, this time through words.” This emotional journey of recreating a life through words is a central theme that resonates throughout the novel.
With a unique blend of originality, precision, and poise, Where Reasons End immerses readers in a world of intimacy, inescapable pain, and fierce love. The novel’s emotional impact is profound, leaving a lasting impression on those who delve into its pages.
Yiyun Li, a prolific author, has penned six works of fiction—Must I Go, Where Reasons End, Kinder Than Solitude, A Thousand Years of Good Prayers, The Vagrants, and Gold Boy, Emerald Girl—and the memoir Dear Friend, from My Life I Write to You in Your Life.
Her literary prowess has been recognized with numerous awards, including a PEN/Hemingway Award, a PEN/Jean Stein Book Award, a MacArthur Foundation fellowship, and a Windham-Campbell Prize.
She was also featured in The New Yorker’s 20 Under 40 fiction issue. Her work, which has been published in The New Yorker, A Public Space, The Best American Short Stories, and The O. Henry Prize Stories, among other publications, is a testament to her literary excellence.
Currently, she imparts her knowledge at Princeton University and resides in Princeton, New Jersey.
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by Monica Wood
I started reading Monica Wood‘s “How to Read a Book: A Novel” today. It’s a heartfelt and uplifting story about a chance encounter at a bookstore—the novel delves into themes of redemption, unlikely friendships, and the life-changing power of sharing stories. With Monica Wood’s characteristic heart, wit, grace, and understanding, the novel illuminates the decisions that shape a life and the kindnesses that make life meaningful.
The story revolves around three characters: Violet Powell, a twenty-two-year-old from rural Abbott Falls, Maine, who is being released from prison after serving twenty-two months for a drunk-driving crash that killed a local kindergarten teacher; Harriet Larson, a retired English teacher who runs the prison book club and is facing the prospect of an empty nest; and Frank Daigle, a retired machinist who is struggling to come to terms with the complexities of his marriage to the woman Violet killed.
Their lives unexpectedly intersect one morning in a bookstore in Portland, Maine. Violet buys the novel she read in the prison book club before her release, Harriet selects the following title for the remaining women, and Frank fulfills his duties as the store handyman. Their encounters set off a chain of events that will profoundly change them.
How to Read a Book“ is a candid and hopeful story about releasing guilt, embracing second chances, and the profound impact of books on our lives.
by Chris Bohjalian
1978: It is the first Thursday in August, and temperatures are flirting with ninety when Mira Winston, eighteen years old, drives a golf ball from her tee toward the practice net near the clubhouse and caddy shack. The golf ball, weighing 1.6 ounces, tears through the net, traveling 150 miles per hour, and slams, with sickening force, into the temple of a high school junior named Kenny Foster, rupturing an artery and unleashing a torrent of blood.
Kenny brings his hand to the side of his head, then topples onto his side. He’s dead before the ambulance even arrives.
In the wake of this terrible accident—and everyone, at first, agrees it was an accident—Mira looks for comfort in all the wrong places: In her lover, Theo Catton, a married man three decades her senior. In her mother, a well-kept woman with secrets of her own. In the dead caddy’s little sisters, girls bewildered by grief. But when investigators look more closely at the torn net, when a detective recalls Mira’s history of recklessness, and when Kenny’s father spies Mira with her married lover, the affluent, mannered community turns on this once-promising young woman.
A gripping story that takes the reader from the sun-soaked greens of a tony Westchester country club to the fluorescent-lit stand of a county courtroom, The Amateur asks: What happens when one small moment—a swing, a ball, a piece of string—changes the course of an entire life?
Chris Bohjalian is the #1 New York Times bestselling author of twenty-five books, including The Princess of Las Vegas, The Lioness, Hour of the Witch, Midwives, and The Flight Attendant, which was a Max series starring Kaley Cuoco. His other books include The Guest Room; Close Your Eyes, Hold Hands; The Sandcastle Girls; Skeletons at the Feast; and The Double Bind. His novels Secrets of Eden, Midwives, and Past the Bleachers were made into movies, and his work has been translated into more than thirty-five languages. His novels have been selections of Oprah’s Book Club.
He is also a playwright (The Club, Midwives, and Wingspan). He lives in Vermont with his wife, photographer Victoria Blewer, and can be found at chrisbohjalian.com or on Facebook, Instagram, Threads, TikTok, X (formerly Twitter), Litsy, and Goodreads, @chrisbohjalian.
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by Joyce Carol Oates
Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.
Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.
The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.
One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.
This dialogue could easily be one that Jan and I had.
Of course you want to summon his family—his (adult) children—but quickly, he says no.
Still waiting.
But – When?
Just not yet.
He is not an alarmist. (You are the alarmist.)
The novel is written in two parts – The Vigil and the Post-Mortem.
The opening paragraphs set the tone.
A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.
Whoever it is urging you – Breathe!
Leaning over you begging you – Breathe!
As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.
Among them is grief-vise, which I have written about in this stream.
In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.
In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.
Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.
Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.
The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.
These are some of the other phrases I have found useful and will include in posts.
What you love most, that you will lose. The price of your love is your loss.
I recommend this book to all readers, even those struggling with grief.
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by Claire Keegan
Today, I read “Small Things Like These” by Claire Keegan, one of the New York Times’s 100 Best Books of the 21st Century, and the seventeenth book I have read from that list. “Small Things Like These” is award-winning author Claire Keegan‘s landmark new novel, a tale of one man’s courage and a remarkable portrait of love and family.
The story is set in 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront his past and the complicit silences of a town controlled by the church.
I found this short but well-written novel very impactful. The following quote explains the powerful impact of the need for meaning and purpose in our lives, as Furlong walks in the snow after taking action to bring home a young girl from a Magdalen laundry. How often can we ignore the small things like these and still look ourselves in the mirror?
“As they carried on along and met more people Furlong did and did not know, he found himself asking was there any point in being alive without helping one another? Was it possible to carry on along through all the years, the decades, through an entire life, without once being brave enough to go against what was there and yet call yourself a Christian, and face yourself in the mirror?”
As an international bestseller, ‘Small Things Like These‘ is a profoundly moving story of hope and quiet heroism. It’s a narrative that will make you admire the characters and stir your empathy, all crafted by one of our most critically acclaimed and iconic writers. The characters in the story are so relatable that you will feel understood and deeply invested in their journey.
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by Harriet Lane
“Other People’s Fun” by Harriet Lane is an engaging, thought-provoking novel that explores modern life, including the small lies we tell our neighbors, friends, families, and even ourselves, as well as the distorted reality of social media. Known for her signature blend of creeping unease and keen observation, Lane’s page-turner delves into our deep desire for others to truly see us as we are—and the consequences that arise when that happens.
“I look. I can’t stop looking. That’s the deal, isn’t it? We all know that’s how it works. If someone wants to be seen–and oh, how they want to be seen–then someone has to watch.”
Ruth is alone, unnoticed, and at a loss: her marriage has ended, her daughter is leaving home, and her job is leading nowhere.
But luckily, Sookie is back in her life, the vivid, self-assured Sookie who never spared time for Ruth when they were teenagers, but who now seems to want to be friends. But as Ruth becomes entangled in Sookie’s life, she realizes that everything is not as Instagrammable as Sookie would have her believe. As the truth about Sookie becomes clearer, so too does the choice Ruth will have to make.
Harriet Lane has experience as an editor and staff writer for Tatler and the Observer. She has contributed articles to The Guardian, Vogue, and The New York Times. Additionally, she is the author of two novels, Alys, Always, and Her. Lane resides in North London.
Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!
