What Kind of Paradise is a captivating and suspenseful novel by bestselling author Janelle Brown. It follows a young woman on her quest to understand self-identity. The story boldly explores complex themes, including the relationships between parents and children, the balance between nature and technology, the tension between innocence and knowledge, the losses we experience in our past, and our aspirations for the future.

This unforgettable narrative delves into what shapes us as individuals. The first thing you have to understand is that my father was my entire world, says Jane, the narrator.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read instead of going to school. Her father is elusive about their pasts, giving Jane little beyond the fact that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Walden-esque utopia.

As Jane becomes a teenager, she begins to push against the boundaries of her restricted world. She begs to accompany her father on his occasional trips away from the cabin. But when Jane realizes that her devotion to her father has made her an accomplice to a horrific crime, she flees Montana to the only place she knows to look for answers about her mysterious past and her mother’s death: San Francisco. It is a city amid a seismic change, where her quest to understand herself will force her to reckon with both the possibilities and the perils of the fledgling internet, and where she will come to question everything she values.

Janelle Brown is the New York Times bestselling author of I’ll Be You, Pretty Things, Watch Me Disappear, All We Ever Wanted Was Everything, and This Is Where We Live. An essayist and journalist, she has written for Vogue, The New York Times, Elle, Wired, Self, Los Angeles Times, Salon, and more. She lives in Los Angeles with her husband and their two children.

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Today, I started reading Creation Lake: A Novel by Rachel Kushner, a two-time finalist for the Booker Prize and the National Book Award. This novel follows a seductive and cunning American woman who infiltrates an anarchist collective in France. It is a gripping page-turner filled with dark humor. Creation Lake is Kushner‘s finest achievement—a work of high art, comedy, and unforgettable pleasure.

The story revolves around a secret agent, a thirty-four-year-old American woman who employs ruthless tactics and possesses striking beauty. She is sent to carry out covert operations in France. The narrator introduces herself as “Sadie Smith” when she arrives at a rural commune of French subversives, whom she is secretly monitoring, and to her lover, Lucien, a young and well-to-do Parisian whom she meets by so-called “cold bump”—making him believe their encounter was accidental. Like everyone else she targets, Lucien is helpful to her and ultimately manipulated by her. Sadie operates with strategy and deception, following instructions from her “contacts”—shadowy figures in business and government. Initially, these contacts want her to provoke reactions. As the story progresses, their demands become more complex.

In this region filled with ancient farms and prehistoric caves, Sadie becomes captivated by a mysterious figure named Bruno Lacombe. Bruno mentors young activists who believe that the path to emancipation lies not in revolt but in a return to the ancient past. Just as Sadie thinks she is the seductress and puppet master of those she surveils, Bruno enchants her with his ingenious counter-histories, poignant laments, and tragic narrative.

In brief, striking sections, Rachel Kushner‘s interpretation of “noir” is taut and dazzling.

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Today, I began reading “Corey Fah Does Social Mobility: A Novel” by Isabel Waidner. The book is about Corey Fah, a writer whose novel has just won the Fictionalization of Social Evils prize. Despite this achievement, the trophy and funds with the award still need to be in reach. The novel celebrates radical queer survival and challenges false notions of success.

Corey, their partner Drew, and their pet spider, Bambi Pavok, embark on a quest to find an elusive trophy with neon-beige color and UFO-like qualities. This journey takes them back to their childhood in the forest and includes a stint on a reality TV show. While facing the horrors of wormholes and time loops, Corey discovers the difference between a prize and a gift in a complex way.

Following the Goldsmiths Prize–winning Sterling Karat Gold, Isabel Waidner’s bold and buoyant new novel is about coming into one’s own, the labor of love, the tendency of history to repeat itself, and what ensues when a large amount of cultural capital is suddenly deposited in a place it has never been before.

Addictive and prescient, The Compound by Aisling Rawle, is an explosive debut from a prominent new voice in fiction. This gripping novel, set in a remote desert compound, will linger in your mind long after the game ends. It’s a story of survival, competition, and the human spirit, making it a must-read for any fiction enthusiast. Lily—a bored, beautiful twenty-something—wakes up on The Compound, alongside nineteen other contestants competing on a massively popular reality show.

For Lily to emerge victorious, she must outlast her housemates and stay in The Compound the longest. Her journey is filled with challenges, from competing for luxury rewards like champagne and lipstick to securing communal necessities for their new home, including food, appliances, and even a front door.

Aisling Rawle was born in 1998 and raised in County Leitrim in the West of Ireland. She now lives in Dublin. The Compound is her first book.

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Filled with heart and humor, Thirst Trap by Gráinne O’Hare is a lively celebration of friendship, embracing uncertainty, and indulging in “just one more round” before heading home. This sharply funny novel explores the challenges of being in your late 20s as you approach 30, questioning when you will tire of morning hangovers, dead-end entry-level jobs, and late nights at bars. This friend group is about to discover the answer.

Sometimes friends hold you together.
Sometimes they’re why you’re falling apart.

Harley, Róise, and Maggie have been friends for a long time. They met in primary school years ago, and they are still together, spending their nights on the sticky dance floors of Belfast’s grungiest pubs. Each woman is navigating her own challenges—entry-level jobs, messy romantic entanglements, and late nights—but they always find their way back to each other and to the ramshackle house they share. Amidst the familiar chaos, the three are still grieving their fourth housemate, whose room remains untouched, with the weight of their last big fight lingering heavily over them.

The girls’ house has witnessed the highs and lows of their roaring twenties—raucous parties, surprising (and sometimes regrettable) hook-ups, and hellish hangovers. However, as they approach thirty, their home begins to crumble around them, and the cracks in their friendship become harder to ignore. In the midst of the wreckage, they must decide whether their friendship will survive into a new decade or if growing up sometimes means letting go.

Gráinne O’Hare is a writer from Belfast based in Newcastle upon Tyne. She received a Northern Debut Award for Fiction from New Writing North and was awarded funding by the Arts Council for the development and completion of her first novel. She has also been shortlisted for the Francis MacManus Short Story Competition and the Bridport Prize, and came in the top three of the Benedict Kiely Short Story Competition.

She is a media sub-editor for Criticks reviews of the British Society for Eighteenth-Century Studies and holds a PhD in eighteenth-century women’s life-writing from Newcastle University.

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‘Hurricane Season‘ by Fernanda Melchor, translated by Sophie Hughes, is a literary gem acknowledged by the New York Times as one of the 100 Best Books of the 21st Century. The story opens with the discovery of a dead witch in a village, leading to an investigation into her murder. As the novel unfolds, it offers a unique perspective on the lives of the villagers, each narrating the story from their point of view.

This unique portrayal of the characters, each with flaws and virtues, uncovers new details and acts of depravity. Despite the characters being seen as irredeemable, Melchor extracts some shred of humanity from them, creating a lasting portrait of a doomed Mexican village. This deep connection to Mexican culture is a significant aspect of the novel that will surely resonate with readers interested in this topic.

“Hurricane Season” draws significant literary inspiration from Roberto Bolaño‘s “2666” and Faulkner‘s novels. Like these works, it is set in a world filled with mythology and actual violence that seeps into the surroundings, creating a connection that makes it more terrifying the deeper you explore it.