Walking is Vital to My Conscientious Resilience!

Estimated reading time: 16 minutes, 47 seconds

Walking on Day One

On May 6, 2021, I found myself standing on the precipice of despair, the tidal wave of grief I had managed to suppress during my wife’s time in hospice now crashing over me. Just a day before, I had said my final goodbyes, laying my beloved wife to rest, and the profound weight of that loss pressed down on my soul. As I stood in front of our empty closet, I faced a choice: retreat to the comforting confines of my bed or venture out into the world. After a night devoid of sleep, logic would suggest I should seek solace in rest. Yet, instead, I bent down and pulled on my worn, tattered walking shoes—my silent companions urging me to step back into life, even when everything felt dark.

Ten Alternate Words for Widow

Despite my vision blurred by tears, I laced up my shoes, determined to take each step forward, no matter how difficult. The world around me felt both familiar and painfully distant as I walked. My eyes were barely able to open wider than pinholes, hindered by the grief that clouded my sight. Everyday sights along my route loomed like shadows, simple yet constantly reminding me of the profound loneliness I now faced. Each step was a small victory, a testament to my resolve to navigate life after such heartache, a daily struggle and triumph that I continue to face.

For fourteen hundred days, I have risen with the Sun and taken to the streets, my mind wandering as I walk. In those initial moments of solitude, I felt like a ship lost at sea. To steady my thoughts and anchor my spirit, I chanted a mantra that guided me through life’s ups and downs: ‘I am capable, I am strong, and I believe in myself.’ This phrase, which I often shared with Jan during our time together, is more than just a mantra. It’s a source of strength and resilience, a promise to always be there for each other, no matter the storms we face.

Every morning, I find motivation in reciting this mantra, which sparks my will to rise from bed and embrace the day. I take longer walks, dive into books, and pour my thoughts onto the page, especially about Jan. I took another step forward by joining four online grief support groups by the end of May. Each of these groups, with its unique focus and approach, provided a sense of community and understanding that I found immensely comforting. These activities have crafted a daily routine that gently guides me forward, one small step at a time.

During college, I discovered a passage from Viktor Frankl‘s Man’s Search for Meaning and promised to finish the book. It wasn’t until the early days of my grief that I finally fulfilled that promise. Frankl’s logotherapy taught me that the primary human drive is the pursuit of meaning, which surpasses even the quest for pleasure, as Freud had suggested. This passage, which I revisited during my grief, was a powerful reminder of the importance of finding meaning in life, even in the face of profound loss. It became a guiding principle on my journey toward resilience and recovery.

Reflecting on this journey, I realized I had always walked purposefully, although the last three months had been different. The fear of losing my wife weighed heavily on me, influencing every aspect of my life. Being a caregiver was the most meaningful role I had ever embraced, and as that chapter of my life neared its end, I faced a complex reality.

However, during the early days of grieving, establishing a routine became my guiding light. It empowered me to rise above despair and continue moving forward. I now understand the importance of walking, reading, writing, worshiping, and volunteering. Despite the pain of loss, my journey as a widow offered an opportunity to seek more profound meaning and purpose. Reading, worshiping, and writing, in particular, became my refuge, allowing me to explore my emotions and find solace in the words of others who had experienced similar losses.




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10 comments add your comment

  1. As you know, I am walking because of you. I am currently at day 55 of 100. Once I reach day 75, I plan to change my goal to walk 150 days.

    I am excited by that goal because when I arrive at 150 days, I will have walked 10% of the days that you will have walked and it will be my one chance to have such alignment. I am excited!

    So, why am I walking? I am walking because having a concrete goal of walking 100 days gives me reason not to quit. I am guessing that you start your walk each day for a similar reason. It gives you a reason not to quit, to keep going.

    Once I begin my walk the reasons change and are different from day to day. However, the sense of accomplishment of having “walked today” is always there and my guess is that you likely walk for those endorphins too.

    Thank you for inspiring me!

    -Mark-

    • Mark, I want to express my gratitude for your friendship and support. It will be an honor to celebrate when you reach 150 days, and I’m currently at 1,410 days and counting.

      I walk to enjoy the endorphins, but like you, each day I walk gives me one more reason not to quit. Some days my body protests, but once I start, the pain disappears, and I find myself in moments of tranquility with nature and life.

      If I’ve inspired you to walk, you have encouraged me to live life fully after loss in countless ways.

      I will always be grateful to have you as a friend.

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The Jan Lilien Education Fund!

Sea of Tranquility

Read: September 2022

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Sea of Tranquility

by Emily St. John Mandel

Sea of Tranquility by Emily St. John Mandel has been on my reading list for months. I recommend the book without reservations. Sea of Tranquility is a novel of art, time, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon three hundred years later, unfurling a story of humanity across centuries and space. It was a page-turner from page one.

With the delay of Artemis I, I have been thinking a lot about the Sea of Tranquility, the original lunar landing site. Sea of Tranquility reminded me of the days of my youth when we believed that NASA would colonize the moon as it is in the novel.

One of the passages that moved me was when Olive Llewellyn asked, “What if it always is the end of the world.” A second profound passage asks, “A life lived in a simulation is still a life.

The Goodreads summary provides a good overview,

Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.

Two centuries later a famous writer named Olive Llewellyn is on a book tour. She’s traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive’s bestselling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him.

When Gaspery-Jacques Roberts, a detective in the Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe.


The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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20 Under 40

Read: January 2019

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20 Under 40 Fiction

by Various Writers Under 40

Short Stories that Will Define the Future of American Letters

The New Yorker’s collection of short stories – 20 Under 40 – is a collection of twenty writers “whose work will help define the future of American letters.”

Some of these I had read in The New Yorker and others I had missed. Either way, they were a pleasure to read.

As The New Yorker wrote,

The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear-eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.

Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.

I recommend this collection of short stories.

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Trip: A Novel

Read: September 2025

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Trip: A Novel

by Amie Barrodale

Trip: A Novel by Amie Barrodale follows a woman who embarks on a journey to the afterlife to help her son, who is lost at sea. Her voyage begins on a limbo-drifting ghost ship, blending humor and emotion as she explores the body and mind. Barrodale skillfully combines humor with poignant moments, making the supernatural feel personal. The book moved me, reflecting the emotional tides between mother and son.

Sandra dies suddenly at a death conference in Nepal. Days later in America, her son, Trip, runs away with a man. Sandra tries to send a message to Trip through the mystics, but they are distracted while her son and the man set out to sea.

Amie Barrodale‘s first novel follows the unpredictable journey of Sandra and her son, Trip, as they navigate the realms of restless souls and Buddhist deities. As they move between life and death, Sandra’s unwavering devotion to saving her child and striving to be a good mother anchors the narrative, propelling it forward with emotional depth and urgency. This book will particularly resonate with fans of literary fiction, magical realism, and those intrigued by philosophical explorations of life and death. Readers who appreciate stories rich in emotional complexity and spiritual themes will find themselves eagerly immersed in this enthralling tale.

Wide-eyed with wonder, hilariously funny and painfully moving, Trip: A Novel reveals the deeper meaning of The Tibetan Book of the Dead: the past is a memory, the future is a projection, the present disappears before we can see it.


Amie Barrodale’s stories and essays have appeared in The Paris Review, Harper’s Magazine, and other publications. In 2012, she was awarded The Paris Review’s Plimpton Prize for Fiction for her story “William Wei.” She is the author of You Are Having a Good Time: Stories.



Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books that I’ve personally vetted to ensure quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!


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Don't Be a Stranger: A Novel

Read: October 2024

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Don’t Be a Stranger: A Novel

by Susan Minot

Today, I began reading “Don’t Be a Stranger: A Novel” by Susan Minot, a captivating new work by the author of ‘Evening.’ Known for her lyrical prose and exploration of complex human relationships, Minot’s latest novel revolves around a woman involved in a love affair during midlife. It is a radiant tale that explores themes of erotic obsession, the desire for intimacy, communication, and oblivion, which will resonate with fans of Miranda July‘s ‘All Fours,’ a book I have also read.

Ivy Cooper is 52 years old when Ansel Fleming first enters her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience, their physical chemistry is overpowering. Over the heady weeks and months that follow, Ivy finds her life bifurcated by his presence: On the surface, she is a responsible mother, managing the demands of friends, an ex-husband, and home, but emotionally, psychologically, sexually, she is consumed by desire and increasingly alive only in the stolen moments-out-of-time, with Ansel in her bed.

Don’t Be a Stranger is a gripping, sensual, and provocative work from one of the most remarkable voices in contemporary fiction.

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A Parish Chronicle

Read: February 2026

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A Parish Chronicle

by Halldór Laxness

In “A Parish Chronicle,” celebrated novelist Halldór Laxness weaves an essayistic tale about the unlikely miracles that keep a church—destined to disappear time and again—rooted on the same hillside. Laxness explores the minutiae of history, from the location of the ancient burial mound of national hero Egill Skallagrímsson to the end of the 19th century, where weak-sighted Ólafur and boisterous farmhand Gunna each play unexpected roles in the parish’s enduring survival.

1882. In the still of morning, Ólafur sharpens his scythe on the bone-dry pavestones that separate his farmhouse from the rest of Mosfell Valley, where life revolves around sheep. The sound of his hammer rings out like a high-pitched bell over the tussocky fields. Across the valley, perched on a hill that receives more sunshine than others, stands Mosfell Church. Nearby, the parish priest’s maid Gunna pours her “slosh,” a weak cup of coffee. Further afield in Reykjavík (“down south” as the locals say), the general assembly decides to revisit an old plan to cut costs by consolidating small parishes and calls for the demolition of Mosfell. Yet today a church stands on that same hillside—its sharp steeple silhouetted against the clouds, its crown bell hanging to the left of the altar.

This intimate tribute to life in Laxness‘s home valley also offers a thoughtful commentary on how the peculiarities of certain individuals can shape history. “A Parish Chronicle” is rich with life and detail.


Halldór Laxness (1902-1998) is the undisputed master of modern Icelandic fiction. He was awarded the Nobel Prize in Literature in 1955, “for his vivid epic power which has renewed the great narrative art of Iceland.” His body of work includes novels, essays, poems, plays, stories, and memoirs: more than sixty books in all. His works available in English include Independent People, The Fish Can Sing, World Light, Under the Glacier, Iceland’s Bell, and Paradise Reclaimed.

Philip Roughton has translated the work of Halldór Laxness, Jón Kalman Stefánsson, Kristín Marja Baldursdóttir, and many others. He has twice been awarded the American-Scandinavian Foundation Translation Prize for his renderings of Halldór Laxness‘s work, in 2001 for Iceland’s Bell and in 2015 for Wayward Heroes. He also received the 2016 Oxford-Weidenfeld Prize for his translation of Jón Kalman Stefánsson’s The Heart of Man. He lives in Iceland. Translator Residence: Akureyri, Iceland

Salvatore Scibona is the recipient of a Mildred and Harold Strauss Living Award from the American Academy of Arts and Letters. His first novel, The End, was a finalist for the National Book Award and winner of the Young Lions Fiction Award. His second novel, The Volunteer, was called a “masterpiece” by the New York Times and won the Ohioana Book Award. His books have been translated into ten languages. His work has won a Guggenheim Fellowship, a Pushcart Prize, an O. Henry Award, and a Whiting Award, and the New Yorker named him one of its “20 Under 40” fiction writers. He is the Sue Ann and John Weinberg Director of the Cullman Center for Scholars and Writers at the New York Public Library.



Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!


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The Safekeep: A Novel

Read: July 2025

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The Safekeep: A Novel

by Yael van der Wouden

A house is a treasured possession, and “The Safekeep,” a debut novel by Yael van der Wouden, presents a gripping story of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961. The novel provides a profound exploration of the legacy of World War II and the darker elements of our shared history.

It is 1961, and the rural Dutch province of Overijssel is quiet. Bomb craters have become lakes, buildings have been repaired or rebuilt, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season.

Eva is the complete opposite of Isabel: she sleeps late, stomps around the house, and handles things she shouldn’t. In response, Isabel becomes increasingly obsessed and furious, especially as items begin to go missing around the house—a spoon, a knife, a bowl. As her suspicions grow, Isabel’s paranoia eventually leads to infatuation, culminating in a revelation that shatters everything she has ever known. It seems that the war might not truly be over, and neither Eva—nor the house they inhabit—is what they appear to be.

For my house will be called a house of devotion for all,” in Isaiah 56:7, serves as a closing that reminds us that a house not open to all is not a home.


Yael van der Wouden is a writer and a teacher. The Safekeep, her debut novel, was a finalist for the 2024 Booker Prize and has been longlisted for the 2025 Aspen Words Literary Prize. It was also named a New York Times Notable Book of the Year and a best book of the year by The Washington Post, Time, The Economist, Kirkus Reviews, The Times (London), The Independent, BookPage, and others. She lives in Utrecht, Netherlands.



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