When we experience something irreversible or unfixable, how do we continue living? How do we find our guiding star in the absence of clear answers? These questions lie at the heart of M. L. Stedman‘s unforgettable new novel, A Far-flung Life. From the acclaimed author of the beloved bestseller The Light Between Oceans, this sweeping epic explores a family, a tragedy, and the repercussions that echo for decades.

Set in remote Western Australia in 1958, the MacBride family has lived for generations on a vast sheep station called Meredith Downs, which spans a million acres of arid landscape. On an ordinary day, as patriarch Phil MacBride drives down a lonely road under the endless blue sky, he swerves to avoid a kangaroo. In that instant, it shatters the lives of the entire MacBride family. Tragedy strikes again when the consequences of this moment claim the life of one sibling and lead another to sacrifice everything for the well-being of an innocent child. Matt, the youngest MacBride, embarks on a moral and emotional journey for which there is neither a map nor a guide. The secrets at the core of this heartbreaking and beautiful story compel him to choose between love and duty, sacrifice and happiness.

A Far-flung Life is a tale of family and belonging, fate and time. It depicts individuals striving to do their best while each, for their own reasons, seeks shelter from life’s storms.

Can a fleeting moment unravel a life, marking it permanently and irrevocably? Can compassion, resilience, and forgiveness help us come to terms with our human imperfections? These are the profound questions Stedman explores in A Far-flung Life, her moving, uplifting, and luminous novel about the endurance of the heart for love’s sake.

M.L. Stedman was born and raised in Western Australia and now lives in London. The Light Between Oceans was her first novel. A Far-flung Life is her second novel.

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Cynthia D’Aprix Sweeney‘s Lake Effect is a wry and tender portrait of two families forever changed by one impulsive decision that will reverberate for decades. Written with Cynthia D’Aprix Sweeney‘s signature humor and insight, Lake Effect offers a wise and probing exploration of love and desire, the relationships between mothers and daughters, loss and grief, and what we owe to the people we love most.

It’s 1977, and an air of restlessness hangs over the residents of Cambridge Road in Rochester, New York—a community long influenced by the booming fortunes of Kodak and Xerox, and for some, the traditions of the Catholic church. When Nina Larkin receives a copy of *The Joy of Sex* from her newly divorced friend, she can no longer ignore the lack of intimacy in her marriage.

Just as her oldest child, Clara, is experiencing her first love, Nina finds herself yearning for something forbidden: a midlife awakening. An intoxicating affair with a prominent neighbor introduces Nina to a freedom she never thought possible. Still, it also jeopardizes the reputations of both families and upends Clara’s world as she stands on the brink of adulthood.

Years later, Clara, now a successful food stylist in New York City, has never fully escaped the shadow of the childhood scandal. Drawn back home by the pull of a family wedding and grappling with her own challenges, she makes a pivotal decision that turns her life upside down.

Cynthia D’Aprix Sweeney is the author of the bestselling novels “The Nest,” which became an instant New York Times bestseller and was named one of the best books of the year by People, the Washington Post, and NPR, as well as “Good Company,” a selection for Read with Jenna. She has appeared as a guest on shows like Today, Late Night with Seth Meyers, and NPR’s All Things Considered. Her works have been translated into more than twenty-eight languages, and “The Nest” is currently in development as a limited series with AMC Studios.

Ms. Sweeney holds an MFA from the Bennington Writing Seminars and lives in New York City with her husband.

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Tayari Jones, the bestselling and award-winning author of An American Marriage, has crafted a magnificent new novel titled Kin. This unforgettable story sparkles with wit, intelligence, and deep emotion as it explores the lives of two lifelong friends whose paths intersect after many years apart, brought together by a devastating tragedy. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Vernice and Annie, two daughters raised without mothers in Honeysuckle, Louisiana, have been best friends and neighbors since childhood. However, they lead very different lives. Vernice, cared for by a strong aunt who aims to provide her with stability after her mother’s death, leaves Honeysuckle at eighteen to attend Spelman College. There, she joins a powerful sisterhood of Black women and enters a world of affluence, manners, ambition, and inequality.

In contrast, Annie, abandoned by her mother as a child, is obsessed with finding her mother and filling the emptiness left by her absence. Her quest leads her into a life filled with danger and challenges, as well as love and adventure, ultimately culminating in a fight for her survival.

Kin is a novel that explores the themes of motherhood, friendship, sisterhood, and the complexities of being a woman in the American South. It is an exuberant, emotionally rich, and unforgettable work by one of contemporary fiction’s most compelling voices. Kin delves into themes of motherhood and daughterhood, friendship and sisterhood, and the complexities of being a woman in the American South.

Tayari Jones is the author of four novels, including her most recent work, An American Marriage. This novel was selected for Oprah’s Book Club and featured on Barack Obama’s summer reading list and his year-end roundup. It has won several prestigious awards, including the Women’s Prize for Fiction, the Aspen Words Literary Prize, and an NAACP Image Award, and published in two dozen countries. Jones serves as the C.H. Candler Professor of English and Creative Writing at Emory University and resides in Atlanta.

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Diane Frank, a poet and author of “Prayer to the Invisible,” was a childhood friend of my wife, Jan, in Springfield, NJ. Both were gifted and talented young women who excelled as students and were also musicians, dreamers, and diarists. I met Diane at a poetry reading in NYC, where Jan insisted that we meet her brilliant friend. Diane often referred to Jan as her “Angel.”

In her luminous 9th collection, Prayer to the Invisible, poet Diane Frank fully unmasks her wild and loving imagination. With a river-deep range in subject matter and voice, Frank guides us through terrains both difficult and joyous – her Jewish mother’s love of Christmas carols, a grace-filled visitation from a victim of ethnic violence, a ballerina-in-disguise on public transit, and many transcendent visions from dreams. According to Prartho Sereno, Poet Laureate Emerita of Marin County, California. Author of Starfall in the Temple, “Diane Frank is the wise and wonder-struck, barefoot-dancing companion we all long for in these precarious times.”

Each poem was thought-provoking and a blessing for these uncertain times. The title poem, “Prayer to the Invisible,” was written in memory of Dr. Jerry Rabinowitz, who died during the attack at the Tree of Life Synagogue in Pittsburgh on October 27, 2018. He was a fellow alumnus of Jonathan Dayton Regional High School, as were Diane and my wife. The poem is a moving tribute to Dr. Rabinowitz as its words brought tears to my eyes.

The poem is a moving tribute that brought tears to my eyes for Dr. Rabinowitz, and one stanza echoed how I felt when my wife died.

I carry your spirit on my shoulders
as I walk into the synagogue
where we played music for you,
as I follow an eclipse north
as I walk into a dream.
I write your name in the sky after midnight
in the Leonid meteor showers,
in the penumbra of an eclipse
of the wolf moon.

Diane Frank is a poet and musician, author of nine books of poems, three novels, and a photo memoir of her 400-mile trek in the Nepal Himalayas. Listening to the Enigma Variations: New and Selected Poems won the 2022 Next Generation Indie Book Award for Poetry. She is the editor of three bestselling anthologies: River of Earth and Sky: Poems for the Twenty-First Century; Fog and Light: San Francisco through the Eyes of the Poets Who Live Here; and Pandemic Puzzle Poems. Her first novel, Blackberries in the Dream House, was nominated for the Pulitzer Prize.

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In “A Parish Chronicle,” celebrated novelist Halldór Laxness weaves an essayistic tale about the unlikely miracles that keep a church—destined to disappear time and again—rooted on the same hillside. Laxness explores the minutiae of history, from the location of the ancient burial mound of national hero Egill Skallagrímsson to the end of the 19th century, where weak-sighted Ólafur and boisterous farmhand Gunna each play unexpected roles in the parish’s enduring survival.

1882. In the still of morning, Ólafur sharpens his scythe on the bone-dry pavestones that separate his farmhouse from the rest of Mosfell Valley, where life revolves around sheep. The sound of his hammer rings out like a high-pitched bell over the tussocky fields. Across the valley, perched on a hill that receives more sunshine than others, stands Mosfell Church. Nearby, the parish priest’s maid Gunna pours her “slosh,” a weak cup of coffee. Further afield in Reykjavík (“down south” as the locals say), the general assembly decides to revisit an old plan to cut costs by consolidating small parishes and calls for the demolition of Mosfell. Yet today a church stands on that same hillside—its sharp steeple silhouetted against the clouds, its crown bell hanging to the left of the altar.

This intimate tribute to life in Laxness‘s home valley also offers a thoughtful commentary on how the peculiarities of certain individuals can shape history. “A Parish Chronicle” is rich with life and detail.

Halldór Laxness (1902-1998) is the undisputed master of modern Icelandic fiction. He was awarded the Nobel Prize in Literature in 1955, “for his vivid epic power which has renewed the great narrative art of Iceland.” His body of work includes novels, essays, poems, plays, stories, and memoirs: more than sixty books in all. His works available in English include Independent People, The Fish Can Sing, World Light, Under the Glacier, Iceland’s Bell, and Paradise Reclaimed.

Philip Roughton has translated the work of Halldór Laxness, Jón Kalman Stefánsson, Kristín Marja Baldursdóttir, and many others. He has twice been awarded the American-Scandinavian Foundation Translation Prize for his renderings of Halldór Laxness‘s work, in 2001 for Iceland’s Bell and in 2015 for Wayward Heroes. He also received the 2016 Oxford-Weidenfeld Prize for his translation of Jón Kalman Stefánsson’s The Heart of Man. He lives in Iceland. Translator Residence: Akureyri, Iceland

Salvatore Scibona is the recipient of a Mildred and Harold Strauss Living Award from the American Academy of Arts and Letters. His first novel, The End, was a finalist for the National Book Award and winner of the Young Lions Fiction Award. His second novel, The Volunteer, was called a “masterpiece” by the New York Times and won the Ohioana Book Award. His books have been translated into ten languages. His work has won a Guggenheim Fellowship, a Pushcart Prize, an O. Henry Award, and a Whiting Award, and the New Yorker named him one of its “20 Under 40” fiction writers. He is the Sue Ann and John Weinberg Director of the Cullman Center for Scholars and Writers at the New York Public Library.

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From Julia Armfield, the beloved and award-winning author of Our Wives Under the Sea, comes a speculative reimagining of King Lear. Private Rites centers on three sisters navigating queer love and loss in a world that is drowning. It has been raining for so long that the landscape has reshaped itself, and old rituals and religions are beginning to resurface. Sisters Isla, Irene, and Agnes have not spoken to each other in some time.

However, when their father—an architect who was both cruel and revered—passes away, their lives are forever changed. His death offers the sisters an opportunity to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until a revelation in his will shatters their fragile bond.

The sisters are more estranged than ever, and their lives spin out of control: Irene’s relationship is straining at the seams, Isla’s ex-wife keeps calling, and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters were chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.

Julia Armfield is the author of the novels Private Rites and Our Wives Under the Sea, which was a finalist for the Lambda Literary Award and the 2022 Goodreads Choice Award for Best Horror and Best Debut Novel, and the story collection salt slow. Her work has appeared in Granta, Lighthouse, Analog Magazine, Neon, and Best British Short Stories 2019 and 2021. She is the winner of the White Review Short Story Prize and a Pushcart Prize, and shortlisted for the Sunday Times Young Writer of the Year Awards in 2019. She lives and works in London.

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In a series of deeply personal essays, Emily Mester‘s “American Bulk” examines how the things we buy, eat, accumulate, and discard become integral parts of our lives. We often guiltily watch Amazon boxes pile up on the porch, sift through countless reviews to find the perfect product, and crave the familiar comfort of a chain restaurant. With humor and sharp insight, Mester reflects on the joys and anxieties of Costco trips, how a seasonal job at Ulta Beauty taught her the subtle art of sales, and what it means to feel “mall sad.”

In a nuanced exploration of diet culture and body image, Mester shares her experience at a fat camp during her teenage summer and the unexpected sense of liberation she discovered there. Finally, she travels to Storm Lake, Iowa, to confront her grandmother’s abandoned hoard, unraveling the dysfunction at the heart of her family’s obsession with material possessions. American Bulk introduces readers to an impressive new literary voice from the American heartland, urging us to view consumption not with guilt, but with grace and empathy.

Emily Mester is a writer from the suburban Midwest, where her family shopped at Costco every Sunday. She earned an MFA in nonfiction from the University of Iowa, where she received the Prairie Lights Nonfiction Prize. Currently, she resides in New York.

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I began reading “I’ll Come to You: A Novel” by Rebecca Kauffman today. This sweeping and compact novel explores themes of intimacy, memory, loss, grief, and reconciliation. It delves into the wonder, terror, frustration, fear, and magic of confronting the unknowable in the world and within ourselves. The New York Times recommended it as one of six books to read this week.

I’ll Come to You is a modern and classic story of a family that follows intersecting lives throughout 1995, centered around the anticipation and arrival of a child. Through empathy, insight, and humor, Rebecca Kauffman delves into overlapping narratives: a couple struggling to conceive, which has both softened and hardened their relationship; a woman whose husband of forty years has left her without explaining why; and the man who is disastrously trying to win her affection. Additionally, there’s a couple in denial about an impending health crisis and their son, who is awkwardly navigating middle age while unable to stop lying.

Ultimately, these storylines build to a dramatic and harrowing climax. With heart, wit, and courage, the characters confront challenges that test and define their family bonds.

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Reading Breathe by Joyce Carol Oates was a book I knew I needed to read once Jan was diagnosed. Although the book might trigger negative memories, I finally read Breathe. It was what I needed to read at this point in my journey.

Ms. Oates wrote the book in 2019 after her husband, Charlie Gross, died. The novel is a story of love, loss, and loneliness, topics that I write about on this blog. I needed to read the book both for my mental health and for the readers of Sharing Jan’s Love.

The protagonist, Michaela, loses her husband while they are on a sabbatical in New Mexico. Her husband, Gerard, writes a book and teaches a class on memories. Jan and I never considered relocating before her illness, but this book convinced me that it would have aggravated my grief journey.

One of the parallels I observed while reading the novel is the similarity between Gerard’s reluctance to let family, friends, and co-workers know of his illness. Jan shared that reluctance in the early days, but I convinced her that the only chance of beating cancer was with the help of family and friends.

This dialogue could easily be one that Jan and I had.

Of course you want to summon his family—his (adult) children—but quickly, he says no.

Still waiting.

But – When?

Just not yet.

He is not an alarmist. (You are the alarmist.)

The novel is written in two parts – The Vigil and the Post-Mortem.

The opening paragraphs set the tone.

A Hand is gripping yours. Warm, dry hand gripping your slippery, humid hand.

Whoever it is urging you – Breathe!

Leaning over you begging you – Breathe!

As one mourning the death of the love of his life, I found several phrases in the book helpful in understanding what I have gone through and will continue to confront.

Among them is grief-vise, which I have written about in this stream.

In the grip of the grief vise, all that you will do, all that you even imagine doing, will require many times more effort.. Hardly daring to breathe for the grief-vise will tighten around your chest, squeezing the very air out of your lungs.

In the early stages of grief, the vise was strangling me. Breathing was impossible, and weeping was constant at times.

Michaela struggles with her grief. Seeing her husband every time she sees a man alone, even if they are older or younger than he was. I know I have felt Jan’s presence and still expect her to walk into our apartment.

Her struggles with a grief counselor and overly helpful friends are an experience I have not had but are familiar to those suffering from losing a loved one.

The last chapters are ones in which time becomes confusing and chaotic. At times, I was uncertain about which were real or imagined. The end, like all good novels, was ambiguous.

These are some of the other phrases I have found useful and will include in posts.

• If there is no one to love, do we merit existence?
• Never come to the end of kissing.
• The first principle of life is; Breathe.
• Shy in the language of intimacy.
• As if a life lived with strangers could compensate for the emptiness in your heart.
• No purpose in your life. No compass.

What you love most, that you will lose. The price of your love is your loss.

I recommend this book to all readers, even those struggling with grief.

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“The Wilderness” by Angela Flournoy is a remarkable and multifaceted follow-up to her critically acclaimed debut, “The Turner House.” A true talent, Flournoy skillfully captures how five women form deep, lasting connections over a lifetime, often reflecting the complex and uncertain nature of friendship, with sharp wit and vibrant language. The book is a finalist for the 2025 Kirkus Prize for Fiction and longlisted for the 2025 National Book Award for Fiction.

This era-defining novel centers on the lives of five Black women as they navigate their twenty-year friendship, moving through the dizzying and sometimes precarious transition from young adulthood to midlife. It is a highly anticipated second book from National Book Award finalist Angela Flournoy.

Desiree, Danielle, January, Monique, and Nakia are all in their early twenties, beginning their careers, marriages, and motherhood, while also settling into their big-city lives in New York and Los Angeles. Together, they are finding their path through the wilderness—an overwhelming, mysterious period of life filled with both freedom and consequences.

Desiree and Danielle, sisters whose shared history has only deepened their estrangement, cope with painful family wounds in different ways. January finds herself in a relationship with a “good” man but feels ambivalent about him, especially following her unexpected pregnancy. Monique, a librarian and aspiring blogger, unexpectedly gains online fame after calling out her university for its plans to whitewash its complicated history. Meanwhile, Nakia is striving to establish her restaurant without relying on her upper-middle-class family, who question whether she should pursue a more conventional career.

As these friends transition from the late 2000s into the late 2020s, evolving from young adults into grown women, they must discover what they mean to each other amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life.

Angela Flournoy is the author of “The Turner House“, which was a finalist for the National Book Award, the Center for Fiction First Novel Prize, and selected as a Barnes & Noble Discover Great New Writers choice. It was also an Indie Next pick and recognized as a New York Times Notable Book of the Year.

Her fiction has appeared in The Paris Review, and she has written for The New York Times, The New Yorker, the Los Angeles Times, and other publications.

A graduate of the Iowa Writers’ Workshop, Flournoy has taught at the University of Iowa, Princeton University, and UCLA. She currently lives in New York.

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Max Porter‘s extraordinary debut, “Grief Is the Thing with Feathers,” is a unique blend of novella, polyphonic fable, and essay about grief. Combining compassion with a bold writing style, it delivers a powerful impact. Filled with sharp humor and deep insights, this haunting and original work introduces an important new talent. The book will be released as a major motion picture titled “The Thing with Feathers,” starring Benedict Cumberbatch.

Here he is, husband and father, scruffy romantic, a shambolic scholar–a man adrift in the wake of his wife’s sudden, accidental death. And there are his two sons, who, like him, struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised.

In this moment of violent despair, they are visited by Crow–antagonist, trickster, goad, protector, therapist, and babysitter. This self-described “sentimental bird,” at once wild and tender, who “finds humans dull except in grief,” threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow’s efforts are rewarded, and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up.

Max Porter is a publishing professional who lives in South London with his wife and children. “Grief Is the Thing with Feathers” is his debut book.

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The City We Became: A Novel by N. K. Jemisin is my first science fiction and urban fantasy novel in quite some time. It is a story of culture, identity, magic, and myths in contemporary New York City. Jan and I had lived in New York City, and the book brought back fond memories.

Every great city has a soul. Some are ancient as myths, and others are as new and destructive as children.

But every City also has a dark side. A roiling, ancient evil stirs beneath the earth, threatening to destroy the City and her five protectors unless they can come together and stop it once and for all.

As Jemisin writes:

A city is never alone, not really — and this city seems less solitary than most. More like a family: many parts, frequently squabbling … but in the end, against enemies, they come together to protect one another. They must, or die.

The challenge is when evil forces threaten the City; the entire community needs to unite, and the City’s avatars for each of the five boroughs.

Initially, this is supposed to be one for each borough and one for the entire City. In the end, one of the avatars for the five boroughs chooses not to unite with the others. Without all six, they stand no chance to defeat the forces of evil.

How do they solve this? By adding the sixth borough – Jersey City.

I recommend this book without reservation.

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Before departing for Toronto to celebrate our 44th Wedding Anniversary, I went through the e-library. Everything on my list that I wanted to read was not available except for this book. Being Mortal by Atul Gawande is the book I read on our vacation before Jan’s diagnosis of non-Hodgkin Large B-cell Lymphoma.

Selecting Being Mortal might seem an accidental choice to some, and I believe it was a divine intervention. It prepared me to be a caregiver to my wife over the nineteen months of her fight with cancer. It helped me focus on the good life that my wife lived and not the pain and suffering.

Atul Gawande describes his book as “riveting, honest, and humane. Being Mortal shows that the ultimate goal is not a good death but a good life – to the very end.”

When I read the book, I wondered what I could have done to help my mother in her final years. The book offers an excellent overview of how nursing homes and assisted living facilities have struggled to meet the needs of their residents.

Dr. Gawande provides an in-depth overview of the benefits of hospice care. Although I knew of this option, reading this book helped me understand that I was ready for hospice when my wife came home for the last time.

He reminds us that “when it comes to the inescapable realities of aging and death, what medicine can do often runs counter to what it should.” As he writes in the book, the current system does not work and, in many cases, actually shortens life.

This book has had a lasting impact on my life. It allowed me to be a loving caregiver to my wife when she needed it more than anything else. I read it when it would be most beneficial to me.

I highly recommend this book.

Atul Gawande is the author of several bestselling books: Complications, a finalist for the National Book Award; Better; The Checklist Manifesto; and Being Mortal. He is also a surgeon at Brigham and Women’s Hospital in Boston, a staff writer for The New Yorker, and a professor at Harvard Medical School and the Harvard School of Public Health. He has won the Lewis Thomas Prize for Writing about Science, a MacArthur Fellowship, and two National Magazine Awards. In his work in public health, he is the Founder and Chair of Ariadne Labs, a joint center for health systems innovation, and Lifebox, a nonprofit organization dedicated to making surgery safer globally. He is also the chair of Haven, where he served as CEO from 2018 to 2020. He and his wife have three children and live in Newton, Massachusetts.

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