In This Is Not About Us, master storyteller Allegra Goodman—who received praise for her previous collection in the Boston Globe as “one of the most astute and engaging books about American family life“—explores familiar themes and styles that have captivated countless readers. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs, and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible.

Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

Allegra Goodman is the author of seven novels, including the national bestseller Isola, selected as a Reese’s Book Club pick. She has also written two collections of short stories and a novel for young readers. Her fiction has appeared in The New Yorker and elsewhere, and anthologized in The O. Henry Awards and Best American Short Stories. She lives with her family in Cambridge, Massachusetts.

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Erika Veurink‘s debut novel, Exit Lane, is a deeply personal and engaging romance filled with humor, passion, and intense longing. It’s an ideal read for fans of “You Again,” “One Day,” and “People We Meet on Vacation.” After a road trip from Iowa City to New York City following their graduation, Teddy and Marin are ready to put their past behind them.

However, their lives continue to intersect over the next eight tumultuous years, marked by chance encounters and trips across the Atlantic. Ultimately, their journey leads them back to where it all began.

Erika Veurink is a writer, founder of EV Salon, and brand consultant who lives in Brooklyn by way of Iowa. She has an MFA from Bennington College and is a contributor to Vogue, New York Magazine, WSJ, and GQ. She writes the fashion newsletter, Long Live. Exit Lane is her debut novella.

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In 1934, a young José Revueltas traveled to Tamaulipas to support the cotton workers’ strike in Estación Camarón, which would later serve as the foundation for his landmark novel, Human Mourning. In her groundbreaking novel Autobiography of Cotton, Cristina Rivera Garza recounts her grandparents’ journey from mining towns to those same cotton fields. Her narrative intersects with Revueltas’s life and offers a vivid and evocative account of the history of cotton cultivation along the Mexico-U.S. border.

Through archival research and personal narrative, Rivera Garza explores how cotton transformed the borderlands by recounting the story of the cotton workers’ strike. She reveals how cycles of deprivation and environmental destruction continue to affect generations. Rivera Garza skillfully creates a new kind of border novel that illustrates how a fragile landscape drastically changed her grandparents’ lives and the territories they helped to develop. In this intimate fictionalization, Autobiography of Cotton offers a rich social history that encompasses agricultural colonization, labor activism, environmental degradation, and cross-border migration.

I recommend “Autobiography of Cotton,” but readers should be patient as the book shifts back and forth in time. Everything becomes clear as you continue reading.

Cristina Rivera Garza is the Pulitzer Prize–winning author of Liliana’s Invincible Summer. A MacArthur Fellow, she is the Hugh Roy and Lillie Cranz Cullen Distinguished Chair and founder of the University of Houston’s PhD in Creative Writing in Spanish.

Christina MacSweeney is the award-winning literary translator of works by Julián Herbert, Valeria Luiselli, and Elvira Navarro. She received the 2024 Sundial Literary Translation Award for her translation of Verónica Gerber Bicecci‘s The Company.

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In “Heart of a Stranger,” Angela Buchdahl shares her journey from feeling like an outsider to becoming an officiant. She describes her transformation from estrangement to belonging, ultimately emerging with a deep conviction that we are all connected to a larger whole and purpose. Her book serves as both a memoir and a spiritual guide for everyday living, addressing a need that many of us experience today. As the first Asian American ordained as a rabbi, she offers a compelling account of her evolution into one of the world’s most respected religious leaders.

Angela Buchdahl was born in Seoul, the daughter of a Korean Buddhist mother and Jewish American father. Profoundly spiritual from a young age, by sixteen, she felt the first stirrings to become a rabbi. Despite the naysayers and periods of self-doubt—Would a mixed-race woman ever be seen as authentically Jewish or chosen to lead a congregation?—she stayed the course, which took her first to Yale, then to rabbinical school, and finally to the pulpit of one of the largest, most influential congregations in the world.

Today, Angela Buchdahl inspires Jews and non-Jews alike with her invigorating, joyful approach to worship and her belief in the power of faith, gratitude, and responsibility for one another, regardless of religion. She does not shy away from difficult topics, from racism within the Jewish community and the sexism she confronted when she aspired to the top job, to rising antisemitism today. Buchdahl teaches how these challenges, which can make one feel like a stranger, can ultimately be the source of our greatest empathy and strength.

While reading this book, I experienced a revival and deepening of my faith. “Heart of a Stranger,” “Man’s Search for Meaning,” “Judaism is About Love,” “Hostage,” and “The Amen Effect” are all cherished titles that I will reference and reread for years to come.

Angela Buchdahl is the first Asian American rabbi. She serves as the Senior Rabbi of Central Synagogue in New York City, the first woman to lead this flagship congregation in its 185-year history. Under her leadership, Central has grown into one of the largest synagogues in the world, with live-stream viewers in more than 100 countries. She has led prayers in the White House for two U.S. presidents and has been featured on national news outlets, including Today, NPR, and The Wall Street Journal, to discuss the day’s moral issues.

Rabbi Buchdahl and her husband live in New York City and have three children.

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With the wisdom, playfulness, and explosive imagination we’ve come to expect from George Saunders, Vigil addresses some of the most pressing issues of our time, including corporate greed, the toll of capitalism, and the environmental dangers associated with progress. In doing so, it weaves a narrative that explores themes of life and death, good and evil, and the complex question of absolution. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion.

She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone claims he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it?

Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s post-death future.

George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize, and five collections of stories, including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama as one of his ten favorite books of 2022).

Three of Saunders’s books—Pastoralia, Tenth of December, and Lincoln in the Bardo—were chosen for The New York Times’s list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book, A Swim in a Pond in the Rain. In 2013, he was named one of Time’s 100 Most Influential People. He teaches in the creative writing program at Syracuse University.

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“How to Commit a Postcolonial Murder” by Nina McConigley is a bold, inventive, and fiercely original debut novel. The story begins with the death of an uncle and features his tween niece’s private confession to the reader—she and her sister are responsible for his death, and they blame the British. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Summer, 1986. The Creel sisters, Georgie Ayyar, and Agatha Krishna, welcome their aunt, uncle, and young cousin—newly arrived from India—into their house in rural Wyoming, where they’ll all live together. Because this is what families do, that is, until the sisters decide that it’s time for their uncle to die.

According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is:

a)    a vivid portrait of an extended family
b)    a moving story of sisterhood
c)    a playful ode to the 80s
d)    a murder mystery (of sorts)
e)    an unexpected and unwaveringly powerful meditation on history and language, trauma and healing, and the meaning of independence

Or maybe it’s really:

f)      all of the above.

Nina McConigley is the author of the story collection Cowboys and East Indians, which won the PEN Open Book Award and the High Plains Book Award. She has received grants and fellowships from the National Endowment for the Arts (NEA), the Radcliffe Institute, the Bread Loaf Writers’ Conference, the Vermont Studio Center, and the Sewanee Writers’ Conference.

McConigley was awarded the Wyoming Arts Council’s Frank Nelson Doubleday Memorial Writing Award and was a finalist for a National Magazine Award for her columns in High Country News. Her work has appeared in several prominent publications, including The New York Times, Orion, O: The Oprah Magazine, and The Virginia Quarterly Review.

Born in Singapore and raised in Wyoming, she currently resides in Colorado.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Additionally, by supporting these selections, you’ll help me continue to provide you with more personalized recommendations. I earn a small commission from your purchase, which allows me to buy and share even more books with you. Your support truly makes a difference!

“Chess Story,” also known as “The Royal Game,” is the final work of Austrian author Stefan Zweig. He completed it while in exile in Brazil and sent it to his American publisher just days before his suicide in 1942. This story is unique as it is the only one in which Zweig directly examines Nazism, portraying it through his characteristic focus on psychological themes.

The narrative follows travelers aboard a ship bound for Buenos Aires, where they encounter an arrogant, unfriendly world chess champion. Attempting to challenge him, they find themselves thoroughly defeated. However, a mysterious passenger steps forward to offer them advice, dramatically shifting their fortunes. The story delves into how this enigmatic figure acquired his extraordinary chess skills and the personal toll that it entailed.

This new translation of “Chess Story” highlights the work’s distinctive blend of high suspense and poignant reflection.

Stefan Zweig (1881–1942), novelist, biographer, poet, and translator, was born in Vienna into a wealthy Austrian Jewish family. During the 1930s, he was one of the best-selling writers in Europe and was among the most translated German-language writers before the Second World War. With the rise of Nazism, he moved from Salzburg to London (taking British citizenship), to New York, and finally to Brazil, where he committed suicide with his wife. New York Review Books has published Zweig’s novels The Post-Office Girl and Beware of Pity, as well as the novella Chess Story.

Peter Gay was Director of the Center for Scholars and Writers at the New York Public Library. He wrote Schnitzler’s Century: The Making of Middle-Class Culture, 1815–1914.

Discover your next favorite book and dive into a world of curated, exciting reads by purchasing through my links. You’ll have access to a diverse selection of books I’ve personally vetted for quality and enjoyment. Supporting these selections not only helps me continue to provide you with personalized recommendations but also ensures you have access to meaningful stories that enrich your life. Your support truly makes a difference in helping me share more books and insights with you!

I started reading “Absolution: A Novel” by Alice McDermott today. The opening line immediately grabbed my attention: “You have no idea what it was like. For us. The women, I mean.” In most literature about the Vietnam War, American women, particularly wives, have been minor characters. However, in “Absolution,” they take center stage.

The book follows the story of two women, Tricia, a shy newlywed, and Charlene, a practiced corporate spouse and mother of three. They both found themselves in Saigon in 1963, forming a wary alliance. They balance the era’s mandate to be “helpmeets” to their ambitious husbands with their inchoate impulse to “do good” for the people of Vietnam.

Sixty years later, Charlene’s daughter reaches out to Tricia after encountering an aging Vietnam vet. Together, they look back at their time in Saigon, carefully considering that pivotal year and Charlene’s altruistic machinations. They discover how their lives as women on the periphery have been shaped and burdened by the same unintended consequences that followed America’s tragic interference in Southeast Asia.

This virtuosic new novel from Alice McDermott, one of our most observant and affecting writers, explores themes of folly and grace, obligation, sacrifice, and, finally, the quest for absolution in a broken world.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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The Testaments: The Sequel to The Handmaid’s Tale by Margaret Atwood is a sequel worth reading.

The novel alternates between the perspectives of three women presented as portions of a manuscript written by one (the Ardua Hall Holograph) and testimonies by the other two. Being an amateur historian, I found this a fascinating way for Ms. Atwood to write this book.

Aunt Lydia is the author of the Ardua Hall Holograph, which is a surprise based on her role in The Handmaid’s Tale. It is a surprise that she is a mole who despises Gilead and works for the resistance.

The other characters are young women who, along with Aunt Lydia, are forced to come to terms with who she is and how far she will go for what she believes.

Agnes Jemima was born in Gilead and is being educated not to be literate but to be a wife. She finds out her parents are not who she thought they were when Agnes discovers she is the daughter of a Handmaid.

Daisy was raised in Toronto, lives with her adoptive parents, and is an educated woman. As noted in most reviews, Daisy is also the daughter of a Handmaid. She is Baby Nicole from the original book, and Gilead wants her to return.

Today, I started reading Help Wanted: A Novel by Adelle Waldman. The best-selling author of The Love Affairs of Nathaniel writes a funny and eye-opening tale of work in contemporary America. The story revolves around the members of Team Movement, who work at the big-box store Town Square in a small upstate New York town.

They come in for their shift at 3:55 a.m. every day, and under the supervision of a self-absorbed and barely competent boss, they empty the day’s merchandise truck, stock the shelves, and leave before the store opens for customers.

Although their lives follow a familiar and grueling routine, their real problem is that Town Square needs to schedule them for more hours. As a result, most are barely getting by, even while working second or third jobs. When the store manager, Big Will, announces he is leaving, the members of the Movement spot an opportunity. They set a just-so-crazy-it-might-work plot in motion, hoping one of them might land a management job, providing stability and possibilities for advancement.

The members of Team Movement, including a comedy-obsessed oddball who acts half his age, a young woman trying to keep her “cool kid” status from high school, and a college football hopeful trying to find a new path, band together to achieve their goal. Adelle Waldman’s debut novel was a breakout sensation, and her long-awaited follow-up brings her unparalleled wit and astute social observation to modern, low-wage work. Help Wanted is a humane and darkly comic workplace caper that highlights the hardships low-wage workers face in today’s economy. It is a funny and moving tale of ordinary people trying to make a living.

The Bully Pulpit by Doris Kearns Goodwin is a history of the first decade of the Progressive era told by focusing on the intense friendship of Theodore Roosevelt and William Howard Taft.

The Bully Pulpit is also the story of the muckraking press, which arouses the spirit of reform that helps Roosevelt push the government to shed its laissez-faire attitude toward robber barons, corrupt politicians, and corporate exploiters of our natural resources. The muckrakers are portrayed through the greatest group of journalists ever assembled at one magazine—Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—teamed under the mercurial genius of publisher S. S. McClure.

Goodwin’s narrative is founded upon a wealth of primary materials. The correspondence of more than four hundred letters between Roosevelt and Taft begins in their early thirties and ends only months before Roosevelt’s death. Edith Roosevelt and Nellie Taft kept diaries. The muckrakers wrote hundreds of letters to one another, kept journals, and wrote their memoirs. The letters of Captain Archie Butt, who served as a personal aide to both Roosevelt and Taft, provide an intimate view of both men.

I recommend this book without reservations.

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Today, I began reading “Corey Fah Does Social Mobility: A Novel” by Isabel Waidner. The book is about Corey Fah, a writer whose novel has just won the Fictionalization of Social Evils prize. Despite this achievement, the trophy and funds with the award still need to be in reach. The novel celebrates radical queer survival and challenges false notions of success.

Corey, their partner Drew, and their pet spider, Bambi Pavok, embark on a quest to find an elusive trophy with neon-beige color and UFO-like qualities. This journey takes them back to their childhood in the forest and includes a stint on a reality TV show. While facing the horrors of wormholes and time loops, Corey discovers the difference between a prize and a gift in a complex way.

Following the Goldsmiths Prize–winning Sterling Karat Gold, Isabel Waidner’s bold and buoyant new novel is about coming into one’s own, the labor of love, the tendency of history to repeat itself, and what ensues when a large amount of cultural capital is suddenly deposited in a place it has never been before.