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by Sara Hamdan
If you’re in the mood for a book that’s equal parts hilarious and heartwarming, look no further than “What Will People Think?” by Sara Hamdan. This captivating tale takes readers on a journey of self-discovery, inviting them to explore the hidden facets of their identity. With its poignant exploration of love in all its many forms, the novel masterfully shows how these connections can truly transform us and inspire personal growth, leaving you inspired and uplifted.
Mia Almas, like many of us, has a secret. By day, she works as a media fact-checker—a role that her conservative Arab grandparents approve of. But by night, she performs at comedy clubs across New York City. Her grandparents’ approval is a significant part of her life, and it’s this conflict between their expectations and her true self that adds depth to her story.
As Mia pursues a forbidden romance with her boss, her standup gets better and bolder, leading to a surprising spotlight that exposes her secret gig. Horrified and worried that her rebellious act could mean significant consequences for her reserved Palestinian-American family, Mia frantically dives into damage control. However, all of her efforts to retreat from the spotlight reveal a family scandal from the 1940s that could alter everything, adding unexpected twists to her story.
As a hopeless romantic, I found this charming story to be an irresistible page-turner that will leave you both laughing and reflecting long after you’ve turned the last page.
Sara Hamdan, a Berkeley and Columbia graduate, is a former Merrill Lynch banker, New York Times journalist, and editor at Google. After winning a Netflix short story award, she received the First Chapter: Emirates Literature Foundation Seddiqi First Chapter Writers’ Fellowship for her debut novel, What Will People Think? Sara is Palestinian American, raised in Greece, and has called Dubai home for twenty years. When she’s not typing away on her laptop, she loves to spend time at the beach with her husband and two kids.
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by Ben Jealous
Today, I started reading “Never Forget Our People Were Always Free: A Parable of American Healing” by Ben Jealous, the Executive Director of the Sierra Club. The book highlights how the path to healing America’s broken heart begins with each of us having the courage to heal ourselves. According to Mr. Jealous, it would be transformative if every American treated each other as cousins.
Ben Jealous is the son of parents who had to leave Maryland because their cross-racial marriage was illegal.
I briefly met Ben Jealous last May when I went to Washington with the Religious Action Center of Reform Judaism‘s Day of Action. When I saw Mr. Jealous speaking at Temple Emanu-El in neighboring Westfield, I immediately signed up to attend in person. He is an inspiration as an advocate for the environment, civil rights, and the healing of America’s broken heart.
His lively, courageous, and empathetic storytelling calls on every American to look past deeply cut divisions and recognize that we are all in the same boat now. Along the way, Jealous grapples with hidden American mysteries, including:
The book Never Forget Our People Were Always Free is told through parables. It features intimate glimpses of political and faith leaders such as Jack Kemp, Stacey Abrams, and the late Archbishop Desmond Tutu. The book also highlights unlikely heroes such as a retired constable, a female pirate from Madagascar, a long-lost Irishman, a death row inmate, and a man with a Confederate flag over his heart.
Never Forget Our People Were Always Free offers readers hope that America’s oldest wounds can heal and her oldest divisions can be overcome.
Although I have only read a handful of pages of the book, I highly recommend it!
by Liane Moriarty
Apples Never Fall by Liane Moriarty is a novel that looks at marriage, siblings, and how the people we love the most can hurt us the deepest. The Delaney family love one another dearly—it’s just that sometimes they want to murder each other.
If your mother was missing, would you tell the police? Even if the most obvious suspect was your father? The four grown Delaney siblings face this dilemma.
This book is a page-turner. With all of the characters having issues unrelated to their mission mother, they have a life with many mysteries and rivalries. I sometimes wanted to know more about their lives instead of the missing mum.
Although I will not reveal the conclusion, it is clear how a missing parent could appear to be the crime of the century.
According to Goodreads,
The Delaneys are fixtures in their community. The parents, Stan and Joy, are the envy of all of their friends. They’re killers on the tennis court, and off it, their chemistry is palpable. But after fifty years of marriage, they’ve finally sold their famed tennis academy and are ready to start what should be the golden years of their lives. So why are Stan and Joy so miserable?
The four Delaney children―Amy, Logan, Troy, and Brooke―were tennis stars in their own right, yet as their father will tell you, none of them had what it took to go all the way. But that’s okay, now that they’re all successful grown-ups. In addition, there is the beautiful possibility of grandchildren on the horizon.
One night a stranger named Savannah knocks on Stan and Joy’s door, bleeding after a fight with her boyfriend. The Delaneys are more than happy to give her the small kindness she sorely needs. If only that were all, she wanted.
Later, when Joy goes missing and Savannah is nowhere to be found, the police question the one person who remains: Stan. But for someone who claims to be innocent, he, like many spouses, seems to have a lot to hide. Two of the Delaney children think their father is innocent. Two are not so sure―but as the two sides square off against each other in perhaps their most important match ever, all of the Delaneys will start to reexamine their shared family history in a very new light.
I recommend this book.
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by Halldór Laxness
In “A Parish Chronicle,” celebrated novelist Halldór Laxness weaves an essayistic tale about the unlikely miracles that keep a church—destined to disappear time and again—rooted on the same hillside. Laxness explores the minutiae of history, from the location of the ancient burial mound of national hero Egill Skallagrímsson to the end of the 19th century, where weak-sighted Ólafur and boisterous farmhand Gunna each play unexpected roles in the parish’s enduring survival.
1882. In the still of morning, Ólafur sharpens his scythe on the bone-dry pavestones that separate his farmhouse from the rest of Mosfell Valley, where life revolves around sheep. The sound of his hammer rings out like a high-pitched bell over the tussocky fields. Across the valley, perched on a hill that receives more sunshine than others, stands Mosfell Church. Nearby, the parish priest’s maid Gunna pours her “slosh,” a weak cup of coffee. Further afield in Reykjavík (“down south” as the locals say), the general assembly decides to revisit an old plan to cut costs by consolidating small parishes and calls for the demolition of Mosfell. Yet today a church stands on that same hillside—its sharp steeple silhouetted against the clouds, its crown bell hanging to the left of the altar.
This intimate tribute to life in Laxness‘s home valley also offers a thoughtful commentary on how the peculiarities of certain individuals can shape history. “A Parish Chronicle” is rich with life and detail.
Halldór Laxness (1902-1998) is the undisputed master of modern Icelandic fiction. He was awarded the Nobel Prize in Literature in 1955, “for his vivid epic power which has renewed the great narrative art of Iceland.” His body of work includes novels, essays, poems, plays, stories, and memoirs: more than sixty books in all. His works available in English include Independent People, The Fish Can Sing, World Light, Under the Glacier, Iceland’s Bell, and Paradise Reclaimed.
Philip Roughton has translated the work of Halldór Laxness, Jón Kalman Stefánsson, Kristín Marja Baldursdóttir, and many others. He has twice been awarded the American-Scandinavian Foundation Translation Prize for his renderings of Halldór Laxness‘s work, in 2001 for Iceland’s Bell and in 2015 for Wayward Heroes. He also received the 2016 Oxford-Weidenfeld Prize for his translation of Jón Kalman Stefánsson’s The Heart of Man. He lives in Iceland. Translator Residence: Akureyri, Iceland
Salvatore Scibona is the recipient of a Mildred and Harold Strauss Living Award from the American Academy of Arts and Letters. His first novel, The End, was a finalist for the National Book Award and winner of the Young Lions Fiction Award. His second novel, The Volunteer, was called a “masterpiece” by the New York Times and won the Ohioana Book Award. His books have been translated into ten languages. His work has won a Guggenheim Fellowship, a Pushcart Prize, an O. Henry Award, and a Whiting Award, and the New Yorker named him one of its “20 Under 40” fiction writers. He is the Sue Ann and John Weinberg Director of the Cullman Center for Scholars and Writers at the New York Public Library.
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by Margaret Wilkerson Sexton
On the Rooftop: A Novel by Margaret Wilkerson Sexton, is a stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives—set against the backdrop of gentrifying 1950s San Francisco. The first few pages moved glacially and then the story unfolded fully and became a page-turner that I highly recommend.
After hearing Ms. Sexton’s interview on Get Lit with All Of It, a monthly on-air, social media, in-person, and live-stream book club hosted by Alison Stewart of WNYC’s All Of It, I picked up the book. The novel had been on my to-read list.
The novel was loosely based on Fiddler on the Roof and it worked exceedingly well. Vivian is the overbearing mother and the daughters who have their own dreams and goals. With urban renewal, AKA Urban Renewal, as the backdrop, the novel was one that I could not put down.
The small section of the song that Esther writes so she can sing for her people, was a song I wish I could hear in its entirety. That Chole choose to sing it for final audition made it even more powerful.
You put words to the music inside my heart You showed me the world could be its own art I’d never felt myself so whole before I’d never known how much I could reach for.
The Goodreads summary provides an overview,
At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.
Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine.
The neighborhood is changing, too: all around the Fillmore, white men in suits are approaching Black property owners with offers. One sister finds herself called to fight back, one falls into the comfort of an old relationship, and another yearns to make her voice heard. And Vivian, who has always maintained control, will have to confront the parts of her life that threaten to splinter: the community, The Salvations, and even her family.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
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by Sean Michaels
I started reading “Do You Remember Being Born?” by Sean Michaels, a writer who won the Scotiabank Giller Prize. The novel is about an aging poet named Marian Ffarmer, a legend in the world of poetry. However, despite her success, she struggles with financial issues and her son’s inability to buy a house. Marian has sacrificed her personal relationships and happiness to pursue her career but questions whether it is worth it.
One day, she receives an invitation from a Tech Company to travel to California and work with their poetry AI, Charlotte. The company wants her to co-author a poem with their bot in a historic partnership, which clashes with Marian’s beliefs about the individual pursuit of art. However, she decides to take this opportunity, even though it makes her feel like a sell-out and a skeptic. The encounter in California changes her life, work, and understanding of kinship.
The book explores the nature of language, art, labor, capital, family, and community. It’s a response to some of the most disquieting questions of our time. The author, Sean Michaels, is a winner of the Scotiabank Giller Prize, and his book is a love letter to and interrogation of the creative legacy. It’s a joyful recognition that belonging to one’s art must mean belonging to the world to survive meaningfully.
The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.
I receive a commission when you buy a book or product using a link on this page. Thank you for supporting Sharing Jan’s Love blog.
