Ledia Xhoga‘s debut novel, Misinterpretation, is a reflective and engaging work longlisted for the 2025 Booker Prize. The novel delves into the darker legacies of family and country, exploring the tension between compassion and self-preservation. Additionally, it won the 2024 New York City Book Award for a first book, a prestigious recognition in the literary world. It was a finalist for the 2024 Center for Fiction First Novel Prize.

Set in present-day New York City, the story follows an Albanian interpreter who reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions. Despite her husband’s warnings, she becomes increasingly entangled in her clients’ struggles. Alfred’s nightmares unearth her own buried memories, and an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan. The emotional journey of the protagonist will surely resonate with you.

As a series of ill-fated decisions jeopardize the narrator’s marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania. This trip is a fascinating exploration of the contrast between her life in the United States and her roots back home. Upon returning, she must confront the consequences of her actions and question what is real and what is not.

Ledia Xhoga, the author of Misinterpretation, is an Albanian-American fiction writer and playwright. Her personal experiences and cultural background have deeply influenced her writing. Before earning an MFA in fiction from Texas State University, she worked in publishing in New York City. Her writing, which often explores themes of identity and belonging, has been featured in various journals, including Intrepid Times, Hobart, and KGB Magazine. Originally from Tirana, Albania, she now lives with her family in Brooklyn and the Catskills.

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Tash Aw‘s novel, The South, longlisted for the 2025 Booker Prize, is both expansive and concise, capturing the dynamics of a family navigating change and desire. It explores the intersection of public and private lives with remarkable grace and beauty. This intimate and radiant story follows the deepening relationship between two boys throughout a summer, delving into themes of family, desire, and the legacies we inherit.

When his grandfather passes away, Jay travels south with his family to the property they have inherited—a once-thriving farm that has now fallen into disrepair. The trees are diseased, and the fields have been dry due to months of drought.

Jay’s father, Jack, sends him out to work the land, or what remains of it. During these hot, oppressive days, Jay finds himself increasingly drawn to Chuan, the son of the farm’s manager. The boys are different in almost every way, except for one crucial connection.

As they work in the fields and venture into town, the tension between the boys intensifies. Meanwhile, within the house, the other family members begin to confront their secrets and regrets. Jack, a professor at a struggling local college, reflects on his failures, many of which may have started when he married his student, Sui Ching. Sui Ching strives to keep the family together, though she, too, contemplates what her life could have been. Fong, the farm manager, chooses to ignore the reality of the situation—about Chuan, the deteriorating land, and the global forces that threaten to render their entire way of life obsolete.

Tash Aw is the author of four novels, including We, the Survivors, as well as a memoir about a Chinese-Malaysian family titled Strangers on a Pier. These remarkable works earned their place as finalists for the Los Angeles Times Book Prize, showcasing the incredible talent behind them!

The author has also been honored with several esteemed awards, including the Whitbread, Commonwealth, and O. Henry Awards. Plus, being longlisted for the MAN Booker Prize twice speaks volumes about his skill. It’s exciting to see his fiction translated into 23 languages, sharing his stories with the world!

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Love Forms, a novel by Claire Adam that is longlisted for the 2025 Booker Prize, is a profoundly moving story about a woman’s journey of self-discovery. This novel stands out with its unique exploration of a mother’s life, emphasizing the enduring bonds of love, family, and home. The protagonist’s search for the daughter she gave up for adoption at sixteen challenges her to reconsider every life decision she has made.

For much of her life, Dawn has felt as if something is missing. Now, at the age of fifty-eight, with a divorce behind her and her two grown-up sons busy with their own lives, she should be trying to settle into a new future for herself. But she keeps returning to the past and to the secret she’s kept all these years. At just sixteen, Dawn found herself pregnant, and—as was common in Trinidad back then—her parents sent her away to have the baby and give her up for adoption.

More than forty years later, Dawn yearns to reconnect with her lost daughter. But tracking down her child is not as easy as she had thought. It’s an emotional journey that leads Dawn to retrace her steps—from Trinidad to Venezuela and then to London—and to question not only that fateful decision she’d made as a teenager but every turn in the road of her life since.

Claire Adam‘s debut novel, Golden Child, was published by Sarah Jessica Parker’s SJP for Hogarth. It was listed as one of the BBC’s “100 Novels That Shaped Our World” and was awarded the Barnes & Noble Discover Prize, the Desmond Elliott Prize, the Authors’ Club Best First Novel Award, and the McKitterick Prize. She was born and raised in Trinidad and Tobago. She studied physics at Brown University and later received an MA in creative writing at Goldsmiths, University of London. Adam lives in London.

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“Universality,” a thrilling novel by the acclaimed young author Natasha Brown, is a compelling and unsettling celebration of the extraordinary—and often troubling—power of language. It dares readers to face the raw, astonishing force of words and challenges them not to look away. Longlisted for the THE 2025 Booker Prize, this novel promises an extraordinary reading experience!

Late one night on a Yorkshire farm, amid an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar.

An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic newspaper columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers. Through a voyeuristic lens, and with a simmering power, Universality focuses on words: what we say, how we say it, and what we mean.

Natasha Brown was recognized as one of Granta’s Best of Young British Novelists. Her debut novel, Assembly, received nominations for the Folio Prize, the Goldsmiths Prize, and the Orwell Prize for Political Fiction.

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A house is a treasured possession, and “The Safekeep,” a debut novel by Yael van der Wouden, presents a gripping story of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961. The novel provides a profound exploration of the legacy of World War II and the darker elements of our shared history.

It is 1961, and the rural Dutch province of Overijssel is quiet. Bomb craters have become lakes, buildings have been repaired or rebuilt, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season.

Eva is the complete opposite of Isabel: she sleeps late, stomps around the house, and handles things she shouldn’t. In response, Isabel becomes increasingly obsessed and furious, especially as items begin to go missing around the house—a spoon, a knife, a bowl. As her suspicions grow, Isabel’s paranoia eventually leads to infatuation, culminating in a revelation that shatters everything she has ever known. It seems that the war might not truly be over, and neither Eva—nor the house they inhabit—is what they appear to be.

For my house will be called a house of devotion for all,” in Isaiah 56:7, serves as a closing that reminds us that a house not open to all is not a home.

Yael van der Wouden is a writer and a teacher. The Safekeep, her debut novel, was a finalist for the 2024 Booker Prize and has been longlisted for the 2025 Aspen Words Literary Prize. It was also named a New York Times Notable Book of the Year and a best book of the year by The Washington Post, Time, The Economist, Kirkus Reviews, The Times (London), The Independent, BookPage, and others. She lives in Utrecht, Netherlands.

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The Hidden Life of Trees: What They Feel, How They Communicate ― Discoveries from A Secret World is a book I have wanted but had not had the time to read. In July of this year, when I was still in the early stages of my recovery journey, I talked to a friend of my wife’s (whom I now count as my friend) about our plans to plant a tree in Hanson Park.

As I talked about our plans, my friend suggested I read this book as it would help me understand the importance of trees. I will forever be grateful for her recommendation, as it made me read this book sooner than later.

To read that trees have a social network with more prominent, healthier trees concerned about the smaller, weaker ones. How is it that humans, a supposedly advanced species, have a social network that divides and weakens our community?

Are trees social beings? In The Hidden Life of Trees forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. He draws on groundbreaking scientific discoveries to describe how trees are like human families: tree parents live together with their children, communicate with them, support them as they grow, share nutrients with those who are sick or struggling, and even warn each other of impending dangers. Wohlleben also shares his deep love of woods and forests, explaining the amazing processes of life, death, and regeneration he has observed in his woodland.

Having read this book, I am more sensitive to trees and have enjoyed my walks more than ever. In addition, when we plant Jan’s tree in Hanson Park, I will now have even more reasons to talk about the importance of trees to Jan, myself, and the community.

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Today, I dove into Charlotte Wood‘s captivating novel, “Stone Yard Devotional.” I couldn’t resist picking it up after discovering a glowing review by Joumana Khatib. She expressed her fondness for the book in the New York Times Book Review Newsletter, saying, “I’m still so enamored of Charlotte Wood’s novel.” It’s impressive that this work was a finalist for the Booker Prize last year! I’m eager to read the book to determine if it is a “love story,” as Ms. Khatib believes.

Burnt out and needing a retreat, a middle-aged woman leaves Sydney to return to her childhood home, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She does not believe in God and is unfamiliar with the concept of prayer, finding herself living this strange, reclusive existence almost by accident.

However, her secluded life is disrupted by three significant events. First, a terrible mouse plague marks a new battle against the growing infestation daily. Second, the skeletal remains of a sister who disappeared decades ago and was presumed murdered return. Finally, a troubling visitor brings her further into her past.

Meditative, moving, and finely observed, “Stone Yard Devotional” is a seminal novel from a writer of rare power. It explores the meaning of retreating from the world, forgiveness’s true nature, and grief‘s lasting effects on the human soul.

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Today, I embarked on the unique narrative journey of The Sellout: A Novel by Paul Beatty. This biting satire, which revolves around a young man’s isolated upbringing and the race trial that takes him to the Supreme Court, is a testament to Paul Beatty‘s comic genius. The Sellout, a part of The New York Times’ 100 Best Books of the Century, is a must-read for those who appreciate a distinct narrative style.

The Sellout is a bold and thought-provoking work that challenges the sacred tenets of the United States Constitution, urban life, and the civil rights movement. It also explores the father-son relationship and the pursuit of racial equality, symbolized by the black Chinese restaurant. This social commentary is a vital aspect of The Sellout, making it a relevant and engaging read for those interested in contemporary issues.

Born in the “agrarian ghetto” of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: “I’d die in the same bedroom I’d grown up in, looking up at the cracks in the stucco ceiling that’s been there since ’68 quake.”

Raised by a single father, a controversial sociologist, he spent his childhood as the subject of racially charged psychological studies. Despite these challenges, he believes his father’s pioneering work will result in a memoir that will solve his family’s financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that’s left is the bill for a drive-thru funeral.

Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has been removed from the map to save California from further embarrassment. Enlisting the help of the town’s most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court. His determination to fight injustice is a powerful force that drives the narrative forward.

Today, I commenced reading Land of Milk and Honey: A Novel by C Pam Zhang, the award-winning author of How Much of These Hills Is Gold; she returns with a rapturous and revelatory novel about a young chef whose discovery of pleasure alters her life and, indirectly, the world. With the arrival of forest fire smoke in my neighborhood, it seemed a timely book to read.

A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles.

There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global eliteZhan, one that reawakens the chef to the pleasures of taste, touch, and her body.

The chef’s boundaries undergo a thrilling erosion in this atmosphere of hidden wonders and cool, seductive violence. Soon, she is pushed to the center of a startling attempt to reshape the world far beyond the plate.

Sensuous and surprising, joyous and bitingly sharp, told in language as alluring as it is original, Land of Milk and Honey provocatively bare the ethics of seeking pleasure in a dying world. It is a daringly imaginative exploration of desire and deception, privilege and faith, and the roles we play to survive. Most of all, it is a love letter to food, wild delight, and the transformative power of a woman embracing her own appetite.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Haunting, timeless, and stunningly atmospheric, Seascraper by Benjamin Wood explores the story of a young man whose quiet existence is dramatically altered in just one day. His circumstances confine him, yet he yearns for a sense of fulfillment that extends far beyond the world he knows. The novel has been longlisted for the 2025 Booker Prize.

Twenty-year-old Thomas Flett lives a slow, deliberate life with his mother in Longferry, Northern England, working his grandpa’s trade as a shanker. He rises early to take his horse and cart to the drizzly shore to scrape for shrimp, and spends the afternoon selling his wares, trying to wash away the salt and sea-scum, pining for his neighbor, Joan Wyeth, and playing songs on his guitar. At heart, he is a folk musician, but this remains a private dream.

Then a mysterious American arrives in town and enlists Thomas’s help in finding a perfect location for his next movie. Though skeptical at first, Thomas learns to trust the stranger, Edgar, and, shaken from the drudgery of his days by the promise of Hollywood glamour, begins to see a different future for himself. But how much of what Edgar claims is true, and how far can his inspiration carry Thomas?

Benjamin Wood was born in 1981 and grew up in Merseyside. Seascraper is his fifth novel. His previous works were shortlisted for the Costa First Novel Award, the Commonwealth Book Prize, the Sunday Times Young Writer of the Year Award, the RSL Encore Award, the CWA Gold Dagger Award, and the European Union Prize for Literature. In 2014, he won France’s Prix du Roman Fnac.

He is a senior lecturer in creative writing at King’s College, London, and lives in Surrey with his wife and sons.

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