The Brighter the Light by Mary Ellen Taylor was my eighty-ninth book since the beginning of 2019. After reading about Thomas Cromwell, I needed a change of pace. With the start of the Hurricane season, it seemed as good a time as any to read a novel by a fellow Southerner. That the book is also an “evocative dual-timeline novel detailing one woman’s journey to discover the hidden stories of her family’s seaside resort” seemed a perfect match.

I highly recommend this book. As a Southerner, I found the revealing of the hidden secrets accomplished in a style that makes this a page-turner.

The Goodreads summary provides an overview.

When a shipwreck surfaces, old secrets are sure to follow.

Or so goes the lore in Ivy Neale’s hometown of Nags Head, North Carolina. When Ivy inherits her family’s beachfront cottage upon her grandmother’s death, she knows returning to Nags Head means facing the best friend and the boyfriend who betrayed her years ago.

But then a winter gale uncovers the shipwreck of local legend—and Ivy soon begins to stumble across more skeletons in the closet than just her own. Amid the cottage’s clutter are clues from her grandmother’s past at the enchanting seaside resort her family once owned. One fateful summer in 1950, the arrival of a dazzling singer shook the staff and guests alike—and not everyone made it to fall.

As Ivy contends with broken relationships and a burgeoning romance in the present, the past threatens to sweep her away. But as she uncovers the strength of her grandmother and the women who came before her, she realizes she is like the legendary shipwreck: the sands may shift around her, but she has found her home here by the sea.

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“Watching Over Her,” a novel by the acclaimed French author and Prix Goncourt winner Jean-Baptiste Andrea, is described by The New York Times as a “sprawling fresco and star-crossed love story.” The narrative follows a dwarf and talented sculptor as he reflects on the moments in his life that inspired his mysteriously powerful masterpiece. This book is perfect for readers who enjoyed “Martyr!” and “The Covenant of Water.”

In an Italian monastery, a sculptor named Mimo lies on his deathbed. For decades, he has lived among the monks who watch over his masterpiece, an arresting statue that haunts all who see it. During his final hours, he reveals his life story: his impoverished childhood, brutal apprenticeship, and, most importantly, his meeting with Viola Orsini, the only daughter of a powerful and dangerous aristocratic family.

Mimo and Viola are instantly drawn to one another, viewing themselves as outsiders—Mimo, for his dwarfism, Viola, for her ability to remember everything she has ever read or experienced. Together, they traverse the unrest of the twentieth century, from the rise of fascism to the violence of the world wars. While Mimo becomes a celebrated artist, Viola chases her own dreams of becoming an emancipated woman. Over the decades, they will lose and find each other time and again, but never will they give up on the love they share.

Immersive and full of heart, Mimo’s adventures are ribald and hilarious, challenging conventions of his day. Jean-Baptiste Andrea’s Prix Goncourt–winning novel has captivated audiences worldwide and is now available to readers in English for the first time, thanks to Frank Wynne’s wonderfully vivid translation.

Jean-Baptiste Andrea is a writer, screenwriter, and director. His novel Watching Over Her won the Prix Goncourt, France’s most prestigious literary prize. He is also the author of Ma Reine, A Hundred Million Years and a Day, and Devils and Saints.

Frank Wynne is an Irish literary translator, writer, and editor known for his translations of various French and Hispanic authors, including Michel Houellebecq, Patrick Modiano, Javier Cercas, and Virginie Despentes. Over his career, which has spanned more than twenty-five years, he has won the IMPAC Dublin Literary Award twice and the Independent Foreign Fiction Prize.

Additionally, he has received the Scott Moncrieff Prize three times and the Premio Valle Inclán twice. Most recently, his translation of “The Annual Banquet of the Gravediggers’ Guild” by Mathias Énard won the 2024 French-American Prize. Wynne has also edited two significant anthologies: “Found in Translation: 100 of the Finest Short Stories Ever Translated” and “Queer: LGBT Writing from Ancient Times to Yesterday.”

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Today, I started reading “The Annual Banquet of the Gravediggers’ Guild” by Mathias Énard. The book has been translated into English by Frank Wynne. This novel is full of Mathias Énard‘s characteristic humor and extensive knowledge. It is a lively book where the boundaries between past and present are constantly blurred, set against a backdrop of excess reminiscent of Rabelais’ writing.

David Mazon, an anthropology student, moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France, to research his thesis on contemporary agrarian life. He is determined to understand the essence of the local culture and spends his time scurrying around on his moped to interview the residents.

David must be made aware of the extraordinary events in an ordinary location. This place, where wars and revolutions once occurred, is now a dancefloor for Death. When something dies, its soul is recycled by the Wheel of Life and thrown back into the world as a microbe, human, or wild animal – sometimes in the past and sometimes in the future. Once a year, Death and the living agree to a temporary truce, during which gravediggers indulge in a three-day feast filled with food, drink, and conversation.

Mathias Énard’s novel, The Annual Banquet of the Gravediggers’ Guild, is a riotous and exciting comic masterpiece that won the prestigious Prix Goncourt award. The novel is set in the French countryside and is filled with Énard’s characteristic wit and encyclopedic brilliance. Against a backdrop of excess, the story blurs the lines between past and present, creating a Rabelaisian world of chaos and humor.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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Today, I started reading Ghostroots: Stories by ‘Pemi Aguda, a finalist for the 2024 National Book Award for Fiction. This collection features twelve imaginative stories set in Lagos, Nigeria, in which ‘Pemi Aguda explores the tension between our desire to be individuals and the influence of our past. One of the stories, “Breastmilk,” was shortlisted for the 2024 Caine Prize for African Writing.

The story “Manifest” depicts a woman who sees the ghost of her abusive mother in her daughter’s face, which leads to her daughter exhibiting destructive behavior. In “Breastmilk,” a wife forgives her husband for infidelity. Still, she later struggles with producing milk for her newborn, feeling like she’s failed to uphold her mother’s feminist values and doubts her ability as a mother. Things Boys Do” follows a trio of fathers who sense something unnatural about their infant sons, leading to their lives falling apart as they fear their sons are the cause of their troubles. Lastly, “24, Alhaji Williams Street” tells the story of a teenage boy living in the shadow of a mysterious disease that’s killing the boys on his street.

These stories in “Ghostroots” delve into the emotional and physical worlds, unveiling the profound impact of family, myth, tradition, gender, and modernity in Nigerian society. Pemi Aguda’s storytelling, infused with empathy and humor, showcases her as a significant new literary talent. Her deep understanding of human emotions and thorough exploration of these societal influences will leave you feeling enlightened and informed, eager to explore more of her work.

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When I’m Gone, Look for Me in the East by Quan Barry is a luminous novel that moves across a windswept Mongolia as a pair of estranged twin brothers make a journey of duty, conflict, and renewed understanding. Since Jan died, I have been sharing her love and not looking for her, so this novel attracted me as it was a counter-narrative. Are our lives our own, or do we belong to something more significant?

When I’m Gone, Look for Me in the East is a stunningly far-flung examination of our struggle to retain our convictions and discover meaning in a fast-changing world, as well as a meditation on accepting what is.

Although I know only a limited amount about Buddhism and even less about Mongolia, I found When I’m Gone, Look for Me in the East a fascinating page-turner of a novel.

Coincidently, while en route to see Memorial, we stopped to eat at a Mexican-Peruvian restaurant on Tenth Avenue in NYC. On the television was a continuous loop of a travelogue on Mongolia.

I found several quotes that I have used in other posts already.

• “Sometimes faith is the only medicine available.”
• “When the only hope is a boat and there is no boat, I will be the boat.”

I plan to use others in future posts.

Love never dies, and this quote echoed my belief.

“Love is neither created nor destroyed. It exists at all times and in all dimensions. Love is not something we create—it is something that wells up in us, like sap in a tree. It is an element in the fabric of the universe. Even on that distant day when sentient beings no longer exist, Love carries on. Perhaps our personal relationship to Love is impermanent, but Love itself is not.”

I highly recommend When I’m Gone, Look for Me in the East.

The Goodreads summary provides an overview,

Tasked with finding the reincarnation of a great lama somewhere in the vast Mongolian landscape, the young monk Chuluun seeks the help of his identical twin, Mun, who was recognized as a reincarnation himself as a child but has since renounced their once shared monastic life.

Harking back to her vivid and magical first novel set in Vietnam, Quan Barry carries us across a landscape as unforgiving as it is beautiful and culturally varied, from the stark Gobi Desert to the ancient capital of Chinggis Khan. As their country stretches before them, questions of the immortal soul, along with more earthly matters of love, sex, and brotherhood, haunt the twins, who can hear each other’s thoughts.

The Jan Lilien Education Fund sponsors ongoing sustainability and environmental awareness programs. Gifts made this month; I will match dollar-for-dollar. All donations are tax-deductible.

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I started reading Anna Quindlen‘s “After Annie: A Novel” today. Forty years ago, my wife Jan and I used to read Ms. Quindlen’s column “Life in the Thirties” in The New York Times, even if we didn’t have time to read anything else. We clipped and saved each column, which helped us manage getting older with children. I am reading “After Annie,” which is about how love can overcome loss.

Anna Quindlen, the #1 New York Times bestselling author of Still Life with Bread Crumbs and One True Thing, is known for her insightful wisdom on family, friendship, and the bonds that unite us. Her latest novel explores the power of love to overcome loss and adversity.

The story centers around the Brown family and their matriarch, Annie. When Annie suddenly passes away, the family is forced to navigate life without their beloved wife, mother, and friend. Bill, Annie’s husband, struggles to cope with the loss, while Annemarie, her best friend, must confront the bad habits she once overcame with Annie’s help. Ali, Annie’s eldest child, must take on new responsibilities to care for her younger brothers and father.

Although Annie is no longer physically present, her memory continues to guide and inspire those who love her. Her voice resonates in their minds, offering them comfort, wisdom, and clarity. Through the power of her love, Annie gives her family the strength they need to move on without her. They learn that even though their beloved Annie is gone, she will always be with them in spirit.

“After Annie” is a poignant and touching story exploring the unanticipated ways adversity can transform our lives. With her signature style that strikes an emotional chord, Quindlen delivers a heartwarming tale about the tenacity of love and how it can triumph over even the most formidable obstacles. This story of hope is a testament to the enduring strength of the human spirit and its ability to rise above life’s challenges. It inspires us to believe in the power of love and its capacity to reshape our lives for the better.