Wes and Mike
Estimated reading time: 0 minutes, 0 secondsWes and Mike
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by Jonas Hassen Khemiri
Narrated in six parts, each spanning a time frame from a year to a single minute, Jonas Hassen Khemiri‘s The Sisters is a vivid family saga of exceptional quality—an engaging and entertaining tour de force. The novel has been recognized as one of the New York Times’ Top 10 Books of the Year and longlisted for the 2025 National Book Award for Fiction. Additionally, The New Yorker featured it in their list of 24 Essential Reads for 2025.
Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, and compulsively organized. Evelyn is dreamy, magnetic, and a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger.
Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress. And Anastasia runs off to Tunisia, where she falls in love with a woman who, years later, will transform her life.
Following the sisters from afar is Jonas, the son of a Swedish mother and a Tunisian father. Over the course of three decades, his life intersects with the sisters, from a chance encounter in Tunis to the scene of a fighter jet crash in Stockholm. When Evelyn disappears on a trip to New York, Jonas manages to track her down—and helps her to break the curse that has been looming over the Mikkolas for decades. In the process, a shocking revelation changes everything they believe about themselves.
Jonas Hassen Khemiri is the author of six novels, seven plays, and a collection of short stories and essays. His writing has been translated into over 35 languages. His novel The Family Clause was a finalist for the National Book Award for Translated Literature and received the Prix Médicis Étranger in France. Khemiri has been a finalist for Sweden’s most prestigious literary prize three times, winning it once. His play Invasion! earned an Obie Award for Best Script.
Khemiri is a recipient of the Cullman Fellowship at the New York Public Library, and his writing has appeared in The New York Times, The New Yorker, and numerous other publications. His novel The Sisters is his first book written in English. Khemiri lives in Brooklyn with his family and teaches creative writing at New York University (NYU).
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by Claire Keegan
Claire Keegan‘s acclaimed novella, Foster, is now available in the US as a standalone book for the first time. Recognized as one of The NY Times’ Top 50 Novels Published in the 21st Century, it invites you to explore a powerful story of childhood, loss, and love that many readers have found moving and thought-provoking.
Set during a hot summer in rural Ireland, the story follows a child who is brought by her father to live with relatives on a farm, where she discovers warmth and affection she has never known. This tender portrayal of family bonds aims to evoke empathy and a desire to understand complex relationships.
Foster is a winner of the prestigious Davy Byrnes Award and was published in an abridged version in the New Yorker. This internationally acclaimed contemporary classic showcases Claire Keegan’s extraordinary talent and solidifies her as one of our most significant storytellers.
Claire Keegan‘s works of fiction are internationally acclaimed and have been translated into thirty languages. Her collection Antarctica won the Rooney Prize for Irish Literature. At the same time, Walk the Blue Fields received the Edge Hill Prize for the finest collection of stories published in the British Isles. The novella Foster was honored with the Davy Byrnes Award, the world’s richest prize for a short story. Small Things Like These was shortlisted for both the Booker Prize and the Rathbones Folio Prize. Additionally, it won the Orwell Prize for Political Fiction and the Kerry Prize for Irish Novel of the Year. Keegan was recognized as Woman of the Year for Literature in Ireland in 2022 and was named Author of the Year in 2023.
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by Yiyun Li
Yiyun Li, grappling with life’s deepest sorrows, invites readers into a poignant conversation between a mother and child in a timeless world. Where Reasons End, composed in the aftermath of the loss of her son, ventures into the liminal space between life and death. Here, mother and child engage in conversations untethered from past images and narratives, a profoundly moving portrayal of the love and complexity of their relationship.
The narrator of Where Reasons End shares a profound insight, saying, “I clung to one delusion with all my might: We once gave Nikolai a life of flesh and blood; and I’m recreating it, this time through words.” This emotional journey of recreating a life through words is a central theme that resonates throughout the novel.
With a unique blend of originality, precision, and poise, Where Reasons End immerses readers in a world of intimacy, inescapable pain, and fierce love. The novel’s emotional impact is profound, leaving a lasting impression on those who delve into its pages.
Yiyun Li, a prolific author, has penned six works of fiction—Must I Go, Where Reasons End, Kinder Than Solitude, A Thousand Years of Good Prayers, The Vagrants, and Gold Boy, Emerald Girl—and the memoir Dear Friend, from My Life I Write to You in Your Life.
Her literary prowess has been recognized with numerous awards, including a PEN/Hemingway Award, a PEN/Jean Stein Book Award, a MacArthur Foundation fellowship, and a Windham-Campbell Prize.
She was also featured in The New Yorker’s 20 Under 40 fiction issue. Her work, which has been published in The New Yorker, A Public Space, The Best American Short Stories, and The O. Henry Prize Stories, among other publications, is a testament to her literary excellence.
Currently, she imparts her knowledge at Princeton University and resides in Princeton, New Jersey.
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by Garrett Carr
The Boy from the Sea by Garrett Carr is set on the west coast of Ireland during the 1970s and 1980s. This captivating debut novel tells the story of a baby boy found on the beach near a small fishing town, narrated by the locals who become enchanted by him. Both outrageously funny and profoundly moving, The Boy from the Sea showcases the talent of an essential new voice in Irish literature.
In 1973, a baby boy was discovered on the beach of a close-knit fishing village in Ireland. Fisherman Ambrose Bonnar offers to bring the child into his family, which includes his son Declan, his wife Christine, and, up the lane, Christine’s sister and aging father. The townspeople remain fascinated by the baby, whom they name Brendan, as he grows into a strange yet charismatic young man.
The Boy from the Sea tells the story of a family and a community thrown into turmoil by Brendan’s arrival. The family’s fortunes rise and fall over the years, just as the town does because nothing happens to one family here without affecting them all. The forces of a voracious global economy and modernized commercial fishing wreak havoc on their way of life. In the village, Brendan and Declan are wildly different and often at odds; meanwhile, Ambrose worries about his children but cannot divert his attention from the brutal work that keeps his family afloat. As the world around them changes, the mystery of Brendan’s origins draws them toward a surprising and stormy fate.
Garrett Carr teaches creative writing at the Seamus Heaney Centre at Queen’s University Belfast and frequently contributes to The Guardian and The Irish Times. His nonfiction work, The Rule of the Land: Walking Ireland’s Border, was chosen as a BBC Radio 4 Book of the Week. The Boy from the Sea marks Carr’s debut novel.
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by Various Writers Under 40
The New Yorker’s collection of short stories – 20 Under 40 – is a collection of twenty writers “whose work will help define the future of American letters.”
Some of these I had read in The New Yorker and others I had missed. Either way, they were a pleasure to read.
As The New Yorker wrote,
The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear-eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.
Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.
I recommend this collection of short stories.
by Maggie Stiefvater
Maggie Stiefvater‘s latest historical fiction, The Listeners, is now available in stores today, and it’s an enthralling read that you won’t want to put down. Set against the backdrop of January 1942, the luxurious Avallon Hotel & Spa stands as a beacon of elegance amid the rugged beauty of West Virginia, its refreshing mountain waters promising to wash away the worries of high society until it is ordered to house Axis diplomats. Stiefvater‘s meticulous research and attention to historical detail bring this era to life in a way that will captivate any history buff.
At the heart of this gripping tale is June Porter Hudson, a local girl who has risen to the role of general manager. With remarkable skill, she navigated the early challenges of wartime operations, but nothing could prepare her for the complexities of hosting diplomats from the Axis powers. As tensions mount and secrets unfold, June must confront her fears and the profound changes in history, all while striving to uphold the dignity of the Avallon. Dive into this captivating story and feel the weight of the changing tides of history.
In the opulent world of the Avallon Hotel, the Gilfoyle family reigns supreme, their aristocratic lineage a testament to old-world charm and privilege. But this sanctuary of luxury is thrown into turmoil when the family heir strikes a clandestine deal with the State Department, bringing a motley crew of captured Axis diplomats into their midst. June, the hotel’s resourceful manager, finds herself in an impossible position, tasked with persuading her dedicated staff, many of whom have loved ones fighting on the front lines, to serve these enemy guests with charming smiles.
As tensions simmer beneath the surface, FBI Agent Tucker Minnick lurks in the shadows, his coal tattoo serving as a reminder of his rugged Appalachian roots. He presses his ear against the hotel’s walls, eavesdropping on the diplomats’ whispered secrets. Yet, his past clings to him like a specter, revealing that the very same balancing act that keeps June poised could lead to perilous consequences. Beneath the hotel lies Sweetwater—its power to heal intertwined with its potential to destroy.
June is known for her ability to charm any guest, but these diplomats challenge her mastery. They’ve waged a silent war at her doorstep, forcing her to confront the reality that clashing loyalties threaten to shatter Avallon’s polished exterior. As June navigates this treacherous terrain, she must weigh the actual cost of luxury and decide what she’s willing to sacrifice in a time of conflict.
Maggie Stiefvater is the New York Times bestselling author of the Shiver trilogy, The Raven Cycle, and The Scorpio Races, among dozens of other YA fantasy novels. Her books have sold over five million copies worldwide. She lives in the Shenandoah Valley of Virginia with her husband and their two children.
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