Jack: A Novel by Marilynne Robinson is the second book in this series I have read. Previously I read,  Home, and now I have read the fourth. Without Jan by my side, I read more but not always in order. Fortunately, Jack appears in Home at a later point than is covered in this novel. That provided an understanding of the next phase of Jack and Della’s relationship.

I very much enjoyed reading this novel. Although Jan and I fell in love without all of the complexities of this couple, there were enough similarities that reminded me of how special our love was and remains. For example, our long conversations, many of which were while we walked, are reminiscent of the novel.

I highly recommend this novel. One of the reviews suggested that the next volume should be about Della. I will read that book before the ink drys.

Goodreads provides an overview.

In this book, Robinson tells the story of John Ames Boughton, the prodigal son of Gilead’s Presbyterian minister, and his romance with Della Miles, a high school teacher who is also the child of a preacher. They’re deeply felt, tormented, star-crossed interracial romance resonates with all the paradoxes of American life, then and now.

Marilynne Robinson’s mythical world of Gilead, Iowa—the setting of her novels Gilead, Home, and Lila, and now Jack—and its beloved characters have illuminated and interrogated the complexities of American history, the power of our emotions, and the wonders of a sacred world.

Robinson’s Gilead novels, which have won one Pulitzer Prize and two National Book Critics Circle Awards, are vital to contemporary American literature and a revelation of our national character and humanity.

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Shiner: A Novel by Amy Jo Burns was my twenty-second of the year, and I achieved my Goodreads 2022 Reading Challenge. An hour from the closest West Virginia mining town, fifteen-year-old Wren Bird lives in a secluded mountain cabin with her parents. They have no car, mailbox, or visitors- except for her mother’s lifelong best friend.

Wren’s narration of her discoveries of the secrets of the past over one summer drives the novel and makes it a page-turner. Her mother, Ruby, and her best friend, Ivy, are two strong women who dreamed of escaping the West Virginia mountains. The male characters play secondary roles in the novel, as they should. Shiner is a feminist book about how women can and must take back their stories and lives from men whose power is an illusion.

I highly recommend this novel and look forward to reading other books by Amy Jo Burns. It was the perfect book to finish my reading challenge. As I continue to read this year, I hope to find another of her books on my shelf.

Goodreads provides an overview.

Every Sunday, Wren’s father delivers winding sermons in an abandoned gas station. He takes up serpents and praises the Lord for his blighted white eye, proof of his divinity and key to his hold over the community, Wren, and her mother.

But over the course of one summer, a miracle performed by Wren’s father quickly turns to tragedy. As the order of her world begins to shatter, Wren must uncover the truth of her father’s mysterious legend and her mother’s harrowing history and complex bond with her best friend. And with that newfound knowledge, Wren can imagine a different future for herself than she has been told to expect.

Rich with epic love and epic loss, and diving deep into a world that is often forgotten but still part of America, Shiner reveals the hidden story behind two generations’ worth of Appalachian heartbreak and resolve. Amy Jo Burns brings us a smoldering, taut debut novel about modern female myth-making in a land of men-and one young girl who must ultimately open her eyes.

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Today, I began reading “Sun City” by Tove Jansson, translated by Thomas Teal. I found this book mentioned in Maya Chung‘s review in The Atlantic’s Book Briefings, and as an older man, it seemed like the perfect choice for me. In “The Summer Book” and “The True Deceiver,” as well as in her many short stories, Tove Jansson consistently explores the everyday lives of older adults.

She portrays them not as a separate group but as fully fleshed individuals who experience the same jealousies, desires, and joys as any other demographic. It’s no wonder that in her travels through America in the 1970s, she became fascinated with what was then a particularly American institution, the retirement home, where older people lived in their tightly knit worlds.

In Sun City, Jansson depicts these worlds in a group portrait of residents and employees at the Berkeley Arms in St. Petersburg, Florida. As the narrative moves from character to character, the characters move through an America riven by cultural divides, facing the death of its dream. The Berkeley Arms’s newest resident finds a place among the rocking chairs and endless chatter on the veranda while other residents long for past glories, mourning their losses and killing time. Meanwhile, one of their attendants, Bounty Joe, is eagerly awaiting a letter, or even just a postcard, alerting him to the imminent return of Jesus Christ. Nobody’s normal anymore,” the bartender says, “not the old geezers and not the newborn kids.”

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Intimacies: A Novel by Katie Kitamura is about an interpreter who has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities is finally looking for a place to call home.

Intimacies: A Novel is the second book by Ms. Kitamura that I have read this year. The multiple intimacies of the novel overlap and at times seem confusing, but in the end, it makes sense even if it is unclear how or where she will live the next phase of her life. A Separation is also written hypnotic, making it difficult to stop reading.

I not only highly recommend Intimacies: A Novel but have become a fan of Katie Kitamura and look forward to reading more of her books.

Goodreads summary provides a good overview.

She’s drawn into simmering personal dramas: her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim’s sister. And she’s pulled into explosive political fires: her work interpreting for a former president accused of war crimes becomes precarious as their relationship is unbound by shifting language and meaning.

This woman is the voice in the ear of many, but what command does that give her, and how vulnerable does that leave her? Her coolly impassioned views on power, love, and violence, are tested, both in her personal intimacies and in her role at the Court. She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her; it is her drive towards truth, and love, that throws into stark relief what she wants from her life.

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In the realms of power, money, and love, the characters in Daniyal Mueenuddin‘s work grapple with the choice between moral integrity and practical decisions that enable them to navigate the entrenched systems of caste, capital, and social influence in their culture. Profoundly moving and both intimate and epic, This Is Where the Serpent Lives is a remarkable work poised to become a classic of contemporary literature. The New York Times has listed it as one of “The Novels Everyone Will Be Talking About in 2026.”

Moving from Pakistan’s vibrant, chaotic cities to its lawless, feudal countryside, This Is Where the Serpent Lives vividly portrays contemporary life there. The story follows the intertwined fates of a dozen unforgettable characters, connected through violence, tragedy, triumph, and love.

Orphaned as a young boy and surviving on the streets of the city, Yazid rises to a position of responsibility and respect in the Lahore household of Colonel Atar, a powerful industrialist and politician. However, he soon finds his position threatened by conflicting loyalties and misplaced trust.

Born on Colonel Atar’s country estate to a poor gardener, Saqib is entrusted with managing a pioneering business. Yet, he overreaches and becomes an outlaw, facing the violent corruption of the Punjab Police. Meanwhile, the colonel’s son competes with his beloved brother for the affections of a woman, only to discover that her choice brings unexpected darkness and light into his life.

Daniyal Mueenuddin, raised in Lahore, Pakistan, and Elroy, Wisconsin, graduated from Dartmouth College and Yale Law School. His stories have appeared in prestigious publications such as The New Yorker, Granta, Zoetrope, and The Best American Short Stories 2008, which Salman Rushdie selected. His collection, “In Other Rooms, Other Wonders,” was a finalist for both the Pulitzer Prize and the National Book Award. For several years, he practiced law in New York. He currently splits his time between Oslo, Norway, and his farm in South Punjab, Pakistan.

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Today, I dove into Tony Tulathimutte‘s “Rejection: Fiction,” and I’m already captivated! This book was longlisted for the 2024 National Book Award in Fiction and named a New York Times Best Book of the Year. Tulathimutte, known for his award-winning work “Private Citizens,” weaves together a series of electrifying linked stories that keenly examine how rejection weaves its way into the lives and relationships of his deeply intertwined characters.

With sharp observations and outrageous humor, *Rejection* delves into the most sensitive issues of modern life. This collection of seven interconnected stories transitions smoothly between the personal crises of a complex cast of characters and the comic tragedies associated with sex, relationships, identity, and the internet.

In “The Feminist,” a young man’s passionate allyship turns into furious nihilism as he realizes, after thirty lonely years, that his efforts are not leading to romantic success or even getting laid; in “Pics,” a young woman’s unrequited crush spirals into obsession, systematically eroding her sense of self. “Ahegao; or, The Ballad of Sexual Repression,” depicts a shy late bloomer whose fumbling attempts at a first relationship result in a life-changing mistake. As these characters intersect through dating apps, social media feeds, dimly lit bars, and bedrooms, they reveal how our delusions can distort our desire for connection.

These brilliant satires examine the understated sorrows of rejection with a modern classic’s authority and a manifesto’s frenetic energy. Bold and unforgettable, Rejection is a striking mosaic that redefines what it means to face rejection from lovers, friends, society, and oneself.

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What Kind of Paradise is a captivating and suspenseful novel by bestselling author Janelle Brown. It follows a young woman on her quest to understand self-identity. The story boldly explores complex themes, including the relationships between parents and children, the balance between nature and technology, the tension between innocence and knowledge, the losses we experience in our past, and our aspirations for the future.

This unforgettable narrative delves into what shapes us as individuals. The first thing you have to understand is that my father was my entire world, says Jane, the narrator.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read instead of going to school. Her father is elusive about their pasts, giving Jane little beyond the fact that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Walden-esque utopia.

As Jane becomes a teenager, she begins to push against the boundaries of her restricted world. She begs to accompany her father on his occasional trips away from the cabin. But when Jane realizes that her devotion to her father has made her an accomplice to a horrific crime, she flees Montana to the only place she knows to look for answers about her mysterious past and her mother’s death: San Francisco. It is a city amid a seismic change, where her quest to understand herself will force her to reckon with both the possibilities and the perils of the fledgling internet, and where she will come to question everything she values.

Janelle Brown is the New York Times bestselling author of I’ll Be You, Pretty Things, Watch Me Disappear, All We Ever Wanted Was Everything, and This Is Where We Live. An essayist and journalist, she has written for Vogue, The New York Times, Elle, Wired, Self, Los Angeles Times, Salon, and more. She lives in Los Angeles with her husband and their two children.

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Today, I started reading The Morningside: A Novel by Téa Obreht. The book tells the story of Silvia and her mother, who have been expelled from their home and have settled in a luxury tower called Island City, where Silvia’s aunt Ena is the superintendent. The Morningside is a place of magical possibilities, where Ena shares folktales with Silvia about her demolished homeland, a place of natural beauty and communal spirit. This starkly contrasts Silvia’s current reality, where she feels unmoored and disconnected from her past.

Silvia is fascinated by Bezi Duras, an enigmatic woman who lives in the penthouse and is shrouded in mystery. Bezi has her elevator entrance and only leaves the building at night to walk her three massive hounds, returning in the early morning. Silvia becomes obsessed with unraveling the truth about Bezi’s life and haunted past, even if it comes at a significant cost to her.

The Morningside is an inventive and moving novel that explores the power of storytelling and how we use it to make sense of our lives and the world around us.